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偽日記,活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期:2015/03/3 - 2015/03/28
開幕酒會:2015/03/7 (六) 19:00
展覽地點:VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址:http://www.vtartsalon.com/
聯絡電話:02-2597-2525
EMAIL:info@vtartsalon.com
「若時間是這一片海,我們在記憶中推引與淹沒。」
陳文祺,現任實踐大學媒體傳達設計學系(所)主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置,作品懸空浮出牆面,以標本盒凝結影像與文字的圖文日誌,呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡,討論時空與人的存在關係,回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中,藝術家將活版鉛字結合黑白影像,將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式;在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶, 作品體現後設認知(metacognition)如何成形為人為的偽造,影像的作舊感混淆並打破時間感,它從未橫跨過去與未來的視野,也不存在於現在。活版鉛字復刻出墨味與字模,一字一魂的敲打墨印於無酸厚紙,凹陷的墨字詩句是活字的殘留物,文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也,若以人為中心,人為的一切無一真實;過去曾是真理的今天可能成了謬誤,而今天是為謬誤的在明日可能是真理。對於真實,人們早已似回應納西瑟斯(Narcissus)的回聲(echo)中迴響空谷;「偽日記」中對於影像的真實如同記憶的可信度,看似完整與客觀的拍攝,經由書寫,讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡,100見裝置懸浮於半空,適切地貼近觀看與閱讀,於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中,最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片,在今日數位化的介面,古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作,將內心感受與對物、我的關注與歷程,皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊;每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制,閱讀每一篇日記裡的視點與時空概念,圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受,萬物與時間是凝結的,弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像,當感知能夠製造與複製,攝影恰是複製時空的影像片段,文字勾畫已過去的感受,而鉛字本為大量複製的特質,在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是,即使我們認為這一切的凝結,時間也重來沒有停滯過,一切記錄都是真實無關,只是製造著真實的過去。藝術家反覆辯證著影像和時空關係,將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition:2015/03/3 - 2015/03/28
Opening:2015/03/7 (Sat) 19:00
Location:VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website:http://www.vtartsalon.com
Tel:02-2597-2525
EMAIL:info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
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納品事例 PROJECT
AUTHENTICITY SOFA B
オーセンティティ ソファ B
AUTHENTICITY LIVING TABLE T
オーセンティティ リビングテーブル T
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
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This Rosary features 8mm oval, Olive wood beads and Deluxe Crucifix. This Rosary is complete with holy water from the Jordan river, the place of Jesus' Baptism. This Rosary measure about 20" long. Bethlehem Or Jerusalem stamped on the back of Crucifix. Comes with Certificate of Authenticity and Origin and a special padded box. Have questions, email: Service@holylandmarket.com
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Meine erste Foto-Einzelausstellung präsentiert im Café Berio, Berlin
Vernissage 31. Juli 2018 | Finissage 22. September 2018
In meiner ersten Foto-Einzelausstellung zeigte ich meine Berliner Portraits und einige meiner Vogel-Fotografien; daher der Titel der Ausstellung. In meinem Fotoprojekt wollte ich einmal weg von den sonst bewusst gewählten Orten, an denen man ein Fotoshooting durchführt. Ein Studio oder eine ausgewählte Location haben für die Menschen meist etwas sehr Unpersönliches. Ich wollte dorthin, wo es am authentischsten ist; an die Orte, an denen die Protagonisten (überwiegend Künstler) zu Hause und in ihrem Element sind: auf der Bühne, hinter der Bühne und vor, während und nach einem Auftritt bzw. Event. Ich möchte dem Betrachter Bilder zeigen, die er nicht unbedingt während einer Veranstaltung wahrnimmt und Außenstehende gefangen nehmen, als hätten sie es live miterlebt.
Über 70 Arbeiten präsentierte ich in der Ausstellung; darunter Portraits von Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper und vielen anderen.
Vögel leben auf allen Kontinenten. Sie sind flüchtige, scheue Tiere. Auf meinen Fotografien lassen sie aber eine unwahrscheinliche Nähe zu. Das eigentlich Fremde und in der Natur nicht Sichtbare habe ich in meinen Vogel-Portraits festgehalten.
Mein Motto: "Authentizität ist das Schlüsselwort, das hinter meiner Fotografie steht. Ich ziehe es vor, mehr die menschliche Note zu zeigen und weniger die Retusche."
