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Meiji Shrine (明治神宮 Meiji Jingū?), located in Shibuya, Tokyo, is the Shinto shrine that is dedicated to the deified spirits of Emperor Meiji and his wife, Empress Shōken.[1] When Emperor Meiji died in 1912 and Empress Shōken in 1914, the Japanese people wished to pay their respects to the two influential Japanese figures. It was for this reason that Meiji Shrine was constructed and their souls enshrined on November 1, 1920.[2]
After the emperor's death in 1912, the Japanese Diet passed a resolution to commemorate his role in the Meiji Restoration. An iris garden in an area of Tokyo where Emperor Meiji and Empress Shōken had been known to visit was chosen as the building's location. Construction began in 1915, and the shrine was built in the traditional Nagarezukuri style and is made up primarily of Japanese cypress and copper. It was formally dedicated in 1920, completed in 1921, and its grounds officially finished by 1926.[3]
The original building was destroyed during the Tokyo air raids of World War II. The present iteration of the shrine was funded through a public fund raising effort and completed in October, 1958.[4]
Meiji Shrine was brought into the flow of current events with the 2009 visit of United States Secretary of State Hillary Clinton. After arriving in Tokyo on her first foreign trip representing the newly elected President Barack Obama, she made her way to this shrine in advance of meetings with Japan's leaders to show her "respect toward history and the culture of Japan." [5]
Meiji Shrine is located in a forest that covers an area of 700,000 square-meters (about 175 acres). This area is covered by an evergreen forest that consists of 120,000 trees of 365 different species, which were donated by people from all parts of Japan when the shrine was established. The forest is visited by many people both as a spiritual home of the people and as a recreation and relaxation area in the center of Tokyo.[2] The shrine itself is comprised of two major areas:
[edit]Naien
The Naien is the inner precinct, which is centered on the shrine buildings and includes a treasure museum that houses articles of the Emperor and Empress. The treasure museum is built in the Azekurazukuri style.
[edit]Gaien
The Gaien is the outer precinct, which includes the Meiji Memorial Picture Gallery that houses a collection of 80 large murals illustrative of the events in the lives of the Emperor and his consort. It also includes a variety of sports facilities, including the National Stadium, and is seen as the center of Japanese sports. It also includes the Meiji Memorial Hall, which was originally used for governmental meetings, including discussions surrounding the drafting of the Meiji Constitution in the late 19th century. Today it is used for Shinto weddings.
Soldiers from an iteration of a Combat Lifesaver Course evacuate mannequins to safety as part of their training at Fort Bragg's Medical Simulation Training Center Oct. 30, 2013. Foreign liaison officers from Jordan, Czech Republic and Denmark visited the installation to view Fort Bragg's MSTC that provides realistic medical training to medical and non-medical Soldiers in a combat situation. The officers were provided face-to-face demonstrations of a combat lifesaver course and expert field medical badge training for potential incorporation to their individual home nations.
(U.S. Army photo by Spc. Paul A. Holston/XVIII Abn. Corps PAO)
Alex had a unique approach to the production of his design folio work. Alex was constantly drawing. He spent most of his classtime just drawing, even when he was supposed to be doing something else. He needed to draw to think. So what you see here isn't necessarily pretty but this folio is stuffed with ideas. Alex's approach demonstrates precisely and accurately the method of idea generation and refinement promoted by the department. Note the large number of drawings on eachpage. this allows the student to easily cross reference and tag from one idea to the next. Extensive annotation also helps to reveal design thinking and comments should always be relevant and refer back to the specification. It is clear that Alex has a thorough understanding of the more technical aspects of the course and he repeatedly suggests ways in which his concepts might be made.
Alex went on to do very well at Higher Product Design. Some of his work also features on this site. He's now studying maths at Warwick University.
This is a KD1JV design. A simple voltage indicator for QRP radios. It could be a lot smaller, but I had this altoids tin and wanted to use it. I used a sort of ugly style, along with a single Manhattan pad for the 'hot' part of the circuit. There's a simpler version of this that uses two LEDs and no trimpots that a german guy designed. Steve Weber suggests using fixed-value resistors, and since I am using 1% tolerance components, I could have. The adjustment is funny because the upper voltage 'knee' has a sort of 'off-center' behavior when you're raising the voltage to find it. It tends to cling to a certain color, then snap to both LEDs lit a few tenths of a volt above and below the 'knee.'
