View allAll Photos Tagged gyspy
NEW LAQ Essential Saga Tone 1
NEW [e] Hair Interrupt in Warm Blonde
DooDads Stringy Beaded Necklace & Earrings Set on SL MarketPlace
Hudson’s Haunted Eyes Smokey Tatto & Glossy Peacock Dust Eyes
G Field Short Lace Up Boots in Camel
Horse Power 4 - Iberian Horses and a Roma (Gyspy) wagon. From a collection of photographs taken at the 29th London New Year's Day Parade 2015 (LNYDP 2015). We were standing on opposite sides of the road in Piccadilly near the junction with Regent Street. The parade featured bands and participants from all over the world, along with representatives from London Boroughs whose theme was "London on the Move". See www.lnydp.com for more information.
Rock 'n' Roll was all the rage. From left: Sandy, Diane, Gyspy and Chitrani. We are talking circa 1957 here
I travelled to Romania in April; on one of the days I had the opportunity to visit a local gypsy settlement. While there I carried out a mini social documentary project on the people that live on the settlement.
I went inside a gypsy house and photographed this woman who lived there. She spoke no English but was happy to be photographed by me. I used flash to illuminate inside the house, as it was very dark; this also made the colours appear brighter in the photograph.
© LeeAnn Gauthier. All rights reserved.
GypsyCaravan.us danced at Chameleon Bar, in Portland, OR (www.chameleonpdx.com)
(L to Rt) Karen Harte, Gina Lee, Kristi Wirebaugh
Dolls in photo (from left to right):
-1995 Gypsy Dancing Esmeralda
-1995 Gypsy Dancing Esmeralda
-2010 Disney Store Jasmine
-2012 Disney Store Classic Doll Collection Jasmine
It's not common for me to find a Disney doll with pierced ears and no earrings. Most of them don't have pierced ears in the first place. However, my childhood Esmeralda on the left, and her duplicate (who was a gift) were both missing their earrings. For years, they wore a simple gold jump ring in their ears. But let's be real, that was WAY to boring for my personal taste. So last year, I revamped their jewelry, and their headbands. The orange flower charms on my childhood Esmeralda came from Wal-Mart and match her fashion pack perfectly. The star charm on the other Esmeralda came from an old bracelet I found in my jewelry box and took apart. Disney Store Jasmine was missing her earrings when I adopted her this summer. So I took gold pieces of chain (which are from one of my grandmother's old necklaces), and I added two teal beads to match her outfit! I think she looks more put together now.
Chris Jenkins performing with the Django Legacy Band (Henry Acker, Grant Flick, Samuel Farthing and Jenkins 3rd Annual Charm City Django Jazz Fest, Creative Alliance Patterson Theater, Baltimore, Maryland, February 24, 2018.
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These days, much is made about how young people are driving important conversations we see in the news, on social media and in the classroom. That these conversations are about equality, opportunity, and above all, safety is vital to our culture and society. Less discussed though, is the crucial contributions to the arts made by young men and women across our country. Indeed, many superstars started out when they were just “kids” in their teens: Eric Clapton, the Beatles, and of course, Jean "Django" Reinhardt himself who was performing at age 15.
That legacy carried on at the 3rd Annual Charm City Django Jazz Fest at the Creative Alliance’s Patterson Theater in Baltimore, Maryland on February 24, 2018 with the live concert debut of The Django Legacy Band (Grant Flick, Henry Acker, Christopher Jenkins, and Samuel Farthing). Performing a variety of manouche jazz standards with finesse, skill, poise, and feeling, these four young men demonstrated a level of proficiency and confidence that immediately won over the crowd of long time gypsy jazz aficionados. Between the marchers advocating for our safety and the stellar musicians bringing beauty into our lives, our younger citizens should be proud. In the words of another bunch of teenagers who went on to rule the music world, the kids are all right. Indeed.
Whitley Kros: Animal Crackers
Animal crackers and the gypsy child.
Mercedes Benz Fashion Week
Los Angeles
Smashbox Studios, October 2008
Spring 2009 Collections
Copyright 2008. Keith Carlos.
All rights reserved worldwide.
More photos available at:
October Afternoon papers. American Crafts puffy letter stickers, SRM sentiment stickers, 7 gyspies tab, buttons, wrinkle ribbon, tulle, brad, pom pom trim, black pen.
