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A young actor playing the role of one of the indian god from the episode of the bear and the gems stone.
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
A neat tire swing I spotted on the way to The Caboose cafe. This Bridgestone Potenza tire would suit a performance compact and would carry a "V" (150mph) speed rating ! Dig the tassel cushion too.
with Warren Lehrer, Karina Skvirsky, and Sara Shaoul. In conjunction with Once Upon a Time, There Was the End. Organized by Rachel Gugelberger. May 9, 2014
Wushu Sinduadi (Yogyakarta) Peformed at Ambarrukmo Plaza ~ 07/02/2013
Captured With:
Canon EOS 60D | Nikkor 50mm f/1.4 Manual Focus Lens
Raven Symone....took my daughter to see her. Nothing like spending a scorching day with thousands of screaming pre-teens....aagghhh!
CN SD70M-2 #8934 leads an eastbound potash train through Elmwood Park, after being stopped at Grand Avenue for peculiar reasons, a stuck horn. It was quite the sound to hear straight K5LLA between B12 and Grand Avenue.
[in] Cômodo
No significado de seu nome, São Paulo já mostra sua história.
São Paulo é santo, é fé e esperança.
É pequeno, disposto e demonstra um otimismo contagiante.
Leva o dia-dia como degraus para chegar ao desenvolvimento.
São Paulo planeja, não erra.
São Paulo é vista no mundo, e perdida aos que nela moram.
É pobre e feia. É desumana e vergonhosa.
São Paulo é nação, feito coração de mãe.
No santo dia de São
Paulo deixa de lado tudo pela ambição.
São Paulo não olha pro lado.
São Paulo falta educação.
No coração de Paulo a vontade de dias melhores,
sem preocupação.
São Paulo reza.
São Paulo acredita.
São Paulo tem cultura própria, miscigenada na multidão.
É por isso que é São.
São Paulo fala diversas lÃnguas. São Paulo não se comunica.
São Paulo sobrevive.
Na cidade clichê, tudo parece bobagem
Fecham os olhos aqueles que não querem ver
Fazer o que?
Não podemos obrigar ninguém a ouvir os gritos abafados no silêncio mascarado.
Silêncio que incomoda, mas não movimenta ninguém.
Ninguém, uma cidade de alguém que não sabemos quem.
Nenhum santo faz milagre sozinho, somos discÃpulos.
E se Paulo é assim é porque permitimos chegar nisso.
Texto: FelÃcia Pilli
Cia. Vulnerável de Arte
Amanda Carvalho
FelÃcia Pilli
LetÃcia Perroud
LÃvia Goiano
Paula Godinho
Vanessa Costa
Foto: Marcio Carrasco
At Marina Square Shopping Mall, Raffles Boulevard during A Wealth of Majesty to celebrate the Lunar New Year.
M2, Summicron 35/2, HP5@3600, Rodinal 1+100 (5ml), 90 min semistand, 30 sek initial agitation, then 2 slow inversions every 30 Min
Performed by Nanjing Little Red Flower Performance Troupe at the North Atrium, Suntec City Mall during the Blessings of Spring for the Chinese New Year Festive celebrations.
Leinwand 1
"Die Blumen und Bäume wuchsen und grünten mit Macht. Alles schien beseelt. Alles sprach und sang. Fabel grüßte überall alte Bekannte. Die Tiere nahten sich mit freundlichen Grüßen den erwachten Menschen. Die Pflanzen bewirteten sie mit Früchten und Düften, und schmückten sie auf das zierlichste. Kein Stein lag mehr auf einer Menschenbrust, und alle Lasten waren in sich selbst zusammengesunken."
Leinwand 2
"Man sieht nun aus bemoosten Trümmern
Eine wunderseltsame Zukunft schimmern,
Und was vordem alltäglich war,
Scheint jetzo fremd und wunderbar.
Eins in allem und alles in einem
Gottes Bild auf Kräutern und Steinen
Gottes Geist in Menschen und Tieren,
dies muß man sich zu Gemüte führen.
Keine Ordnung mehr nach Raum und Zeit
Hier Zukunft in der Vergangenheit.
Der Liebe Reich ist aufgetan,
Die Fabel fängt zu spinnen an.
Die Welt wird Traum, der Traum wird Welt,
Und was man glaubt, es sei geschehn,
Kann man von weitem erst kommen sehn."
Autor: Novalis
Aus: Heinrich von Ofterdingen. Berlin, 1802
Quelle: DTA Deutsches Textarchiv
Lizenz: CC BY-SA 4.0 International
"Die Performance von Christiaan Tonnis findet am Vortag des längsten Tages des Jahres statt. In seiner leuchtenden Hand wird der Künstler einen Strauß blauer Blumen halten und mit diesem zwei Textpassagen aus Novalis’ Roman »Heinrich von Ofterdingen« auf zwei sich gegenüberliegende, raumgreifende Horizonte schreiben. Mit seiner meditativen Aktion nimmt Christiaan Tonnis Bezug auf das gegenwärtige Geschehen: die performative Einschreibung eines poetischen Textes der Frühromantik ist als Gegenentwurf für unsere aus den Fugen geratene, schwankende Welt zu lesen - und verspricht Erlösung. Wenn am folgenden Tag der Sommer beginnt, so startet mit ihm auch eine Zeit neuer Perspektiven, die so sehnsuchtsvoll erwartet werden."
~ Ausstellungsraum Eulengasse, 2021