The lower voltage cutoff point, however, is smooth and continuous with the dimming and extinguishing of the green side of the LED fading into red. As simple as this is, I had a hard time making it work, and this is the 3rd iteration of it I had built before it functioned right.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
Alex had a unique approach to the production of his design folio work. Alex was constantly drawing. He spent most of his classtime just drawing, even when he was supposed to be doing something else. He needed to draw to think. So what you see here isn't necessarily pretty but this folio is stuffed with ideas. Alex's approach demonstrates precisely and accurately the method of idea generation and refinement promoted by the department. Note the large number of drawings on eachpage. this allows the student to easily cross reference and tag from one idea to the next. Extensive annotation also helps to reveal design thinking and comments should always be relevant and refer back to the specification. It is clear that Alex has a thorough understanding of the more technical aspects of the course and he repeatedly suggests ways in which his concepts might be made.
Alex went on to do very well at Higher Product Design. Some of his work also features on this site. He's now studying maths at Warwick University.
Document name:Sep02wja1c.FWrk
Fractal type:julia
Plot size (w,h):3325,3325
Maximum iterations:35000
Center Point (real, imaginary):-8.23556e-07,9.88267e-07 i
Plot Width (real):0.000548
Julia origin (real, imaginary):0.3784958655570212,-0.1605244789153521 i
Source mandelbrot width:4.5E-12
Color scheme name:aspectrum1
Color scheme last modified:2008-09-02 15:13:31 -0700
Plot uses DE:Yes
Plot uses fractaional iterations:Yes
Plotted with symmetry:Yes
Plotted with boundary following:Yes
Plotted with multiple processors:Yes
Total plot time:39.367 seconds
Total iterations:2532281325
Iterations/second:64325521
Pixels skipped:5491296
Iterations skipped:2505600261
Percent of pixels calculated:50.3
Percent of iterations calculated:50.3
Plot height:0.6
Peak steepness:1
Plot flipped:Yes
Camera x:0
Camera y:0
Camera z:-1.07
Ambient light:0.2
Directional light:0.6
Specular light:0.2
Surface shininess:100
Light x direction:-1
Light Y direction:1
Light z direction:1
Background color red:204
Background color green:204
Background color blue:204
Final iteration. View large to convince yourself that no further iterations would make any noticeable difference at the maximum resolution I had available.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
More info from Raven B Model - Iteration 10. Mach 8-10 Hypersonic Business Jet. Previous post lnkd.in/enxwifA was a new iteration update. Cleaning some things up, as I am not a graphics designer. Engineering, physics, etc yes. This post covers some technical aspects while still sanitizing everything.
For full size images, click thumbnail images on the website: www.ioaircraft.com/hypersonic/raven-business.php
Overall, this single aircraft design that is ready for building and going into serial production absolutely obliterates Lockheed's SR-72 (Mach 5) by DOUBLE the margins and a fraction of the costs, and BOOM, Virgin Galactic, etc.
Sure it can economically cruise at Mach 3-4.5 supersonically at under 50% throttle as well, but 7,000-8,000 NM Range at Mach 10 at over 100,000ft altitude and normalized hypersonic flight along with 6,000F thermal resistence.
A - Model is the SSTO (Single Stage to Orbit) version here: lnkd.in/efbmk_W
#afrl #afwerx #defensewerx #usaf #darpa #onr #arl #boeing #lockheedmartin #airbus #raytheon #northropgrumman #aerojet #dynetics #easa #bae #afosr #hypersonic #supersonic #scramjet #reactionengines #innovation #graphene #hydrogen #spacex #ula #virgingalactic #rocketlab #nasa #snc #sierranevadecorporation #dreamchaser #sdo #sda #spaceforce #dod #icao #dassault #bombardier #gulfstream #cessna #bigalow #boomsuprsonic #aerion #esa #easa #airplane
*Note, I use colors in my cad blocks and layer. I could easily tint/grey them out. I could care less how others do it. ALL dynamics are highly refined for normalized sustained Mach 10 flight. Extensive CFD refinement over many years, along with material science, and several upcoming patent filings for individual technology advancements, along with 2nd gen high pressure conforming tanks that utilize graphene inner shells at 2,000,000 PSI tensile strength normalizing 16,000 PSI high pressure storage vessels. Everything else is already developed as well.
