View allAll Photos Tagged splittoning
Dad would have been 104 last week, so I had a look at some old photos. I am guessing that this was his father's Ford truck and that he was about 8 years old and that would date this photo as close to 1920.
HTT from me, my dad, and my grandpa.
I have photographed this abandoned place a few times now. I find it compelling from a human interest perspective, and I also find the off-kilter geometry appealing. I tried several versions in color before settling on black and white.
Thanks for looking!
...has her dad wrapped around her little finger!
I may have found a new muse; although she needs exhausting and bribing with treats before she's totally compliant.
Messing in a local cornfield. Quite enjoying my split-tone images with me in them. Although Mrs B thinks it's a narcissistic thing. She's wrong, of course; I'm scratching my creative itch.
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I guess since I'm calling it untitled at the biopark, it really has a title, but I don't really know what to title it.
It's been ages since Kim and I have been to the zoo.
So what do I photograph?
Lions and tigers and bears? Oh, no.
Rocks and shrubs and trees, that's so.
So I don't know what other than untitled at the biopark it should be.
One for the righteous, one for the ruling class
One for the tyrant, one for the slaughtered lamb
One for the struggle, one for the lasting peace
One for you, and one for me
One for the Führer, one for his child bride
One for the wedding, one for the suicide
One for the bunker, one for the broadcast booth
One for me, now one for you
How did we get so far away from us?
How did we get so far away?
One for the people, one for the parliament
One for the weary, one for the malcontent
One for the master, one for the protégé
One for you, and one for me
One for the bread lines, one for the billionaires
One for the missing, one for the barely there
One for the certain, one for the real confused
One for me, okay, now one for you
Now that we've come so far away from us
Now that we've come too far to say
You and me, you and me that is an awful lie
You and me, you and me that is an awful lie
It's I and I
It's I and I
It's I and I
It's I and I
(Bright Eyes)
Each journey starts with a little step even the journey of the soul to find the place it wants to be or who it wants to be with no matter hard hard it is to reach. Pleased with the image, apart from minor split tone, light vignette on the edge and a touch of contrast this effect is achieved in the DSLR, taken a couple of hours ago. Feel like i am getting better at my photography :) #Soul #Journey #Rebuild
I played around with a RAW from some time in the past. Some duotones and ready. For those of you who were not tortured with latin in school: Through the darkness to the window.
Photograph 2009, print 2009
Hasselblad 500C / 80mm T* Planar / Kodak Tri-X 400 / Kodak HC-110 / 6x6" silver gelatin print on 8x10" Ilford MGIV fiber matte / replenished Ethol LPD / light bleach back and redevelopment in Moersch MT3 and Harman Selenium
2009 Black Beach 04 2009 MGIV
Just love this dynamic sunsets on the beach. This is one from a few months ago. But looking at it again, it feels like yesterday!
Thanks for having a look! All faves and comments are highly appreciated!
You do me (and hopefully yourself) a big favour by pressing L and then F11, to view at maximum size.
Yes, for regular followers, the chocolate remains unopened and, therefore, uneaten. Here's to The Power of One. :)
© Anvilcloud Photography
A little split-tone fun with an otherwise simple path scene. I find using the split-tone feature in LR to be like going down a rabbit hole of processing. You run across so many slightly different variations that it's hard to pick one out!
Two image focus stack to get all the steps sharp and a wee while of wait to get a person to where I wanted at the top of the steps.
The Stade in Hastings Old Town has been used for beaching boats for more than a thousand years. It is now home to Europe's largest fleet of beach-launched fishing boats.
The word 'stade' is a Saxon term meaning landing place.
This is a photo from 2020, i.e. taken during the pandemic. I always liked the emptiness and peace back then
Number 281 of my 365 photo challenge - A split-toned, wide angle, macro image of a trio of Clustered Bonnet mushrooms.
Taken with my new 6D. The difference from a crop sensor to full frame has really blown me away and I can now see what everyone has been going on about. It really does make quite a difference.
Sakonnet Light
Little Compton, Rhode Island
A little experimentation here. Mostly processed with Silver Efex Pro, but then played with split toning in Lightroom, along with adding some grain to hide blemishes and processing artifacts. (The play with split toning was motivated by the marvelous work of Julius Tjintjelaar.) I also wore out the healing brush on this one---my sensor filter is looking as if it's been sneezed on repeatedly. I ordered a whole host of cleaning supplies, and I'm hoping they do the trick.
Filters: polarizer, 1-stop hard-edge GND, 10-stop ND
Captured after sunrise near Poggio Belvedere
Val d'Orcia, Tuscany
Thanks for taking the time to view, comment or fave my image.
I was sorely tempted to take out that stone in centre frame along with some of the twigs cluttering the image, but the more I looked the better I liked them. Adds to the creepy nature of the image, me thinks. Split toned B/W with yellow and blue for accents. Seen in Co. Mayo, Ireland. I share editing credit with my blind black cat who jumped on my keyboard and made some colour adjustments...