Rijkswaterstaat spellen

ontwerp: Michel Taanman www.micheltaanman.nl 06-53386198

Production Design and Execution by

Niki de los Reyes-Torres, PATDAT

for

"A Funny Thing Happened on the Way to the Forum"

Theater Down South

2010

Signs:

EAT OR DIE,and HAVE YOU EATEN TODAY?, designed and painted by Amanda Relaford

IN FOOD WE TRUST,designed by Amanda Relaford and painted by Isabel Astacio

EAT, PRAY, DIE, designed and painted by Jeff Millsaps

Players of GSU 2010

Director- Dr. Frank Miller

Set Design- Todd Studebaker

Assistant Set/Prop Design- Amanda Relaford

Assistant Set/Sound design- Jeff Milsaps

Lighting Design- Lyndsay Ramberg

Costume Design- Jason Estala

1968 Apartment Set Design, Drayer Hall, Dickinson College, Carlisle, PA

Sunbury Downs College presents HAIRSPRAY, 2016

Photo courtesy of Sunbury Downs College and Chris Mitchell

Set design and construction by David Bentley

Note: student identity is masked to protect their privacy

Motorcycle Adventure Boston MA To Madison WI July August 2009

trying to catch up.

details coming soon...

The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,

The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,

The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,

Uma exposição itinerante em homenagem os 20 anos do Programa Nacional de Incentivo à Leitura (Proler) da Biblioteca Nacional.

Projeto: Daniel Leão e Markito Fonceca

Execução e Montagem : Articulação Cenografia

Supervisão de Cenografia: Carlos Augusto Campos e Leandro Ribeiro

Carpintaria: Washington Castelo

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,

Christmas Crescendo

When all the scenes unfolded, Mary and baby Jesus were barely visible

(view large to see things better :D )

This backdrop was designed for the modern day interpretation for the book 1984 by George Orwell. I chose the scene where Winston gets tortured in Room 101. The pliers link to the physical pain of getting teeth pulled out

best viewed large.

1968 Apartment Set Design, Drayer Hall, Dickinson College, Carlisle, PA

Body Awareness Set coming alive and a room full of fabulous designers

Uma exposição itinerante em homenagem os 20 anos do Programa Nacional de Incentivo à Leitura (Proler) da Biblioteca Nacional.

Projeto: Daniel Leão e Markito Fonceca

Execução e Montagem : Articulação Cenografia

Supervisão de Cenografia: Carlos Augusto Campos e Leandro Ribeiro

Carpintaria: Washington Castelo

This is part of a 13,000 square foot studio set I designed for the 11th Hour television series

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

Tin Ceiling's "Fourth Dimension", July of 2003.

Stage design for "imperfect church" series. Flew old windows and pics from trusses.

Details; designingforphilistines.blogspot.com/2009/09/creative-fuz...

1968 Apartment Set Design, Drayer Hall, Dickinson College, Carlisle, PA

This is what I had to work with for the Godspell set. A formal space to change into a junkyard.

"The Golden Age" by Louis Nowra

Roundhouse Theatre, Western Australian Academy of Performing Arts, March 2013

Directed by Andrew Lewis

Set Design by Sarah Duyvestyn (me)

Costume Design by Olivia Tartaglia

Lighting Design by Jack Edmunds

The elevator set, exterior with one of the main characters, K (Claude LaVallee) in front of the door.

Sunbury Downs College presents HAIRSPRAY, 2016

Photo courtesy of Sunbury Downs College and Chris Mitchell

Set design and construction by David Bentley

Note: student identity is masked to protect their privacy

"Prelude to a Kiss", Open Stage Theater, December 2004

Set designer and scenic artist

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

Motorcycle Adventure Boston MA To Madison WI July August 2009

Drinks on installed black and white dance floor

Client: Alda Events

Stagedesign: 250K

Visuals/Operator: Eyesupply

Picture: 12-02-2011 st. Petersburg Russia

Uma exposição itinerante em homenagem os 20 anos do Programa Nacional de Incentivo à Leitura (Proler) da Biblioteca Nacional.

Projeto: Daniel Leão e Markito Fonceca

Execução e Montagem : Articulação Cenografia

Supervisão de Cenografia: Carlos Augusto Campos e Leandro Ribeiro

Carpintaria: Washington Castelo

via Instagram ift.tt/1B2rmpO

Christmas Crescendo

overall effect

The main focus was on how the true meaning of Christmas is often swallowed up by all the hub bub of Christmas doings...

After all the scenes unfolded, Mary and baby Jesus were barely visible...

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,