hypersonic plane, supersonic plane, supersonic private jet, hypersonic private jet, afrl, afwerx, defensewerx, usaf, darpa, onr, arl, boeing, lockheed martin, airbus, raytheon, northrop grumman, aerojet, dynetics, easa, bae, afosr, hypersonic, supersonic, scramjet, reaction engines, innovation, graphene, hydrogen, spacex, ula, virgin galactic, rocketlab, nasa, snc, sierra nevade corporation, dream chaser, sdo, sda, space force, dod, icao, dassault, bombardier, gulfstream, cessna, bigalow, boom suprsonic, aerion, tbcc, mayhem
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The Glasgow subway again!. I originally intended a shot where the trains were blurred by their movement but I didn't set a slow enough shutter speed so I faked it in photoshop. One of the comments referring to a more abstracted version inspired this: one half was duplicted and flipped to make a more symmetrical image. The perspective was dragged out a bit too.
In addition to the duplicate and flip and the perspective tweak, this version has been slightly desaturated and and a multiply self-blend applied for extra contrast.
Pentax S1a
Super-Takumar 55mm f/2
Unbranded Colour Negative Film 200ASA
Processed in Photoshop
Test album done with a camera and a technology that inspired people over the past one or two years. The Fuji X100s is said to be the newest iteration of Fuji X technology (resolved AF, resolved operation speed, etc…), sporting the newest X-Trans sensor. Prior to shooting I have read Zach Arias’ article on the camera and my friend Charles Lanteigne’s article as well.
After thorough shooting, I have concluded that this camera and the fujifilm brand caters to people who love shooting with fujifilm film rolls and hate retouching their images.
The Fuji X100s does a few of things right. Experiencing such pleasures is quite motivating to keep using that camera. Makes me wish other cameras had them.
- Images out of camera: They are gorgeous, film-like and very pleasing as opposed to the standard AWB digital look of other cameras. The reason why I believe a lot of people shoot film is that the colors of film don’t require must retouching to be beautiful. So does the images from the X100s. As such, you spend less time in front of the computer and more time shooting.
- Style: The camera is gorgeously retro and operates “kinda” well.
- Provides film-style controls where shutter and aperture are assigned to dial and lens.
- Dat ND filter makes shooting in sunlight enjoyable
- Digital publishing: The images are gorgeous on any digital screen.
From there, it falls apart…
- Images are unusable in conventional ways of digital processing (Lightroom in particular handles badly the files). Files stand up horrible when seen up close. While many of my fujifilm owner friends are trying to convince me to play around with alternative ways of processing, I am not ready to give up my workflow for a more complicated and time consuming one. This just break the camera for me.
- AF is reliable 1/3 of the time, often missing its target
- Hybrid viewfinder mechanism gets stuck in the middle of switching
- The EVF is disgustingly slow and hard to use (coming from the OMD and the NEX-6), so I end up using just the optical which is nice
- Navigating the laggy Fujifilm UI is a frustrating mess
- The system needs to drop out of shooting mode to reboot into preview mode
- In preview mode, you need to enter a “burst” folder in order to view all the burst shots you’ve shot.
- It’s really hard to check to see if your image is in focus or is sharp
- The list goes on and on…
In the end, using the camera is an exercice in patience and frustration for a digital camera user providing files that aren’t optimal for post-processing and an unreliable operation that frustrates more than rewards. Yet with a film approach, the process could turn into a happy ending thx to controls that make the camera operate on a similar path as film. The fact that the camera produces gorgeous out of camera images saves a whole lot of computer time for the people who don’t know much about digital post-processing.
