View allAll Photos Tagged linoprinting
Ink on white Bristol board.
Size: Standard A4
Limited Edition of 25 prints. Each one is different.
© Natasha Newton 2009
SOLD
postcard sized ink drawing on lino-print
Original for sale here : www.artfinder.com/product/party-3f12/#/
Planning to do some block printing at school next month, but not sure if grade 6 students can handle this material - it feels like woodcarving. Any slips can be sudden and painful, and printing with these requires more ink and pressure than softoleum. Problem is I have lots of this stuff and very little softoleum. I suppose we could carve it with a dremel...
Thinking about my dad tonight and how fast life flies...1st Father's Day without him. Dad's Hat, Akua intaglio ink on paper, 8"x10"
Linocut print based on a previously used design. Not perfect, but the best linocut I've done so far.
• Size: A6 (14,85x10,5 cm, 4''x5,8'')
• Cover: Linoprint with water based ink on 80gr. colored paper
• Pages: 22 blank pages (44 front and back), 100gr. ivory paper
• Binding: handmade japanese stitched
Each model is available in different colors, with or without pockets.
Please visit our website www.rakupaper.com for more information.
Christmas Cards, wrapping paper and gift tags designed and hand printed as part of their Christmas Card Project. The Project had a 'live' brief - students created their own range of cards, paper and tags and sold them at a local craft fair
A Handful of Chestnuts some in their husks. A reduction linoprint with collage. Printed with rich brown oil-based ink onto a buff-coloured Somerset paper. Collaged with handpainted husks cut from vintage maps.
Thanks to Leo Reynolds for winged figure of Peace
GoYurt for GoYurt at night
both with a creative commons license that allows alteration.
A3 paper, A4 printed area. This is a companion piece to my prints of Arthur's Seat. This image focuses on the 'radical road' a path that winds up the side of the Salisbury Crags and gives stunning views over Edinburgh. The path is steep and clings to the side of the rocky face. It also has an awesome name.
This print is available in: Green/Orange/Dark Grey/Red
Green/Brown/Blue/Red
Green/Brown/Dark Grey/Red
I found this large piece of wood which had mould forming at the bottom and making its way up. Although, it was very damaged, the actual surface of the wood was smooth, making it easy to work with printing inks rather than acrylics which are difficult to work with in-between washes. The lino print technique was the perfect method to use as I was able to show the mould through the outlines. The prints are faded to the point where you are not able to see what is going on in the image. However, this fits perfectly with the concept and the idea of ancient mark makings.
Perfection - what does it mean to you? For me (as I think for many artists) life is a constant balance between the wish to make things perfectly like I had it in mind - and constantly having to face that it doesn't work, will never work that way.
This edition of 20 prints (all different, see the whole edition here) is the result of my thinking about perfection.- And they are called "imperfection" :-)
On the backside they all carry a handwritten quote by Salvador Dali: "Have no fear of perfection - you'll never reach it." - The quote is by Dali, it's written by me :-)
I have several explanations for why these prints stand for "imperfection", but I don't want to preempt you in finding your own meaning and interpretation.
The sheets of paper on which prints numbered 10-20 are printed is a little larger than A5, about 30cm x 21 cm, 15.5 x 21.5 cm, printed on reclaimed paper.