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Seems like a logical purchase. Get the grill ready, kids!
#kidding #doineedtosayit?
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The step-by-step (sort of) progress of the Elephant painting. Though my process is not exactly logical (see where I got sick of the landscape and started working on the elephant starting from the ears in the sky? :P ) but I did take pictures of most of the important steps in the painting's evolution. Please click to see the large version to be able to read my notes/comments: www.flickr.com/photos/oceloteyes/3321738790/sizes/l/
The final painting can be seen here on my flickr: www.flickr.com/photos/oceloteyes/3320892459/
School for Startups is the inspiration of Doug Richard, a serial entrepreneur and angel investor, who has developed a logical and easy to follow curriculum on vital aspects of starting and running a business.
The School for Startups programme - is the UK’s leading provider of business training for entrepreneurs. Through a series of seminars, Doug and his team provide expert training for entrepreneurs on topics such as: how to start a new business, business models, funding and investment, product management, product creation, managing teams, online marketing for startups, SEO, Pay-per-click, online PR and more. Based in the UK, School for Startups is a must for any budding entrepreneur.
To sign up for the "School for Startups" programme go to www.schoolforstartups.co.uk
XX667/G-BZFN, SCottish Aviation Bulldog T-1 (CN325) owned by Risk Logical seen in the static park at RAF Leuchars Airshow 2012. The aircraft was a Leuchars resident throughout the 1980's
Logical Choice Technologies was chosen by NBC School Pride to bring 21st Century Classroom technologies.
Visit our website at: www.logicalchoice.com
Almazuela sobre una foto de la sesión vespertina en el Museo de León de la actuación en directo de LOGICAL DISORDER en el TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Roger´s songs have been a great part of the soundtrack of my life and probably yours too, altough you may not have realized it yet.
He has one of the most beautiful voices in music history.
He is a wonderful human being.
I think the more people listen to him sing the better this world will be.
"Roger Hodgson, co-founder of Supertramp, wrote and sang the enduring rock standards that made Supertramp famous, such as "Breakfast in America," "It's Raining Again," "School," "Dreamer," "The Logical Song," "Give a Little Bit," "Take the Long Way Home," and "Fool's Overture," to name a few.
Hodgson's concerts continue to draw acclaim from both media and fans alike. His passion for his music and his art shines through in the magic and intimacy that is felt when he performs live. Hodgson continues to tour worldwide, to the delight of audiences around the globe"
Roger is playing to audiences all over the world on his World Tour - for tour schedule - www.rogerhodgson.com/documents/tour.html
The Roger Hodgson Store is the only place you can buy directly from the artist and get his autographed CD's. Go to www.rogerhodgsonstore.com
More great links and ways to stay connected.
News - www.rogerhodgson.com/documents...
Facebook -- www.facebook.com/RogerHodgsonOfficial
Twitter - twitter.com/RogerHodgson
This statue finds a logical place above the fireplace in the library in the Cardiff Castle. Each of the men in it are holding a tablet which contains alphabets from "ancient languages". It is believed that the 3rd Marquess was a scholar in all those languages. The languages are (from left to right): Greek, Assyrian, Aramaic, Hieroglyphics, Runic/Celtic
The Meat Co. arrived in the UK back in 2008, opening inside and at the same time as the then brand-new Westfield, in Shepherdâs Bush (and back when Shepherdâs Bush was a bit more... âedgy' than it is now). Designed by New Yorkâs Jorge Castillo, the interior is various well chosen combinations of wooden and fiery tones, dark shades of crimson, amber and rusty orange - which works for me (but does it work for you?). This atmosphere is surprisingly warm and snug for a restaurant that essentially lives inside one of the largest shopping centres in London. Truly an oasis of food and drink amidst all the clothing retailers.
Whatâs The Meat Coâs shtick then? Steakhouse dining, South African perspective. And this is what makes them memorable in a city already so very full of excellent steakhouses. They donât push the South African thing to its logical/illogical limits, however - so whilst you'll find kangaroo on the menu, you wonât see the likes of zebra, wildebeest or crocodile (yet). You might, however, get a biltong aperitif before dinner (and how great is that?!)
Originally founded in 2000 by one of South Africaâs most prolific restauranteurs, Costa Tomazos, Meat Co went international a long time ago. Youâll find them in various parts of our wonderful planet, including the Middle East and Africa. Which is probably the reason they serve a full Halal menu, alongside their regular menu (diners are asked which theyâd like to pick from, before being seated). This seems to be working for them, as, in my recent trip there I saw quite a few Muslims (and Muslim families) dotted about the place. And whilst I am talking about families, this place is surprisingly family friendly, one of the families next to us brought their (well behaved) toddlers to dinner and as far as I can tell everything went just great for them
Like most London steakhouses, this place can get very pricey indeed. Start eyeing up a chateaubriand (£20 per 100g) or Wagyu (they donât even list how much thatâs going to cost on the menuâ¦itâs at âmarket rateâ), and you could soon see your portion of the bill creeping up into the three figures. However, like most fine-wine-and-carnivore oases dotted about the Big Smoke, this is to be EXPECTED (*sigh*) and by God, if you want to burn the money this is a fucking delicious way to do it. And another thong about that menu, it is pretty huge. If youâre the kind of person that spends 15 minutes plus salivatingover steak and meat selections, that can and probably will happen here. The âsteak tasting menuâ is a good bed for the undecided amongst us.