Die meisten der Exponate sind in der queeren Community entstanden.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
____________________________________________________
My first solo photo exhibition presented at Café Berio, Berlin
Opening July 31, 2018 | Closing September 22, 2018
In my first solo photo exhibition, I showed my Berlin portraits and some of my bird photographs; hence the title of the exhibition. In my photo project, I wanted to get away from the usual deliberately chosen locations for a photo shoot. There is usually something very impersonal about a studio or a selected location for people. I wanted to go where it is most authentic; to the places where the protagonists (mostly artists) are at home and in their element: on stage, backstage and before, during and after a performance or event. I want to show the viewer images that they don't necessarily see during an event and capture outsiders as if they had witnessed it live.
I presented over 70 works in the exhibition, including portraits of Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper and many others.
Birds live on every continent. They are elusive, shy animals. In my photographs, however, they allow an improbable closeness. I have captured what is actually alien and invisible in nature in my bird portraits.
My motto: "Authenticity is the keyword that lies behind my photography. I prefer to show more the human touch and less the retouch."
Most of the exhibits were created in the queer community.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
AUTHENTICITY DINING TABLE T
オーセンティシティ ダイニングテーブル T
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
Apple 3G iPhones, Proof of Authenticity Wholesale, Discount, Cheap iPhone 3G Supplier, Apple iPhone Supplier
Kent & Kent Antiques Wall Mural of Hobart, Morrison Street, Hobart.
Specialising in offering you the very best of 18th and 19th Century furniture chosen for its authenticity, colour and condition: English oak, mahogany and pine; Tasmanian colonial cedar and Huon pine, longcase, wall and mantel clocks, all guaranteed; estate jewellery; silver, glass and ceramics; Convict era curious and relics; Marine antiques and instruments.
Kent & Kent Antiques Wall Mural of Hobart, Morrison Street, Hobart
Dr. Martens 1460 Originals Union Jack, Men’s Size 14, Black Leather, UPC: 645435563449, EAN: 0645435563449 iconic Union Jack, Synthetic sole, Leather upper, PVC outsole, 8 Eye Lace Up Boot, AirWair™ air-cushioned bouncing insole for cushioned comfort, Classic Doc's DNA, including grooved edges and yellow stitching, Oil and fat-resistant air-cushioned sole, with optimum abrasion and slip resistance, Branded heel pull loop for easy on and off, reddealsonline, redd3413, Authenticity Guarantee, Red Deals Online
AUTHENTICITY TV BOARD CⅡ
オーセンティシティ テレビボード CⅡ
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
AUTHENTICITY DINING TABLE T
オーセンティシティ ダイニングテーブル T
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
Dr. Martens 1460 Originals Union Jack, Men’s Size 14, Black Leather, UPC: 645435563449, EAN: 0645435563449 iconic Union Jack, Synthetic sole, Leather upper, PVC outsole, 8 Eye Lace Up Boot, AirWair™ air-cushioned bouncing insole for cushioned comfort, Classic Doc's DNA, including grooved edges and yellow stitching, Oil and fat-resistant air-cushioned sole, with optimum abrasion and slip resistance, Branded heel pull loop for easy on and off, reddealsonline, redd3413, Authenticity Guarantee, Red Deals Online
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
More info about illy issimo and the AuthentiCity project @:
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
4291. For reasons of historical interest and authenticity, we begin a series of photos from the albums of the late Frank Derek Simon [June 4, 1919 - Oct. 6, 2004].
At the outbreak of WWII, Derek Simon, as he was known, was a young Bridlington, Yorkshire-born merchant marine officer whose family had settled in New Zealand.
Mr Simon was to serve with the RAN during WWII, and while some details are now not completely clear he was rated an RAN Lieutenant in July 1942, and a Lieutenant Commander in July 1950, although by then he had resumed his merchant marine career, and at some point in the postwar period became a Great Barrier Reef pilot.
Among the ships he served on during WWII were the Australian-manned armed merchant cruiser HMS KANIMBLA, the minelayer HMAS BUNGAREE, and corvette HMAS KAPUNDA.
These photos comes to us courtesy of Graeme Andrews, who came to know Mr Simon late in his life when he was an important member of the the Sydney Heritage Fleet preservation organisation's research and library group. Graeme interviewed Mr Simon for an article on his Barrier reef pilot years published in the SHF's journal 'Australian Sea Heritage' in issue 53, Summer 1998, and was given access to his photo albums and [forbidden] wartime diaries.
