View allAll Photos Tagged sharpangles
The diagnosis of hip dysplasia, the prognosis, the evaluation of different methods of treatment is based mainly on X-rays of the hip joint. For the objective evaluation of hip dysplasia and description in everyday orthopaedic care the acetabular index (AI) or the Centre-edge angle (CE) are frequent measured. But the measurement of AI is not valid index for acetabular Dysplasia in children over 8 years of age and in cases with subluxation of the femoral head where the centre-edge angle (CE) is not accurately calculated. The acetabular angle of Sharp (AA) is especially designed for theses cases.The acetabular angle of Sharp (AA) is formed by a horizontal line connecting the tips of the both pelvic teardrops and by a line connecting the inferior tip of the pelvic teardrop with the most lateral point of the acetabular roof.
Measuring angles X-rays in clinical settings it is time consuming. Accessory instruments like protractors, goniometers, well sharped pencils, rulers or even transparent papers must be available in a busy everyday practice. Usually you miss or you never had one or another. Also after measurement you have to compare the data that you measure with the normal reference values according to patient age, and decide what could be considered normal in an X-ray of the hip and what is considered pathologic. This way is cumbersome and old fashioned.The SharpAngle app is medical software aimed for orthopaedic surgeons, providing tools that allow doctors to:-Securely import medical images directly from the camera or stored photos
Black and white photograph showing a modern building facade with angular windows, a small door, and gravel landscaping.
DSCF9558.JPG
wingspan ~30mm
RWWA-1041 BOLD DNA: A species level match has been made.
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 ge=-123 56.8140:lon
BOLD >10
Great hotel, but they really need some vending machines or something. I'd like the luxury of being able to eat something at 1:30 am besides a $13 nacho platter (Don't get me wrong- I love nachos. I just don't love the $13)
A striking view of a now-transformed structure that once graced the corner of Brushfels Street and Bishops Square, beside Kenny Hunter’s "I Goat" sculpture. Captured in dramatic black-and-white, the photograph highlights the building's sharp architectural angles and textured facade, preserving a memory of its original form.
DSCF9950.JPG
Insects (Insecta) » Butterflies and Moths (Lepidoptera) » Moths » Geometroidea » Geometrid Moths (Geometridae) » Larentiinae » Xanthorhoini » Euphyia » Sharp-angled Carpet - Hodges#7399 (Euphyia intermediata)
see discussion of E. unangulata/intermediata:
Locality: Coastal SW Washington State at the edge of Willapa Bay
geo:lat=46.624389 geo:lon=-123.949728
BOLD >10
F# 1225
The Edward W. Brooke Courthouse, on New Chardon Street. The sharp angle here is the way the building was designed, not the effect of a wide-angle lens.
Euphyia intermediata - Sharp-angled Carpet 7399
wingspan ± 30 mm
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 geo:lon=-123 56.814
Specimens without DNA data but one of the least unworn with body marks and hindwing exposed.
I liked the angle of this shot. I walked around the statue looking for an original way to capture the statue. Here I chose to come up close to it and look up towards the cloudy sky. The seagulls add a sense of impending doom to the picture. Alas, the picture came out too dark.
Just to complete the water tower pictures, here is this old thing. The ladder is at such a steep angle the the last climb must be quite a thrill
Order Lepidoptera (Butterflies and Moths)
No Taxon (Moths)
Superfamily Geometroidea
Family Geometridae (Geometrid Moths)
Subfamily Larentiinae
Tribe Xanthorhoini
Genus Euphyia
Species intermediata (Sharp-angled Carpet - Hodges#7399)
Lodi Township, MI
DSCF1187.JPG F# 1258
Locality: Coastal SW Washington State at the edge of Willapa Bay
geo:lat=46.624389 geo:lon=-123.949728
I have a bit of an obsession for wrought-iron in photography, and when combined with rope, dramatic shadows, and sharp angles, I fell in love with this shot.
DSCF9474.JPG
wingspan ~29mm
RWWA-1029 BOLD DNA: A species level match has been made.
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 ge=-123 56.8140:lon
DSCF9070.JPG
wingpsan ~36mm F# 2054
RWWA-0982 BOLD DNA: A species level match has been made.
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 ge=-123 56.8140:lon
La Brea, Powell
Sunset, Pierce
Wilshire, Grant
Geary, Wilshire
from Los Francisco San Angeles, 2001
Ed Ruscha
Portfolio of 7 colour soft-ground etchings
Words form a key component of much of Ruscha's art. In this series, street names such as 'Melrose', 'Sunset' and 'La Brea' evoke urban California and give meaning to the grids, tracks and complex intersections that might otherwise be read as minimalist compositions. Sharp angles and diagonal lines are a recurring feature of Ruscha's work, in which buildings, billboards and letters often recede dramatically, as if shot for the movies.*
From the exhibition
Ed Ruscha: roads and insects
(September 2023 – January 2024)
This display of prints by American artist Ed Ruscha (b. 1937) focused on his prevailing interest in the physical world around him.
At its centre was Insects, a portfolio of six colour screenprints depicting life-sized flies, ants and cockroaches, complete with shadows to give the illusion of three-dimensional critters resting, swarming or scuttling across flat surfaces.
Printed in 1972, the portfolio was displayed in full. It was acquired by the British Museum in 2023 as a gift from a private collector in memory of Paul Thomson to the American Friends of the British Museum. The display also included a portfolio of seven soft-ground etchings from 2001 titled Los Francisco San Angeles, in which Ruscha creates imaginary maps that intersect the principal roads of LA and San Francisco, and two prints from the artist's 2014 series of Rusty Signs, which appear to comment on the fading of the American Dream.
In 1956, aged just 18, Ruscha moved from Oklahoma City in the South Central US to Los Angeles, the West Coast city with which he is most closely associated and where he has been based ever since. The near 1,400-mile journey along Route 66 would become very familiar to him over years of travelling back and forth and inspire his first artist's book, Twentysix Gasoline Stations. Self-published in 1963, this was a cheaply printed paperback containing black-and-white photographs of the filling stations that punctuated the highway like 'cultural belches in the landscape' (Ruscha). Ever since those early days in LA, where he trained in commercial graphic design, roads, cars, gas stations, signs and billboard advertisements have occurred frequently in Ruscha's art across a variety of media including painting, printmaking, photography, drawing and film.
[*British Museum]
Taken in British Museum
A striking view of a now-transformed structure that once graced the corner of Brushfels Street and Bishops Square, beside Kenny Hunter’s "I Goat" sculpture. Captured in dramatic black-and-white, the photograph highlights the building's sharp architectural angles and textured facade, preserving a memory of its original form.
DSCF1826.JPG F#1540
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 geo:lon=-123 56.814
2541-DSCF5309.JPG
Wingspan ~30mm
RWWA-2535 BOLD DNA: First 50 matches from 99.6 -100% for E. intermediata
Locality: Coastal SW Washington State at the edge of Willapa Bay geo:lat=46 37.273 geo:lon=-123 56.814
www.boldsystems.org/views/taxbrowser.php?taxon=Euphyia+in...