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Sesión vespertina en el Museo de León con la actuación en directo de LOGICAL DISORDER en el TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Launched in 1953, the 403 was a logical development of the original 400 model, a superb pre-war design that Bristol had effectively inherited from BMW.
It shared the same exquisitely crafted aerodynamic body as the preceding 401, Carrozzeria Touring of Milan providing the Superleggera method of construction that overlaid alloy panels on a lightweight tubular-steel framework. Looking years ahead of its time, the 401 was only really let down by a lack of power, and it was this aspect of the car that the 403 was designed to redress.
The BMW-based 2-litre six-cylinder engine, with its ingeniously arranged, pushrod-operated, inclined valves, was retained but a new alloy cylinder head, the use of bigger valves and larger main bearings raised the power from 85bhp to 100bhp giving the 403 a top speed in excess of 100mph. To cope with the extra performance the running gear was also revised with a front anti-roll bar and finned light-alloy brake drums. The gearbox remained a manual four-speed unit with first-gear freewheel.
“This is truly a car to give joy and well-merited pride of possession to the connoisseur, for besides its many sensible and well-made features and its vivid performance, it handles well, possesses a delightful gearchange and is an exceedingly comfortable and restful car to drive,” said MotorSport, who went on to declare it: “The Best Car in Britain”.
We are teased by creation of a high maintenance garden when low maintenance is more logical and certainly more practical.
However, we’ve learned that one or three carefully sited big pots filled with spring bulbs and summer annuals can go a long way toward providing the impression that a whole garden is filled with bloom (and are a lot less effort than a big bed).
An explosion of tulips, with 20-30 bulbs crammed into one oversized pot works really well for filling a space and can bloom above rabbits’ reach. The inconvenience is that the tulips do better in winter if the pot is buried to the tulips’ soil level ( soil temperature is buffered), but it’s an effort to bury large pots. Huge pots are more handsome and buffer root temperatures better than small pots but it may be possible to dig in multiple small lightweight pots and transplant their contents within a large pot in early April when the bulbs a just starting to grow.
I never know the logical way to upload a sequence of photo's - they always seem to float upstream. Anyhow, If you wish to see the last 20 images in the order I intended them and read the poem that inspired this series, click on either of these two links:
images and poem lines in right order: www.flickr.com/photos/andrevanbortel/sets/721576226218752...
set description and more info: www.flickr.com/photos/andrevanbortel/sets/72157622621875216/
The logical place to put any small object of interest? Straight up the nose of course. Yet another international standard.
Japanese School, Vasant Kunj, New Delhi.
Boxes in a red room. Taken at work for inventory reasons with my bosses phone. hence the quality.
side note - that big red light is called a "no fruit" - imagine that!
Por favor, no use esta imagen en su web, blogs u otros medios de comunicación sin mi permiso explícito. © Todos los derechos reservados.
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
And now the next "logical" step in developing the puzzle-meets-terraform concept is to make the pieces interact with the topography of the base more.
One of the positives here is that multiple levels of puzzle pieces will now be visible when the baffler is complete.
One of the negatives is the pieces might be a little loose and confusing on the end with no base edge. But I think I can mitigate that just fine with overly interlocking joinery.
So anyway yeah, I hope you're ready for a week of gonzo 3D baffler experiments! Lemme know what you think...
by jwcurry. Vancouver, Curvd H&z, 31 march 1979. 3o copies issued in 2 variants as Curvd H&z o:9 & Th Wrecking Ballzark o:1. the variants are:
a) 25 trade copies as described below
b) 5 copies #d & signed in black & blue ballpoint with a holograph version of logical sequence o added to back cover.
4 x 5-3/4, 2 sheets white deckletone folded to 8 pp nested unbound in selfwrappers, all printed black rubberstamp.
includes collaborations with Dave Beach & Peggy Lefler.
Lefler contributes:
i) logical sequence 3, with curry
This is the logical next step on the path of homemade flash items. I have ordered another flash of the same type to balance the opposing side of the ring (dimmer) so that will be good. I think for now, ill play with some new masks.
Taking things to the logical conclusion: the 500mm f8 mirror lens sitting on the 2x and 1.4x teleconverters stacked.
1400mm fLots. Blurry as heck, black donuts where there's muck on the sensor (I really do need to get round to cleaning that soon), and impossible to focus.
The 400mm seems to work well with the teleconverters, but I think I'll not bother trying the mirror lens with them again :(
My eBay ID:[ StopTheWarsNow ]
Available for sale
Link: gallery.vendio.com/view/stopthewarsnow/50799/ebay/index.html
The Matilda II was a logical development of the earlier machine-gun armed Matilda I. Heavily armoured and slow moving it was intended as an infantry support tank while its 2-pounder gun gave it a good anti-tank capability against contemporary tanks
Por favor, no use esta imagen en su web, blogs u otros medios de comunicación sin mi permiso explícito. © Todos los derechos reservados.
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved.
Submitted to Flickr Monthly Scavenger Hunt for November 2009 under A logical next step
A Voyage to Change the World by the Barbican Theatre, Plymouth
many fixtures on the perimetry and ceiling have been left. Unfunctional, leading nowhere, as far as a logical mind can infer. Pipes and other structures leading and coming from nowhere. Would this be enough for industrial archeology? I fear not, but at least some of the buildings have been left for a time. But, how long, till all have been transformed into shopping malls. And here, my documentation has been amiss. For one of the buildings in this area has been transformed, and not an image, not a word from me. I intend to remedy this as soon as possible. And to relook and see if these quaint little traces of past functionality and commerce, in this building are still here after these couple of years. Or if that too has finally been stripped, leaving only the outer structure. Must go there again. What are photos, except a documentation of a certain instant. Nothing is eternal. Everything changes. What and how much should be preserved, if at all? Different people, different cities have different answers - and these vary along the timeline too. Were all these factories closed due to insolvency, if yes, why did this happen in Switzerland of all places. And can using the real estate substance really substitute the livelihood of all those people who used to work here. Long dead, you may argue, ah, but is that the way to think in a society. Lucky for the few who can live OFF all this space almost in the center of the city. Factories should not be placed in the center of cities, is implied. Cheaper factories can be outsourced to other countries even. Are these implications really so difficult to fathom.?