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Thank you sooo much to all our kind supporters who nominated us for this year (2014) the Avi Choice Awards.
Vote for us and all your favorites here: avichoiceawards.com/fashion-awards-vote-here/
First Presbyterian Church was nominated to the National Register of Historic Places under criterion A for its local significance in religion, and under criterion C as a locally significant example of a Neo-Classical church building in Cookeville. The church was born out of a schism resulting from the union of the Cumberland Presbyterian Church with the Presbyterian Church of the United States of America that took place during the early years of the twentieth century. Architecturally the building is a good example of late Neo Classical architecture in Cookeville. Built in 1909, the style of the church is seen in the gable ends with pediments and strong cornice lines, and the colonnaded entry porch.
The origins of First Presbyterian Church trace back to the nationwide merger of the Cumberland Presbyterian Church and the Presbyterian Church in the United States of America (PCUSA) in 1905. Though officially united, not everyone felt that way in Cookeville or across the state of Tennessee. At a meeting on September 11, 1906, only three Tennessee Presbyteries showed any support for uniting with the PCUSA, Cookeville Presbytery, McMinnville Presbytery, and the Lebanon Presbytery. Those opposed to the merger agreed to meet in Dickson, Tennessee, at the birthplace of the Cumberland Presbyterian Church on Thursday May 3, 1907. Discussions over whether to remain a Cumberland Presbyterian Church or a member of the PCUSA led to dissension in the Cookeville congregation that later caused a schism.
Meanwhile the Building Committee and trustees, Jesse Arnold, Jeff Dyer, and W.D. Ferrell, searched for property to buy in order to erect a new building. On November 22, 1909, trustees of the Building Committee closed on the sale of the Hunter property. Ironically or spitefully, for records do not indicate, the lot sat directly across the street from the Cumberland Presbyterian Church on the northwest corner of Broad & Madison streets. They purchased the land from Jere Whitson and held a public groundbreaking later that month. The design of the new church adopted the Akron floor plan with an offset pulpit and no center aisle. The Building Committee launched an aggressive campaign to raise funds to pay for constructing and furnishing the new church. They prevailed upon members and non-members alike and kept detailed records. Ruling Elder and founder of the Bank of Putnam County, Jesse Arnold, donated the hefty sum of $1250, while elder Jeff Dyer contributed $1000. Future Supreme Court Justice Dick L. Lansden gave $750. Many others paid with either cash or sweat equity as the construction progressed.
Foundations for the building were laid in November of 1909 and the cornerstone laid in 1910. Construction began in earnest around the middle of April. Though the building was not yet completed, eager members began meeting in the church sometime in September of 1910. The building’s furnishings were completed in April of 1911, and the sanctuary was officially dedicated on August 20, 1911 by Dr. Thomas A. Whittington, the same pastor who dedicated the Cumberland Church across the street in 1894. During the service he presented the congregation with keys to the completed structure, announced that construction costs totaled $10,000, and declared all debts owed by the church were paid in full.
On December 28, 2010, the church was placed on the National Register of Historic Places (NRHP). All of the information above (and much more) was found on the original documents submitted for listing consideration and can be viewed here:
catalog.archives.gov/id/135819419
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Unfortunately it got beat out by the massive Zaku, but that wasn't unexpected really.
Check out the full BFVA photoset! www.flickr.com/photos/legojunkie/sets/72157645800667340/
A quick play tonight. I gave myself 30 minutes and 2 photos to come up with something. I like the self imposed limits or I will endlessly tweak things.
A Muse
-----------
A solitary reflection
Or a moment within time
Both are so fleeting
Both are sublime
Within your restless spirit
Where panics collide
Digs with bloody fingers
Till the fears all subside
In a moment of creation
Where the will must bend
Is a beginning for one
For another, an end.
A solitary reflection
Is to look deep inside
Where the eyes are all telling
And a muse will provide.
Having visited the Stirling Prize nominated Blavatnik School on it's first open day I was keen to get back in there for the recent OPT Open Doors event. I made a beeline straight for this amazing concrete spiral stair and it took a bit of patience but I got the shot I was looking for with just one person in what I thought was the optimum place in the frame.
Click here for more shots of Herzog & de Meuron buildings : www.flickr.com/photos/darrellg/albums/72157622982082489
From Wikipedia : "The Blavatnik School of Government is located in the University of Oxford's Radcliffe Observatory Quarter on Woodstock Road, however its main entrance is on Walton Street. The building is designed by architects Herzog & de Meuron to promote open discussion, interaction and collaboration. The central forum is inspired by the idea of openness and transparency and connects all the floors together. Construction work started in autumn 2013, after some controversy, and ended in late 2015. The building is controlled by a combination of systems and technology that helps minimise its environmental impact.
The building is taller than Carfax Tower in the centre of Oxford, this dominating the site and causing opposition to the scheme by local residents in the Jericho district of the city and elsewhere. The site is immediately to the south of the café/bar Freud, in the historic 1836 Greek revival St Paul's Church on Walton Street. The scheme has been opposed by the cafe's owner, David Freud, due to its size compared to the church building. The site is also opposite the classical Oxford University Press building. In Spring 2013, a public meeting was held in St Barnabas Church and the building was described as "a concrete marshmallow".
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© D.Godliman
I've been nominated for Best Event Blog Manager and Best Blog Manager. Please, if you want/agree, vote for me in these categories. :D♥
Und Martin Kraus www.flickr.com/photos/martin_kraus_2009/
hat mich nominiert ... für:
Dieses Bild (Tag 5) ist Teil des Projekts Internationale Black and White Challenge .. 5 Tage lang 1 s/w Bild hochzuladen und jeweils 1 Mitglied zu nominieren . Eine Werbung für die s/w Fotografie. Am letzten Tag nominiere ich Michael Roggemann www.flickr.com/photos/typo030/
I have been chosen for the 5 Day Black & White Photography Challenge by Martin Kraus. Task : Upload of 1 b/w pic at 5 days and nominating 1 flickr member on each of these days.
This is my Day 4 image. My Day 4 nominee - I nominate Michael Roggemann
Southern Hawker (Aeshna cyanea) males were out in force this morning & in all 3 colour forms.
This is the nominate mature male form with just segments ( 9 & 10 of the abdomen with blue colour
i love trees. i stopped in a lay by on the A39 ( between Liskeard and Bodmin - the trees on this whole road are spectacular but there are very few places to stop) and shot these on the i phone through the car window. Then cropped and faded slightly in i-photo. not mono converted as it was really that dull and grey anyway!!
for 58 of the 115 - bare branches
and day 2 of the black and white challenge. Today I nominate the wonderful Stuart - one of the few flickr buddies i have actually met . He was so enthusiastic about this challenge that knowing he was to be nominated he has posted his first shot already. Thanks [https://www.flickr.com/photos/stuart_beard] .
and thanks to the remaining three (you know who you are) who have agreed to accept the challenge.
Humayun's Tomb - built in 1570. UNESCO World Heritage Building.
Location : Nizamuddin , New Delhi ( India )
More @ : en.wikipedia.org/wiki/Humayun's_Tomb
Blue Whistling Thrush
(Nominate with a black bill)
The blue whistling thrush (Myophonus caeruleus) is a whistling thrush present in the mountains of Central Asia, China and Southeast Asia. It is known for its loud human-like whistling song at dawn and dusk. The widely distributed populations show variations in size and plumage with several of them considered as subspecies. Like others in the genus, they feed on the ground, often along streams and in damp places foraging for snails, crabs, fruits and insects.
This whistling thrush is dark violet blue with shiny spangling on the tips of the body feathers other than on the lores, abdomen and under the tail. The wing coverts are a slightly different shade of blue and the median coverts have white spots at their tips. The bill is yellow and stands in contrast. The inner webs of the flight and tail feathers is black. The sexes are similar in plumage.
It measures 31–35 cm (12–14 in) in length. Weight across the subspecies can range from 136 to 231 g (4.8 to 8.1 oz). For comparison, the blue whistling thrush commonly weighs twice as much as an American robin. Among standard measurements, the wing chord can measure 15.5–20 cm (6.1–7.9 in) long, the tarsus is 4.5–5.5 cm (1.8–2.2 in) and the bill is 2.9–4.6 cm (1.1–1.8 in). Size varies across the range with larger thrushes found to the north of the species range and slightly smaller ones to the south, corresponding with Bergmann's rule. In northern China, males and females average 188 g (6.6 oz) and 171 g (6.0 oz), whereas in India they average 167.5 g (5.91 oz) and 158.5 g (5.59 oz).