What follows are some rare glimpses from the sea lanes of WWII, with many ships and incidents, seen mainly from the decks of HMS/HMAS KANIMBLA, above, anchored at Finschafen, New Guinea, in early 1940.
We'll see the capture of a Soviet blockade runner off Japan in the period of the notorious Hitler-Stalin Non-Aggression Pact [also called the Molotov-Ribbentropp Pact] signed on August 23, 1939 - a temporary treaty of convenience that allowed the Soviets to grab a slice of Poland, and which also resulted in Soviet invasion of Finland.
We'll also see rare images of the raid on German shipping at the Iranian port of Bandar Sharpur on August 24, 1941 - a truly dramatic sideshow of the war, when KANIMBLA led a polyglot little fleet of ships, including a tugboat and a dhow, into the hostile port and created utter havoc.
These things will unfold, perhaps a little slowly, as we sort the many images before us out.
Photo: Derek Simon [1919-2004], courtesy of Graeme Keith Andrews [RAN 1955-1968, RANR 1980].
mr Simon was to serve of the Armed merchant Cr .
Transferring to naval service, he was to hold ranks from midshipman to Lieutenant in the RAN up to Lieutenant Commander ro As a consequence,
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
AUTHENTICITY SOFA C
オーセンティシティ ソファ C
AUTHENTICITY LIVING TABLE C
オーセンティシティ リビングテーブル C
AUTHENTICITY LIVING BOARD T
オーセンティシティ リビングボード T
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
偽日記,活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期:2015/03/3 - 2015/03/28
開幕酒會:2015/03/7 (六) 19:00
展覽地點:VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址:http://www.vtartsalon.com/
聯絡電話:02-2597-2525
EMAIL:info@vtartsalon.com
「若時間是這一片海,我們在記憶中推引與淹沒。」
陳文祺,現任實踐大學媒體傳達設計學系(所)主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置,作品懸空浮出牆面,以標本盒凝結影像與文字的圖文日誌,呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡,討論時空與人的存在關係,回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中,藝術家將活版鉛字結合黑白影像,將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式;在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶, 作品體現後設認知(metacognition)如何成形為人為的偽造,影像的作舊感混淆並打破時間感,它從未橫跨過去與未來的視野,也不存在於現在。活版鉛字復刻出墨味與字模,一字一魂的敲打墨印於無酸厚紙,凹陷的墨字詩句是活字的殘留物,文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也,若以人為中心,人為的一切無一真實;過去曾是真理的今天可能成了謬誤,而今天是為謬誤的在明日可能是真理。對於真實,人們早已似回應納西瑟斯(Narcissus)的回聲(echo)中迴響空谷;「偽日記」中對於影像的真實如同記憶的可信度,看似完整與客觀的拍攝,經由書寫,讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡,100見裝置懸浮於半空,適切地貼近觀看與閱讀,於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中,最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片,在今日數位化的介面,古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作,將內心感受與對物、我的關注與歷程,皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊;每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制,閱讀每一篇日記裡的視點與時空概念,圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受,萬物與時間是凝結的,弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像,當感知能夠製造與複製,攝影恰是複製時空的影像片段,文字勾畫已過去的感受,而鉛字本為大量複製的特質,在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是,即使我們認為這一切的凝結,時間也重來沒有停滯過,一切記錄都是真實無關,只是製造著真實的過去。藝術家反覆辯證著影像和時空關係,將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition:2015/03/3 - 2015/03/28
Opening:2015/03/7 (Sat) 19:00
Location:VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website:http://www.vtartsalon.com
Tel:02-2597-2525
EMAIL:info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
More info about illy issimo and the AuthentiCity project @:
偽日記,活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期:2015/03/3 - 2015/03/28
開幕酒會:2015/03/7 (六) 19:00
展覽地點:VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址:http://www.vtartsalon.com/
聯絡電話:02-2597-2525
EMAIL:info@vtartsalon.com
「若時間是這一片海,我們在記憶中推引與淹沒。」
陳文祺,現任實踐大學媒體傳達設計學系(所)主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置,作品懸空浮出牆面,以標本盒凝結影像與文字的圖文日誌,呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡,討論時空與人的存在關係,回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中,藝術家將活版鉛字結合黑白影像,將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式;在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶, 作品體現後設認知(metacognition)如何成形為人為的偽造,影像的作舊感混淆並打破時間感,它從未橫跨過去與未來的視野,也不存在於現在。活版鉛字復刻出墨味與字模,一字一魂的敲打墨印於無酸厚紙,凹陷的墨字詩句是活字的殘留物,文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也,若以人為中心,人為的一切無一真實;過去曾是真理的今天可能成了謬誤,而今天是為謬誤的在明日可能是真理。