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The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
Dark Blue Plia Folding Desk with a chrome and plastic designed in 1969 by Giancarlo Piretti for Castelli. The desk folds up completely making this a wonderfully versatile desk or breakfast table in a tight floor plan.
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IN 1947 LEGO STARTED WITH PLASIC BRICKS. THIS BECAME THE COREBUSINESS SINCE 1960. TILL 1957 THE BRICKS WHERE COMPLETELY HOLLOW INSIDE. THIS WAS A HUGE IMPROVEMENT FOR THE QUALITY
Starting place for my 7km swim downriver to Kouvolan rantapaikka. I walked back, I had clother, a towel, sandals and a bottle of water in a plasic back on a floatation device I pulled behind with a string
Just in time for World Toy Camera Day, a review of the twenty-dollar special, the Plastic Filmtastic FPP Debonair. This off-the-wall camera is fun, quirky, and easy shot from the hip, with the portrait orientation, 6x4.5 negative size this is the camera that made me love toy cameras.
Read the full review online
www.alexluyckx.com/blog/index.php/2015/11/09/ccr-review-2...
FPP Debonair - Super Lens 1:8/60MM - Ilford Delta 100 @ ASA-100
Ilford Microphen (1+1) 10:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015.5)
Sample Images: www.sample-image.com/sears-50mm-f2/
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IN 1947 LEGO STARTED WITH PLASIC BRICKS. THIS BECAME THE COREBUSINESS SINCE 1960. TILL 1957 THE BRICKS WHERE COMPLETELY HOLLOW INSIDE. THIS WAS A HUGE IMPROVEMENT FOR THE QUALITY
In a dark and cold afternoon the sagging yellow plasic washing line seemed somehow significant through the rain-spotted window.
After we had breakfast we went out for photos. Now she's going back to bed while I do my homework. :/
Ai meninas como eu ameeei essa manicure, técnica perfeita essa do marmorizado com plásico, pra ficar perfeito carimbei com as placas Apipila 04 A e B, e Fofura E
Os esmaltes usados foram Caipirinha Hits, Tarô da Avon, e esmaltes pra carimbo La Femme
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The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
venerdì 11 marzo 2011
Finalmente in mattinata il meteo ci concede una tregua e dopo colazione riusciamo ad andare in spiaggia a correre con la nana che finalmente si sfoga dopo giorni di pioggia. Il vento che ancora soffia forte, il freddo e il fatto che abbiamo finito l'acqua ci fanno ripartire quasi subito. Il principale problema del giorno è trovare l'acqua; passiamo da tutti i paesi sulla costa cercando sulle spiaggie, nei parchi giochi, ovunque, ma niente. Riprendiamo la N-332 attraverso un paesaggio di plastica: il territorio, molto molto vasto, è ricoperto da serre di ogni tipo, nuove, rotte, alte o rasoterra; il risultato è una distesa di plasica che riflette la luce ed assomiglia all'acqua o alla neve. A Cabo Cope ci fermiamo vicino al mare, dove c'è un antico eremo e da dove parte il sentiero per arrivare al faro ma anche qui niente fontanelle; proseguiamo fino ad Aguilas e poi a Cuevas de Almanzora. Qui esploriamo il parco, il lungo fiume nella zona delle antiche grotte scavate nella roccia, ma di acuq anon se ne parla e si è fatto buio. A questo punto, stanchi e senza speranze, proseguiamo oltre, accompangati dalla pioggia e guido fino a La Garrucha (attraversando Vera) dove troviamo posto nel piazzale del porto, vicini ad altri camper. Ceniamo e e guardiamo un film mentre la pioggia riempie -di due dita- la bacinella che abbiamo messo fuori.
N.B.: oggi, per la prima volta, vediamo un gran numero di rondini Hirundo rustica, balestrucci Delichon urbica, rondini montane Ptyonoprogne rupestris e rondoni Apus apus.
The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
Sample Images: www.sample-image.com/sears-50mm-f2/
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The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
Sample Images: www.sample-image.com/sears-50mm-f2/
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This is not that bad of a bag. It does have a embroidered Lego logo. Clear plasic top, inside has a cardboard bottom(so it's a bit stiff), and a loose pocket inside, which I can't see being much help as the pocket can't be closed to hold something.
The most important feature of this building is the glazed tile work with which its whole exterior is covered and which has given it its present name. The flat mural surfaces is panelled, and stylized floral designs with borders are depicted upon them in a wide variety of colours and shades as blue, yellow, green orange and white. This is mosaic of glazed tiles. The patterns are made up of thousands of tiny pieces of tiles skillfully embedded into the plaster in the tessellated style. Each flower or leaf being presented by a separate tile. The brick surface was first overlaid with a two inch thick coat of plaster, upon which a finer coating of one inch thickness was done. The design was traced upon this upper plaster when in a plasic state, after which tiles 5/8th of an inch thickness were bedded into it, according to the design. Kashan in Persia was the home of this art, the tiles were therefore called ´Kashi´. Halla in Sindh soon became the centre of glazed-ware in India. The potters were known as ´kashigar´ and the art itself became famous as ´kashikari´. The technique of its preparation remained the same. It consisted of three parts: plaster called ´khamir´, glass called ´kanch´ and ásthar´, put between them. It was a very complicated process in which various chemicals, sand stones and other ingredients were used, through an elaborate system of heating and fusing in specially built kilns. This ensured the glazed-tiles and their lustre to last for a thousand years. This is also why this art has died out.
Applying severe laceration to wrist. Note Syrup and red food colour in background - began with quick tutorial on making fake blood. Use cornflour for opacity. Result is being applied with small brush from plasic jug
Just in time for World Toy Camera Day, a review of the twenty-dollar special, the Plastic Filmtastic FPP Debonair. This off-the-wall camera is fun, quirky, and easy shot from the hip, with the portrait orientation, 6x4.5 negative size this is the camera that made me love toy cameras.
Read the full review online
www.alexluyckx.com/blog/index.php/2015/11/09/ccr-review-2...
FPP Debonair - Super Lens 1:8/60MM - Ilford Delta 100 @ ASA-100
Ilford Microphen (1+1) 10:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015.5)
Just in time for World Toy Camera Day, a review of the twenty-dollar special, the Plastic Filmtastic FPP Debonair. This off-the-wall camera is fun, quirky, and easy shot from the hip, with the portrait orientation, 6x4.5 negative size this is the camera that made me love toy cameras.
Read the full review online
www.alexluyckx.com/blog/index.php/2015/11/09/ccr-review-2...
FPP Debonair - Super Lens 1:8/60MM - Ilford Delta 100 @ ASA-100
Ilford Microphen (1+1) 10:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2015.5)
cruising through the fan tan alley shop, the one that goes on forever... found this amazing plasic "canada" cowboy hat. found it the most inappropriate thing in that entire store. it's too bad you can't make out the maple leaf better...
crafted with jana, dinner, a semi-lame art exhibit of nude dudes (there weren't really many nude dudes, but LOTS of hip cool people) and beer at big bad john's.
i feel this hat represents my day.