Several populations are given subspecies status. The nominate form with a black bill is found in central and eastern China. The population in Afghanistan, turkestanicus, is often included in the widespread temminckii which has a smaller bill width at the base and is found along the Himalayas east to northern Burma. The population eugenei, which lacks white spots on the median coverts, is found south into Thailand. Cambodia and the Malay peninsula have crassirostris, while dichrorhynchus with smaller spangles occurs further south and in Sumatra. The Javan population, flavirostris, has the thickest bill. The subspecies status of several populations has been questioned.
It is found along the Tian Shan and Himalayas, in temperate forests and subtropical or tropical moist montane forests. The species ranges across Afghanistan, Bangladesh, Bhutan, Cambodia, India, Indonesia, Kazakhstan, Laos, Malaysia, Myanmar, Nepal, Tajikistan, Thailand, Tibet, Turkmenistan, and Vietnam. They make altitudinal movements in the Himalayas, descending in winter.
The blue whistling thrush is usually found singly or in pairs. They hop on rocks and move about in quick spurts. They turn over leaves and small stones, cocking their head and checking for movements of prey. When alarmed they spread and droop their tail. They are active well after dusk and during the breeding season (April to August) they tend to sing during the darkness of dawn and dusk when few other birds are calling. The call precedes sunrise the most during November. The alarm call is a shrill kree. The nest is a cup of moss and roots placed in a ledge or hollow beside a stream. The usual clutch consists of 3 to 4 eggs, the pair sometimes raising a second brood. They feed on fruits, earthworms, insects, crabs and snails. Snails and crabs are typically battered on a rock before feeding. In captivity, they have been known to kill and eat mice and in the wild have been recorded preying on small birds.
I got nominated by SintHonya and ♥ SineVoce ♥
This is actually an ongoing photo challenge on Facebook that Cholo decided to bring here on flickr... the game, for every day for the next 5 days post one black and white photo of your dolls and for each day you nominate 1 or more flickr friends to do the same. GAME!
------------------------------
I nominate:
simyna77
If you want to join but no one nominated you, you can always join the game.
Blue Whistling Thrush
(Nominate with a black bill)
The blue whistling thrush (Myophonus caeruleus) is a whistling thrush present in the mountains of Central Asia, China and Southeast Asia. It is known for its loud human-like whistling song at dawn and dusk. The widely distributed populations show variations in size and plumage with several of them considered as subspecies. Like others in the genus, they feed on the ground, often along streams and in damp places foraging for snails, crabs, fruits and insects.
This whistling thrush is dark violet blue with shiny spangling on the tips of the body feathers other than on the lores, abdomen and under the tail. The wing coverts are a slightly different shade of blue and the median coverts have white spots at their tips. The bill is yellow and stands in contrast. The inner webs of the flight and tail feathers is black. The sexes are similar in plumage.
It measures 31–35 cm (12–14 in) in length. Weight across the subspecies can range from 136 to 231 g (4.8 to 8.1 oz). For comparison, the blue whistling thrush commonly weighs twice as much as an American robin. Among standard measurements, the wing chord can measure 15.5–20 cm (6.1–7.9 in) long, the tarsus is 4.5–5.5 cm (1.8–2.2 in) and the bill is 2.9–4.6 cm (1.1–1.8 in). Size varies across the range with larger thrushes found to the north of the species range and slightly smaller ones to the south, corresponding with Bergmann's rule. In northern China, males and females average 188 g (6.6 oz) and 171 g (6.0 oz), whereas in India they average 167.5 g (5.91 oz) and 158.5 g (5.59 oz).
Several populations are given subspecies status. The nominate form with a black bill is found in central and eastern China. The population in Afghanistan, turkestanicus, is often included in the widespread temminckii which has a smaller bill width at the base and is found along the Himalayas east to northern Burma. The population eugenei, which lacks white spots on the median coverts, is found south into Thailand. Cambodia and the Malay peninsula have crassirostris, while dichrorhynchus with smaller spangles occurs further south and in Sumatra. The Javan population, flavirostris, has the thickest bill. The subspecies status of several populations has been questioned.
It is found along the Tian Shan and Himalayas, in temperate forests and subtropical or tropical moist montane forests. The species ranges across Afghanistan, Bangladesh, Bhutan, Cambodia, India, Indonesia, Kazakhstan, Laos, Malaysia, Myanmar, Nepal, Tajikistan, Thailand, Tibet, Turkmenistan, and Vietnam. They make altitudinal movements in the Himalayas, descending in winter.
The blue whistling thrush is usually found singly or in pairs. They hop on rocks and move about in quick spurts. They turn over leaves and small stones, cocking their head and checking for movements of prey. When alarmed they spread and droop their tail. They are active well after dusk and during the breeding season (April to August) they tend to sing during the darkness of dawn and dusk when few other birds are calling. The call precedes sunrise the most during November. The alarm call is a shrill kree. The nest is a cup of moss and roots placed in a ledge or hollow beside a stream. The usual clutch consists of 3 to 4 eggs, the pair sometimes raising a second brood. They feed on fruits, earthworms, insects, crabs and snails. Snails and crabs are typically battered on a rock before feeding. In captivity, they have been known to kill and eat mice and in the wild have been recorded preying on small birds.
Marsh Tit
The marsh tit (Poecile palustris) is a passerine bird in the tit family Paridae and genus Poecile, closely related to the willow, Père David's and Songar tits. It is small (around 12 cm long and weighing 12 g) with a black crown and nape, pale cheeks, brown back and greyish-brown wings and tail. Between 8 and 11 subspecies are recognised. This bird's close resemblance to the willow tit can cause identification problems, especially in the United Kingdom where the local subspecies of the two are very similar (there, they were not recognised as separate species until 1897).
Globally, the marsh tit is classified as Least Concern, although there is evidence of a decline in numbers (in the UK, numbers have dropped by more than 50% since the 1970s, for example). It can be found throughout temperate Europe and northern Asia and, despite its name, it occurs in a range of habitats including dry woodland. The marsh tit is omnivorous; its food includes caterpillars, spiders and seeds. It nests in tree holes, choosing existing hollows to enlarge, rather than excavating its own. A clutch of 5–9 eggs is laid.
Nominate race palustris: Black cap and nape with a blue sheen visible at close quarters. The black 'bib' below the bill is rather small; the cheeks are white, turning dusky brown on the ear coverts. The upperparts, tail and wings are greyish-brown, with slightly paler fringes to the tertials. The underparts are off-white with a buff or brown tinge strongest on the flanks and undertail coverts. The bill is black and the legs dark grey. Juveniles are very similar to adults, but with a duller black cap and bib, more greyish upperparts and paler underparts; they moult into adult plumage by September.
There's still time to nominate your favorite Flickr photographers for Photographer of the Month! Or - new this month - nominate yourself!
This month’s theme: Wildlife & Animal Photographers.
Join us in Flickr Social and add your favorite photographers to the discussion!
Photo ©: stephen Winfield
European Goldfinch (nominate) (Stillits / Carduelis carduelis carduelis) from Pinar de Son Real (Sta. Margalida, Mallorca, Spain). May 2016.
Canon EOS 70D, Canon EF 100-400mm f/4.5-5.6 L USM IS.
The photo is part of a European Goldfinch set.
{{BSD Design studio}} is honoured to be nominated as best shoe designer this year , i need your help, please vote for {{BSD Design studio}} if u like the shoes i made:D ( Shoe designer ) - BSD design studio
avichoiceawards.com/vote-for-your-favorite/fashion-catego... ,
and i m flattered and humbled to be nominated as Best model- Babychampagne sass, Please vote for me if u like me lol XD
best Model =
avichoiceawards.com/vote-for-your-favorite/entertainment-...
photographer// babychampagne sas
MAINSHOP:
maps.secondlife.com/secondlife/Kourinbou/156/38/23
BLOG:
babychampagnesass.blogspot.hk/
MARKETPLACE:
I've been nominated for the 2014 London Model Awards, in the category of "Best Art Scene Model." Please vote for me, if you feel I might be worthy....I've never been nominated for anything before, so I thought I should give it my best shot.
