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Guía 7.
Iluminación: Luz Frontal.
ISO: 100
Encuadre: Vertical.
Punto de vista: Ángulo paralelo.
Nombre: La Princesa de la Decapitación "KITANA".
Kitana bella princesa del reino de Outworld, tiene 10,000 años aunque posee la apariencia de una joven entre 20 y 30 años, ella esconde su verdadero ser durante muchos años para luego destacar como una brutal y despiadada asesina, su inmensa fuerza no se compara a la de nadie mas sin mencionar sus grandes, especiales y únicos poderes, ella junto a su hermana Mileena invadieron y conquistaron decenas de civilizaciones para tiempo mas tarde asesinar a su hermana a sangre fría con el fin de convertirse en la única Reina de Outworld. Sus ataques constan en manipular sus filosos cuchillos en forma de abanico para decapitar a su adversarios y todo aquel que se cruce en su camino y trate de impedir sus cometidos.
A silver altar frontal panel
c. 18th century, Ilocos
Silver, kamagong frame
39 x 100 cm (15 1/4 x 39 1/4 in)
The retablo or altar of a church is a vertical structure usually made of wood and, in the case of some old, affluent churches, the altar facades are covered with decorated silver. This silver panel was part of an altar frontal of a church in Ilocos that underwent renovation a long time ago. The panel has been repoussed and chased, primarily using steel liners and chasing hammers, to bring out the details of flowers and scrolling foliates on stippled ground. Dotted squares simulate the seeds on the center of the flowers. Encased inside some of the scrolls are diagonal grids with cross at the intersections. Such delicate and laborious work. The silver alone weighs a staggering 1.2 kilograms. Now framed in kamagong and ready to hang.
Provenance: Ramon N. Villegas collection
Estimate: PHP 150,000 - 160,000
Lot 388 of the Salcedo Auctions auction on 22 September 2018. Please see www.salcedoauctions.com for more information.
La conception des ruelles piétonnes, historiques et sauvegardées, par notre inconsciente et incompétente de maire, Delphine Labails... une authentique saccageuse. Pour rappel, vous êtes sur le fameux circuit touristique et piéton de Périgueux ! Cette dame qui nous raconte à tout bout de champ, être écolo, et vouloir mettre en valeur le patrimoine historique de la ville ! Une sacrée comédienne... un sacré numéro... car il est bien évident que d'injecter du diesel dans des ruelles strictement piétonnes, c'est très écolo...
Madame Delphine Labails, maire de Périgueux, ou une vision des années soixante dix... Un échantillon parmi 8000 photos d'infractions prises par des riverains en quelques mois dans deux-trois ruelles exclusivement piétonnes, historiques à cinquante mètres d'une cathédrale classée au patrimoine de l'UNESCO) du grand saccage orchestré par cette dame à Périgueux. 8000 infractions d'automobiles, zéro verbalisation... un authentique record national... pour des ruelles piétonnes, à mettre au crédit de notre maire actuelle madame Delphine Labails... Cherchez donc l'erreur ! Merci madame Labails... Deux années que nous prévenons cette dame de son grand saccage... en vain ! Les riverains, les passants, les enfants, les touristes... Elle ? Dans dans sa grande léthargie... elle s'en contrefiche... alors oui une vision... des années soixante dix... Si nous sommes effrayés par une telle incompétence ? Oui. De grâce... sauvez nous de cette dame issue d'une autre époque...
le.grand.saccage@gmail.com
A redoubtable lady I saw in in the Musei Vaticani. I wonder if there was something originally placed in that gap in her hairdo, a flower garland maybe?
Alex got her new B Line Luts Beauty Green body- the proper match, finally!
She instantly got blushed and her Sailor Jerry tattooing put in place!
Her upper body fromt he right, you can see her Lady luck tattoo on her arm, her swallow tattoo on her chest and her compass on her belly!
Tattooing done with Warhammer model paints
Altar Frontal With the Auspice Maria Monogram
late 18th century
hardwood with vivid polychromy
30” x 84” x 3”
(76 cm x 213 cm x 8 cm)
From the Benito J. Legarda Jr. Collection.
Opening bid: PHP 300,000
While silver altar frontals have been widely published, fully carved wooden ones like this are less-known. This impressive piece is carved from one full plank. The carving is crisp and deep, with roses and other appliqued forms standing out in high relief. The polychromy is especially vivid.
The central motif is the simplest of the known monograms of the Virgin . Other later monograms depict the letters R (for Regina) and A (for Angelorum) interlinked with the central M. This monogram is known as the Auspice Maria (Under the auspices of Mary), an intertwined A and M, topped by the crown of the Queen of Heaven. Three cherubs are also seen, an allusion to another popular Marian title.
The frontal would have possibly graced a side or transept altar dedicated to the Virgin. The Legarda collection of ecclesiastical art also has many other details and fragments from altars and churches. Among the collector’s many interests was Philippine Church architecture . He was known to have written several essays on the subject. This frontal may well have been his prize among the many altar details he collected. Unfortunately, no collection notes exist to point to the origin of this spectacular frontal.
- by Floy Quintos
Lot 107 of the Leon Gallery auction in February 2021. Please see leon-gallery.com for more details.
Here is a different view of the Prothonotary folks only because some one said the first was a partial butt shot and of course to which disagreed, so here it is for what it's worth, Thank you all and thank you for visiting.
One of my favorite photographs of my daughter and granddaughter. It's a powerful image because of the frontal/equal perspective.
Altar Frontal.
Italy, mid-1700's.
The size and shape of this richly embroidered panel indicate that it was made as an antependium, or altar frontal, a textile that was placed across the front of an altar in a church. It was common for the decorations on these textiles to represent religious themes but this was not always the case. Here, the light colors and the elaborate curvilinear floral motifs lavishly embroidered over the surface of this textile are all characteristic of the rococo, an ornate and playful late Baroque style that developed in the eighteenth century. The central medallions, wreathed with gold embroidery, may have been taken from an earlier work.
Allentown Art Museum, Allentown, Pennsylvania.