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Quick Overview
This wireless adapter can be worked with laptops, notebooks and PC desktop computer as well. Just plug and enjoy Internet.
Online at www.ipcaccessories.com/300mbps-usb-wireless-adapter-wifi-...
Product Description
Features:
802.11n/g/b 300M Wireless WiFi USB 2.0 Adapter (Realtek 8191 Chipset).
Complies with IEEE 802.11n(draft), IEEE 802.11g, IEEE 802.11b standards.
Provides USB 2.0/1.1 hight speed interface.
Transmission rate up to 300Mbps.
Supports Ad-Hoc, infrastructure WLAN network, wireless roaming.
Supports Windows 2000, XP 32/64-bit, Vista 32/64-bit, Linux, MAC OS x.
With an external antenna.
Simple configuration and easy to use.
It can be worked with laptops, notebooks and PC desktop computer as well.
Specifications:
Wireless standards: IEEE 802.11n(draft), IEEE 802.11g, IEEE 802.11b standards
Interface: hight speed USB 2.0/1.1
Data rate:
802.11n up to 300M (downlink) and 150M (uplink);
802.11g 54/48/36/24/18/12/9/6 Mbps auto fallback;
802.11b 11/5.5/2/1 Mbps auto fallback.
Frequency range: 2.4GHz ISM
Chipset: Realtek 8191
RF frequency: 2412-2462Mhz (North America); 2412-2472Mhz (Europe); 2412-2484Mhz (Japan)
RF output power: 13-17dBm
Radio channel: 1-14 channels
Range coverage: up to 3 times farther range than 802.11g
Roaming: full mobility and seamless roaming from cell to cell
Modulation: 11n BPSK QPSK 16QAM 64QAM OFDM; 11g BPSK QPSK 16QAM 64QAM OFDM; 11b DQPSK DBPSK DSSS CCK
Data security: 64/128-bit WEP Encryption WPA, WPA-PSK, WPA2-PSK, TKIP/AES
Media access control: CSMA/CA with ACK
LED indicator: link/active (green)
Operating system: Windows 2000, XP 32/64-bit, Vista 32/64-bit, Linux, MAC OS x
Color: black
Antenna length: 11cm
Item size: 7*2.5*1.2cm
Item weight: 22g
Package size: 17.5*11*1.5cm
Package weight: 50g
Package including:
1 * Wireless USB Adapter
1 * Software CD
Taken of the 1st Year Radio project showing the components of an AM radio, has not been altered in any way.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Xung PWM là cụm từ viết tắt của Pulse Width Modulation, giải nghĩa hiểu đơn giản thì xung PWM là một loại tín hiệu được ứng dụng trong vật lý để điều chỉnh điện áp tải ra của các thiết bị điện tử, thiết bị điện dựa trên sự thay đổi về độ rộng của chuỗi xung vuông, điều này dẫn đến sự thay đổi điện áp ra.
Các PWM khi biến đổi sẽ có cùng 1 tần số và khác nhau về độ rộng của sườn dương hay sườn âm.
👉Tham khảo thêm bài viết sau đây để rõ hơn.
shadow.vn/pwm-la-gi-va-anh-huong-den-den-pin-nhu-the-nao
SHADOW Việt Nam - Chuyên cung cấp đèn pin cao cấp, đèn pin nhập khẩu chính hãng
Add: Số 51A Phan Kế Bính, phường Cống Vị, quận Ba Đình, Hà Nội
SĐT: 0934883366
TIN: 0108618521
--------------------------------
Các trang mạng xã hội khác của Shadow Việt Nam:
dribbble.com/shots/19683553-Xung-PWM-l-g-r-ng-xung-nh-h-n...
linkhay.com/blog/390918/xung-pwm-la-gi-do-rong-xung-anh-h...