As for the layout of the place, downstairs you shall find the âPuza Barâ - serving bar food and cocktails (I have yet to drink there so I canât tell you if the cocktails or bar food is any good or not). Enter via a giraffe-skin patterned lift or up a stairwell that takes you past a one storey glass fronted wall of (probably) fine wines and you arrive upstairs - the restaurant area proper. Now, this place is a lot bigger than you might expect, and sure makes an impression. Stretching out in front of you is seating for around 260, an open kitchen, more walls of (again, probably) fine wine, an open fire, and the odd chair that resembles a sofa. Despite the size and openness of this floor, there are plenty of little alcoves, cloisters (can I use that word?) and more secluded spots for those who want a little privacy. Thereâs also a private dining area, hidden behind yet another wall of vino (no photos - it was in use by what looked like a large African family so youâll have to use your imagination as to what it looks like in there). All this fine upholestery and fine wine definitely contributes to what is clearly the atmosphere of a high end steakhouse.
Meat Co. also have a few loyalty schemes, the most interesting is the âPlatinum' (invitation only). Platinum gets you 10% off of your bill indefinitely, your very own steak knife (with your name on it and everything). Another good thing to mention is that The Meat Co supports the Nelson Mandela Childrenâs Fund (UK) - a few of their dishes include a donation to this fund which, in words, "is committed to creating a better future for children in South Africa."
Fuck yeah...
The logical conclusion of fascism's view of war as beauty. Eventually there can be no more war, and hence no more beauty.
For reasons unknown to logical minds, apparently a mama rabbit has laid down some babies in the flower box on our front porch, which is about 3-4 feet off the ground. We noticed all the marigolds were pushed to the side and falling down, but... this wasn't what we expected. o_o
Pentax K-S2, SMC Pentax-M 35/2.8
For the Pentax Forums Single in July Challenge
In the dystopian future, pizzas are scattered in the streets for a few very logical (and utterly absurd) reasons:
Rebel Pizza Parties: In a desperate attempt to bring joy to the desolate streets, underground pizza rebels have been secretly tossing pies from rooftops. Their motto? "A slice a day keeps the dystopia at bay."
Pizza as Currency: In a world where money has lost value, pizzas have become the new standard currency. People trade slices for survival gear, and the streets are littered with abandoned pies from failed transactions.
Alien Invasion: It turns out aliens have a weakness for pepperoni. They've been dropping pizzas as a peace offering, but they keep getting the toppings wrong, so humans just leave them on the street.
Government Mind Control: The government has been using pizzas as a mind control device. The cheese contains a mild hypnotic that makes people forget about the dystopian conditions. However, the plan backfired when people started craving more toppings than obedience.
Time Traveler's Snack: A time traveler from the past kept visiting the future and leaving behind his snacks. Unfortunately, he had a pizza addiction and no trash cans were available in the dystopian wasteland.
So, there you have it—pizzas in dystopian streets are either a symbol of resistance, a form of currency, an intergalactic peace offering, a government experiment gone wrong, or just a time traveler's snack attack.
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Logical drawings surrounded by absurd
Órion’s world is a set of stars much brighter than the Sun, a creative constellation of chalk beings deeply related to the pathetic of the absurd, fasten and inserted on the walls of a hypothetical city of a planet called Earth where its inhabitants constrained or, sometimes amazed, walk around the streets of São Paulo.
Órion’s creatures aren’t as scaring as the ones on Alien of the horrified Sigourney Weaver but impose a huge impact, almost always as prying eyes, waiting the moment for action, creatures plainly drawn on the walls that merge themselves into the places (environments) that surround the everyday life.
It’s when the resting ultra real awakes conveying unusual scenes in which the lived life brings the painted characters into the logical drawing of “that's how it might be”; the horse on the top of the wagon, the goalkeeper flying by and holding tight to the biker’s ride; the child caught by the bizarre monster, the teenager going into the dead of night; the moment when passersby meet themselves or the daylight moment of a robbery.
Actually, this “installation” is a copy of the streets of São Paulo daily happenings, painted settings waiting for any eventuality, framed by the photography sometimes marked by hours or days of waiting for the real click, fiction that credits and legitimates the suggesting action. It not a photographical effect but a rehearsal of what is captured by the author and on it the duel of the languages is feed by the author, i.e., the everlasting description (or discussion) between posture and photography which “at information time make us think of how fragile we are”.
In same words of Órion;
“The society exists, the image wrecks
The image exists, the society wrecks.”
Walter Firmo
Today I was asked to create an image of an issue that I am currently handling. I sculpted a large, screaming face, a face showing pity and a child's face surrounding a small, insignificant mound of sand. I have identified these images as the different perspectives that swim in my head; the critical voice, the nurturing voice, and the child all surrounding the currently insignificant logical voice.
For as long as I can remember, I have always listened to the critical voice and can't seem to shake it's power. So, I was told to choose from a selection of toy figures the ones that best describe these perspectives. I immediately gravitated toward the Little People as I used to love these toys as a child. And I found this little guy; small, simple, content. I assigned him to the logical perspective which I aspire to listen to more. After seeing the joy on my face when I grabbed this fella out of the pile of toys, my counselor gave him to me to carry as a reminder. This is the greatest reminder to have.
I know this sounds crazy, but it's the little things that make me smile.
Remember there's no such thing as a small act of kindness. Every act creates a ripple with no logical end.- Scott Adams
Almazuela sobre una foto de la sesión vespertina en el Museo de León de la actuación en directo de LOGICAL DISORDER en el TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015