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Illustrated London News - 16th June 1945

Nikon D3300 - Nikkor 55-300mm f4.5-5.6 DX G ED

36 st in historic hampden i grew op on hickory av 4000 block and later moved back to 3800 block hickory av.

Here are the four Bosch FR8DS spark plugs that I just removed from my 1996 Volkswagen Mk3 Golf Harlequin.

 

The car has its original 2.0L "ABA" engine, with 180,000 miles (about 290,000 km).

 

I've owned and/or worked on a fairly wide variety of VWs and other cars since I was in my teens, and this may be the cleanest, most uniform set of used spark plugs I've ever seen. Of course, I replaced them with another set of Bosch FR8DS plugs.

***Not to be used on any blogs without my permission**

 

A project of mine has been taking photos of old classic Minis in a scrapyard. As my first car was a classic Mini, I still love these cars and have great memories of driving around in my black Mini.

You can see the project here: www.justingreen19.co.uk/mini

 

I sent the link of my photos to Miniworld and Classic Mini Magazines. Classic Mini never came back to me, but Miniworld emailed back saying they weren't interested in using my photos but would like to know the location of the Minis. I replied "yeah, I bet you would, its classified" as if I'm going to do the ground work for Miniworld and let them go down there and take photos.

Justin

www.justingreen19.co.uk

Nikon D80, Nikkor 18-70/3.5-4.5, ISO 100, f/4,5, 1/160, 65mm

 

Thank you all for faves and comments

MP 44.... I was eyeing this piece for over a year because at 35,000 Yen plus a hefty shipping fee, it would have ended up being close to $500 CAD after shipping.

 

But as luck would have it, a few weeks ago I was able to secure this one at a local EB Games, which was about MSRP, but I was able to benefit from a trade in promotion. It wasn't as a pristine box, but hey it's Optimus Prime, and my MP 36 needed a playmate.

 

So here we have it... the highlights from this figure. Highlights because if I were going to go into full detail, this would probably be an hour long to read.

 

The set is packed with what you'd expect from an Optimus Prime set, along with a few extra surprises. You get Prime and his trailer, along with a die cast Matrix, Energon supply hose, Roller, and the Repair Bay drone thing that apparently is called an Anti-Aircraft gun this time around.

 

You also get the Whitwicky's Spike and Sparkplug, along with Carly, three additional heads (cartoon round faced, battle damaged, Starscream with air intakes), his blaster, a damaged waist effect piece,, Energon Axe, two Energon blast effects that double as thruster effects, and the jet pack itself. There's also an adapter so you can use the base that comes with MP Dinobot with this figure, which is yet another expensive one.

 

Overall, it felt like Takara Tomy decided to pull a Hybrid Convoy and throw the kitchen sink at the set this time, third time and all.

 

The small figures can be positioned to ride in Prime's cab, on Roller,, within the cockpit of the Repair Drone, as well as several magnet friendly surfaces within the Trailer. Decent articulation on them for the tiny size though they're not going to be winning any likeness awards.

 

Going kind of in reverse, I'll quickly go over the non robot stuff because quite frankly while it's neat, it's not really my thing when it comes to Prime,

 

Naturally, the Trailer can be hitched to Prime in Cab mode, and Roller along with the Remote Drone can combine with it in several variations, including the classic Repair Bay. Also like the MP 10 and the Hybrid Convoy trailers, there are legs under the trailer that deploy to give it more stability.

 

New to the formula is that Roller and the Remote Drone can be linked together, forming a mini Tractor Trailer, and the Remote Drone can be taken off it's arm and combined on top of Roller. Furthermore, this particular iteration of the Trailer comes with a removable under carriage so that you can store all his accessories without cluttering the interior of the Trailer itself.

 

His Ion Blaster can be folded up and attached to the various components in different ways.

So lets talk about the actual Prime figure itself.

 

With this relatively recent shift to producing more toon accurate bot modes, it would be an understatement to say that the transformations are becoming more and more complex, mostly because most bot modes don't have wheels hanging out, or other vehicle bits, really. As a result, you pretty much get some really elaborate shell movements along with what is best described as an "inside-out" transformation.

This was the case with the impressive MP 34 Megatron, and it's definitely the case here.