Caleb Studstill explains his poster titled "Understanding the Role of Sphingosine Kinase 2 in Immune Modulation and Viral Persistenc" Thursday, April 13 during the Research Poster Session @ Missouri Life Sciences Week 2017 | Photo by Roger Meissen, Bond LSC
CNC milled tree trunk from Linden wood based on a form modeled in 3D. Milled at the HfG Offenbach with the kind assistance of Mr. Wolfgang Heide. Digital image taken at the exhibition "Natur-Struktur" in March-April 2008 in Frankfurt am Main, Germany.
Dub~Step~Arcade Controls
01~ Steps (amount of steps in the tone)
02~ Mod Depth (amount of modulation of the pitch)
03~ LFO - Square or Triangle select for modulation depth
04~ A/D or LFO select for modulation depth
05~ Pitch (manual oscillator pitch setting)
06~ VCA level (volume)
07~ Manual or A/D generator select for VCA
08~ Attack control (how long the A/D gen takes to get to max amount)
09~ Decay (how quickly the A/D voltage drops)
10~ Repeat on /off (A/D generator automatically repeats at the end of each cycle)
11~ FIRE! starts the A/D sequence
12~ LFO speed with flashing indicator
KITS AVAILABLE MAY 2010 FROM
Well do we have news for you… (:-D
Resulting from my bro, Maxsimus, latest visit to Singapore this week and the photo shoot we set up during his stay, we decided jointly to look into PP.. issues and take matters seriously... (:D into our own hands “so to speak” and create our very own processing approach that we have named : “Hallucinogeneric”.
Based on the saturation of lens “Aperture Mode Locking” AML and the self-amplitude “Time modulation coefficient” or TMC, Our work deals with the saturation of the lens Aperture mode locking mechanism. A quantitative description of TMC and the self-amplitude modulation effect in a laser cavity can be derived. Considering both the nonlinear and geometrical (curvature vector or CV) differences between lenses and camera sensors (full frame or not) we concluded that the “CV” differential relationship between cameras and lenses results in nonlinear light modulation.
The loss of the “Light Pulse Conformation Strength” or (LPCS) in a cavity due to “bleaching or excess or lack of light” creates a “Fast Saturation Absorbency” or FSA behavior of any type of camera and lens combination all together. The “Intracavity Aperture Factor” or IAF specific to a given lens type produces the appearance of “FLICKERING” or image instabilities. Our goal was then to elaborate a formidable yet simple approach that allows the prediction of “FLICKERING” or image instabilities, and develop a post processing technique or method that can be as useful for short pulse laser cavity design in general than it is compared to a mouse pad - mouse relationship.
The obtained “Self-Amplitude Coefficient” or SAC is included within the TMC to which LPCS and FSA are added to give a ray-pulse matrix formalism, and a simple model for the temporal pulse parameters regarding only the self amplitude “Time Modulation Coefficient” or TMC can then be solve via a simple quadratic differential integration (Patent pending).
This new “Hallucinogeneric” model sets a limit for the maximum pulse light energy of a stable solution for a given nonlinear modulation and “Camera Lens Combination” or CLC.
Our “Hallucinogeneric” post processing technique we are certain will soon become the newest and most revolutionary PP faved method yet we are certain. We simply baptized “ this new processing technique Lens Setting Dynamics” or “L.S.D.” (:D allows us not only to take night shots in broad daylight, but also gives us a stunning doubled and colored vision extremely useful for reflective photography. Combined with “ Hallucinogeneric” TM you are bound to see all sorts of colors in all sorts of way.
The above is the second of a series relating to this amazing Field and post-processing breakthrough.
To know more, thank you for sending your questions and donations to Maxsie & I at Wetakecash@ourbankaccount.com or wtc@ourbankaccount.com
D. Maxsie – D. Phil
P.S.: "caution applies as D. may stand for delusional." A. Einstein
Best seen in Large. Thanks.