I've helpfully added drawings to the Vote page, above, to indicate how you can vote. (Not that I'm suggesting to anybody who to vote for...:)The link is below- it takes about 2 secs to vote.
www.clubyolo.co.uk/londonmodelawards/best-artistic-scene-...
:)
J'ai été nominé pour le 2014 Londres modèle Awards, dans la catégorie de "Meilleur Art Scène modèle." S'il vous plaît voter pour moi, si vous pensez que je pourrais être digne ....
Je n'ai jamais été nominé pour quoi que ce soit avant, alors j'ai pensé que je devrais donner le meilleur de moi.
J'ai utilement ajouté dessins à la page de vote, ci-dessus, pour indiquer comment vous pouvez voter. (Non pas que je suggère à tous ceux pour qui voter ... :) Le lien est ci-dessous, il faut environ 2 secondes pour voter.
www.clubyolo.co.uk/londonmodelawards/best-artistic-scene-...
He sido nominado para los Premios 2014 de Londres Modelo, en la categoría de "Mejor Escena de Arte Modelo". Por favor, vote por mí, si usted siente que podría ser digno ....
Nunca he sido nominado para nada antes, así que pensé que debía dar lo mejor de mí.
Amablemente he añadido dibujos a la página de voto, por encima, para indicar cómo se puede votar. (No es que yo estoy sugiriendo a nadie por quién votar ... :) El enlace está por debajo de la que se necesita alrededor de 2 segundos para votar.
www.clubyolo.co.uk/londonmodelawards/best-artistic-scene-...
Ich habe für 2014 London Modell Awards nominiert , in der Kategorie "Best Art Scene -Modell. " Bitte stimmen Sie für mich , wenn Sie das Gefühl , ich könnte würdiger sein .... Ich habe noch nie für irgendetwas , bevor nominiert worden , so dass ich dachte, ich sollte mein Bestes zu geben.
Ich habe hilfsbereit aufgenommen Zeichnungen auf den Vote -Seite oben , um anzuzeigen, wie Sie abstimmen können . (Nicht, dass ich vorschlage, an alle, die dafür stimmen ... :) Der Link ist unten , es dauert etwa 2 Sekunden , um abzustimmen.
www.clubyolo.co.uk/londonmodelawards/best-artistic-scene- ...
Nominate subspecies of American Pika. Scanned slide.
Whistlers Mountain, Jasper National Park, Alberta, Canada
I was nominated to show some nature photos. Since it was a Grey and dull day today, and there was a big huge sports event yesterday, the picture name speaks for itself. And don't worry this is just a short piece of long line.
So instead a more or less monochrome ore mostly desaturated nature picture
The sports event, was Red Bull Crashed Ice Race in Munich. If you want to see 4 people racing downhill on a small ice rink, go youtube and have a look.
The event was at the olympic park in Munich. The Munich Olympic park was created for the Olympic games 1972.
At Sunday's show Rags won his certificate and also was nominated for the concluding stage show. He did not win "Best in Show" this time, but once more he was up there among the very best with his tail flying proudly.
Dushara Tatters and Rags (Somali) at Racekatten Show, Korsør, 09.02.2014.
Videos at www.youtube.com/user/FinnFrodeHansen.
Home page: www.raarup.eu
Olympus E-400 Digital Camera
August Schellenberg, a lovely man and Emmy-nominated actor whose headshots I was fortunate enough to get to take today.
White-headed nominate subspecies found in Scandinavia and ne Europe to Siberia, n China, Korea and Japan.
Judarskogens naturreservat, Bromma, Stockholm, Sweden
The African leopard (Panthera pardus pardus) is the leopard nominate subspecies native to many countries in Africa. The African leopard exhibits great variation in coat color, depending on location and habitat. Coat colour varies from pale yellow to deep gold or tawny, and sometimes black, and is patterned with black rosettes while the head, lower limbs and belly are spotted with solid black. Male leopards are larger, averaging 60 kg (130 lb) with 91 kg (201 lb) being the maximum weight attained by a male. Females weigh about 35 to 40 kg (77 to 88 lb) on average.
Leopards are generally most active between sunset and sunrise, and kill more prey at this time. In Kruger National Park, male leopards and female leopards with cubs were more active at night than solitary females. The highest rates of daytime activity were recorded for leopards using thorn thickets during the wet season, when impala also used them.
The leopard has an exceptional ability to adapt to changes in prey availability, and has a very broad diet. Small prey are taken where large ungulates are less common. The known prey of leopards ranges from dung beetles to adult elands, which can reach 900 kg (2,000 lb). In sub-Saharan Africa, at least 92 prey species have been documented in leopard scat including rodents, birds, small and large antelopes, hyraxes and hares, and arthropods. They generally focus their hunting activity on locally abundant medium-sized ungulates in the 20 to 80 kg (44 to 176 lb) range, while opportunistically taking other prey. Average intervals between ungulate kills range from seven to 12–13 days.
Leopards often hide large kills in trees, a behavior for which great strength is required. There have been several observations of leopards hauling carcasses of young giraffe, estimated to weigh up to 125 kg (276 lb), i.e. 2–3 times the weight of the leopard, up to 5.7 m (19 ft) into trees.
Leopard diet includes reptiles, and they will occasionally take domestic livestock when other food is scarce. Leopards are very stealthy and like to stalk close and run a relatively short distance after their prey. They kill through suffocation by grabbing their prey by the throat and biting down with their powerful jaws. They rarely fight other predators for their food.
Nothing like allowing a 3 year old to actually jump on his parent's bed. He was playing "squash the monsters" and having my D80 and SB-600 at hand, I saw a great opportunity to catch a great mid-air shot.
Strobist Info: Taken with an off camera SB-600 with the diffuser flap pulled out covering the flash and triggered using Nikon CLS
Nominated for "Photo of the Month" at "All Day I Dream About Photography"!!!
www.adidap.com/2008/11/04/adidap-flickr-round-august-2009/
Won the flickr photo pool at "All Day I Dream About Photography"!!!
www.adidap.com/2008/08/22/adidap-flickr-round-2008-08-10/
Thanks for the link DIYPhotography!
www.diyphotography.net/having-fun-at-the-pool-4
Thanks for the link Epic Edits!
blog.epicedits.com/2008/08/10/photodump-08-10-2008/
Thanks for the "Image of the Day" pick Parent Dish!
www.parentdish.com/2008/08/20/image-of-the-day-jump/
Flickr Explore Aug 7, 2008 #483
Located on South College St in Trenton, Tennessee, the Peabody High School was nominated to the National Register of Historic Places under criteria A & C for its historical and architectural importance to this West Tennessee city. The Peabody High School was designed by Rueben A. Heavner, a regionally important architect who specialized in school buildings and residences beginning in the early twentieth century and reflects the Neo-Classical style of architecture that he was known for. Built in 1917, the structure served as the primary high school for the young people of Trenton for over sixty years.
As early as 1876, Professor Gentry R. McGee began laying the foundations for the establishment of public education in Gibson County. After securing $1,000.00 from the Peabody Education Fund, an endowment established by George Peabody to aid education in the South, a public school building was constructed in Trenton. But by early 1917, the original Peabody School building was inadequate to serve the growing number of students in Trenton and the surrounding area. Selected as the building's architect was Heavner, a prominent architect from Jackson, TN, who had designed high schools for the towns of Jackson and Lexington, TN previously. His designs mostly take their significant architectural features from Greek or Roman classicism. Examples of Heavner's work are found in the Jackson City Hall, New Southern Hotel (Jackson, TN), First National Bank (Jackson, TN), Old Jackson High School, and many buildings erected at Fort Pillow, Tennessee. (And several of these can be found in my photostream as well.) Peabody High School is an example of Heavner's design which reflect the Neo-Classical features which were popular during his early career. Noteworthy features on the building include the paired giant ionic columns which sit on a raised ashlar basement and support a full entablature, and the stone door surrounds on the wing entrances with entablature above simply inscribed "GIRLS" on the right and "BOYS" on the left. And, throughout the years, Peabody High School has remained one of Trenton's most significant structures. Few alterations have been made to the facade of the building and it retains its early 20th century architectural character. So, it was added to the NRHP on November 23, 1984. More information like above can be read on the original documents submitted for listing consideration that can be found here:
npgallery.nps.gov/NRHP/AssetDetail?assetID=8df95c85-f49b-...