 

The instructions have the transformation officially pegged at 75 steps, which is why it took me an hour to get it done... well mostly.

 

Those who have handled MPs will understand it's not just the steps, but rather, how thing some of these parts can be, coupled with the Lord knows how many hinges and joints are in these things. All these factors put together, coupled with how well pretty much everything fits together, is a true testament to the design team, QC, material selection, and price tag. Build quality is generally not an issue with this figure, though I did have some difficultly swapping out heads and the pieces that make up Prime's pelvis are kind of rough. Since we're on Build Quality, joints don't have any issues either or parts finishes.

 

Paint wise, with the exception of unfortunate areas of paint rub, you're going to get an overall set with great paint applications, with colours chosen by someone who isn't colour blind... or maybe they know how to use the Dropper tool on Photoshop.

 

The chrome work is a bit uneven in that the surfaces can appear to be slightly warped, especially the silver parts on Prime's feet.

 

But hey... they're shiny!

 

When you've finished with transformation, you get a figure that's probably 90% of the way to being truly cartoon accurate. There's the larger than normal backpack, which leads to some back heaviness. Furthermore, proportion wise I feel that Megatron got it closer, as to me Prime's shoulders are bit too small. What makes it even more impressive is that Megatron had to create volume out of thin parts.

 

Functional Matrix chamber is also a nice touch.

 

Size wise, MP44 is probably 1/8" taller than MP10, so the sizes are very comparable.

From an articulation perspective, it's definitely no Three A sixth scale figure, but for a figure that can transform it's go pretty much all the right moves. You get ankle tilts and ankle rollers, double jointed knees, thigh twist, hips, waist, ab crunch by pulling the torso off the waist, shoulders with limited lateral movement, biceps swivels, single jointed elbows, rotating wrist with slight bending capabilities, and ball socket at the base of the head.

The hips have a neat design to them - you can't pull them down to get more range of motion, but the waist flap does rotate with the upper leg, so it will naturally move out of the way. Prime also has flaps all around the waist to facilitate maximum range of motion there.

 

The aforementioned shoulders unfortunately somewhat limit the forward posing capabilities of the arms, the wrists are really not that useful, and the actual waist movement is quite limited without popping the the torso up,

 

Small ankle spurs also limit the types of dynamic poses the figure can pull of because of the heavy backpack.

 

Hands are kind of neat, Like with other MP figures with fists (such as Arcee), the index figure is separate from the other three, which are moulded together. Joints are present where these digits meal the palm of the hand, and the fingers have functional joints at the first point outward from the palm. This overall allows you to get a competent looking gun holding hand, along with a decent looking closed fist.

 

Overall, you'll still have great time playing within the limits, but it's just somewhat of a letdown given how great Megatron turned out.

 

A few more notes before closing out here. The Prime heads all have functional points on them, and they're pretty thin too, so be mindful of that while handling them. There's also a battery pack, which I've yet to power up, but I believe it's a combination of lights and sounds.

 

I've been fortunate enough to possess all three MP Optimus Primes, though this is my first Takara version. MP 01 will always remain a classic, despite being a comparatively crude figure... I mean, the thing is about a foot tall transformed and has so much die cast in it you can use it as a weapon of mass destruction.

 

In the battle of MP 10 versus MP 44, it's really a tough call. It comes down to preference because they both represent high quality versions of the character, just that MP 10 is the toy aesthetic whereas MP 44 is all about that show accuracy. MP 44 undoubtedly pairs with MP 36 much better than MP 10.

I'd say if you got one of those MP 36+ figures, which mimics Megatron's classic toy appearance, you're probably alright sticking with MP 10 from a looks perspective, especially if all you're really into is the bot mode and aren't too fussed about having all those points of articulation.

 

It's a combination of taste, and price, though there are some insane resellers who are trying to sell MP10 for basically the same price as a MP 44.

 

Hopefully Toys R Us will do their usual thing, and bring some version of MP 44 to its stores, most likely pulling a Rodimus Prime and ditching the trailer. Still, it would be a good compromise to get the main figure and hopefully keep the glorious paint (it's Toys R Us... you never know).

 

Now if they'd only make that MP Wheelie that I've always wanted...

All of my classic car photos can be found here: Car Collections

 

Visit to the Auburn Cord Duesenberg Museum in Auburn, Indiana on January 25, 2011.

