View allAll Photos Tagged setdesign
Model photograph of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Production Design by Niki de los Reyes-Torres, PATDAT
Location: Genabe Ancestral House, Pola, Mindoro Oriental
please check out www.bigboylovesyou.com for more details
wolf paws for the boys, red hoods for the girls...and we have one boy playing little red riding hood. he'll be wearing a chiffon hood.
Model photograph of Act IV of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Bigger, Better, On Black...
Mexico City...
Nikon D70s, Tokina 12-24 mm @ 20mm, f/4.5, 1/80 sec, ISO 200, 0.0 EV
THE IMPORTANCE OF BEING EARNEST
by Oscar Wilde
Village Players, Toronto
April 23 to May 15, 1993
Directed by Ken Petersen
CAST:
Bill Boyle as Lane/Merriman
Peter Tebbutt as Algernon Moncrieff
Rob Candy as John Worthing, J P
Lory Wainberg as Lady Bracknell
Kirklynne Garrett as Hon Gwendolen Fairfax
Emma Cross as Cecily Cardew
Linda Rutchinski as Miss Prism
Aaron Marcus as Rev. Canon Chasuble
PRODUCTION PERSONNEL:
Producers: Bill Boyle, Dora Clarke
Stage Manager: Monika Brenneisen
Set Design: E. Stern Phil Osophy
Lighting Design: Don Lebouthillier
Sound Design: Linda Waiters
Costume Co-Ordinators : Mary Nowlan, Theresa Arneaud
Backstage Dresser: Theresa Arneaud
Properties: Suzanne Raynor
Poster: Kerry Cavlouic
Program: Heather Caswell
Publicity: Heather Hilliard
Photographer: Greg Tjepkema
(scanned print is far from perfect; sorry)
Venus, Chapter Arts Centre, Cardiff. New Vic Studio, Bristol Old Vic, February 2000
Writer: Peter Morgan
Director: Rebecca Gould
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
“One of the most striking things about this performance was the simple grace of the set.” New Welsh Review
The set had to provide a variety of locations including a contemporary apartment, a photographer’s studio, an art gallery and a restaurant. Paper screens were projected onto and torn down. A restaurant table became a lightbox. This play formed a double bill with Perspective, and was designed to incorporate a quick set change in the interval.
This sofa came with me to Cheltenham and Bristol but didn't make it as far as Manchester.
Moliere's Tartuffe is completely transparent to everyone around him - so I designed a transparent set with see-through panels, see-through closet, and see-through tables. The production was at Thayer Academy. Director: Heather Hardy. Scenic Designer and Tech Director: Peter Watson. LIghting Designer: Frank Meissner Jnr.
Killing Kangaroos, The Sherman, Cardiff, October 1999
Writer: Roger Williams
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Huw Davies and Kristian Zgorzelskii
Set in the land of Soap Opera, a Welsh trio arrive in Australia for a backpacking holiday…
The set was the television set of an Australian soap opera; a large open-plan house with sliding glass doors leading to a swimming pool in an affluent suburb of North Sydney. The production actually starred two real life soap actors, Lucinda Cowden who played Melanie Pearson in Neighbours and Richard Norton who played Simon Fitzgerald in Home and Away.
Illustration for the ballet Le Spectre de la Rose in The Russian Ballet by A. E. Johnson; with Illustrations by René Bull. Boston & New York: Houghton Mifflin Company, 1913. GV1787 .J6
Pen sketching on paper. This model is made based on the technique of Set Design. I used multiple layers of drawings to create depth.Inspired by Manga One Piece. Dimensions: 40x40x40cm
The art department has constructed miniature versions of some of the sets, which is a tremendous help in visualizing the scenes.
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
From Episode 12 – The Mountain King
It's three 5x10s down the hinge side on an oak veneered slab. A typical late 50s modification of the "Grover" that would have been bundled with the door.
The door is a little too mod for the house, but it's exactly the kind of upgrade you might do around 1960 if you had a little extra cash and were sprucing up your front porch. And the kind of thing that drives craftsman purists 'round the bend.
Those set designers don't miss a thing!
Model photograph of Act II of Charles Edward's set designs for Francesco Cilea's Adriana Lecouvreur, directed by David McVicar for The Royal Opera Season 2010/11 www.roh.org.uk/productions/adriana-lecouvreur-by-david-mc...
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
Killing Kangaroos, The Sherman, Cardiff, October 1999
Writer: Roger Williams
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Martin Cole and Shelley Miranda Barrett
Set in the land of Soap Opera, a Welsh trio arrive in Australia for a backpacking holiday…
The set was the television set of an Australian soap opera; a large open-plan house with sliding glass doors leading to a swimming pool in an affluent suburb of North Sydney. The production actually starred two real life soap actors, Lucinda Cowden who played Melanie Pearson in Neighbours and Richard Norton who played Simon Fitzgerald in Home and Away.