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5 апреля 2017 года в Scenario Cafe прошли две встречи с Interactive Brokers: бизнес-завтрак для фондов, банков, финансовых советников и брокеров и семинар по личному кабинету IB, терминалу TWS и другим вопросам трейдинга. Ведущий – Максим Ланин, менеджер по развитию бизнеса Interactive Brokers LLC в России и странах Восточной Европы. Видео доступно на Youtube-канале Алины Ананьевой, LowRisk.ru: www.youtube.com/channel/UCHMjbvItcYaU0czo5N1WtmA
People walking past the "Pulse Index" video wall, by Rafael Lozano-Hemmer. Hirshhorn Museum, Washington, DC.
This interactive painting n#26 (re-union of broken parts) consists of 12 square elements which are attached to the base by magnets. Since elements are removable the whole composition is re-arrangeable. If assemble this artwork according to the attached scheme one of four words could be visible in the center of the work. The words are ART, GOD, ONE, and OFF. And there numerous possibilities create complete chaos. You can see images of all four words of the work in the photostream.
Each element is 30x30cm and the overall size of the composition is 900 by 1200cm.
Oil on cotton glued to plywood.
For more interactive paintings or other artworks:
This is our interactive visual art installtion called NUCLEON at Boom Festival 2010. Created by the Retinafunk visual and 3D artist Hannes Neumann a.k.a. Humanspacecraft with tools such as 3DS MAX and Quest3D with some additional Help by Retinafunks Andy Weisner on building up abnd interfaxce .
Its a immersive panoramic 3D virtual reality space, and its interactive, so the the public can navigate and trigger layers and textures. in the virtual 3D space with a MIDI controller or multi touch interface. Its aim is to provide a interactive virtual psychedelic experience.
Sustaining a National Nuclear Security Regime: How to Maintain Effectiveness Over Time. Side Event of the 62nd IAEA General Conference. IAEA Vienna, Austria, 20 September 2018
Interactive Quiz: "What Does it Take to Sustain Nuclear Security?" moderated by Ms Valerie Rouille-Chatelus and Mr James Conner, Division of Nuclear Security.
Photo Credit: Dean Calma / IAEA
Pike School of Art – Mississippi artists in residence for Fall 2015 were Samwell Freeman, Mackenzie Hoffman, and Keith Walsh. The residency took place from October 12, through October 25, 2015.
Samwell Freeman, a Computer Vision researcher at Apple, developing software for large-scale construction of 3D images, completed his Ph.D. in Computer Science at the City University of New York. He has taught math and programming courses and led workshops on interactive art, Arduino, and 3D printing at Alpha One Labs, a hacker space in Brooklyn.
During his residency, Freeman worked on an interactive video installation called Beautalyzer. Beautalyzer displays the output and inner workings of a viewer-taught algorithm, which tries to recognize the beauty of images. The installation is comprised of wall-mounted screens and a 3D printed interface. Machine learning is an increasingly important part of our lives, influencing the news we read, the people we meet, and the things we buy. The Beautalyzer hopes to open up this black box of artificial intelligence. What we find may be frightening or enchanting, demonic or hilarious; in any case, it offers us cybernetic insight into the nature of beauty.
The Beautalyzer project explores the potential for collaborative learning between people and machines. Viewers are given the responsibility to teach the algorithm what is beautiful, by labeling images according to their own aesthetic judgment. Simultaneously, viewers are shown vivid illustrations of the algorithm’s effects.
Mackenzie Hoffman is an interdisciplinary artist living in Los Angeles, CA. She received her B.A. in Studio Arts from the University of Southern California, where she was a recipient of the Handtmann Prize for Photography, as well as the Neely Macomber Travel Prize. She is an alumna of the Mountain School of Art, Los Angeles.
Hoffman uses photography and video to explore the construction of regional identities and their filmic representations, with a primary focus on the contemporary american South. Recent projects have described the gradual encroachment of social change within her multi-generational Southern white family, producing works that are both sympathetic and frustrated. She photographs provincial iconography, including the southern landscape, in an ongoing study of history, location and image.
Hoffman used her time at PSA-MS to further her interest in the present day physical and personal landscapes of the American South and to focus on new video work.
While at PSA-MS, Keith Walsh worked on a project titled “The SNCC Mounds,” a poetic interpolation of the legacy of the McComb-area Student Nonviolent Coordinating Committee (SNCC) engagements of the 1960s.
Walsh’s project continues his investigation of the Civil Rights and Black Panthers movements, within the larger geography of American liberation politics. The figure who links these two groups is the black SNCC activist Stokely Carmichael who, in 1964, was the full-time field organizer in Mississippi for the “Freedom Summer” voter registration drives, itinerant “freedom schools,” and protests. Various black residents, businesses, and churches in McComb housed or supported hundreds of SNCC and other civil rights workers during Freedom Summer and were met with repeated police arrests, neglect by governmental authorities, KKK cross-burnings and bombings. The firsthand experience of the sites, people, and histories within McComb were essential to developing Walsh’s project.