SOUTH CHINA SEA (Aug. 26, 2019) - Philippine coast guardsmen approach a vessel in a rigid-hull inflatable boat during a visit, board, search and seizure practical exercise as part of Southeast Asia Cooperation and Training (SEACAT) 2019. This year marks the 18th iteration of SEACAT, which is designed to enhance maritime security skills by highlighting the value of information sharing and multilateral coordination. (U.S. Navy photo by Mass Communication Specialist 2nd Class Christopher A. Veloicaza) 190826-N-FV739-0017
** Interested in following U.S. Indo-Pacific Command? Engage and connect with us at www.facebook.com/indopacom | twitter.com/INDOPACOM |
www.instagram.com/indopacom | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/ **
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
Iteration I (left)- 20" x 48" (Inkjet on archival paper)
Iteration II (Center) 20" x 48" (Acrylic paint, pencil and charcoal on Iteration I print)
Iteration III (Right) 20" x 48" (Inkjet on archival paper)
© 2014-2015 Tony DeVarco and Mayako Nakamura
Exhibited at the George J. Doizaki Gallery at the JAPANESE AMERICAN CULTURAL & COMMUNITY CENTER in Los Angeles.
Part of the "Spirited Nature, Traces of Light" show, presented by La Stella Gallery and curated by Bonnie DeVarco. To see the online 3D gallery and for more information please go to La Stella Gallery website: www.lastellagallery.com/
To view Nik Kleverov's short documentary about the collaboration between myself and Mayako Nakamura. vimeo.com/170719607/37104c3be6
In collaboration with the work of Mayako Nakamura www.flickr.com/photos/ma85/
Photograph © 2016 Tony DeVarco
The second iteration of the ASEAN Junior Fellowship Programme (AJFP) with the ASEAN Secretariat was launched today. At the Opening Ceremony, ASEAN Secretary-General Dr Kao Kim Hourn spoke highly of the importance of the youth as building blocks for ASEAN’s Community building endeavours. The AJFP is an initiative born out of Brunei Darussalam’s Chairmanship of ASEAN in 2021 and celebrates the ASEAN youth by expanding regional cooperation through friendly engagement of junior officers of ASEAN Member States whilst increasing their knowledge and effectiveness of work within a multilateral setting like ASEAN.
IMage Credit: ASEAN Secretariat / Kusuma Pandu Wijaya
SIX is an experimental electronic, surround sound performance series presented by the BFA in Video and Sound program. This iteration of SIX will feature renowned international sound artist Robert Henke along with several other performers. In lieu of traditional listening orientation, the music and sound is produced in an open, multi-directional format. This allows the performer, sound, environment, and audience to form an exploratory relationship. The audience is encouraged to walk around, lay down (bring a pillow or blanket if you like), and experience the sound from different angles.
Featured Performers
Robert Henke
Marcus Fischer
Strategy + Jetfinger
Solenoid
Dweomer
Mike Jedlicka + wndfrm
Robert Henke is a visiting artist from Europe, and is presenting a lecture on September 24 titled "Sound, Structures and Machines."
The BFA in Video and Sound at PNCA promotes an expansive investigation of video and sound as disciplines both distinct and allied. Cultivating a practice-based media literacy, this program supports the acquisition of critical, aesthetic and technical skills, which are vital to cultural production in today’s media environment.
Please join PNCA for the fifth edition of SIX, an experimental, surround sound performance series.
Artist Info
ROBERT HENKE, born 1969 in Munich, Germany, is a composer, sound designer, software developer, installation artist and audiovisual performer. His art is focused on carefully shaped details and gradual changes of repeating structures in different time scales. His sonic explorations are rooted in academic sound research and computer music as well as in contemporary club culture.
monolake.de/
MARCUS FISCHER is a musician + multimedia artist currently based in Portland, Oregon. He has released two albums on the 12k label along with numerous EPs and collaborations for a variety of other outlets. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become Marcus’s minimal signature.
mapmap.ch
STRATEGY, otherwise known as multi-instrumentalist and programmer Paul Dickow, wires together programming and performing experience via a hodgepodge of table top electronics, computers and realtime musicianship. A musical explorer, Paul has been a longtime participant in Portland’s underground music community.
community-library.net
ROMEO FAHL ( JETFINGER ) currently lives in Portland, Oregon and has been playing music since the mid-80’s. He has been custom-building a massive modular synthesizer for the last 18 years. SIX has been proving a great outlet to hear and see this beast in all it’s burbling, growling, buzzing, multi-channel glory.
