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A nimai-do gusoku [armour]
Momoyama - Edo period, late 16th - early 17th century
the momonari kabuto [peach shaped helmet] chased and engraved with auspicious characters, silver rivets in the form of blossoms, the flat mabisashi [peak] with floral scrolls in European manner, gilt fukurin, six tier black lacquer shikoro [neck guard] with kebiki odoshi [close-lacing] in a dark blue braid, the maedate [forecrest] of an ichimonji mitsuboshi mon [three stars under one crest], the russet iron mempo with open mouth and broad horse bristle moustache, gilded teeth, four-tier yodaregake [throat protector], the iron do [cuirass] applied with gilt leather embossed with scrolling vines in European manner, black lacquer fukurin and blue braid to the lower section consistent with all parts, the reverse constructed in horizontal plates with spaced lacing, six tier sode [shoulder guards], chain mail sote [sleeves], seven tassets of five-tiered kusazuri [skirt], with shino suneate [shin guards], with an armour storage box and modern armour stand
A honkozane munatori do-maru gusoku [armour]
The mempo signed moto Munesuke shinzu
Myochin Munetaka
(Myochin Munetaka, based on a design by Munesuke)
Edo period, 18th century
the sixty-two plate iron bowl with raised ridges, terminating into a five-stage tehen kanamono engraved and inlaid in silver and gilt with chrysanthemums the mabisashi [peak] of stenciled Dutch leather, the large fukigaeshi [turnbacks] with applied copper-gilt mon, the three-tier shikoro with kebiki odoshi [close-laced] in green and white braid, suken maedate [forecrest of a sword], gilt-metal kuwagata on an ornate kuwagata-dai pierced, chased and engraved with chrysanthemums above scrolling foliage, the mempo with detachable nose plate and broad yak bristle moustache, the mouth agape, three-tier yodaregake [throat protector], with nodawa [throat guard], the heavy iron do [cuirass] hinged in two pieces, all components laced in kebiki odoshi [close-laced] in green and white braid, the broad o-sode [large shoulder guards] of seven tiers, chainmail hyotan-gote [sleeves with gourd-shaped embellishments], seven tassets of five-tiered kusazuri [skirt], the underskirt in silk brocade lacquer plates, shino suneate [shin guards], with two armour storage box and a wood armour stand
Saturday morning on the vineyard hill in the cellar village of Hajos, Hungary - people are starting to arrive with club soda to their cellars (where they have an ample supply of wine to drink during the day... / Szombat reggel a hajósi pincefaluban - a tulajdonosok szállingóznak a pincéikbe szódásüvegeikkel - bor van itt fenn is elég...
Historic cellar village of Hajos, Hungary - the largest continuous cellar district in Europe, consisting of 1,200 wine cellars, this 'cellar town' is virtually a village in its own right, built on top of a loess hill in the middle of the Hungarian Plains. Cellars are 10 to 50 metres long, in most cases lined with brick walls, ensuring constant and ideal temperature for wine storage. Wine press houses were built on top of the entrance of the cellars.
I spent an evening here at a friend's cellar with friendly discussions, drinking wine and eating grilled meat, in an ideal setting under a walnut tree. Next morning I drove around the cellar village and took some more pictures.
Hajósi pincefalu. Egy régi kedves bajai barátom meghívására töltöttünk el hármasban egy remek júliusi péntek estét itt, vacsorára remek pácolt húsokat sütöttünk tárcsán, beszélgettünk és italoztunk késő estig. A pince elé épített présházban emeletén aludtunk, és reggeli után indultunk haza. Reggel még tettem egy kört a pincefaluban és további képeket készítettem erről a különleges és hangulatos helyről.