350 bed dormitory, dining hall, auditorium, shared facilities
195,000 GSF
Completed 2002
2003 National AIA Design Award
2002 New York AIA Design Award
2000 Progressive Architecture Award
with the little Minimoog plaque peeled-off.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The Pitch-bend & Modulatioon wheels. The minimoog was the first.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Frank Durán - CNC / G Code talk.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Flower
This flower was interesting in color with its mini stars jutting from the center, but I really enjoyed it more when I converted it to black and white. I really wanted to reach over and touch the little stars.
Freeman: Removing the quality of color from an image enhance its other qualities. With the modulation entirely in tone, the eye pays more attention to texture, line, and shape.
The softness and texture really stood out with this tonal change.
Edits: B/W adjustment: decreased reds/purples/greens, increased yellow/blues. Smart Sharpened, spot healing. CRF: increased whites, slight vignette.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Escalinata Ryerson
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
So I moulded and casted an improved cockpit from my vac-formed master, cleaned it up, and hey, not bad!
All credit for the electronics and programming work goes to my dad, who is just roughing out the sequencing for the micropython system. He assures me the modulation and frequency can be made a lot smoother, but these tests are just to understand what we're trying to acheive
The brakes on this bike are the big story. With 650B wheels this frameset requires over 80mm of brake reach in the back, and there aren't many quality options for that kind of reach - except these brakes. Incredible stopping power, excellent modulation, and they're self contained with cable stops and adjusters. They work well with standard brake levers, too.
This thing is a rim crusher! Awesome brakes, really.
After almost eighteen years of deceptive silence, Brazen is back with Distance, an ambitious indie-rock epic where melancholic modulations and vocal harmonies intertwine on a soaring instrumental carpet. The eight tracks that make up the album are characterised by refined songwriting, carried by an epic breath that makes each track a journey in its own right. Composed, arranged and recorded remotely between London and Geneva over the course of almost a decade, the album is as musically polished as it is rich in narrative twists. The meticulous care taken in its conception gives it a timeless character that in no way detracts from its emotional intensity.
Minimoog: 3 oscillators (one LFO assignable), 5 wave forms.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
it's amazing how the basic mechanism of hard drives hasn't changed, from 1.5GB to 250 GB. i'm sure, however, the modulation and FEC (forward error correction) scheme has evolved tremendously.
photo taken with a tripod, mirror lock-up. shot in raw, converted to jpeg with DPP. sharpening set to zero. tungsten lighting, eyedrop white balance.
Plaza Intersección Ryerson y Ruiz -
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
This species of Chroococcus was found at the Weep Site, Don Edwards San Francisco Bay National Wildlife Reserve, near Alviso. The Weep Site is a salt marsh seep pond with no direct connection to the Bay. Since Chroococcus is generally found free-floating in the ocean, it is not clear how this dividing cell got to the Weep Site. The photomicrograph was taken 1000x oil immersion Hoffman Modulation Contrast optics, using a Nikon Coolpix P5100 camera.
Various postiions of the minimoog's programming panel: upright.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Minimoog key mechanisms - the way to go before membrane-like contacts.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
about 0 to 100% duty cycle, up to 4kW (if used with not included heat-sinks), about 28kHz pulse width modulation frequency (PWM)
Stereo Viewer for all my photos: jongames.com/stereophoto/
“Keep your language. Love its sounds, its modulation, its rhythm. But try to march together with men of different languages, remote from your own, who wish like you for a more just and human world.”
- Hélder Câmara, Spiral Of Violence -
www.goodreads.com/quotes/tag/multiculturalism
Use or illustrate the Golden Triangle in a photograph today. www.todaysposting.com/TPAssignment.php?TP=429
This my version of the Tellun Neural Agonizer, a maxed out version of a reverb unit. It drives and controls 2 reverb tanks, and adds quite a few controls and alternative modulations to the mix. The front panel is from the Bridechamber.
BEST AND AFFORDABLE 200-HOUR YOGA TEACHER TRAINING DHARAMSALA CURRICULUM INCLUDES:
Study of Yoga asana (proper alignment, variations, modifications with the ability to minimize the risk of injuries and Hands-on adjustments)
Art of Yoga sequencing and improvisation in the class.