soundcloud.com/jetfinger
SOLENOID is the moniker of David Chandler, who loves synthesizer music and sound design. His unique mix of experimental and dance music has found him performing in festivals in the USA and Europe. He’s had many recordings released on various formats and from various countries over the last 13 years, but his home continues to be Portland.
community-library.net
DWEOMER (Jef Drawbaugh ) is an urban druid of sound. His new work is in sound design and composition for media, leaning heavily on cinematic themes. His live music and recorded soundscapes blossom with connections and juxtapositions between the technical world of electronic instruments and songcraft, rife with the fluid and nebulous areas of the cosmos and emotional response. He discovers patterns and shapes amidst chaotic spaces and lets stories unfold through cosmic voyages.
cascadnacsound.com
MIKE JEDLICKA runs Optic Echo Records and has a weekly show on Portland Radio Authority. He uses a multitude of instruments and electronics to create a wide variety of music, recently focusing on field recording laden acoustic ambient and experimental noise. His last release was a split 12" in 2010 entitled “Tabor / NW Passage”, on Optic Echo Records.
opticecho.com
WNDFRM is Tim Westcott, who has been working with sound as a creative medium since the early 90’s. He treats sound as an architectural element, incorporating manipulated field recordings, minimalistic sine tones, lush atmospheric harmonics, and the occasional dub-wise rhythmic foundation.
nuevaforma.com
September 23, 2012.
Photographs by: Marshall Astor '13.
Fractal type:mandelbrot
Plot size (w,h):800,800
Maximum iterations:50000
Center Point (real, imaginary):-0.7551262893,-0.050524245101 i
Plot Width (real):1.03E-09
Color scheme name:yorgbv
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
More info from Raven B Model - Iteration 10. Mach 8-10 Hypersonic Business Jet. Previous post lnkd.in/enxwifA was a new iteration update. Cleaning some things up, as I am not a graphics designer. Engineering, physics, etc yes. This post covers some technical aspects while still sanitizing everything.
For full size images, click thumbnail images on the website: www.ioaircraft.com/hypersonic/raven-business.php
Overall, this single aircraft design that is ready for building and going into serial production absolutely obliterates Lockheed's SR-72 (Mach 5) by DOUBLE the margins and a fraction of the costs, and BOOM, Virgin Galactic, etc.
Sure it can economically cruise at Mach 3-4.5 supersonically at under 50% throttle as well, but 7,000-8,000 NM Range at Mach 10 at over 100,000ft altitude and normalized hypersonic flight along with 6,000F thermal resistence.
A - Model is the SSTO (Single Stage to Orbit) version here: lnkd.in/efbmk_W
#afrl #afwerx #defensewerx #usaf #darpa #onr #arl #boeing #lockheedmartin #airbus #raytheon #northropgrumman #aerojet #dynetics #easa #bae #afosr #hypersonic #supersonic #scramjet #reactionengines #innovation #graphene #hydrogen #spacex #ula #virgingalactic #rocketlab #nasa #snc #sierranevadecorporation #dreamchaser #sdo #sda #spaceforce #dod #icao #dassault #bombardier #gulfstream #cessna #bigalow #boomsuprsonic #aerion #esa #easa #airplane
*Note, I use colors in my cad blocks and layer. I could easily tint/grey them out. I could care less how others do it. ALL dynamics are highly refined for normalized sustained Mach 10 flight. Extensive CFD refinement over many years, along with material science, and several upcoming patent filings for individual technology advancements, along with 2nd gen high pressure conforming tanks that utilize graphene inner shells at 2,000,000 PSI tensile strength normalizing 16,000 PSI high pressure storage vessels. Everything else is already developed as well.
hypersonic plane, supersonic plane, supersonic private jet, hypersonic private jet, afrl, afwerx, defensewerx, usaf, darpa, onr, arl, boeing, lockheed martin, airbus, raytheon, northrop grumman, aerojet, dynetics, easa, bae, afosr, hypersonic, supersonic, scramjet, reaction engines, innovation, graphene, hydrogen, spacex, ula, virgin galactic, rocketlab, nasa, snc, sierra nevade corporation, dream chaser, sdo, sda, space force, dod, icao, dassault, bombardier, gulfstream, cessna, bigalow, boom suprsonic, aerion, tbcc, mayhem
Changed the pedals, swapped grips (small-size ergons with tiny bar ends to large-size ergons with no bar ends plus add-on bar ends) and did a bit of rivendell styling on the bar ends.