A fine Okegawa-do gusoku [armour]
Momoyama - Edo period, late 16th - early 17th century
the russet iron saiga-bachi [Saiga school helmet] in zunari form of eight plates with raised rivets, the crown comprising of plates to form a stylised chrysanthemum head, black lacquer fukigaeshi [turnbacks], four tier shikoro [neck guard] with kebiki odoshi [close-laced] in a dark blue braid, the lacquered wood maedate [forecrest] of an onigawara [demon-faced roof tile], the eyes and teeth in gilt, the russet iron mempo with open mouth and broad horse bristle moustache, gilded teeth, five-tier yodare-gake [throat protector], the heavy iron do [cuirass] hinged in two pieces with horizontal plates, applied gilt bonji [sanskrit character], the gilt fukurin imitating cord, six-tier black lacquer sode [shoulder guards], chainmail kote [sleeves], the tekko [gauntlets] with silver maru ni ken katabami mon [encircled sword through creeping wood sorrel crest], six tassets of five-tiered kusazuri [skirt], the lining of the sleeves, underskirt and greaves decorated in gold brocade with scrolling karakusa on a blue ground, the iron shinosunaete [shin guards] with further maru ni ken katabami mon and hinged with riveted butterflies, with sashimono [battle standard] emblazoned with yatagarasu mon [three-legged crow crest], armour box
This chap is selling soda in the street; hand made soda. On his cart he has some empty glass bottled (recycled) , soda hash (in the yellow box), ice, lime and water. He prepares the lemon soda on demand. Here he is painfully pushing his cart up the small street of Bhaktapur.
Ce gars vends des sodas dans la rue, faits main. Sur sa cariole il transporte des bouteilles en verre (recyclees), de la soude (dans la boite jaune), de la glace, des citrons verts et de l'eau. Il prépare le sode au citron à la demande. ici il pousse péniblement sa cariole dans les rues de Bhaktapur.
A gusoku [armour]
The helmet signed Myochin Muneyuki
Edo period, 17th - 18th century
the russet iron bowl of zunari form with hammered eyebrows, the fukigaeshi [turnbacks] laced in green braid, the red lacquer shikoro of five tiers with spaced lacing in green braid, crescent moon maedate and dragon amongst flames, the russet iron mempo chased and engraved, the mouth agape, broad horse bristle moustache, red lacquer interior, three-tier yodaregake [throat protector], the yokohagi iron do [cuirass] hinged in two parts with horizontal plates, stenciled Dutch leather, copper-gilt fukurin, laced with kebiki odoshi [close-spaced] in dark blue braid, the sode [shoulder guards] of six tiers, chainmail kote [sleeves], six tassets of three-tiered kusazuri [skirt], the lining of the underskirt decorated in gold brocade with peonies amongst scrolling foliage, the shino suneate [shinguards] similarly decorated, with an armour storage box
A nerikawa nimai-do gusoku [armour]
Edo period, 18th-19th century
the lacquered bowl simulating a russet iron kabuto with raised ridges, the mabisashi [peak] and fukigaeshi [turnbacks] of stenciled Dutch leather decorated with cherry blossoms and foliage, the turnbacks with applied gilt myoga mon [ginger crests], the four tiered shikoro [neck guard] of red lacquered iron and with kebiki odoshi [close-spaced lacing] in dark blue braid, the helmet bowl with yak hair decoration, gilt kuwagata, dark red lacquer hanbo [half mask] with prominent jaw, hammered cheekbones and wrinkles, three-tier yodare-gake [throat protector] comprised of honkozane [true lamellae] plates, the do [cuirass] hinged in two pieces, all components of red-lacquered kitssuke-zane [false lamallae] in kebiki-odoshi and dark blue braid, six-tier sode [shoulder guards], seven tassets of five-tier kusazuri [skirt] with horse hair bristle edging, chainmail kote [sleeves] decorated in blue and gold brocade with floral roundels, the tekko [gauntlets] with further gilt myoga mon, the underskirt in brocade and kittsuke-zane, shino suneate [shin guards], with an armour storage box and modern armour stand
A nerikawa nimai-do gusoku [armour]
Edo period, 18th-19th century