While in the region, Walsh conducted research at the Mississippi Department of Archives and History in Jackson, the state capital, and, in New Orleans; and visited cultural resources such as Hilda Casin’s Black History Gallery and met civil rights pioneer, Brenda Travis. To come to PSA-MS, Walsh won The School of the Museum of Fine Arts Boston, 2016 Traveling Fellowship. Walsh received his BFA from Hartford Art School, University of Hartford, West Hartford CT and a dual MFA from the School of the Museum of Fine Arts Boston and Tufts University, Boston.
Sheridan Interactive Multimedia class visit to the Sheridan Visualization Design Institute in Oakville. VDI uses programming, game engines, etc. to visualize data and model life. Pictures can be seen here in a Zen Picture presentation www.zenpicture.com/zenpicture/vdi/. Blog entries are at interactivemultimedia.wordpress.com
Speaker at Promoting land tenure reform and supportive legal frameworks across levels and sectors Interactive session. Global Landscapes Forum Bonn 2019.
Photo by Pilar Valbuena/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
The LA Plaza de Cultura y Artes, Los Angeles’ first Mexican-American cultural center, opened its doors to the public during its grand opening in downtown Saturday, April 16. The Smithsonian Affiliate is a 2.2-acre facility is dedicated to celebrating the influence of Mexican and Mexican-American culture on Southern California. Although many people enjoyed the free live music, art workshops, and tours, members of Gabrieleno Band of Mission Indians protested across the street with chants like “The people who there are grave robbers,” and “Shame on you Los Angeles.” People who attended were able to tour the center’s interactive exhibit “LA Starts Here!” that showcases artifacts, films, and mosaics from 1781 to today. (Photo credit: Jeffrey Ledesma/ Neon Tommy)
Installation site specific of poster art - WK INTERACT
Muro di contenimento dell’Ex Omni
Porta Pia - Via XXIX Settembre
ANCONA
foto di www.flickr.com/photos/garagiu
It's that time again! Every March the geeks gather in Austin, Texas for the annual SXSW Festival. Split into three sections, Interactive, Film and Music, this festival has something for everyone. Whether it's an up and coming band, an innovative piece of technology or an inspiring film, SXSW has it all. :)
The Visitor's Center includes the John V. Hanson Wildlife Education Center offers interactive exhibits, a wetland diorama and other displays featuring information on birds and wetlands of the Refuge.
Photo Credit: Jennifer Bunker
reverse of frame system. framing dissambles into 5 movable units, all carriage bolted together. straps are rated at 300lbs and are extra precautionary so unit doesn't tip forward onto user. the whole system will be covered in a shell and contain a clean front end.
Sustaining a National Nuclear Security Regime: How to Maintain Effectiveness Over Time. Side Event of the 62nd IAEA General Conference. IAEA Vienna, Austria, 20 September 2018
Interactive Quiz: "What Does it Take to Sustain Nuclear Security?" moderated by Ms Valerie Rouille-Chatelus and Mr James Conner, Division of Nuclear Security.
Photo Credit: Dean Calma / IAEA
Este sprint consiste na montagem uma instalação interactiva que poderá ser controlada local e remotamente, através de um sistema mecânico e através de um serviço web. O objectivo deste projecto é aproximar o público em geral da actividade do laboratório, criando um interface com o mundo exterior.
Os sprints são sessões de trabalho intensivas em que os membros dos laboratórios, assim como visitantes e convidados se juntam em equipas para trabalhar em projectos concretos durante um fim-de-semana.
Enfants s’amusant sur une borne interactive lors de l’inauguration des Archives Historiques du Département de Seine-Maritime
At INTERACTIVE Pavilion we showcased a variety of the newest IT/technology related products from hardware and software to digital arts and sciences. People enjoyed experiencing and seeing the cutting-edge technology coming straight from Japan.
Photo by Erskine Noel
Nonette Royo, Executive Director, Tenure Facility speak at Securing Rights, Securing Landscapes: Boosting the impacts interactive session, Global Landscapes Forum Bonn 2019.
Photo by Pilar Valbuena/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Sustaining a National Nuclear Security Regime: How to Maintain Effectiveness Over Time. Side Event of the 62nd IAEA General Conference. IAEA Vienna, Austria, 20 September 2018
Interactive Quiz: "What Does it Take to Sustain Nuclear Security?" moderated by Ms Valerie Rouille-Chatelus and Mr James Conner, Division of Nuclear Security.
Photo Credit: Dean Calma / IAEA
A card for the interactive challenge on Hero Arts blog. I copied the tri-fold from a store bought card my husband gave me for my birthday last week. I used my new background stamp (from Hero ARts of course) and an old HA daisy and butterfly that I had. Colored everything with chalks and added a little glitter. Thanks for looking!