Three bracketed photos were taken with a handheld Nikon D5200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below:
Nominate subspecies chilensis.
Canopy Platform, Heath River Wildlife Center [200m], La Paz Dept., Bolivia
nominated in the abstract category at the 9th Black & White Sider Award
(London skyline from Ally Pally, with wobble)
Grey-faced Woodpecker (nominate) (Gråspett / Picus canus canus) turned up again this winter, in my garden at Kongsgårdmoen (Kongsberg, Norway).
Canon 70D, Canon EF 100-400 f4.5-5.6 L USM IS.
The photo is part of a Grey-faced Woodpecker (nominate) set.
I was nominated for one of those challenge things on Facebook: "Mono photo each day for 7 days. No people, no explanation, no obligation." This is my second day of doing it, but the first I've chosen to use the mono shot for my photo of the day. This was definitely my favourite shot from today though. I'm really enjoying being challenged to 'think in black and white,' and recommend it as a way to shake things up a bit, photographically speaking.
Felt slightly better again today - thankfully, after feeling so rubbish yesterday. Very tired though. Still, I managed to stay awake for a lovely dinner out with Tim after work, and then snuggled up on the sofa for a good catch-up of various comedy programmes we've recorded recently.
Belgian postcard, no. 950. Photo: Warner Bros.
American actress Eleanor Parker (1922-2013) appeared in some 80 films and television series. She was nominated three times for the Academy Award for Best Actress, for Caged (1950), Detective Story (1951) and Interrupted Melody (1955). Her role in Caged also won her the Volpi Cup for Best Actress at the Venice Film Festival. One of her most memorable roles was that of the Baroness in The Sound of Music (1965). Her biographer Doug McClelland called her ‘Woman of a Thousand Faces’, because of her versatility.
Eleanor Jean Parker was born in 1922, in Cedarville, Ohio. She was the daughter of Lola (Isett) and Lester Day Parker. Her family moved to East Cleveland, Ohio, where she attended public schools and graduated from Shaw High School. She appeared in a number of school plays. When she was 15 she started to attend the Rice Summer Theatre on Martha's Vineyard in Massachusetts. After graduation, she moved to California and began appearing at the Pasadena Playhouse. There she was spotted by a Warners Bros talent scout, Irving Kumin. The studio signed her to a long-term contract in June 1941. She was cast that year in They Died with Their Boots On (Raoul Walsh, 1941), but her scenes were cut. Her actual film debut was as Nurse Ryan in the short Soldiers in White (B. Reeves Eason, 1942). She was given some decent roles in B films, Busses Roar (D. Ross Lederman, 1942) and The Mysterious Doctor (Benjamin Stoloff, 1943) opposites John Loder. She also had a small role in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (Michael Curtiz, 1943) as Emlen Davies, daughter of the U.S. ambassador to the U.S.S.R (Walter Huston). On the set, she met her first husband, Navy Lieutenant. Fred L. Losse, but the marriage turned out to be a brief wartime affair. Parker had impressed Warners enough to offer her a strong role in a prestige production, Between Two Worlds (Edward A. Blatt, 1944), playing the suicidal wife of Paul Henreid's character. She played support roles for Crime by Night (William Clemens, 1944) and The Last Ride (D. Ross Lederman, 1944). Then she got the starring role opposite Dennis Morgan in The Very Thought of You (Delmer Daves, 1944). She was considered enough of a ‘name’ to be given a cameo in Hollywood Canteen (Delmer Daves, 1944). Warners gave her the choice role of Mildred Rogers in a new version of Somerset Maugham's Of Human Bondage (Edmund Goulding, 1946), but previews were not favourable and the film sat on the shelf for two years before being released. She had her big break when she was cast opposite John Garfield in Pride of the Marines (Delmer Daves, 1945). However, two films with Errol Flynn that followed, the romantic comedy Never Say Goodbye (James V. Kern, 1946) and the drama Escape Me Never (Peter Godfrey, 1947), were box office disappointments. Parker was suspended twice by Warners for refusing parts in films – in Stallion Road (James V. Kern, 1947), where she was replaced by Alexis Smith and Love and Learn (Frederick De Cordova, 1947). She made the comedy Voice of the Turtle (Irving Rapper, 1947) with Ronald Reagan, and the mystery The Woman in White (Peter Godfrey, 1948). She refused to appear in Somewhere in the City (Vincent Sherman, 1950) so Warners suspended her again; Virginia Mayo played the role. Parker then had two years off, during which time she married and had a baby. She turned down a role in The Hasty Heart (Vincent Sherman, 1949) which she wanted to do, but it would have meant going to England and she did not want to leave her baby alone during its first year.
Eleanor Parker returned in Chain Lightning (Stuart Heisler, 1950) with Humphrey Bogart. Parker heard about a women-in-prison film Warners were making, Caged (John Cromwell, 1950), and actively lobbied for the role. She got it, won the 1950 Volpi Cup for Best Actress at the Venice Film Festival and was nominated for an Academy Award. She also had a good role in the melodrama Three Secrets (Robert Wise, 1950). In February 1950, Parker left Warner Bros. after having been under contract there for eight years. Parker had understood that she would star in a film called Safe Harbor, but Warner Bros. apparently had no intention of making it. Because of this misunderstanding, her agents negotiated her release. Parker's career outside of Warners started badly with Valentino (Lewis Allen, 1951) playing a fictionalised wife of Rudolph Valentino for producer Edward Small. She tried a comedy at 20th Century Fox with Fred MacMurray, A Millionaire for Christy (George Marshall, 1951). In 1951, Parker signed a contract with Paramount for one film a year, with an option for outside films. This arrangement began brilliantly with Detective Story (William Wyler, 1951) playing Mary McLeod, the woman who doesn't understand the position of her unstable detective husband (Kirk Douglas). Parker was nominated for the Oscar in 1951 for her performance. Parker followed Detective Story with her portrayal of an actress in love with a swashbuckling nobleman (Stewart Granger) in Scaramouche (George Sidney, 1952), a role originally intended for Ava Gardner. Wikipedia: “Parker later claimed that Granger was the only person she didn't get along with during her entire career. However, they had good chemistry and the film was a massive hit. “MGM cast her into Above and Beyond (Melvin Frank, Norman Panama, 1952), a biopic of Lt. Col. Paul W. Tibbets, Jr. (Robert Taylor), the pilot of the aircraft that dropped the atomic bomb on Hiroshima. It was a solid hit. While Parker was making a third film for MGM, Escape from Fort Bravo (John Sturges, 1953), she signed a five-year contract with the studio. She was named as star of a Sidney Sheldon script, My Most Intimate Friend and of One More Time, from a script by Ruth Gordon and Garson Kanin directed by George Cukor, but neither film was made. Back at Paramount, Parker starred with Charlton Heston as a 1900s mail-order bride in The Naked Jungle (Byron Haskin, 1954), produced by George Pal. Parker returned to MGM where she was reunited with Robert Taylor in an Egyptian adventure film, Valley of the Kings (Robert Pirosh, 1954), and a Western, Many Rivers to Cross (Roy Rowland, 1955). MGM gave her one of her best roles as opera singer Marjorie Lawrence struck down by polio in Interrupted Melody (Curtis Bernhardt, 1955). This was a big hit and earned Parker a third Oscar nomination; she later said it was her favourite film. Also in 1955, Parker appeared in the film adaptation of the National Book Award-winner The Man with the Golden Arm (Otto Preminger, 1955), released through United Artists. She played Zosh, the supposedly wheelchair-bound wife of heroin-addicted, would-be jazz drummer Frankie Machine (Frank Sinatra). It was a major commercial and critical success. In 1956, she co-starred with Clark Gable in the Western comedy The King and Four Queens (Raoul Walsh, 1956), also for United Artists. It was then back at MGM for two dramas: Lizzie (Hugo Haas, 1957), in the title role, as a woman with a split personality; and The Seventh Sin (Ronald Neame, 1957), a remake of The Painted Veil in the role originated by Greta Garbo and, once again, intended for Ava Gardner. Both films flopped at the box office and, as a result, Parker's plans to produce her own film, L'Eternelle, about French resistance fighters, did not materialise.
