View allAll Photos Tagged carlights"
So I stayed on Miami Beach this weekend for Labor Day and I liked this view from the balcony but.................I left my tripod at the door. So please ignore the roof in the corner, this was the only view my makeshift cement wall of my balcony offered me!
© 2016 All Rights Reserved
I have been wanting to photograph these two trees beneath the night sky for over a year since I found them one winter when I pulled off the road for a break. The snow at that time provided a nice path to the top of the little climb. Fast forward to last weekend when I returned to this spot and with the snow melted, my path was gone. Instead I had a bit of a sketchy scramble over brush and granite boulders to reach a small triangle shaped flatish piece of granite to set up my tripod and camera. The view, though, was breathtaking. The green in the sky is from a phenomenon known as airglow (or excited oxygen atoms). The orange in the distance is caused by city lights reflecting off smoke from the various forest fires. Finally, passing cars lit up the trees. I took a different, slightly longer route down where the ground was a little flatter. Howard kept his headlamp on and I used it like a lighthouse to find my way across the low bushes and rocks through the forest and safely into the parking lot. This is a composite, one exposure for night sky and the other for the foreground.
Traffic Light trails on M50 Motorway from overhead Bridge at end of Lehaunstown Lane, Dublin, Ireland
I just realised I took photos from this same bridge on the same date in 2016 - 22nd November
I took the Photo in the blue hour just as it got dark. My camera was facing towards where the sun had set
I mounted my Camera on my Manfrotto 190 tripod. Camera was in Manual Mode. I triggered the camera with my Hahnel Remote trigger.
It was a clear and most importantly a calm evening, which is important for long exposures. Traffic flows were lighter than I would have liked due to Covid-19 Virus restrictions and as it was a Sunday evening. It was a matter of watching traffic flows in both directions and selecting periods of more traffic
Car lights at sunset along the Bixby Bridge, located 120 miles south of San Francisco and 13 miles south of Carmel in Monterey County along State Route.
On an average day Bixby Bridge sees 4,500 cars drive over it, one of the most popular bridges in the state of California.
Old State House, Boston. (with Custom House Tower).
Made Explore (highest rank: #86, 1/23/18). Always an honor.
State Street at Washington and Court Streets. A familiar Boston scene, more typically shot in daylight and in color.
#iPhoneography
;-D ~ I am thrilled!! Yes..it has been drizzling for about five hours now ~ this is the back of my friend Anna's Nissan , with my double ...huh..self portrait ~ ;-D
Pacific Beach ~ California ~ USA ~
See it LARGE ~
We’ve been blessed with so much.
(Night traffic on Linn Cove Viaduct, Blue Ridge Parkway, North Carolina in autumn.)
© 2014 James Duckworth Photography - All Rights Reserved - Please do not download and use this image without written permission. It is protected by copyright.
I was driving along the other morning looking for a place to stop to take pictures of scenery in the morning mist. I saw this tiny island with its reflection in the water. So I stopped the car to take a picture or two. But then, as I look at the scene, I decided to include my car in the picture with the blinking lights rather than just take the island. I think it gives the scene a surreal effect. It is like there are two pictures side by side, as in a diptych with the tree dividing the two realities.
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Je roulais sur la route l'autre matin à la recherche d'un endroit pour m'arrêter pour prendre des photos de paysage dans la brume matinale. J'ai aperçu cette petite île qui offrait de beaux reflets. Alors j'ai arrêté la voiture pour prendre une photo ou deux. Mais en regardant la scène, j'ai décidé d'inclure ma voiture dans la photo avec les clignotants plutôt que de simplement prendre l'île et son reflet. Je trouve que cela donne à la scène un effet surréaliste. On dirait deux images côte à côte comme dans un diptyque, l'arbre séparant les deux réalités.
This is the Hanshin Expressway going through the gate tower building in Osaka. The highway never touches the building also called the „beehive“. It passes between the fifth through seventh floor. If you are in the building and want to go to the top floors, the elevator passes through the highway floors without stopping. Floor 4 is followed by floor 8.
How could this happen? The land had been held since the 1860s by a wood and charcoal business...
Read the whole story here:
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Another out of focus shot from the front of a moving bus. The thing I like about out of focus shots with blur is the painterly quality that you achieve with tonal/color blocks.