the lacquered bowl simulating a russet iron kabuto with raised ridges, the mabisashi [peak] and fukigaeshi [turnbacks] of stenciled Dutch leather decorated with cherry blossoms and foliage, the turnbacks with applied gilt myoga mon [ginger crests], the four tiered shikoro [neck guard] of red lacquered iron and with kebiki odoshi [close-spaced lacing] in dark blue braid, the helmet bowl with yak hair decoration, gilt kuwagata, dark red lacquer hanbo [half mask] with prominent jaw, hammered cheekbones and wrinkles, three-tier yodare-gake [throat protector] comprised of honkozane [true lamellae] plates, the do [cuirass] hinged in two pieces, all components of red-lacquered kitssuke-zane [false lamallae] in kebiki-odoshi and dark blue braid, six-tier sode [shoulder guards], seven tassets of five-tier kusazuri [skirt] with horse hair bristle edging, chainmail kote [sleeves] decorated in blue and gold brocade with floral roundels, the tekko [gauntlets] with further gilt myoga mon, the underskirt in brocade and kittsuke-zane, shino suneate [shin guards], with an armour storage box and modern armour stand
Настоящие доспехи работы японских мастеров. Комплект состоит из маски - менпо ( Menpo , mempo ), кирасы - до ( Dou ), шлема - кабуто ( Kabuto ), наплечий – соде ( Sode ), наручий – котэ ( Kote ), поножий – хайдате, поножий – сунэатэ. Лот №607141477 на Молоток.ру
A nanban-do gusoku [armour]
The kabuto signed Saotome
Momoyama - Edo period, late 16th - early 17th century
the fifty-two plate iron bowl with small standing rivets, rising into a five stage copper-gilt tehen kanamono, plain russet iron mabisashi [peak], the fukigaeshi [turnbacks] in gilded leather, the four tiered shikoro [neck guard] of black lacquer and with sugakeodoshi [spaced lacing] in dark blue braid, gold lacquer maedate [forecrest], hitosume kamon [one eye crest], the russet iron mempo [face mask] with detachable nose plate and open mouth, broad yak bristle moustache, silver lacquered teeth, red lacquer interior, three tiered yodaregake [throat protector], the heavy iron hinged do [cuirass], decorated in silver and red overlay with a dragon among crashing waves, the eyes inlaid in gilt, the reverse with further waves, the gold kanamono finely chased and engraved with chrysanthemums and foliate scrolls, all components with spaced lacing in dark blue braid, six tier sode [shoulder guards], chainmail kote [sleeves], seven tassets of five tiered kusazuri [skirt] in gilded leather, the underskirt decorated in a pale green brocade, shino suneate [shin guards], with two armour storage boxes and leather covers, and modern armour stand
The off sode view of a beautiful double deck coach. Broadstone based LD 219 (08 D 68906) at O'Connell Street, en route to Busaras, after operating route 111 from Athboy via Trim to Dublin.
A honkozane munatori do-maru gusoku [armour]
The mempo signed moto Munesuke shinzu
Myochin Munetaka
(Myochin Munetaka, based on a design by Munesuke)
Edo period, 18th century
the sixty-two plate iron bowl with raised ridges, terminating into a five-stage tehen kanamono engraved and inlaid in silver and gilt with chrysanthemums the mabisashi [peak] of stenciled Dutch leather, the large fukigaeshi [turnbacks] with applied copper-gilt mon, the three-tier shikoro with kebiki odoshi [close-laced] in green and white braid, suken maedate [forecrest of a sword], gilt-metal kuwagata on an ornate kuwagata-dai pierced, chased and engraved with chrysanthemums above scrolling foliage, the mempo with detachable nose plate and broad yak bristle moustache, the mouth agape, three-tier yodaregake [throat protector], with nodawa [throat guard], the heavy iron do [cuirass] hinged in two pieces, all components laced in kebiki odoshi [close-laced] in green and white braid, the broad o-sode [large shoulder guards] of seven tiers, chainmail hyotan-gote [sleeves with gourd-shaped embellishments], seven tassets of five-tiered kusazuri [skirt], the underskirt in silk brocade lacquer plates, shino suneate [shin guards], with two armour storage box and a wood armour stand
Cumhuriyet Halk Partisi Genel Başkanı Kemal Kılıçdaroğlu, SODEM
Toplantısına katılmak üzere geldiği Seferihisar’dan ayrılmadan önce Sığacık
ve Ulamış Köylerini ziyaret ederek vatandaşlarla kucaklaştı
With a depiction of this four stack cruiser on one sode
Please email maundy@gairney.plus.com for any suspected copyright infringements.
