View allAll Photos Tagged setdesign
Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998
Writer: Roger Williams
Director: Steve O’Reilly
Designer: Carolyn Willitts
Theatre Company: CF1 Theatre Company
Photographs: Carolyn Willitts
“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman
"As a political event, Saturday Night Forever, is important" Western Mail
"An eye opening and captivating piece of tragicomedy" Theatre in Wales
"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."
The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.
The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.
Model photograph of Act I of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998
Writer: Roger Williams
Director: Steve O’Reilly
Designer: Carolyn Willitts
Theatre Company: CF1 Theatre Company
Photographs: Carolyn Willitts
“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman
"As a political event, Saturday Night Forever, is important" Western Mail
"An eye opening and captivating piece of tragicomedy" Theatre in Wales
"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."
The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.
The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.
Lovley Farm table - with 8 chairs or without - two leafs included - All for rental. www.ShopStudios.com
Infomercial.
Productora: Aleta Media.
Director: Sergio Dotta.
Ambientación: Luis González Oliva.
Lugar: Locación.
Fotos: Luis González Oliva.
Año 2009.
Illustration of a set design by Robert Edmond Jones Himmlische Und Irdische Liebe (Launzi) Act V The Tower Room in Drawings for the Theatre by Robert Edmond Jones PN2091 .S8 J6
Still under construction. In front of my apartment is a major set for Divergent / CatBird. Seems like these small cement-painted condo-looking structures could be the abnegation houses described in the first Divergent book.
One of the descriptions mentions that Tris could see "The Hub" (The Sears/Willis Tower), from her small bedroom window. That would mean on of the outside set-homes here would be hers?
###SPOILER ALERT####
We have head that this set will mostly be used for the war-like portion of the book. The part where Dauntless, under the control of Erudite start to attack the Abnegation homes.
CatBird / Divergent
Venus, Chapter Arts Centre, Cardiff. New Vic Studio, Bristol Old Vic, February 2000
Writer: Peter Morgan
Director: Rebecca Gould
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
“One of the most striking things about this performance was the simple grace of the set.” New Welsh Review
The set had to provide a variety of locations including a contemporary apartment, a photographer’s studio, an art gallery and a restaurant. Paper screens were projected onto and torn down. A restaurant table became a lightbox. This play formed a double bill with Perspective, and was designed to incorporate a quick set change in the interval.
This sofa came with me to Cheltenham and Bristol but didn't make it as far as Manchester.
Model photograph of Act III of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998
Writer: Roger Williams
Director: Steve O’Reilly
Designer: Carolyn Willitts
Theatre Company: CF1 Theatre Company
Photographs: Carolyn Willitts
“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman
"As a political event, Saturday Night Forever, is important" Western Mail
"An eye opening and captivating piece of tragicomedy" Theatre in Wales
"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."
The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.
The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.
The set model for Perspective, Chapter Arts Centre, Cardiff, New Vic Studio, Bristol Old Vic, February 2000
Writer: Mark Ryan
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Set in a bar in the Weimar Republic in Germany 1993, the backcloth was a painted montage of the characters from the play in the style of George Grosz. This play formed a double bill with Venus, and was designed to incorporate a quick set change in the interval.
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
Infomercial.
Productora: Aleta Media.
Director: Sergio Dotta.
Ambientación: Luis González Oliva.
Lugar: Locación.
Fotos: Luis González Oliva.
Año 2009.
Production Design by Niki de los Reyes-Torres, PATDAT
Location: Genabe Ancestral House, Pola, Mindoro Oriental
please check out www.bigboylovesyou.com for more details
Model photograph of Act IV of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Model photograph of Act IV of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Infomercial.
Productora: Aleta Media.
Director: Sergio Dotta.
Ambientación: Luis González Oliva.
Lugar: Locación.
Fotos: Luis González Oliva.
Año 2009.
Most of the day was spent wandering from one part of the wall to the next, going over the set plans and mood pictures.
ounger days, this fusion of the traje de Mestiza and the decolette Victorian Era gown with crinolines became the aesthetic for this portion of the folkloric ballet
Set and Costume Design by
Niki de los Reyes-Torres, PATDAT
for
Leonor Orosa Goquingco's
Filipinescas: Philippine Life, Legend, and Lore in Dance
Cultural Center of the Philippines
the Full Monty - Rose Theatre Productions :: Set Design: Pascal Labillois - Scenic Artist: Vaughn Davis
Model photograph of Act II of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...