I replaced the rear smart sam tire with a mondial. Going to take the smart sam home and put it on the front of my hamilton, with the other mondial in the back. This way both bikes will have "matching" tires. Matching with each other, that is.
I decided to return the brooks cambium that I tried out. I did a 30 mile ride on it and got the worst case of saddle sore I ever had. The thing looked totally gorgeous, but unfortunately I don't get to look at it while I'm riding. I decided that my $30 charge spoon saddle is a better deal, even if I have to replace it every year. (5 spoon saddles for the price of 1 cambium.)
I removed the large basket off the front to take that home. I was planning on buying a 2nd basket, but riv is out of stock. Since I don't need a basket on a bike when I'm not riding it, I'm taking it home. I'll get another basked next time I'm in SF.
Speaking of baskets from rivendell, if you're going to get one, go ahead and get the "huge". I have the smaller one, and realized it's too small. If you're going to be a dork and have a basked on your bike, go all in. Get the huge. It's just way more useful.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
Alex had a unique approach to the production of his design folio work. Alex was constantly drawing. He spent most of his classtime just drawing, even when he was supposed to be doing something else. He needed to draw to think. So what you see here isn't necessarily pretty but this folio is stuffed with ideas. Alex's approach demonstrates precisely and accurately the method of idea generation and refinement promoted by the department. Note the large number of drawings on eachpage. this allows the student to easily cross reference and tag from one idea to the next. Extensive annotation also helps to reveal design thinking and comments should always be relevant and refer back to the specification. It is clear that Alex has a thorough understanding of the more technical aspects of the course and he repeatedly suggests ways in which his concepts might be made.
Alex went on to do very well at Higher Product Design. Some of his work also features on this site. He's now studying maths at Warwick University.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
Iteration I (left)- 20" x 45" (Inkjet on archival paper)
Iteration II (Center) 20" x 45" (Acrylic paint, pencil and charcoal on Iteration I print)
Iteration III (Right) 20" x 45" (Inkjet on archival paper)
© 2014-2015 Tony DeVarco and Mayako Nakamura
Exhibited at the George J. Doizaki Gallery at the JAPANESE AMERICAN CULTURAL & COMMUNITY CENTER in Los Angeles.
Part of the "Spirited Nature, Traces of Light" show, presented by La Stella Gallery and curated by Bonnie DeVarco. To see the online 3D gallery and for more information please go to La Stella Gallery website: www.lastellagallery.com/
To view Nik Kleverov's short documentary about the collaboration between myself and Mayako Nakamura. vimeo.com/170719607/37104c3be6
In collaboration with the work of Mayako Nakamura www.flickr.com/photos/ma85/
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
The department has been building up a library of design related reference books over the last few years. Pupils are encouraged to make use of these books on a regular basis. The photographs here demonstrate the tremendous wealth of content contained therein.
The sequence has been shot in such a way that the cover of the book is shown first and a few sample pages are included to give the student an idea of the content the book contains. Pupils may then approach staff and request a short term loan.
Alex had a unique approach to the production of his design folio work. Alex was constantly drawing. He spent most of his classtime just drawing, even when he was supposed to be doing something else. He needed to draw to think. So what you see here isn't necessarily pretty but this folio is stuffed with ideas. Alex's approach demonstrates precisely and accurately the method of idea generation and refinement promoted by the department. Note the large number of drawings on eachpage. this allows the student to easily cross reference and tag from one idea to the next. Extensive annotation also helps to reveal design thinking and comments should always be relevant and refer back to the specification. It is clear that Alex has a thorough understanding of the more technical aspects of the course and he repeatedly suggests ways in which his concepts might be made.
Alex went on to do very well at Higher Product Design. Some of his work also features on this site. He's now studying maths at Warwick University.
Artificial Neural Network delirium
by Google Research
googleresearch.blogspot.fr/2015/06/inceptionism-going-dee...