Eleanor Parker supported Frank Sinatra in a popular comedy, A Hole in the Head (Frank Capra, 1959). She returned to MGM for Home from the Hill (Vincente Minnelli, 1960), co-starring with Robert Mitchum, then took over Lana Turner's role of Constance Rossi in Return to Peyton Place (José Ferrer, 1961), the sequel to the hit 1957 film. That was made by 20th Century Fox who also produced Madison Avenue (H. Bruce Humberstone, 1961) with Parker. In 1960, she made her TV debut, and in the following years, she worked increasingly in television, with the occasional film role such as Panic Button (George Sherman, Giuliano Carnimeo, 1964) with Maurice Chevalier and Jayne Mansfield. Parker's best-known screen role is Baroness Elsa Schraeder in the Oscar-winning musical The Sound of Music (Robert Wise, 1965). The Baroness was famously and poignantly unsuccessful in keeping the affections of Captain Georg von Trapp (Christopher Plummer) after he falls in love with Maria (Julie Andrews). In 1966, Parker played an alcoholic widow in the crime drama Warning Shot (Buzz Kulik, 1967), a talent scout who discovers a Hollywood star in The Oscar (Russell Rouse, 1966), and a rich alcoholic in An American Dream (Robert Gist, 1966). However, her film career seemed to go downhill. A Playboy Magazine reviewer derided the cast of The Oscar as "has-beens and never-will-be". From the late 1960s, she focused on television. In 1963, Parker appeared in the medical TV drama about psychiatry The Eleventh Hour in the episode Why Am I Grown So Cold?, for which she was nominated for an Emmy Award. She also appeared in episodes of Breaking Point (1964). And The Man from U.N.C.L.E. (1968). In 1969–1970, Parker starred in the television series Bracken's World, for which she was nominated for a 1970 Golden Globe Award. Parker also appeared on stage in the role of Margo Channing in Applause, the Broadway musical version of the film All About Eve. In 1976, she played Maxine in a revival of The Night of the Iguana. Her last film role was in a Farrah Fawcett bomb, Sunburn (Richard C. Sarafian, 1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (Mark Cullingham, 1991). Eleanor Parker was married four times. Her first husband was Fred Losee (1943-1944). Her second marriage to Bert E. Friedlob (1946-1953) produced three children Susan Eleanor Friedlob (1948), Sharon Anne Friedlob (1950), and Richard Parker Friedlob (1952). Her third marriage was to American portrait painter Paul Clemens, (1954-1965) and the couple had one child, actor Paul Clemens (1958). Her fourth marriage with Raymond N. Hirsch (1966-2001) ended when Hirsch died of oesophagal cancer. She was the grandmother of actor/director Chasen Parker. Eleanor Parker died in 2013 at a medical facility in Palm Springs, California of complications of pneumonia. She was 91. Parker was raised a Protestant and later converted to Judaism, telling the New York Daily News columnist Kay Gardella in August 1969, "I think we're all Jews at heart ... I wanted to convert for a long time."
Sources: Jon C. Hopwood (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
West German postcard by Film-Foto-Verlag, Berlin-Tempelhof, no. FK 258. Photo: Paramount.
American actress Eleanor Parker (1922-2013) appeared in some 80 films and television series. She was nominated three times for the Academy Award for Best Actress, for Caged (1950), Detective Story (1951) and Interrupted Melody (1955). Her role in Caged also won her the Volpi Cup for Best Actress at the Venice Film Festival. One of her most memorable roles was that of the Baroness in The Sound of Music (1965). Her biographer Doug McClelland called her ‘Woman of a Thousand Faces’, because of her versatility.
Eleanor Jean Parker was born in 1922, in Cedarville, Ohio. She was the daughter of Lola (Isett) and Lester Day Parker. Her family moved to East Cleveland, Ohio, where she attended public schools and graduated from Shaw High School. She appeared in a number of school plays. When she was 15 she started to attend the Rice Summer Theatre on Martha's Vineyard in Massachusetts. After graduation, she moved to California and began appearing at the Pasadena Playhouse. There she was spotted by a Warners Bros talent scout, Irving Kumin. The studio signed her to a long-term contract in June 1941. She was cast that year in They Died with Their Boots On (Raoul Walsh, 1941), but her scenes were cut. Her actual film debut was as Nurse Ryan in the short Soldiers in White (B. Reeves Eason, 1942). She was given some decent roles in B films, Busses Roar (D. Ross Lederman, 1942) and The Mysterious Doctor (Benjamin Stoloff, 1943) opposites John Loder. She also had a small role in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (Michael Curtiz, 1943) as Emlen Davies, daughter of the U.S. ambassador to the U.S.S.R (Walter Huston). On the set, she met her first husband, Navy Lieutenant. Fred L. Losse, but the marriage turned out to be a brief wartime affair. Parker had impressed Warners enough to offer her a strong role in a prestige production, Between Two Worlds (Edward A. Blatt, 1944), playing the suicidal wife of Paul Henreid's character. She played support roles for Crime by Night (William Clemens, 1944) and The Last Ride (D. Ross Lederman, 1944). Then she got the starring role opposite Dennis Morgan in The Very Thought of You (Delmer Daves, 1944). She was considered enough of a ‘name’ to be given a cameo in Hollywood Canteen (Delmer Daves, 1944). Warners gave her the choice role of Mildred Rogers in a new version of Somerset Maugham's Of Human Bondage (Edmund Goulding, 1946), but previews were not favourable and the film sat on the shelf for two years before being released. She had her big break when she was cast opposite John Garfield in Pride of the Marines (Delmer Daves, 1945). However, two films with Errol Flynn that followed, the romantic comedy Never Say Goodbye (James V. Kern, 1946) and the drama Escape Me Never (Peter Godfrey, 1947), were box office disappointments. Parker was suspended twice by Warners for refusing parts in films – in Stallion Road (James V. Kern, 1947), where she was replaced by Alexis Smith and Love and Learn (Frederick De Cordova, 1947). She made the comedy Voice of the Turtle (Irving Rapper, 1947) with Ronald Reagan, and the mystery The Woman in White (Peter Godfrey, 1948). She refused to appear in Somewhere in the City (Vincent Sherman, 1950) so Warners suspended her again; Virginia Mayo played the role. Parker then had two years off, during which time she married and had a baby. She turned down a role in The Hasty Heart (Vincent Sherman, 1949) which she wanted to do, but it would have meant going to England and she did not want to leave her baby alone during its first year.
