View allAll Photos Tagged setdesign
UWOpera 2007, University of Western Ontario, London, Ont. Talbot Theatre, dir. Theo. Baerg. Set design and paint.
This 'period' production of Pride and Prejudice in Bardwell Auditorium at Dana Hall School called for a box set with painted garden backdrop visible through windows and french doors.
costume design and watercolor and ink rendering by Niki de los Reyes-Torres, PATDAT
for Brian Maestro's DRACULA
watercolor on quality paper
Direção:Marcos Mazzaro
Assist. Direção: Erika Bernardo
Cenografia:Carlos Augusto Campos e
Léo Jesus
Assist. Cenografia:Juliane trancoso e Mariana Feijó
Figurino: Luciana Moura e Tâmi Borges
Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.
Lovley Farm table - with 8 chairs or without - two leafs included - All for rental. www.ShopStudios.com
Production Design by Niki de los Reyes-Torres, PATDAT
Location: Genabe Ancestral House, Pola, Mindoro Oriental
please check out www.bigboylovesyou.com for more details
@ Belgrade, Serbia Designed by www.skillsdivision.com
..for less formal encounter we are @ Facebook ...so drop by :)
Direção:Marcos Mazzaro
Assist. Direção: Erika Bernardo
Cenografia:Carlos Augusto Campos e
Léo Jesus
Assist. Cenografia:Juliane trancoso e Mariana Feijó
Figurino: Luciana Moura e Tâmi Borges
Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.
Crowded Fire Theatre Company 2009
Director: Marissa Wolf
Set Design: Emily Greene
Costume Design: Jonathan Singer
Lighting Design: Masha Tsimring
Photograph: Dave Nowakowski
Flux Theatre Ensemble's Star Drop, available for rent in the NYC area! It's huge!
Contact Kelly O'Donnell at kelly@fluxtheatre.org to arrange a rental.
My Piece of Happiness, Chapter Arts Centre, February 1998
Writer: Lewis Davis
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Dorien Thomas
“A simple but effective setting by Carolyn Willitts, a beautifully realised production.” Jon Holliday, The Stage
The set was made from sheets of opal polycarbonate that was lightly scored with a router to create a tiled effect which became apparent in certain lighting states. Scene locations included a park, a social service office, a dining hall in an institutional facility and a jazz club.
Direção:Marcos Mazzaro
Assist. Direção: Erika Bernardo
Cenografia:Carlos Augusto Campos e
Léo Jesus
Assist. Cenografia:Juliane trancoso e Mariana Feijó
Figurino: Luciana Moura e Tâmi Borges
Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.
Production Design and Execution by
Niki de los Reyes-Torres, PATDAT
for Gingerbread Man's Easter
Easter 2010
Goodbye New York, Goodbye Heart
By Lally Katz
Directed by Oliver Butler
Scenic Design by Valérie Thérèse Bart
Costume Design by Carolyn Hoffmann
Lighting Design by Carolyn Wong and Emily McGillicuddy
Sound Design by Asa Wember
The Production Company
HERE Arts Center Mainstage
Danielle Slavick (Clare)
Erin Maya Darke (Sally)
Nicolle Bradford (Caroline)
Photo by Rick Ngoc Ho
Mind Adventures Theatre Co. is working on a new production. This new, as yet unnamed show sees them pursue their fascination with projected images, this time using cutouts of paper which will interact with the actors on stage. More information here: daytripper.wordpress.com/
this is a set of 'the seagul' by sandra in second year, she made the maze with cardbord and parsely!!! smells lovely!
Production Design and Execution by
Niki de los Reyes-Torres, PATDAT
for Gingerbread Man's Easter
Easter 2010
Production Design and Execution by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
2010
My Piece of Happiness, Chapter Arts Centre, February 1998
Writer: Lewis Davis
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: James Westaway
“A simple but effective setting by Carolyn Willitts, a beautifully realised production.” Jon Holliday, The Stage
The set was made from sheets of opal polycarbonate that was lightly scored with a router to create a tiled effect which became apparent in certain lighting states. Scene locations included a park, a social service office, a dining hall in an institutional facility and a jazz club.
This set was built for a french commercial. A somewhat glamourized(!) mock-up of the soviet MIR space station (yes, glamourized; the real MIR looked like an old electronics repair-shop's trash can). It was refreshing to not work with this oh-ever-so-clean-over-the-top-Minority-Report-type-technological-minimalism-thing so popular everywhere these days. That future is getting old...
If you feel like it, you can watch the whole spot here:
www.youtube.com/watch?v=MEzGC7TVJRo
Soundstage in Mexico City.
The Bigger Picture: View On Black
Plate of set design by Gustave Oláh for a production of Coppelia at the Royal Opera House in Budapest in Settings & Costumes of the Modern Stage by Theodore Komisarjevsky and Lee Simonson. London: The Studio, Limited; New York: The Studio Publications, Inc., 1933. PN2091.S8 K6
Killing Kangaroos, The Sherman, Cardiff, October 1999
Writer: Roger Williams
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Lucinda Cowden
Set in the land of Soap Opera, a Welsh trio arrive in Australia for a backpacking holiday…
The set was the television set of an Australian soap opera; a large open-plan house with sliding glass doors leading to a swimming pool in an affluent suburb of North Sydney. The production actually starred two real life soap actors, Lucinda Cowden who played Melanie Pearson in Neighbours and Richard Norton who played Simon Fitzgerald in Home and Away.
My Piece of Happiness, Chapter Arts Centre, February 1998
Writer: Lewis Davis
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Dorien Thomas
“A simple but effective setting by Carolyn Willitts, a beautifully realised production.” Jon Holliday, The Stage
The set was made from sheets of opal polycarbonate that was lightly scored with a router to create a tiled effect which became apparent in certain lighting states. Scene locations included a park, a social service office, a dining hall in an institutional facility and a jazz club.
Direção:Marcos Mazzaro
Assist. Direção: Erika Bernardo
Cenografia:Carlos Augusto Campos e
Léo Jesus
Assist. Cenografia:Juliane trancoso e Mariana Feijó
Figurino: Luciana Moura e Tâmi Borges
Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.
Direção:Marcos Mazzaro
Assist. Direção: Erika Bernardo
Cenografia:Carlos Augusto Campos e
Léo Jesus
Assist. Cenografia:Juliane trancoso e Mariana Feijó
Figurino: Luciana Moura e Tâmi Borges
Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.
Perspective, Chapter Arts Centre, Cardiff, New Vic Studio, Bristol Old Vic, February 2000
Writer: Mark Ryan
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Lloyd Wylde
Set in a bar in the Weimar Republic in Germany 1993, the backcloth was a painted montage of the characters from the play in the style of George Grosz. This play formed a double bill with Venus, and was designed to incorporate a quick set change in the interval.