An iro-iro odoshi nimai-do gusoku [armour with variegated lacing]
The helmet signed by Myochin Nobuie (circa 1504-54)
Edo period, 16th century
the sixty-two plate iron bowl, terminating into a four)-stage chrysanthemum tehen kanamono, the mabisashi [peak] of stenciled Dutch leather, the large fukigaeshi [turnbacks] with Bishamonten, the two-tier shikoro with kebiki odoshi [close-laced] in blue and orange braid, the wood gold lacquer maedate [forecrest] in the form of Marici, the Buddhist God of war, gilt-metal kuwagata on an ornate kuwagata-dai pierced, chased and engraved with chrysanthemums above scrolling foliage, the mempo with detachable nose plate, black lacquer interior, two-tier yodaregake [throat protector], the heavy iron do [cuirass] hinged in two pieces, all components laced in iro-iro odoshi [variegated lacing] alternating between dark blue, orange and white braid, the broad o-sode [large shoulder guards] of five tiers, chainmail hyotan-gote [sleeves with gourd-shaped embellishments], seven tassets of five-tiered kusazuri [skirt], the underskirt decorated in stecniled Dutch leather with lacquer plates, shino suneate [shin guards], with two armour storage boxes and a modern armour stand
A fine Okegawa-do gusoku [armour]
Momoyama - Edo period, late 16th - early 17th century
the russet iron saiga-bachi [Saiga school helmet] in zunari form of eight plates with raised rivets, the crown comprising of plates to form a stylised chrysanthemum head, black lacquer fukigaeshi [turnbacks], four tier shikoro [neck guard] with kebiki odoshi [close-laced] in a dark blue braid, the lacquered wood maedate [forecrest] of an onigawara [demon-faced roof tile], the eyes and teeth in gilt, the russet iron mempo with open mouth and broad horse bristle moustache, gilded teeth, five-tier yodare-gake [throat protector], the heavy iron do [cuirass] hinged in two pieces with horizontal plates, applied gilt bonji [sanskrit character], the gilt fukurin imitating cord, six-tier black lacquer sode [shoulder guards], chainmail kote [sleeves], the tekko [gauntlets] with silver maru ni ken katabami mon [encircled sword through creeping wood sorrel crest], six tassets of five-tiered kusazuri [skirt], the lining of the sleeves, underskirt and greaves decorated in gold brocade with scrolling karakusa on a blue ground, the iron shinosunaete [shin guards] with further maru ni ken katabami mon and hinged with riveted butterflies, with sashimono [battle standard] emblazoned with yatagarasu mon [three-legged crow crest], armour box
A freelance project of mine that the client wanted me to make some customized bottle labels for her, her cousin & their friend's Glitz & Glam Party.
I hand drew all the elements, & put them in Illustrator. Kinda mad because I lost some details when I vectored the images.
*She doesn’t have a head cause I really couldn’t see her face details in the pictures that were given to me so I had to draw those later.
~Occupation: Member of 13th Squad
~Zanpakuto = Sode no Shirayuki
~Release command =Dance (mai)
~Bankai = none
This is a rare example of a medieval yoroi. The yoroi is characterized by a cuirass that wraps around the body and is closed by a separate panel (waidate) on the right side and by a deep four-sided skirt. In use from around the tenth to the fourteenth century, yoroi were generally worn by warriors on horseback.