Eleanor Parker returned in Chain Lightning (Stuart Heisler, 1950) with Humphrey Bogart. Parker heard about a women-in-prison film Warners were making, Caged (John Cromwell, 1950), and actively lobbied for the role. She got it, won the 1950 Volpi Cup for Best Actress at the Venice Film Festival and was nominated for an Academy Award. She also had a good role in the melodrama Three Secrets (Robert Wise, 1950). In February 1950, Parker left Warner Bros. after having been under contract there for eight years. Parker had understood that she would star in a film called Safe Harbor, but Warner Bros. apparently had no intention of making it. Because of this misunderstanding, her agents negotiated her release. Parker's career outside of Warners started badly with Valentino (Lewis Allen, 1951) playing a fictionalised wife of Rudolph Valentino for producer Edward Small. She tried a comedy at 20th Century Fox with Fred MacMurray, A Millionaire for Christy (George Marshall, 1951). In 1951, Parker signed a contract with Paramount for one film a year, with an option for outside films. This arrangement began brilliantly with Detective Story (William Wyler, 1951) playing Mary McLeod, the woman who doesn't understand the position of her unstable detective husband (Kirk Douglas). Parker was nominated for the Oscar in 1951 for her performance. Parker followed Detective Story with her portrayal of an actress in love with a swashbuckling nobleman (Stewart Granger) in Scaramouche (George Sidney, 1952), a role originally intended for Ava Gardner. Wikipedia: “Parker later claimed that Granger was the only person she didn't get along with during her entire career. However, they had good chemistry and the film was a massive hit. “MGM cast her into Above and Beyond (Melvin Frank, Norman Panama, 1952), a biopic of Lt. Col. Paul W. Tibbets, Jr. (Robert Taylor), the pilot of the aircraft that dropped the atomic bomb on Hiroshima. It was a solid hit. While Parker was making a third film for MGM, Escape from Fort Bravo (John Sturges, 1953), she signed a five-year contract with the studio. She was named as star of a Sidney Sheldon script, My Most Intimate Friend and of One More Time, from a script by Ruth Gordon and Garson Kanin directed by George Cukor, but neither film was made. Back at Paramount, Parker starred with Charlton Heston as a 1900s mail-order bride in The Naked Jungle (Byron Haskin, 1954), produced by George Pal. Parker returned to MGM where she was reunited with Robert Taylor in an Egyptian adventure film, Valley of the Kings (Robert Pirosh, 1954), and a Western, Many Rivers to Cross (Roy Rowland, 1955). MGM gave her one of her best roles as opera singer Marjorie Lawrence struck down by polio in Interrupted Melody (Curtis Bernhardt, 1955). This was a big hit and earned Parker a third Oscar nomination; she later said it was her favourite film. Also in 1955, Parker appeared in the film adaptation of the National Book Award-winner The Man with the Golden Arm (Otto Preminger, 1955), released through United Artists. She played Zosh, the supposedly wheelchair-bound wife of heroin-addicted, would-be jazz drummer Frankie Machine (Frank Sinatra). It was a major commercial and critical success. In 1956, she co-starred with Clark Gable in the Western comedy The King and Four Queens (Raoul Walsh, 1956), also for United Artists. It was then back at MGM for two dramas: Lizzie (Hugo Haas, 1957), in the title role, as a woman with a split personality; and The Seventh Sin (Ronald Neame, 1957), a remake of The Painted Veil in the role originated by Greta Garbo and, once again, intended for Ava Gardner. Both films flopped at the box office and, as a result, Parker's plans to produce her own film, L'Eternelle, about French resistance fighters, did not materialise.
Eleanor Parker supported Frank Sinatra in a popular comedy, A Hole in the Head (Frank Capra, 1959). She returned to MGM for Home from the Hill (Vincente Minnelli, 1960), co-starring with Robert Mitchum, then took over Lana Turner's role of Constance Rossi in Return to Peyton Place (José Ferrer, 1961), the sequel to the hit 1957 film. That was made by 20th Century Fox who also produced Madison Avenue (H. Bruce Humberstone, 1961) with Parker. In 1960, she made her TV debut, and in the following years, she worked increasingly in television, with the occasional film role such as Panic Button (George Sherman, Giuliano Carnimeo, 1964) with Maurice Chevalier and Jayne Mansfield. Parker's best-known screen role is Baroness Elsa Schraeder in the Oscar-winning musical The Sound of Music (Robert Wise, 1965). The Baroness was famously and poignantly unsuccessful in keeping the affections of Captain Georg von Trapp (Christopher Plummer) after he falls in love with Maria (Julie Andrews). In 1966, Parker played an alcoholic widow in the crime drama Warning Shot (Buzz Kulik, 1967), a talent scout who discovers a Hollywood star in The Oscar (Russell Rouse, 1966), and a rich alcoholic in An American Dream (Robert Gist, 1966). However, her film career seemed to go downhill. A Playboy Magazine reviewer derided the cast of The Oscar as "has-beens and never-will-be". From the late 1960s, she focused on television. In 1963, Parker appeared in the medical TV drama about psychiatry The Eleventh Hour in the episode Why Am I Grown So Cold?, for which she was nominated for an Emmy Award. She also appeared in episodes of Breaking Point (1964). And The Man from U.N.C.L.E. (1968). In 1969–1970, Parker starred in the television series Bracken's World, for which she was nominated for a 1970 Golden Globe Award. Parker also appeared on stage in the role of Margo Channing in Applause, the Broadway musical version of the film All About Eve. In 1976, she played Maxine in a revival of The Night of the Iguana. Her last film role was in a Farrah Fawcett bomb, Sunburn (Richard C. Sarafian, 1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (Mark Cullingham, 1991). Eleanor Parker was married four times. Her first husband was Fred Losee (1943-1944). Her second marriage to Bert E. Friedlob (1946-1953) produced three children Susan Eleanor Friedlob (1948), Sharon Anne Friedlob (1950), and Richard Parker Friedlob (1952). Her third marriage was to American portrait painter Paul Clemens, (1954-1965) and the couple had one child, actor Paul Clemens (1958). Her fourth marriage with Raymond N. Hirsch (1966-2001) ended when Hirsch died of oesophagal cancer. She was the grandmother of actor/director Chasen Parker. Eleanor Parker died in 2013 at a medical facility in Palm Springs, California of complications of pneumonia. She was 91. Parker was raised a Protestant and later converted to Judaism, telling the New York Daily News columnist Kay Gardella in August 1969, "I think we're all Jews at heart ... I wanted to convert for a long time."
Sources: Jon C. Hopwood (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions P.I., Paris, no. 256. Photo: Warner Bros.
American actress Eleanor Parker (1922-2013) appeared in some 80 films and television series. She was nominated three times for the Academy Award for Best Actress, for Caged (1950), Detective Story (1951) and Interrupted Melody (1955). Her role in Caged also won her the Volpi Cup for Best Actress at the Venice Film Festival. One of her most memorable roles was that of the Baroness in The Sound of Music (1965). Her biographer Doug McClelland called her ‘Woman of a Thousand Faces’, because of her versatility.
Eleanor Jean Parker was born in 1922, in Cedarville, Ohio. She was the daughter of Lola (Isett) and Lester Day Parker. Her family moved to East Cleveland, Ohio, where she attended public schools and graduated from Shaw High School. She appeared in a number of school plays. When she was 15 she started to attend the Rice Summer Theatre on Martha's Vineyard in Massachusetts. After graduation, she moved to California and began appearing at the Pasadena Playhouse. There she was spotted by a Warners Bros talent scout, Irving Kumin. The studio signed her to a long-term contract in June 1941. She was cast that year in They Died with Their Boots On (Raoul Walsh, 1941), but her scenes were cut. Her actual film debut was as Nurse Ryan in the short Soldiers in White (B. Reeves Eason, 1942). She was given some decent roles in B films, Busses Roar (D. Ross Lederman, 1942) and The Mysterious Doctor (Benjamin Stoloff, 1943) opposites John Loder. She also had a small role in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (Michael Curtiz, 1943) as Emlen Davies, daughter of the U.S. ambassador to the U.S.S.R (Walter Huston). On the set, she met her first husband, Navy Lieutenant. Fred L. Losse, but the marriage turned out to be a brief wartime affair. Parker had impressed Warners enough to offer her a strong role in a prestige production, Between Two Worlds (Edward A. Blatt, 1944), playing the suicidal wife of Paul Henreid's character. She played support roles for Crime by Night (William Clemens, 1944) and The Last Ride (D. Ross Lederman, 1944). Then she got the starring role opposite Dennis Morgan in The Very Thought of You (Delmer Daves, 1944). She was considered enough of a ‘name’ to be given a cameo in Hollywood Canteen (Delmer Daves, 1944). Warners gave her the choice role of Mildred Rogers in a new version of Somerset Maugham's Of Human Bondage (Edmund Goulding, 1946), but previews were not favourable and the film sat on the shelf for two years before being released. She had her big break when she was cast opposite John Garfield in Pride of the Marines (Delmer Daves, 1945). However, two films with Errol Flynn that followed, the romantic comedy Never Say Goodbye (James V. Kern, 1946) and the drama Escape Me Never (Peter Godfrey, 1947), were box office disappointments. Parker was suspended twice by Warners for refusing parts in films – in Stallion Road (James V. Kern, 1947), where she was replaced by Alexis Smith and Love and Learn (Frederick De Cordova, 1947). She made the comedy Voice of the Turtle (Irving Rapper, 1947) with Ronald Reagan, and the mystery The Woman in White (Peter Godfrey, 1948). She refused to appear in Somewhere in the City (Vincent Sherman, 1950) so Warners suspended her again; Virginia Mayo played the role. Parker then had two years off, during which time she married and had a baby. She turned down a role in The Hasty Heart (Vincent Sherman, 1949) which she wanted to do, but it would have meant going to England and she did not want to leave her baby alone during its first year.