 

One of a kind 1937 Cord 812 hardtop coupe. Note the Auburn headlights rather than the standard Cord retractable headlights. This Cord was commissioned by Robert A. Stranahan, Sr., the founder and president of Champion Sparkplugs.

Early 20th Century Gas Station Memorabilia, Liberty, Missouri USA

I spotted this 1977 - '79 Lincoln Continental Mark V in the parking lot at Walgreens.

 

With the water tower from the former AC Spark Plug factory complex in the background, I felt this luxury Lincoln worked as a fitting metaphor for my hometown - a little rough around the edges, but still formidable and awe-inspiring.

 

East Flint, Michigan.

Friday, February 27, 2015.

This paper toy is Dragon Cat, a tiny desk wandering robot who loves being cuddled and patted on the head, the papercraft is created by Alex G.

Spark Plug feeds on wi-fi signals so can always be found around peoples computers and routers, when she’s fully charged she runs around as fast as she c...

 

www.papercraftsquare.com/spark-plug-paper-toy-free-templa...

Something special about original Mercedes Benz replacement parts... Taken while finishing up engine wiring harness replacement on my '95 E320 wagon.

'plug' is 15.5" tall, 5" deep and is spring mounted to a 1962 Buick Fireball V6 air cleaner cover, wall hangable

I have found your problem sir. Your spark needs revitalising.

is a sparkplug lighthouse located off Constable Hook in Bayonne, Hudson County, New Jersey, United States, along the west side of Main Channel, Upper New York Bay. The tower and integral keepers quarters were built in 1883. It replaced an octagonal granite tower built in 1839. The U.S. Coast Guard owned and operated the light station until the 2000s. The light is located on a small ridge of sand named Robyn's Rift by the Dutch settlers of the area. The reef is now called Robbins Reef. It is situated near the entrance to the Kill van Kull, a strait connecting New York Bay to Newark Bay. The channel is one of the most heavily used in the Port of New York and New Jersey, accessing Port Newark-Elizabeth Marine Terminal.

 

The name derives from the New Netherland era of the 17th century. In Dutch rob or robyn means seal, groups of which would sometimes lie on the reef at low tide. The structure is also called Kate's Light for Kate Walker who "manned" the station alone after the death of her husband Captain John Walker in 1886, until 1919. She rowed her children to school on Staten Island. Herman Westgate was the last keeper of the lighthouse before it was finally automated. In 2009 Robbins Reef was put up for sale under the National Historic Lighthouse Preservation Act. In 2011, the Noble Maritime Collection, a maritime museum on Staten Island, was granted stewardship of the light station by the U.S. General Services Administration.

   

Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/6802040724

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Cracked burnt valve in my motorcycle engine (It's a 1988 Kawasaki KLR 650).

 

That explains why it would not run too well lately, and i had a really hard time starting the engine. There was virtually no compression at all (which is no surprise when you see that hole).

 

What's amazing is that the engine could still run at all with that enormous hole in one of the exhaust valves, as long as i kept it above 3,000 RPM. I was able to drive the bike 700 miles at 70 Mph to bring it home in San Francisco, from Death Valley.

 

I think it started as a hairline crack (like the one that can be seen on the left side of the damaged valve), and then slowly got larger with the years and the hot gases flowing in the crack. Also, because of the crack, the valve was not seating well, so it got hotter (normally valve heat dissipate in the head when the valve is closed). This crack (combined with a tight valve adjustment) contributed to weaken the steel of this exhaust valve even more, causing what's called a "burnt valve'.

 

I checked the other valves and they are in decent shape. There is a minor leak in one of the intake valves (I might need to get this one reseated). The good part is that the damaged valve is not bent, and the valve seat is clean. So i'll just replace that valve and lap it.

 

The piston is clean, and luckily no shrapnel debris from that valve got in the combustion chamber.

 

If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.