Boris Chimp 504's interactive installation commissioned by VAVA.
Video: vimeo.com/99687534
RE-ENVISION is where BC504 & VAVA meet in outer space. It is a place where the space time continuum is not what it appears to be. The rules of known physics don't work here. All that is seen/heard/felt can be something else...
In this interactive installation the audience will enter into an immersive dark space where there will be exhibited an audiovisual voyage divided in 6 chapters:
- Post - industrial and futuristic landscapes;
- Mechanics and machines;
- The eye / the monocle / the vision;
- Faces – transformative reality;
- Basic shapes and geometries;
- Space and cosmos. The monolith.
In the middle of this dark space there will be a physical interface, through which the
audience will be able to experience, interact and transform the audiovisual phenomena
taking place.
--
Picture from VAVA's stand at Sonar Festival 2014, Barcelona
Installation presented also at Oukan store / Berlin, and VAVA's stand at Sonar Festival / Barcelona
borischimp504.com
vavaeyewear.com/
Este sprint consiste na montagem uma instalação interactiva que poderá ser controlada local e remotamente, através de um sistema mecânico e através de um serviço web. O objectivo deste projecto é aproximar o público em geral da actividade do laboratório, criando um interface com o mundo exterior.
Os sprints são sessões de trabalho intensivas em que os membros dos laboratórios, assim como visitantes e convidados se juntam em equipas para trabalhar em projectos concretos durante um fim-de-semana.
photo by Romy Kraus
Interactive mapped projection at the mlove confestival 2010. Participants were able to use their mobile devices as magic "brushes" to interact with the installation. They could choose between three colors, green, blue and red. Green for growing the plant, blue for feeding the blossoms and red to burn it down.
ROMAN BERANEK - creative direction
JONAS STAUB - projectmanagement
MARTIN FRÖHLICH - interaction design & creation
SIMON BROGGI - interaction design & creation
ANDREAS AHLM - coding
MARC SCHÖRGER - mobile interface - cross-mobile.de
ROLF NÄPFER - music
many thanks to
HARALD NEIDHARDT
PETER GIBLIN
DIANA BEATA KRÜGER
and many more from the mlove team
To help young people create interactive art, Pataphysical Studios taught a workshop on how to make your own ‘ art wonderbox.’ Our goal was to help kids create a cool experience with lights, motion and sounds, using simple electronic parts.
To that end, we invited 12 kids (ages 8 to 12) and their parents to this free workshop at the Mill Valley Library:
pataphysics.us/make-your-own-wonderbox/
This two-hour workshop took place on Saturday, October 17 at 2pm. In the course of two hours, we guided students through these tasks:
bit.ly/wonderbox-instructions-1
Instructors for this workshop were Fabrice Florin, Jean Bolte and Natalie Frederick, with support from Antonia Souza and Freddy Hahne. They are all members of Pataphysical Studios, the art collective behind the ‘Pataphysical Slot Machine’, our poetic oracle.
Come visit the exhibit this month! We’re open every Saturday and Sunday in October, from 1 to 5pm, in the downstairs conference room of the Mill Valley Library.
Special thanks to the Mill Valley Library and the Friends of the Library for making these workshops possible.
View more photos of the exhibit: www.flickr.com/photos/fabola/albums/72157659147117739
Interactive Playspace in Hindmarsh Square
Tucked away in the North West corner of Hindmarsh Square is a unique interactive playspace featuring concrete and steel sculptures designed for exploring, climbing and encouraging imagination.
www.youtube.com/watch?v=dav2V4oO4_8&feature=player_em...
Ко всему прочему, в рамках рекламной кампании, специалисты SmartHeart предложили музею интерактивную инсталляцию «Галстуки», гармоничнодополнившую внеший образ музейной ночи. Инсталляция обыгрывает тему серьезного-несерьезного, превращая привычный атрибут делового человека в элемент игры и виртуального кокетства. Цифровые галстуки возникают и двигаются вместе с посетителями в реальном времени, создавая дополненную реальность. За одну ночь инсталляцию успели удивить тысячи людей, в том числе руководство культурно-исторического центра и министерства культуры края. Технология дополненной реальности (augment reality) в Красноярске была представлена впервые.
It's that time again! Every March the geeks gather in Austin, Texas for the annual SXSW Festival. Split into three sections, Interactive, Film and Music, this festival has something for everyone. Whether it's an up and coming band, an innovative piece of technology or an inspiring film, SXSW has it all. :)
Setting a race to the top: Guiding Principles to Rights-Based Approaches interactive session. Global Landscapes Forum Bonn 2019.
Photo by Pilar Valbuena/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Speaker of Getting it right: discussing challenges of a tenure rights-based approach interactive session. Global Landscapes Forum Bonn 2019.
Photo by Pilar Valbuena/GLF
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org