Eleanor Parker returned in Chain Lightning (Stuart Heisler, 1950) with Humphrey Bogart. Parker heard about a women-in-prison film Warners were making, Caged (John Cromwell, 1950), and actively lobbied for the role. She got it, won the 1950 Volpi Cup for Best Actress at the Venice Film Festival and was nominated for an Academy Award. She also had a good role in the melodrama Three Secrets (Robert Wise, 1950). In February 1950, Parker left Warner Bros. after having been under contract there for eight years. Parker had understood that she would star in a film called Safe Harbor, but Warner Bros. apparently had no intention of making it. Because of this misunderstanding, her agents negotiated her release. Parker's career outside of Warners started badly with Valentino (Lewis Allen, 1951) playing a fictionalised wife of Rudolph Valentino for producer Edward Small. She tried a comedy at 20th Century Fox with Fred MacMurray, A Millionaire for Christy (George Marshall, 1951). In 1951, Parker signed a contract with Paramount for one film a year, with an option for outside films. This arrangement began brilliantly with Detective Story (William Wyler, 1951) playing Mary McLeod, the woman who doesn't understand the position of her unstable detective husband (Kirk Douglas). Parker was nominated for the Oscar in 1951 for her performance. Parker followed Detective Story with her portrayal of an actress in love with a swashbuckling nobleman (Stewart Granger) in Scaramouche (George Sidney, 1952), a role originally intended for Ava Gardner. Wikipedia: “Parker later claimed that Granger was the only person she didn't get along with during her entire career. However, they had good chemistry and the film was a massive hit. “MGM cast her into Above and Beyond (Melvin Frank, Norman Panama, 1952), a biopic of Lt. Col. Paul W. Tibbets, Jr. (Robert Taylor), the pilot of the aircraft that dropped the atomic bomb on Hiroshima. It was a solid hit. While Parker was making a third film for MGM, Escape from Fort Bravo (John Sturges, 1953), she signed a five-year contract with the studio. She was named as star of a Sidney Sheldon script, My Most Intimate Friend and of One More Time, from a script by Ruth Gordon and Garson Kanin directed by George Cukor, but neither film was made. Back at Paramount, Parker starred with Charlton Heston as a 1900s mail-order bride in The Naked Jungle (Byron Haskin, 1954), produced by George Pal. Parker returned to MGM where she was reunited with Robert Taylor in an Egyptian adventure film, Valley of the Kings (Robert Pirosh, 1954), and a Western, Many Rivers to Cross (Roy Rowland, 1955). MGM gave her one of her best roles as opera singer Marjorie Lawrence struck down by polio in Interrupted Melody (Curtis Bernhardt, 1955). This was a big hit and earned Parker a third Oscar nomination; she later said it was her favourite film. Also in 1955, Parker appeared in the film adaptation of the National Book Award-winner The Man with the Golden Arm (Otto Preminger, 1955), released through United Artists. She played Zosh, the supposedly wheelchair-bound wife of heroin-addicted, would-be jazz drummer Frankie Machine (Frank Sinatra). It was a major commercial and critical success. In 1956, she co-starred with Clark Gable in the Western comedy The King and Four Queens (Raoul Walsh, 1956), also for United Artists. It was then back at MGM for two dramas: Lizzie (Hugo Haas, 1957), in the title role, as a woman with a split personality; and The Seventh Sin (Ronald Neame, 1957), a remake of The Painted Veil in the role originated by Greta Garbo and, once again, intended for Ava Gardner. Both films flopped at the box office and, as a result, Parker's plans to produce her own film, L'Eternelle, about French resistance fighters, did not materialise.
Eleanor Parker supported Frank Sinatra in a popular comedy, A Hole in the Head (Frank Capra, 1959). She returned to MGM for Home from the Hill (Vincente Minnelli, 1960), co-starring with Robert Mitchum, then took over Lana Turner's role of Constance Rossi in Return to Peyton Place (José Ferrer, 1961), the sequel to the hit 1957 film. That was made by 20th Century Fox who also produced Madison Avenue (H. Bruce Humberstone, 1961) with Parker. In 1960, she made her TV debut, and in the following years, she worked increasingly in television, with the occasional film role such as Panic Button (George Sherman, Giuliano Carnimeo, 1964) with Maurice Chevalier and Jayne Mansfield. Parker's best-known screen role is Baroness Elsa Schraeder in the Oscar-winning musical The Sound of Music (Robert Wise, 1965). The Baroness was famously and poignantly unsuccessful in keeping the affections of Captain Georg von Trapp (Christopher Plummer) after he falls in love with Maria (Julie Andrews). In 1966, Parker played an alcoholic widow in the crime drama Warning Shot (Buzz Kulik, 1967), a talent scout who discovers a Hollywood star in The Oscar (Russell Rouse, 1966), and a rich alcoholic in An American Dream (Robert Gist, 1966). However, her film career seemed to go downhill. A Playboy Magazine reviewer derided the cast of The Oscar as "has-beens and never-will-be". From the late 1960s, she focused on television. In 1963, Parker appeared in the medical TV drama about psychiatry The Eleventh Hour in the episode Why Am I Grown So Cold?, for which she was nominated for an Emmy Award. She also appeared in episodes of Breaking Point (1964). And The Man from U.N.C.L.E. (1968). In 1969–1970, Parker starred in the television series Bracken's World, for which she was nominated for a 1970 Golden Globe Award. Parker also appeared on stage in the role of Margo Channing in Applause, the Broadway musical version of the film All About Eve. In 1976, she played Maxine in a revival of The Night of the Iguana. Her last film role was in a Farrah Fawcett bomb, Sunburn (Richard C. Sarafian, 1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (Mark Cullingham, 1991). Eleanor Parker was married four times. Her first husband was Fred Losee (1943-1944). Her second marriage to Bert E. Friedlob (1946-1953) produced three children Susan Eleanor Friedlob (1948), Sharon Anne Friedlob (1950), and Richard Parker Friedlob (1952). Her third marriage was to American portrait painter Paul Clemens, (1954-1965) and the couple had one child, actor Paul Clemens (1958). Her fourth marriage with Raymond N. Hirsch (1966-2001) ended when Hirsch died of oesophagal cancer. She was the grandmother of actor/director Chasen Parker. Eleanor Parker died in 2013 at a medical facility in Palm Springs, California of complications of pneumonia. She was 91. Parker was raised a Protestant and later converted to Judaism, telling the New York Daily News columnist Kay Gardella in August 1969, "I think we're all Jews at heart ... I wanted to convert for a long time."
Sources: Jon C. Hopwood (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
I was nominated by Di and Betty for the black and white doll challenge. Thank you, both. The challenge is to post a black and white photo of a doll and nominate somebody new each day.
I nominate The Stars in the Sky1. I would love to see some of your Disney dolls in black and white.
Ricky was still in his Halloween boy scout shirt so I just turned it inside out to get the scarf in the front like a bandana.
This is my first one, but may be my only one due to Christmas parties, shopping, decorating, crafts....just like most of you. I'm hosting Christmas here so the house needs to be tidy all over!
I have 3 Christmas dioramas that I would LOVE to do before the 25th. I hope they can happen, but I have my doubts.
Tommy is nominated for Ballerup Municipality's Culture Prize, for something as unusual as spreading joy and kindness, both as an avid hiker in the municipality's green area, and as an avid participant in various local Facebook groups. I was present when two from the judge group visited him, Charlotte from the municipal council and Morten from Danske Bank, who is the sponsor of the award.
Lilletoften, Skovlunde.
British postcard by Anabas, Essex, no. AP578, 1997.
Blonde and blue-eyed American actress Uma Thurman (1970) is best known for her roles in Quentin Tarantino's Pulp Fiction (1994), Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004) and was hailed as Tarantino's muse. Furthermore, she starred in a wide variety of films, from romantic comedies and dramas to science fiction and action films.
