View allAll Photos Tagged setdesign
Philip Pleasants, Leonard E. Barrett Jr., Michael Bouchard and Gabriel Morales-Gonzalez in the Denver Center Theatre Company’s production of A Christmas Carol. Photo by Jennifer M Koskinen.
Model photograph of Act III of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Perfume shop as drug store. Odd how they decided not use Owl Drug on Avenue 57, which actually was around in 1949 and hasn't changed much since. (photo by Cris)
Illustration for the ballet Thamar in The Russian Ballet by A. E. Johnson; with Illustrations by René Bull. Boston & New York: Houghton Mifflin Company, 1913. GV1787 .J6
this is the editor of mode magazine's office....
looking out towards betty's desk.....
from the tv series "ugly betty"
Lots of new shelves. I'm shelf-absorbed.
blogged here: smidgehouse.blogspot.com/2011/04/shelf-absorbed.html
Storyboards are like a cartoon version of the movie. They show the story in pictures, which helps in planning the sets, the camera placement and the overall visual flow of the film.
Some watercolour sketches for a backcloth design for Llangollen Operatics production of 'Carousel'. A lot of the musical takes place against a sea side back drop which will be painted on a back cloth 7 meters by 4 meters. These are the design ideas for that backdrop.
Killing Kangaroos, The Sherman, Cardiff, October 1999
Writer: Roger Williams
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Richard Norton
Set in the land of Soap Opera, a Welsh trio arrive in Australia for a backpacking holiday…
The set was the television set of an Australian soap opera; a large open-plan house with sliding glass doors leading to a swimming pool in an affluent suburb of North Sydney. The production actually starred two real life soap actors, Lucinda Cowden who played Melanie Pearson in Neighbours and Richard Norton who played Simon Fitzgerald in Home and Away.
This was the opening scene of the play, Richard appeared dripping wet behind the sliding doors as if straight from the pool while Right Here, Right Now by Fat Boy Slim blasted loudly. Costume shopping for this particular outfit was certainly memorable.
costume design and watercolor rendering by Niki de los Reyes-Torres, PATDAT
William Shakespeare's
A Midsummer Night's Dream
for Theater Down South's first ever production in 2007
watercolor on quality paper
a scene from The Exhibitionist, directed by: Salvador Garcini, set and costume design: Eloise Kazan, Sala Xavier Villaurutia, 2009.
Winning Set Design for Madama Butterfly by Pascal Bailey, Sussex Downs College
Design Challenge 2017.
Find out more at www.roh.org.uk/learning/schools-and-colleges/design-chall...
low res picture of a moodboard for an upcoming commercial production. example of a product that i would never use, yet i'm willing to sell it.
mood boards are just that - they tell the clients and the advertising agency what my intentions are, though they try not to be too specific - because the clients will often misinterpret moodboards as pictographic shopping list.
a good mood boards sells the film long before the pre-production starts. if i am successful, then i will have already by this stage gained the confidence of the client, the agency, the producer and the director, which allows me to work in peace without being micro-managed.
by tomorrow afternoon, friday, i will know whether the mood board did the job or not.
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
Students and theatre faculty meet to discuss costumes, set design and lighting for the upcoming performance of Marisol. Photo by Robert Jordan / Ole Miss Communications
One of many excellent details in Robert's booth.
Robert is now on faculty at the University of Southern Indiana, as an assistant professor of theatre.
Faculty biography: www.usi.edu/libarts/arts/theatre/facultybios.asp
Robert's personal website: stagecrafter.livejournal.com/
ounger days, this fusion of the traje de Mestiza and the decolette Victorian Era gown with crinolines became the aesthetic for this portion of the folkloric ballet
Set and Costume Design by
Niki de los Reyes-Torres, PATDAT
for
Leonor Orosa Goquingco's
Filipinescas: Philippine Life, Legend, and Lore in Dance
Cultural Center of the Philippines
Model photograph of Act II of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
vintage cinema projector
part of my work at Uranya movie www.tind.gr/projects/uranya-set-design/
Sketch for Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998
Writer: Roger Williams
Director: Steve O’Reilly
Designer: Carolyn Willitts
Theatre Company: CF1 Theatre Company
Photographs: Carolyn Willitts
“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman
"As a political event, Saturday Night Forever, is important" Western Mail
"An eye opening and captivating piece of tragicomedy" Theatre in Wales
"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."
The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.
The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.