Originally, this armor was laced in white silk and had diagonal bands of multicolored lacings at the edges of the skirt and the sode (shoulder guards, missing here). The colored lacings symbolized the rainbow, which represented both good fortune and fleeting beauty. The breastplate is covered with stenciled leather bearing the image of the powerful Buddhist deity Fudō Myō-ō, whose fierce mien and attributes of calmness and inner strength were highly prized by the samurai.
Traditionally, it is believed that this yoroi was donated to the Shinomura Hachimangū , a shrine near Kyoto, by Ashikaga Takauji (1305–1358), founder of the Ashikaga shogunate.
This helmet is part of a rare example of a medieval yoroi. The yoroi is characterized by a cuirass that wraps around the body and is closed by a separate panel (waidate) on the right side and by a deep four-sided skirt. In use from around the tenth to the fourteenth century, yoroi were generally worn by warriors on horseback.
Originally, this armor was laced in white silk and had diagonal bands of multicolored lacings at the edges of the skirt and the sode (shoulder guards, missing here). The colored lacings symbolized the rainbow, which represented both good fortune and fleeting beauty. The breastplate is covered with stenciled leather bearing the image of the powerful Buddhist deity Fudō Myō-ō, whose fierce mien and attributes of calmness and inner strength were highly prized by the samurai. The helmet, long associated with this armor, dates from the middle of the fourteenth century.
Traditionally, it is believed that this yoroi was donated to the Shinomura Hachimangū , a shrine near Kyoto, by Ashikaga Takauji (1305–1358), founder of the Ashikaga shogunate.
A fine Okegawa-do gusoku [armour]
Momoyama - Edo period, late 16th - early 17th century
the russet iron saiga-bachi [Saiga school helmet] in zunari form of eight plates with raised rivets, the crown comprising of plates to form a stylised chrysanthemum head, black lacquer fukigaeshi [turnbacks], four tier shikoro [neck guard] with kebiki odoshi [close-laced] in a dark blue braid, the lacquered wood maedate [forecrest] of an onigawara [demon-faced roof tile], the eyes and teeth in gilt, the russet iron mempo with open mouth and broad horse bristle moustache, gilded teeth, five-tier yodare-gake [throat protector], the heavy iron do [cuirass] hinged in two pieces with horizontal plates, applied gilt bonji [sanskrit character], the gilt fukurin imitating cord, six-tier black lacquer sode [shoulder guards], chainmail kote [sleeves], the tekko [gauntlets] with silver maru ni ken katabami mon [encircled sword through creeping wood sorrel crest], six tassets of five-tiered kusazuri [skirt], the lining of the sleeves, underskirt and greaves decorated in gold brocade with scrolling karakusa on a blue ground, the iron shinosunaete [shin guards] with further maru ni ken katabami mon and hinged with riveted butterflies, with sashimono [battle standard] emblazoned with yatagarasu mon [three-legged crow crest], armour box
A honkozane munatori do-maru gusoku [armour]
The mempo signed moto Munesuke shinzu
Myochin Munetaka
(Myochin Munetaka, based on a design by Munesuke)
Edo period, 18th century
the sixty-two plate iron bowl with raised ridges, terminating into a five-stage tehen kanamono engraved and inlaid in silver and gilt with chrysanthemums the mabisashi [peak] of stenciled Dutch leather, the large fukigaeshi [turnbacks] with applied copper-gilt mon, the three-tier shikoro with kebiki odoshi [close-laced] in green and white braid, suken maedate [forecrest of a sword], gilt-metal kuwagata on an ornate kuwagata-dai pierced, chased and engraved with chrysanthemums above scrolling foliage, the mempo with detachable nose plate and broad yak bristle moustache, the mouth agape, three-tier yodaregake [throat protector], with nodawa [throat guard], the heavy iron do [cuirass] hinged in two pieces, all components laced in kebiki odoshi [close-laced] in green and white braid, the broad o-sode [large shoulder guards] of seven tiers, chainmail hyotan-gote [sleeves with gourd-shaped embellishments], seven tassets of five-tiered kusazuri [skirt], the underskirt in silk brocade lacquer plates, shino suneate [shin guards], with two armour storage box and a wood armour stand
- 1902 Washington Building Houston Street Art Appreciation Day
- See all the photos I took from the event here: 1902 Washington Bldg Set
*Comments, tags, and notes are all welcome.