Chassis n° 2071GT

Engine n° 2071GT

 

Bonhams : the Zoute Sale

Estimated : € 1.200.000 - 1.600.000

 

Zoute Grand Prix 2019

Knokke - Zoute

België - Belgium

October 2019

 

By the early 1960s, road car production had ceased to be a sideline for Ferrari and was seen as vitally important to the company's future stability. Thus the 250, Ferrari's first volume-produced model, can be seen as critically important, though production of the first of the line - the 250 Europa, built from 1953 to '54 - amounted to fewer than 20. Before the advent of the Europa, Ferrari had built road-going coupés and convertibles in small numbers, usually to special customer order using a sports-racing chassis as the basis. Ghia and Vignale of Turin and Touring of Milan were responsible for bodying many of these but there was no attempt at standardisation for series production and no two cars were alike.

 

The introduction of the 250 Europa heralded a significant change in Ferrari's preferred coachbuilder; whereas previously Vignale had been the most popular carrozzeria among Maranello's customers, from now on Pinin Farina (later 'Pininfarina') would be Ferrari's number one choice, bodying no fewer than 48 out of the 53 Europa/Europa GTs built. Pinin Farina's experiments eventually crystallised in a new Ferrari 250 GT road car that was first displayed publicly at the Geneva Salon in March 1956. However, the Torinese Carrozzeria was not yet in a position to cope with the increased workload, resulting in production being entrusted to Carrozzeria Boano after Pinin Farina had completed a handful of prototypes.

 

The 250 GT featured the lighter and more compact Colombo-designed 3.0-litre V12 in place of its predecessor's bulkier Lampredi unit. Power output of the single-overhead-camshaft all-aluminium engine was 220bhp at 7,000rpm. Shorter in the wheelbase (by 200mm) than that of the Europa, the 250 GT chassis followed Ferrari's established practice, being a multi-tubular frame tied together by oval main tubes, though the independent front suspension now employed coil springs instead of the previous transverse leaf type. A four-speed all-synchromesh gearbox transmitted power to the live rear axle, while braking was looked after by hydraulic drums all round.

 

True series production began with the arrival of Pininfarina's 'notch back' Coupé on the 250 GT chassis, some 353 of which were built between 1958 and 1960 within the sequence '0841' to '2081'. However, the relatively small scale of production meant that cars could still be ordered with subtle variations according to customer choice, as well as enabling a handful of show cars and 'specials' to be constructed on the 250 GT chassis.

 

A number of prominent European coachbuilders offered a variety of body styles on the 250 GT chassis, with Scaglietti and Pininfarina producing elegant open-top spyder and cabriolet models. Exhibited at the 1957 Geneva Salon, the latter's first 250 GT Cabriolet, which, unusually, featured a Vintage-style cut-down driver's door, was snapped up by Ferrari works driver Peter Collins, who later had the car converted to disc brakes. After a handful of alternative versions had been built, series production began in July 1957, around 40 Series I Pininfarina Cabriolets being completed before the introduction of the Series II in 1959. Effectively an open-top version of the Pininfarina-built 250 GT Coupé, whose chassis and mechanicals it shared, the Cabriolet was built alongside its closed cousin until 1962. Overall design followed that of the Coupé, with short nose and long rear overhang, while a more-vertical windscreen provided greater headroom in the generously sized cockpit. As well as the aforementioned improvements to brakes and transmission, the Series II cars benefited from the latest, 240bhp V12 with outside sparkplugs, coil valve springs, and 12-port cylinder heads. The 250 GT was the most successful Ferrari of its time, production of all types exceeding 900 units, of which 200 were Series II Cabriolets like that offered here.

 

A number of important developments occurred during 250 GT production: the original 128C 3.0-litre engine being superseded by the twin-distributor 128D, which in turn was supplanted in 1960 by the outside-plug 128F engine which did away with its predecessor's Siamesed inlets in favour of six separate ports. On the chassis side, four-wheel disc brakes arrived late in 1959 and a four-speeds-plus-overdrive gearbox the following year, the former at last providing the 250 GT with stopping power to match its speed. More refined and practical than any previous road-going Ferrari, yet retaining the sporting heritage of its predecessors, the 250 GT is a landmark model of immense historical significance. Despite this, original survivors are relatively few, as many have been modified and converted into replicas of more exotic Ferraris such as the 250 GTO, Testarossa, etc.

