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Can you see it? #butterflies pattern challenge 18/100 . . . #100daysofpattern #pattern #surfacepattern #repeatpattern #art #illustration #picture #artist #artsy #instaart #creative #instaartist #graphic #graphics #artoftheday #spoonflower #textile #fabri by Kat Cameron

Surface Pattern Design - Bloodwork 01 by Jack Oughton

perhaps a stretch but it was inspired by the blood networks that form patterns under your skin :)

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Polka Fish :: Repeat Pattern by Kim Buchheit

Surface pattern designs © Kim Buchheit

Strolling - Pink and Blue by Cecca (Francesca) Whetnall

www.spoonflower.com/fabric/4746757-strolling-pink-blue-by...

Fabric 12A0017

Variations on a theme by Otto Mellais

8

This would make a good jigsaw puzzle.

Praktica MTL3

Meyer-Optik Görlitz Primoplan 58mm f1.9 from the 50s, here at ~f13

light yellow-green filter (original accessory)

Agfaphoto APX 400 shot at iso 1600

Rodinal 1+100 semi-stand, 70 min, 23°C

2 min presoak, agitation 30 s + 10 s at 30min.

Helsinki, Finland, 2023.

Symmetrical Composition #23 by Master's Diary

1

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

Symmetrical Composition #4 by Master's Diary

2

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

Submission---Undecided-100.jpg by Jack Oughton

4 2

Vintage Handbag Cards - Piglet Edition by Alexandra Snowdon

Part of a set of 4 cards inspired by vintage handbag designs, featuring my own quirky repeat patterns.

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I've Not Forgotten How to Play by j.towbin ©

1 10

Please view on black--it really vibrates! Simply hit the L key.

This pattern was made from a photograph I took of a wooden toy our children had when they were quite little (which I have kept all these years). The photo was then toyed and tinkered with in Photoshop. I believe it is very important for an artist to play. Fortunately, that is something I have not forgotten how to do. I may not always make good art, but I certainly have a lot of fun trying.

Happy Diplodocus - taupe by Cecca (Francesca) Whetnall

1

www.spoonflower.com/fabric/5539973-happy-diplodocus-taupe...

Tree of Life - white on blue by Cecca (Francesca) Whetnall

1

www.spoonflower.com/fabric/5481639-tree-life-white-on-blu...

0094

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I've been wanting to draw this ivy for two weeks - and now enjoying it's pattern potential! #ivy #pattern #repeatpattern #artforall #art #illustration by Jo Beal

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Birthday Elly :: Repeat Pattern by Kim Buchheit

3

Surface pattern designs © Kim Buchheit

Symmetrical Composition #15 by Master's Diary

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

Groovy Butterflies Pattern by Carol Lynn Borst

1 6

I grew up in the 60's/70's. Being a nostalgic and sentimental person, I like to incorporate 60's & 70's style elements into my designs. Groovy Butterflies is my favorite retro pattern so far. I love the classic avocado green and orange color combination, as well as the hot pink and orange color combination!

Symmetrical Composition #6 by Master's Diary

2 5

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

PROHIBITION AND REGULATION by Mark Warrington

3 2

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IMG_1897 by www.lucypatterson.com

1

One of my fabric prints, available to purchase from my Spoonflower shop:

www.spoonflower.com/profiles/lucypatterson

This print incorporate details of vintage kimono fabrics, mixed with blocks of solid color in a geometric, patchwork pattern.

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London Pigeons #pigeon #london #umbrella #bird #rain #illustration #cartoon #characterdesign #turnbullandasser #turnbull_asser #wallpaper #repeatpattern #uk #england by pete ellis

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Symmetrical Composition #28 final by Master's Diary

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

Stairwell by DeAnn Peterson

3 1

Looking up . . .

Mankato Marketplace ~ Mankato, MN

Cambridge King'sCollegeChapelFan-vaulting - 2012 016 PS © by peteshep

4 2

Copyright photo.

wikimapia

.

Enlarge:

1. Simply click the diagonal arrows.

2. Further enlarge: Then press F11 on a PC, or Fullscreen. Allow re-focus.

Or

3. Max enlarge: If flickr's + cursor is showing, click it for max enlargement and allow to re-focus. Explore detail moving cursor.

Extract from "More Rough Travel Notes with an Architectural Eye - 2012":

...Wall surfaces were reduced to a minimum to maximise the glazing. Windows were full height, and the stonework shaped to reflect the passing light considerably assisting the effect.

P :-)

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Symmetrical Composition #3 by Master's Diary

1

One of a series of symmetrical designs. See the set here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...

Strictly speaking, a true symmetry only exists in patterns which repeat exactly and continue indefinitely. But most of my symmetrical works only have reflections in horizontal and vertical directions, not across diagonal axes. If we flip across a diagonal line, we do not get the same pattern back; what we do get is the original pattern shifted across by a certain distance.

The relationship of symmetry to aesthetics is complex. Certain simple symmetries, and in particular bilateral symmetry, seem to be deeply ingrained in the inherent perception by humans of the likely health or fitness of other living creatures, as can be seen by the simple experiment of distorting one side of the image of an attractive face and asking viewers to rate the attractiveness of the resulting image. Consequently, such symmetries that mimic biology tend to have an innate appeal that in turn drives a powerful tendency to create artefacts with similar symmetry. One only needs to imagine the difficulty in trying to market a highly asymmetrical car or truck to general automotive buyers to understand the power of biologically inspired symmetries such as bilateral symmetry.

Yet another possibility is that when symmetries become too complex or too challenging, the human mind has a tendency to "tune them out" and perceive them in yet another fashion: as noise that conveys no useful information. Finally, perceptions and appreciation of symmetries are also dependent on cultural background. The far greater use of complex geometric symmetries in many Islamic cultures, for example, makes it more likely that people from such cultures will appreciate such art forms (or, conversely, to rebel against them).

As in many human endeavours, the result of the confluence of many such factors is that effective use of symmetry in art and architecture is complex, intuitive, and highly dependent on the skills of the individuals who must weave and combine such factors within their own creative work. Along with texture, colour, proportion, and other factors, symmetry is a powerful ingredient in any such synthesis; one only need to examine the Taj Mahal to powerful role that symmetry plays in determining the aesthetic appeal of an object.

Adapted from: en.wikipedia.org/wiki/Symmetry

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