A nerikawa nimai-do gusoku [armour]
Edo period, 18th-19th century
the lacquered bowl simulating a russet iron kabuto with raised ridges, the mabisashi [peak] and fukigaeshi [turnbacks] of stenciled Dutch leather decorated with cherry blossoms and foliage, the turnbacks with applied gilt myoga mon [ginger crests], the four tiered shikoro [neck guard] of red lacquered iron and with kebiki odoshi [close-spaced lacing] in dark blue braid, the helmet bowl with yak hair decoration, gilt kuwagata, dark red lacquer hanbo [half mask] with prominent jaw, hammered cheekbones and wrinkles, three-tier yodare-gake [throat protector] comprised of honkozane [true lamellae] plates, the do [cuirass] hinged in two pieces, all components of red-lacquered kitssuke-zane [false lamallae] in kebiki-odoshi and dark blue braid, six-tier sode [shoulder guards], seven tassets of five-tier kusazuri [skirt] with horse hair bristle edging, chainmail kote [sleeves] decorated in blue and gold brocade with floral roundels, the tekko [gauntlets] with further gilt myoga mon, the underskirt in brocade and kittsuke-zane, shino suneate [shin guards], with an armour storage box and modern armour stand
A nerikawa nimai-do gusoku [armour]
Edo period, 18th-19th century
the lacquered bowl simulating a russet iron kabuto with raised ridges, the mabisashi [peak] and fukigaeshi [turnbacks] of stenciled Dutch leather decorated with cherry blossoms and foliage, the turnbacks with applied gilt myoga mon [ginger crests], the four tiered shikoro [neck guard] of red lacquered iron and with kebiki odoshi [close-spaced lacing] in dark blue braid, the helmet bowl with yak hair decoration, gilt kuwagata, dark red lacquer hanbo [half mask] with prominent jaw, hammered cheekbones and wrinkles, three-tier yodare-gake [throat protector] comprised of honkozane [true lamellae] plates, the do [cuirass] hinged in two pieces, all components of red-lacquered kitssuke-zane [false lamallae] in kebiki-odoshi and dark blue braid, six-tier sode [shoulder guards], seven tassets of five-tier kusazuri [skirt] with horse hair bristle edging, chainmail kote [sleeves] decorated in blue and gold brocade with floral roundels, the tekko [gauntlets] with further gilt myoga mon, the underskirt in brocade and kittsuke-zane, shino suneate [shin guards], with an armour storage box and modern armour stand
A nanban-do gusoku [armour]
The kabuto signed Saotome
Momoyama - Edo period, late 16th - early 17th century
the fifty-two plate iron bowl with small standing rivets, rising into a five stage copper-gilt tehen kanamono, plain russet iron mabisashi [peak], the fukigaeshi [turnbacks] in gilded leather, the four tiered shikoro [neck guard] of black lacquer and with sugakeodoshi [spaced lacing] in dark blue braid, gold lacquer maedate [forecrest], hitosume kamon [one eye crest], the russet iron mempo [face mask] with detachable nose plate and open mouth, broad yak bristle moustache, silver lacquered teeth, red lacquer interior, three tiered yodaregake [throat protector], the heavy iron hinged do [cuirass], decorated in silver and red overlay with a dragon among crashing waves, the eyes inlaid in gilt, the reverse with further waves, the gold kanamono finely chased and engraved with chrysanthemums and foliate scrolls, all components with spaced lacing in dark blue braid, six tier sode [shoulder guards], chainmail kote [sleeves], seven tassets of five tiered kusazuri [skirt] in gilded leather, the underskirt decorated in a pale green brocade, shino suneate [shin guards], with two armour storage boxes and leather covers, and modern armour stand