 

According to the accompanying Massini Report, chassis number '2071' is the 66th of the 200 units built, and as a Series II car has the added advantage of disc brakes all round. Originally finished in the handsome combination of Grigio Argento with Nero interior, the Ferrari was sold new in 1960 via Jacques Swaters' Garage Francorchamps, the official Ferrari importer for Belgium, to its first owner, Jean Blaton. A wealthy Belgian industrialist, Ferrari aficionado and gentleman racing driver, who raced under the name 'Beurlys', Jean Blaton had an excellent taste and was a personal friend of Jacques Swaters, from whom he bought numerous Ferraris over the years.

 

Blaton is best remembered for his daring exploits in the Le Mans 24-Hour Race in which he drove a succession of Ferraris over a 10-year period between 1958 and 1967, finishing on the podium on nearly every outing. On many occasions he drove his own Ferraris, including a 250 GT MM, 250 GT Testarossa, 250 GT LWB Tour de France, 250 GT SWB, 250 GTO, 250 LM, and 330 P3/P4. He secured his best result at Le Mans in 1963 when he finished 2nd overall with co-driver Langlois van Ophen at the wheel of a Ferrari 250 GTO, winning the GT Class for Swaters' racing team, Écurie Francorchamps.

 

Jean Blaton was also a friend of Enzo Ferrari, who was only too happy to accommodate his highly regarded customer's special requests. In the case of his 250 GT Cabriolet, Blaton specified that the car should have large side vents in the front wings, similar to those of the Series III 410 Superamerica, which were incorporated by Pinin Farina on Mr Ferrari's instruction. These vents not only make the car appear more sporting, they also serve to break up its lengthy flanks to good effect. Blaton's car, with its special features, was prominently displayed in Ferrari's 1960 yearbook.

 

In 1964, Blaton sold '2071' to Luigi Chinetti, another gentleman racing driver and sole importer of Ferraris into the USA. The car was then sold to a Mr Gilbertson from Vista, California. Following Mr Gilbertson's death, the Ferrari was acquired from his widow in 1978 by Mr Ken Gerber of San Diego, California, who kept it for the next 32 years. A member of the Ferrari Owners' Club, Mr Gerber enjoyed the car throughout the 1980s, attending various events.

 

During Mr Gerber's ownership (in 1992-1994) a fastidious restoration was carried out, the precision machining work on the engine and mechanical systems being entrusted to recognised specialist Bob Wallace of Phoenix, Arizona. Original parts were retained wherever possible and the few that were not saveable were either replaced with originals or perfect reproductions. The car was refinished in Rosso Rubino and completed in time for the 1994 International Ferrari Concours in Monterey.

 

Ken Gerber sold the Ferrari in 2010 and the following year the car moved to the UK having been bought by DK Engineering. The car was sold to Belgium in 2012, since when it has belonged to the current lady owner. Carrying the very suitable registration, '250 – GTS', the car has been enjoyed by its owner on numerous occasions and at prestigious events including the Zoute Rally. Now presented in excellent condition after recent cosmetic re-commissioning, it affords the prospect of comfortable open-top cruising in unparalleled style. Possessing links to Belgian and excellent provenance, this unique Ferrari 250 GT Cabriolet is worthy of the closest inspection.

'plug' is 15.5" tall, 5" deep and is spring mounted to a 1962 Buick Fireball V6 air cleaner cover, wall hangable

Want to start something really big? Look no further - Super Spark plug has all the features you dream about(?). From top top bottom -

terminal - brass desk light shade

ceramic insulator - aluminum baking molds

hex - vintage fruit strainer

seat - coffee urn grounds basket

reach/threads - old ribbed Thermos

center electrode - light socket

ground electrode - vegetable grinder leg

Remember to always check the

manufacturers' specs for proper plug gap! Stand 36" tall

Anastazia is about slightly under 5 feet, but might as well be 10 feet tall. She's a real sparkplug in the class.

 

I mean,look at that lovely young woman's face and eyes. Every element speaks energy, verve and mischief.

 

I have to laugh, she is quite particular about her name being pronounced with the "z". All I can say, tho he really tries to remember, it's been a rough semester for Paul everytime he uses her name.

 

'plug' is 15.5" tall, 5" deep and is spring mounted to a 1962 Buick Fireball V6 air cleaner cover, wall hangable

Insert sparkplug joke below, please.