Uma Karuna Thurman was born in 1970 in Boston, Massachusetts, into a highly unorthodox and internationally-minded family. She is the daughter of Nena Thurman (née Birgitte Caroline von Schlebrügge), a fashion model and socialite who now runs a mountain retreat, and of Robert Thurman (Robert Alexander Farrar Thurman), a professor and academic who is one of the nation's foremost Buddhist scholars. Uma grew up in Amherst, Massachusetts, where her father worked at Amherst College. Thurman's household was one in which The Dalai Lama was an occasional guest; she and her siblings all have names deriving from Buddhist mythology; and Middle American behaviour was little understood, much less pursued. And so it was that the young Thurman confronted childhood with an odd name and eccentric home life - and nature seemingly conspired against her as well. She is six feet tall, and from an early age Uma towered over everyone else in her class. The family constantly relocated, making the gangly, socially inept Thurman perpetually the new kid in class. The result was an exceptionally awkward, self-conscious, lonely, and alienated childhood. Unsurprisingly, the young Thurman enjoyed making believe she was someone other than herself, and so thrived at acting in school plays. This interest, and her lanky frame, perfect for modeling, led the 15-year-old Thurman to New York City for high school and modeling work (including a layout in Glamour Magazine) as she sought acting roles. The roles soon came. She made her film debut in the teen thriller Kiss Daddy Goodnight (Peter Ily Huemer, 1987). It was followed by Terry Gilliam's interesting box office bomb, The Adventures of Baron Munchausen (1988), starring John Neville. She made a brief appearance as the goddess Venus, and during her entrance, she briefly appears nude, in an homage to Botticelli's 'The Birth of Venus'. Then followed her breakthrough in Dangerous Liaisons (Stephen Frears, 1988) from a screenplay by Christopher Hampton, which was based on the 1782 French novel 'Les liaisons dangereuses' by Pierre Choderlos de Laclos. The period romantic drama, starring Glenn Close, John Malkovich, and Michelle Pfeiffer, brought much attention to her unorthodox sensuality. Her performance intriguingly combined innocence and worldliness. The weird, gangly girl became a sex symbol virtually overnight.
Uma Thurman continued to be offered good roles in Hollywood pictures into the early 1990s, the least commercially successful but probably best-known of which was her smoldering, astonishingly-adult performance as June, Henry Miller's wife, in Henry & June (Philip Kaufman, 1990), the first film to actually receive the dreaded NC-17 rating in the USA. After a celebrated start, Thurman's career stalled in the early 1990s with films such as the mediocre Mad Dog and Glory (John McNaughton, 1993) with Robert De Niro. Worse, her first starring role was in Even Cowgirls Get the Blues (Gus Van Sant, 1993), which had endured a tortured journey from cult-favorite book to big-budget film and was a critical and financial debacle. Uma bounced back with a brilliant performance as Mia Wallace, that most unorthodox of all gangster's molls, in Tarantino's lauded, hugely successful Pulp Fiction (Quentin Tarantino, 1994). For her role, Thurman was nominated for the Academy Award, the BAFTA Award, and the Golden Globe Award for Best Supporting Actress. She took little advantage of her new-found fame by choosing not to do any big-budget films for the next three years. She starred in the independent period drama A Month by the Lake (John Irvin, 1995) opposite Vanessa Redgrave and Edward Fox, and supporting roles in which she has lent some glamorous presence to a mixed batch of films, such as Beautiful Girls (Ted Demme, 1996) with Matt Dillon, and The Truth About Cats & Dogs (Michael Lehmann, 1996). She played supervillain Poison Ivy in the reviled Batman & Robin (Joel Schumacher, 1997) with George Clooney, and Emma Peel opposite Ralph Fiennes as John Steed in a remake of The Avengers (Jeremiah Chechik, 1998). She worked with Woody Allen and Sean Penn on Sweet and Lowdown (1999), and starred in Richard Linklater's drama Tape (2001) opposite husband Ethan Hawke. Thurman also won a Golden Globe award for her turn in the made-for-television film Hysterical Blindness (2002), directed by Mira Nair.
A return to the mainstream spotlight came when Uma Thurman re-teamed with Quentin Tarantino for Kill Bill: Vol. 1 (2003). The two had dreamed up this two-part revenge action film on the set of Pulp Fiction (1994). Thurman starred as the Bride, who swears revenge on a team of assassins (Lucy Liu, Michael Madsen, Daryl Hannah, and Vivica A. Fox) and their leader, Bill (David Carradine), after they try to kill her and her unborn child. She then turned up in the John Woo cautioner Paycheck (2003) that same year. The renewed attention was not altogether welcome because Thurman was dealing with the break-up of her marriage with Hawke at about this time. Thurman handled the situation with grace, however, and took her surging popularity in stride. She garnered critical acclaim for her work in Kill Bill: Vol. 2 (Quentin Tarantino, 2004) and was hailed as Tarantino's muse. The two Kill Bill films brought her two additional Golden Globe Award nominations. Thurman reunited with Pulp Fiction dance partner John Travolta for the Get Shorty (Barry Sonnenfeld, 1995) sequel Be Cool (F. Gary Gray, 2005). Despite a lukewarm critical reception, the film grossed US$95 million. She played Ulla in the remake of The Producers (Susan Stroman, 2005). In 2006, she was made a Knight of the Order of Arts and Letters (Chevalier De l'Ordre Des Arts Et Des Lettres) by France. For her five-episode role in the musical TV series Smash (2012), Thurman received a Primetime Emmy Award nomination for Outstanding Guest Actress in a Drama Series. Her later films include Lars von Trier's Nymphomaniac (2013) and The House That Jack Built (2018). She made her Broadway debut in Beau Willimon's political drama 'The Parisian Woman' (2017-2018) at Hudson Theatre. For her role, she won the Broadway.com Audience Award for Favorite Leading Actress in a Play. In 2018, in a New York Times interview, Thurman revealed that Harvey Weinstein had sexually assaulted her in 1994. Uma Thurman was briefly married to Gary Oldman, from 1990 to 1992. In 1998, she married Ethan Hawke, her co-star in the offbeat futuristic thriller Gattaca (Andrew Niccol, 1997). The couple has two children, Levon and Maya. Hawke and Thurman filed for divorce in 2004.
Sources: Wikipedia and IMDb.
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Jeff Belanger is one of the most visible and prolific researchers of folklore and legends today. A natural storyteller, he’s the award-winning, Emmy-nominated host, writer, and producer of the New England Legends series on PBS and Amazon Prime, and is the author of over a dozen books (published in six languages). He also hosts the New England Legends weekly podcast, which has garnered over 4 million downloads since it was launched.
Always one for chasing adventures, Jeff has climbed Mt. Kilimanjaro in Africa, he’s explored the ruins of Machu Picchu in Peru, he’s searched the catacombs of Paris, France (where he encountered his first ghost), he faced his life-long struggle with basophobia on his birthday by skydiving, and he’s been ghost hunting all over the world from a former TB asylum in Kentucky, to medieval castles in Europe, to an abandoned prison in Australia.
Jeff got his start as a journalist in 1997, where he learned how to connect with people from all walks of life. For his work, he’s interviewed thousands of people about their encounters with the profound.
His books include the best sellers: The World’s Most Haunted Places, Weird Massachusetts, Our Haunted Lives, The Call of Kilimanjaro, and Who’s Haunting the White House?. He founded Ghostvillage.com in 1999—one of the Web’s most popular paranormal destinations—and he’s a noted speaker and media personality. He’s spoken at MENSA’s national conference, has given a prestigious TEDx talk in New York City, and provides dozens of live lectures and programs to audiences each year.
Belanger has written for newspapers like The Boston Globe and USA Today, and has served as the writer and researcher on numerous television series including every single episode of Ghost Adventures (25 seasons and counting), Paranormal Challenge, and Aftershocks on the Travel Channel, and Amish Haunting on Destination America. He’s been a guest on hundreds of radio and television networks and programs including: The History Channel, The Travel Channel, Biography Channel, Reelz, PBS, NECN, Living TV (UK), Sunrise 7 (Australia), Bell (Canada), The Maury Show, The CBS News Early Show, CBS Sunday Morning, FOX, NBC, ABC, and CBS affiliates, National Public Radio, The BBC, Darkness Radio, Australian Radio Network, and Coast to Coast AM.