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Illustration of a set design by Robert Edmond Jones for The Cenci Act IV Scene IV The Arrest of Beatrice in Drawings for the Theatre by Robert Edmond Jones PN2091 .S8 J6
FOX ON THE FAIRWAY
By Ken Ludwig
April 22 to May 14, 2016
Village Playhouse, Toronto
Directed by Katherine Bignell-Jones
CAST:
Conor Ling as Justin Hicks
Kristy Paillé as Louise Heindbedder
Richard Hoffman as Dickie Bell
Steve Ness as Henry Bingham
Whitney Alexander as Pamela Peabody
Allyson Landy as Muriel Bingham
PRODUCTION TEAM:
Producers: Theresa Arneaud, Steve Minnie
Stage Manager: Bridget Jankowski
Lighting Design: Mike Coffey, Jay Hines
Sound Design: Dustin Woods-Turner
Set Design: Steve Minnie, Fotini Paraschos, JD Joute
Head carpenters: Fotini Paraschos, JD Joute
Costume Design: Shauna Mclean, Heather Martin
Props: Karen Brookfield, Rosemary McGillvary
Poster: Sue Gilck
Program: David Nicholson
Audition co-ordinator: Tatiana Zhdanova
Photographer: Jennifer Etches
Prop from Ben Hur (William Wyler 1959). Exhibition 'Cinema: Come nasce un sogno', Scuderie Aldobrandini, Frascati, Italy
Franklin street notification and set direction sign for CatBird / Divergent. Seen after shooting hours on in the Chicago Loop neighborhood.
Franklin street notification, extras holding area and Lunch direction sign for CatBird / Divergent. Seen after shooting hours on in the Chicago Loop neighborhood.
CatBird / Divergent
Model photograph of Act I of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998
Writer: Roger Williams
Director: Steve O’Reilly
Designer: Carolyn Willitts
Theatre Company: CF1 Theatre Company
Photographs: Carolyn Willitts
“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman
"As a political event, Saturday Night Forever, is important" Western Mail
"An eye opening and captivating piece of tragicomedy" Theatre in Wales
"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."
The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.
The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.
Lovley Farm table - with 8 chairs or without - two leafs included - All for rental. www.ShopStudios.com
Illustration of a set design by Robert Edmond Jones Himmlische Und Irdische Liebe (Launzi) Act V The Tower Room in Drawings for the Theatre by Robert Edmond Jones PN2091 .S8 J6
Still under construction. In front of my apartment is a major set for Divergent / CatBird. Seems like these small cement-painted condo-looking structures could be the abnegation houses described in the first Divergent book.
One of the descriptions mentions that Tris could see "The Hub" (The Sears/Willis Tower), from her small bedroom window. That would mean on of the outside set-homes here would be hers?
###SPOILER ALERT####
We have head that this set will mostly be used for the war-like portion of the book. The part where Dauntless, under the control of Erudite start to attack the Abnegation homes.
CatBird / Divergent
Venus, Chapter Arts Centre, Cardiff. New Vic Studio, Bristol Old Vic, February 2000
Writer: Peter Morgan
Director: Rebecca Gould
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
“One of the most striking things about this performance was the simple grace of the set.” New Welsh Review
The set had to provide a variety of locations including a contemporary apartment, a photographer’s studio, an art gallery and a restaurant. Paper screens were projected onto and torn down. A restaurant table became a lightbox. This play formed a double bill with Perspective, and was designed to incorporate a quick set change in the interval.
This sofa came with me to Cheltenham and Bristol but didn't make it as far as Manchester.
Model photograph of Act III of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...