Harrison playing and showing off to the girls. I can't wait to see his feather after some TLC. He's broken off soooooo much of it, it'll come back in no time. I do love this spunky boy, though...hehehe
So I'm back, to the velvet underground
Back to the floor, that I love
To a room with some lace and paper flowers
Back to the gypsy that I was
To the gypsy... that I was
And it all comes down to you
Well, you know that it does
And lightning strikes, maybe once, maybe twice
oh, and it lights up the night
And you see your gypsy
You see your gypsy
To the gypsy that remains faces freedom with a little fear
I have no fear, I have only love
And if I was a child
And the child was enough
Enough for me to love
Enough to love
She is dancing away from me now
She was just a wish
She was just a wish
And a memory is all that is left for you now
You see your gypsy
You see your gypsy
Lightning strikes, maybe once, maybe twice
And it all comes down to you
"
And it all comes down to you
Lightning strikes, maybe once, maybe twice
And it all comes down to you
I still see your bright eyes, bright eyes
I have always loved you
And it all comes down to you
~Lyrics by Fleetwood Mac
**********************************
By special request.... this was me, 3 years ago, at the Texas Renaissance Festival in a small town near Houston. I am a Gypsy ~ a wanderer... I go where my heart takes me. My passion is exploring. My dreams carry me to a far away place, where I am happy.
We sat by the stage and at the ending of the show all these women got up and starting dancing in front of the stage. I could hardly see the bands play. But at first there was this older man who got up and danced with them ... he seemed to be the most skilled. As part of my appreciation, I took pix of him hahah
Showing off the amazing beard of The Goat! LoL This boy has soooo much hair all year round. But I love it, especially when he'll have a full mane to go along with the rest of his hairy butt. hehehe Becoming more of a man every day. :)
Custom Tattoo design by Tom Ruki
For bookings and enquires please contact www.facebook.com/tomrukitattoo/
Horse Power 4 - Iberian Horses and a Roma (Gyspy) wagon. From a collection of photographs taken at the 29th London New Year's Day Parade 2015 (LNYDP 2015). We were standing on opposite sides of the road in Piccadilly near the junction with Regent Street. The parade featured bands and participants from all over the world, along with representatives from London Boroughs whose theme was "London on the Move". See www.lnydp.com for more information.
Freelance- Gyspy Cat Studios- I created this genie headress for Ballet Met's adaptation of Aladdin 2008.
It weighed less than 4 pounds. It is made of a flexible foam that is patterned into the shapes, glued, covered with lightweight fabric and airbrush painted. Helmet inner structure, horns, eyes, ears, earrings, fabric tendril hair made separately and added securely into the base structure.
The Gypsy Cob was bred to be a wagon horse. These horses were bred by the Romany and pulled wagons or "caravans" known as Vardos, which is a type of covered wagon that people lived in. They were also used as riding horses for children. Today, the Gypsy Cob is no longer used for pulling Vardos, but it is still looked upon as a symbol of power and strength among the Romany
Up until the late 20th century, the Gypsy Cob was not a recognized breed. Not much is known about the bloodlines of Gypsy Cobs because pedigrees were usually kept secret and only family members knew the details. However, as the interest in the breed grew, several breed registries developed. The first registered horses were imported to North America in November 1996. There are three different registry classifications for the breed, based on height. If the horse is under {[hands|14}}, it is considered to be a "mini Gypsy". If the horse is 14-15.2 hands high, it is known as a "classic Gypsy", and if the breed is 15.2 or taller, it is known as a "grand Gypsy" In 2004, the breed became recognized by the United States Dressage Federation All Breeds Program, and can win breed-specific awards whenever it wins a dressage event or any event sponsored by the USDF.
Imagine a lazy summers afternoon, you've finished taking photos of a man and his gyspy caravan, so you go for a stoll down the river bank. The sound of rushing water gets ever louder until you come a bank at the end of the field and you drop down onto the bank of a river and you're greeted to a view like this!
Grant Flck performing with the Django Legacy Band (Chris Jenkins, Henry Acker, Samuel Farthing and Flick) 3rd Annual Charm City Django Jazz Fest, Creative Alliance Patterson Theater, Baltimore, Maryland, February 24, 2018.
.
These days, much is made about how young people are driving important conversations we see in the news, on social media and in the classroom. That these conversations are about equality, opportunity, and above all, safety is vital to our culture and society. Less discussed though, is the crucial contributions to the arts made by young men and women across our country. Indeed, many superstars started out when they were just “kids” in their teens: Eric Clapton, the Beatles, and of course, Jean "Django" Reinhardt himself who was performing at age 15.
That legacy carried on at the 3rd Annual Charm City Django Jazz Fest at the Creative Alliance’s Patterson Theater in Baltimore, Maryland on February 24, 2018 with the live concert debut of The Django Legacy Band (Grant Flick, Henry Acker, Christopher Jenkins, and Samuel Farthing). Performing a variety of manouche jazz standards with finesse, skill, poise, and feeling, these four young men demonstrated a level of proficiency and confidence that immediately won over the crowd of long time gypsy jazz aficionados. Between the marchers advocating for our safety and the stellar musicians bringing beauty into our lives, our younger citizens should be proud. In the words of another bunch of teenagers who went on to rule the music world, the kids are all right. Indeed.