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NYC: Time Warner Center / Eve
Fernando Botero: Eve (Bronze, 1990)
Leica M10 | Leica Summilux-M 1.4/35 ASPH
Even a brief glance at this piece allows you to feel Botero's mastery of the feminie form. The reclining woman's voluptuous body cascades over this piece. Notice the reclining woman's far off stare. Was she caught unaware or is she deep in thought? One of Botero's main influences was Peter Paul Rubens, who was also known for his large, beautiful depictions of women. The idea of Rubenesque women has gradually given way to the concept of a "Botero" feminine for which represents a celebration of sensuality or a reveling in voluptuousness.
Liggende vrouw '04 - Donna sdraiata '04 - Lying woman '04 (1994).
Den Haag Sculptuur 2006 at the Lange Voorhout.
Open air exhibition of sculptures by the Colombian artist Fernando Botero in The Hague.
Torso van vrouw - Torso femminile - Female torso (1982).
Den Haag Sculptuur 2006 at the Lange Voorhout.
Open air exhibition of sculptures by the Colombian artist Fernando Botero in The Hague.
Fernando Botero
Ballerini (2000)
Bronze
h: 262 cm / h: 103.1 in
Fernando Botero Angulo (born April 19, 1932 in Medellín, Antioquia) is a Colombian figurative artist, self-titled "the most Colombian of Colombian artists" early on, coming to prominence when he won the first prize at the Salón de Artistas Colombianos in 1959.
His work includes still-lifes and landscapes, but Botero tends to primarily focus on situational portraiture. His paintings and sculptures are, on first examination, noted for their exaggerated proportions and the corpulence of the human and animal figures.
Fernando Botero
Ballerini (2000)
Bronze
h: 262 cm / h: 103.1 in
Fernando Botero Angulo (born April 19, 1932 in Medellín, Antioquia) is a Colombian figurative artist, self-titled "the most Colombian of Colombian artists" early on, coming to prominence when he won the first prize at the Salón de Artistas Colombianos in 1959.
His work includes still-lifes and landscapes, but Botero tends to primarily focus on situational portraiture. His paintings and sculptures are, on first examination, noted for their exaggerated proportions and the corpulence of the human and animal figures.
Estatuas vivientes que comparten el espacio con las majestuosas Gordas de Botero, en la hermosa cuidad de Medellin.
Artista reposando.
Rueda de Prensa Fernando Botero Museo de Antioquia 2012.
Medellin. 01 de Abril del 2012.
Fotografo: Camara Lucida Pilar Mejia
Even a brief glance at this piece allows you to feel Botero's mastery of the feminie form. The reclining woman's voluptuous body cascades over this piece. Notice the reclining woman's far off stare. Was she caught unaware or is she deep in thought? One of Botero's main influences was Peter Paul Rubens, who was also known for his large, beautiful depictions of women. The idea of Rubenesque women has gradually given way to the concept of a "Botero" feminine for which represents a celebration of sensuality or a reveling in voluptuousness.
NYC: Time Warner Center / Adam
Fernando Botero: Adam (Bronze, 1990)
Leica M10 | Leica Summilux-M 1.4/35 ASPH
Nobody lying in the bathtub here (see the sign for gentlemen)!
Nessuno nella vasca (vedi la placca per gli uomini)!
Fernando Botero
Ballerini (2000)
Bronze
h: 262 cm / h: 103.1 in
Fernando Botero Angulo (born April 19, 1932 in Medellín, Antioquia) is a Colombian figurative artist, self-titled "the most Colombian of Colombian artists" early on, coming to prominence when he won the first prize at the Salón de Artistas Colombianos in 1959.
His work includes still-lifes and landscapes, but Botero tends to primarily focus on situational portraiture. His paintings and sculptures are, on first examination, noted for their exaggerated proportions and the corpulence of the human and animal figures.
Fernando Botero ’Arzodiabolomaquia', (‘ArchDevilVoodoo’[approximate translation...]), 1960, Museo Nacional de Colombia, Bogotá, Colombia
Little girl next to a sculpture by famous Colombian artist Botero, in the public square named after him in Medellin
Fernando Botero ’Arzodiabolomaquia', (‘ArchDevilVoodoo’[approximate translation...]), 1960, Museo Nacional de Colombia, Bogotá, Colombia
Copyright ©Museo de Antioquia / Atribución-NoComercial-CompartirIgual 2.0 Genérica (CC BY-NC-SA 2.0 / creativecommons.org/licenses/by-nc-sa/2.0/deed.es
Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist, self-titled "the most Colombian of Colombian artists" early on. He came to national prominence when he won the first prize at the Salón de Artistas Colombianos in 1958. Working most of the year in Paris, in the last three decades he has achieved international recognition for his paintings, drawings and sculpture, with exhibitions across the world ( Wikipedia).