A fading sign in Highland Park advertises an auto supply company and a famous brand name. The brand is named after the French cyclist Albert Champion, who also lent his initials to the AC brand of spark plugs.

Artist: Paul Gustave Mohr (1890 - 1959), a French avant-garde poster designer from the Art Deco period. He designed advertising posters from 1920 to 1940.

Eski ve Yeni | Old & New

 

Otomotiv Yedek Parça : Buji

Auto Spare Parts : Spark Plug

  

Tavsiye | Advice : AllSizes

  

Tüm otomotiv fotograflarımı görmek için :

(To view all of my automotive photos...)

www.flickr.com/photos/ad6307/sets/72157608505028711/

 

..

Yorum ve favori için teşekkürler ...

Thanks for comment and favorite...

 

GoogleBuzz

 

+PS

near Warwick, Rhode Island; built in 1883 at the end of a shoal that protrudes into the Providence River.

AC Spark Plug ad

"Reader's Digest"

December 1957

Pictures of the West Bank Light from on board the Royal Caribbean Anthem of the Seas at the beginning of our week-long cruise. The West Bank Light is a sparkplug lighthouse that dates from 1901 and is in the Lower New York Bay. It serves as the front range light with the Staten Island Lighthouse serving as the rear range. This guided ships into the Ambrose Channel. I was able to see a number of lighthouses in New York Harbor this trip. On board the Royal Caribbean Anthem of the Seas for the Seven Night Labadee & Puerto Plata Cruise (November 6th through 13th, 2022). The cruise embarks from Cape Liberty (Bayonne, NJ) with stops at Labadee, Haiti and Puerto Plata, Dominican Republic before heading back to New York City. The itinerary changed after Hurricane Nicole canceled our planned stops.

Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.

 

If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.

It was a sad day when Pee Wee's Klock Korner closed on the East side. I always liked this long, narrow storefront which was nestled between the train tracks leading into AC Spark Plug and Robert T. Longway Blvd., next to James Lumber - all of which are now gone.

 

East Flint, Michigan.

Sunday, November 17, 2013.

Who can save the day when an inter-dimensional threat arises? A threat that is too much for one hero to handle?

 

The Omni-squad!

 

Though, I was incorrect when I said "one hero". This team is actually one hero but four alternate versions of him from different timelines!

  

Cody Sparks/Prime (Third from the right)

 

The member from Earth Prime and also the teams leader. He has unique body armor, advanced fighting skills (At least for a 17 year old) and special plasma katanas.

  

Cora Sparks/Indigo

 

Let me clarify this, she is technically not the same person as him. She is actually his twin sister that wasn't born in the other timelines.

 

She also has some armor and katanas of her own. Also, her fighting skills far surpass Prime's.

  

Cody Sparks/Sparkplug

 

This one is actually only 12 years old but his knowledge is above all the others'. He is so smart he built himself a mechasuit to fight crime which gives him the usual mecha-abilities.

  

Cody Sparks/Code

 

He is the weapons expert of the team and the oldest. He is from an... unfortunate future, so he isn't the happiest person. He has fighting training but his is less elegant and doesn't involve any swordsmanship.

 

-------------------------------------------

 

Full bios coming soon. I don't think I'm gonna edit those pictures though.

  

The League of LEGO heroes: "Suit up, sign up."

 

www.flickr.com/groups/2236018@N24

La Espada was introduced in 1954 at the GM Motorama, a traveling auto show that showcased futuristic designs. This two-seat fiberglass sports convertible was powered by Cadillac’s 230-hp V-8 engine. Mechanically, the car was similar to the El Camino concept coupe but featured a specially engineered convertible top and innovative design elements like ribbed aluminum fender sides and dual headlights controlled by an Autronic Eye.

 

La Espada was also showcased at the 1954 Chicago Auto Show. Interestingly, actor Ronald Reagan, who later became the 40th President of the United States, served as the Grand Marshal during the event and was photographed behind the wheel of La Espada. The car's futuristic design and features, like quad headlights and jet fins, hinted at Cadillac's future styling cues.

 

Despite its striking design and advanced features, La Espada was never mass-produced. Concept cars like this were often created to test new ideas and gauge public interest rather than for commercial production.

 

[Sources: ClassicCars.fandom.com, and ChicagoAutoShow.com]

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