View allAll Photos Tagged setdesign
The Winterling, May 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Jez Pike,
"The Golden Age" by Louis Nowra
Roundhouse Theatre, Western Australian Academy of Performing Arts, March 2013
Directed by Andrew Lewis
Set Design by Sarah Duyvestyn (me)
Costume Design by Olivia Tartaglia
Lighting Design by Jack Edmunds
"The Golden Age" by Louis Nowra
Roundhouse Theatre, Western Australian Academy of Performing Arts, March 2013
Directed by Andrew Lewis
Set Design by Sarah Duyvestyn (me)
Costume Design by Olivia Tartaglia
Lighting Design by Jack Edmunds
Client: Alda Events
Stagedesign: 250K
Visuals/Operator: Eyesupply
Picture: 12-02-2011 st. Petersburg Russia
Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,
Client: Alda Events
Stagedesign: 250K
Visuals/Operator: Eyesupply
Picture: 12-02-2011 st. Petersburg Russia
"Realism" by Anthony Neilson
Roundhouse Theatre, Western Australian Academy of Performing Arts, June 2014
Directed by Anthony Skuse
Set Design by Sarah Duyvestyn (me)
Costume Design by Hannah Metternick-Jones
Lighting Design by Devon Lovelady
Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,
"The Golden Age" by Louis Nowra
Roundhouse Theatre, Western Australian Academy of Performing Arts, March 2013
Directed by Andrew Lewis
Set Design by Sarah Duyvestyn (me)
Costume Design by Olivia Tartaglia
Lighting Design by Jack Edmunds
Dal 2 al 7 marzo 2020 gli studenti dell’Accademia si sono confrontati con gli esperti della creatività , traslando la teoria in pratica e percependo, sulla propria pelle, le differenze che intercorrono tra la formazione e il mondo delle professioni.
I workshop non sono soltanto un momento di approfondimento di rilevante importanza, ma rappresentano la massima espressività della didattica.
Set Design for the 82nd Annual Academy Awards / Oscars.
Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.
The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.
The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.
Model Photograph
Crackpot
Directed By Fran Gebhard
Set Design By Laurin Kelsey
Phoenix Theatres
March 2007
Client: Alda Events
Stagedesign: 250K
Visuals/Operator: Eyesupply
Picture: 12-02-2011 st. Petersburg Russia
"The Golden Age" by Louis Nowra
Roundhouse Theatre, Western Australian Academy of Performing Arts, March 2013
Directed by Andrew Lewis
Set Design by Sarah Duyvestyn (me)
Costume Design by Olivia Tartaglia
Lighting Design by Jack Edmunds
Starting furniture in my sketch for the dressing room scene of Kiss Me Kate. Using a Wacom Cintiq monitor and Alias Sketchbook Pro.
"Realism" by Anthony Neilson
Roundhouse Theatre, Western Australian Academy of Performing Arts, June 2014
Directed by Anthony Skuse
Set Design by Sarah Duyvestyn (me)
Costume Design by Hannah Metternick-Jones
Lighting Design by Devon Lovelady
Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,
Espria theatertour
opdrachtgever: Bruggen Verwiel Eventmarketing.
Decorontwerp: Michel Taanman
uitvoering: Maarten ten Holt en Michel Taanman
contact: micheltaanman1@mac.com
Jesus Beyond TIme and Space
for more details: designingforphilistines.blogspot.com/2009/07/creative-fuz...
This was inspired by a photo shared here at the lab.