Observation with specific angles related to a Yoga posture.
Intelligent use of props to help improve Yoga practice at its early stages.
Cultivation of Command through voice modulations.
Yoga Postures with their Sanskrit Names and terminology.
Confidence-building through Yoga practice Yoga teaching.
Yoga Principles of anatomy-physiology and its correlation with Yogic Science.
Yoga Philosophy, Ideas.
Spirituality and ethics with Business of Yoga.
Passage of Her Song
A brush
~ gentle brush
To leave spun-silk these wiry curls,
braided ribbons and
other fancy things,
her hands wove round
a countenance ~ my own
reflected in the glass.
Her own ~ silver now flecked,
the porcelain handle etched mosaic
as the delicate fissures her face and mine.
In the shine
I see her soft and rhythmic stroke
perpetuum,
a movement I to she
whose composition blends and binds to me
Mother,
in my veins
you wrote a rhyme,
verses penned
in the rush of generations
~rush of red-letter days
and lonesome reserve of twilight kisses,
My lyrics sung
on the notes of toil and pride
pinched from time
and tears, honeyed and bittered
A hush
~ hush
To memorize our modulation
as we sing this final round of two,
this melody rising, each in separate measure,
to end upon
my single note,
sustained
and unwavering
jeanne rené 4/05 - 2/12
The Metropolitan Museum of Art, NYC
by navema
Marble bust of Luisa Deti (d. 1557); Rome, Italy (1604)
This portrait of the mother of Pope Clement VIII (Camillo Aldobrandini) was originally intended for the family chapel in Santa Maria sopra Minerva, Italy.
On display in the Kravis Wing, it is the portrait of a woman in her late fifties or early sixties, captured inn a serious and pensive mood. The slightly bowed head, with the artistically draped veil and mantle, suggests a mood of calm and controlled sorrow - a characteristic demeanor for a woman of noble birth. The representation of inner feelings is mastered by the artist through his technical virtuosity, especially evident in the delicate modulation of the face. His portrayal of varying textures, such as the contrast between the rough fabric of the veil and the smooth skin, shows a high level of talent.
Ippolito Buzzi or Buzio (1562–1634), was an Italian sculptor from Viggiù, near Varese, in northernmost Lombardy, a member of a long-established dynasty of painters, sculptors and architects from the town, who passed his mature career in Rome. His personality as a sculptor is somewhat overshadowed by the two kinds of work he is known for: restorations to ancient Roman sculptures, some of them highly improvisatory by modern standards, and sculpture contributed to architectural projects and funeral monuments, where he was one among a team of craftsmen working under the general direction of an architect, like Giacomo Della Porta—in projects for Clement VIII Aldobrandini—, or Flaminio Ponzio—in projects for Paul V Borghese—who would provide the designs from which the work was executed, always in consultation with the patron.
A filamentous alga, three cells of the colonial diatom Melosira, and a Cyanobacterial filament on the left. Cells and chloroplasts are clearly visible inside the cell walls of the alga. Photomicrograph taken with a Coolpix 885 at 3x zoom, using an Olympus microscope equipped with Hoffman Modulation Contrast optics, oil immersion at 1,000x magnification.
The Dirty Carter Electronic Sound Generating Instrument was designed by John Richards (Dirty Electronics) and Chris Carter from legendary Industrial pioneers Throbbing Gristle. It was produced for a special performance by Carter and the 25 strong Dirty Electronics Ensemble in 2010. It was originally designed as a touch controlled instrument with the player's skin resistance completing the circuit. This hard wired modification by A.S.M.O. gives more control and predictability by wiring all to the touch contacts to pots and switches. An additional low pass resonant filter has been added, LFO and an external CV socket for filter modulation.
The case is made of stained ply and the front panel is covered with black leatherette.