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Op 21 april 2012 botste de 2658 frontaal op VIRM stam 8711. Het was hiermee het eerste grote ongeval waarbij SLT betrokken was. De 2658 was als trein 4058 onderweg van Rotterdam Den Helder naar Uitgeest toen het ter hoogte van de Singelgrachtbruggen treinstam 8711 tegenkwam. Deze was als trein 3067 onderweg van Den Helder naar Nijmegen. Bij dit ongeval viel 1 dode en 135 gewonden, waarvan 55 mensen zwaar en ernstig gewond waren. De materiële schade is groot. De mABk heeft een beschadigde cabine. De overige rijtuigen hebben op het eerste gezicht nauwelijks schade opgelopen. Op 22 april werd het stel door de RRF21 naar de Hoofdwerkplaats Haarlem geduwd. In oktober 2012 is men begonnen met het herstel van de beschadigde kopbak. In het voorjaar en de zomer van 2014 wordt er gewerkt aan het herstel van de mB3 en mAB4. Inmiddels zijn ze nu echt begonnen om dit stel op te knappen en was ook nog te zien tijdens een opendag.
Este frontal procede de la iglesia parroquial de Farrera, Pallars Sobirà, Cataluña. Está pintado al temple sobre tabla y datado en el siglo XIII. Pertenece al Museu Nacional d'Art de Catalunya. Fotografiada en la exposición Los pilares de Europa, en Caixa Forum Madrid.
A church silver altar frontal panel of 'The Five Holy Wounds'
Estimate: PHP 200,000 - 220,000
Mid 19th century
Repoussé silver set in a contemporary kamagong frame
53 x 74 cm (21 x 29 in)
Provenance:
Private collection, Manila
A devotional panel made of a massive sheet of repoussé and chased silver depicting the Five Holy Wounds of Jesus Christ in a cartouche with a Neoclassical Roman Revival festoon. Although the ecclesiastical narrative may be a copy from a European woodblock print, the workmanship suggests Chinese silver workmanship with cartouche borders suggestive of stylized lotus petals.
Lot 160 of the Salcedo Auctions auction on 18 March 2023. Please see www.salcedoauctions.com for more information.
out of my series ANIMALS
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The weather changed very quickly this morning as the sunshine gave way to a big low pressure system moving up from the south. It made for some cool pictures, too bad the sun is gone again though.
A 4 frame panorama shot through a welding glass ND filter. Stitched together in Hugin.
Each frame shot at ISO 100 f/9.0 31.0 seconds
The statue depicts the nude figure of a youthful satyr who stands frontally, holding over his head with his right hand a now-missing pitcher from which he would have seemed to pour wine into the drinking vessel once held in his left hand (also now missing). The satyr stands in a naturalistic contrapposto stance, with his weight shifted onto his left leg, and his right knee slightly bent. He looks downward at his lowered hand. His hair is short and tousled, and a fillet and wreath surround the crown of his head. A support in the shape of a truncated tree is present behind his left leg. It is carved naturalistically with knobs and the remnants of sawn limbs. The head and right hand are restorations added in the seventeenth or eighteenth century. The penis is also a modern restoration. The statue is a Roman copy of Praxiteles' Pouring Satyr.
The figure of a youthful Satyr, recognizable only by his pointed ears, was found in 1657 in the theater of the imperial villa of the Roman emperor Domitian at Castel Gandolfo, together with three identical replicas. The Satyr Pouring Wine was first created by Praxiteles in the early 300s BCE and is known in dozens of Roman versions. For centuries the four satyr statues remained as a group in two major collections. First, the family of Cardinal Flavio Chigi in Rome owned the sculptures; they then sold them to the royal house of Saxony in Dresden.
The group was dispersed in 1838, however, when the British Museum received one of the satyrs in exchange for plaster casts of the Parthenon sculptures. The Soviet government seized a second satyr after World War II. In 1999, the latter was restituted to the heirs of the Saxon Royal House in Dresden, who then sold it to the Getty Villa.
Roman, ca. 81-96 CE, found at the imperial villa of emperor Domitian, at Castel Gandolfo.
Getty Villa Museum (2002.34)