對於真實,人們早已似回應納西瑟斯(Narcissus)的回聲(echo)中迴響空谷;「偽日記」中對於影像的真實如同記憶的可信度,看似完整與客觀的拍攝,經由書寫,讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡,100見裝置懸浮於半空,適切地貼近觀看與閱讀,於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中,最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片,在今日數位化的介面,古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作,將內心感受與對物、我的關注與歷程,皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊;每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制,閱讀每一篇日記裡的視點與時空概念,圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受,萬物與時間是凝結的,弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像,當感知能夠製造與複製,攝影恰是複製時空的影像片段,文字勾畫已過去的感受,而鉛字本為大量複製的特質,在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是,即使我們認為這一切的凝結,時間也重來沒有停滯過,一切記錄都是真實無關,只是製造著真實的過去。藝術家反覆辯證著影像和時空關係,將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition:2015/03/3 - 2015/03/28
Opening:2015/03/7 (Sat) 19:00
Location:VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website:http://www.vtartsalon.com
Tel:02-2597-2525
EMAIL:info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
偽日記,活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期:2015/03/3 - 2015/03/28
開幕酒會:2015/03/7 (六) 19:00
展覽地點:VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址:http://www.vtartsalon.com/
聯絡電話:02-2597-2525
EMAIL:info@vtartsalon.com
「若時間是這一片海,我們在記憶中推引與淹沒。」
陳文祺,現任實踐大學媒體傳達設計學系(所)主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置,作品懸空浮出牆面,以標本盒凝結影像與文字的圖文日誌,呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡,討論時空與人的存在關係,回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中,藝術家將活版鉛字結合黑白影像,將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式;在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶, 作品體現後設認知(metacognition)如何成形為人為的偽造,影像的作舊感混淆並打破時間感,它從未橫跨過去與未來的視野,也不存在於現在。活版鉛字復刻出墨味與字模,一字一魂的敲打墨印於無酸厚紙,凹陷的墨字詩句是活字的殘留物,文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也,若以人為中心,人為的一切無一真實;過去曾是真理的今天可能成了謬誤,而今天是為謬誤的在明日可能是真理。對於真實,人們早已似回應納西瑟斯(Narcissus)的回聲(echo)中迴響空谷;「偽日記」中對於影像的真實如同記憶的可信度,看似完整與客觀的拍攝,經由書寫,讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡,100見裝置懸浮於半空,適切地貼近觀看與閱讀,於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中,最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片,在今日數位化的介面,古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作,將內心感受與對物、我的關注與歷程,皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊;每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制,閱讀每一篇日記裡的視點與時空概念,圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受,萬物與時間是凝結的,弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像,當感知能夠製造與複製,攝影恰是複製時空的影像片段,文字勾畫已過去的感受,而鉛字本為大量複製的特質,在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是,即使我們認為這一切的凝結,時間也重來沒有停滯過,一切記錄都是真實無關,只是製造著真實的過去。藝術家反覆辯證著影像和時空關係,將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition:2015/03/3 - 2015/03/28
Opening:2015/03/7 (Sat) 19:00
Location:VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website:http://www.vtartsalon.com
Tel:02-2597-2525
EMAIL:info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
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eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
AUTHENTICITY FINE DINING TABLE RF
オーセンティシティ ファイン ダイニングテーブル RF
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
The figure is taking stealthy steps, looking back to examine the scene he is leaving. Apparently he is doing something he knows he should not be doing, and is attempting to get away with it anyway.Traditionally, the Seven of Swords indicates theft, betrayal, deception and trickery. You may be trying to get away with something and are sneaking around behind other people’s backs, hoping to go undetected. If you are lucky, you might get away with your secret intact. But if you are unlucky, others will soon find out what you have done, causing you shame and embarrassment. Be aware that any time you use cunning or deception to gain an advantage over someone or something else, you are at risk of being found out. And even if you are not, the cover-up will require a tremendous amount of effort, and it may not be worth it. Alternatively, you may be the victim of someone else’s betrayal. Others are not being candid with you, and you may be unaware of their lies and deception. You may trust someone who then turns out to be running their own agenda, leaving you high and dry. Look out for any sneaky behaviour and listen to your intuition when something does not feel right or seems too good to be true. On a more positive note, the Seven of Swords points out that you need to be strategic in what you do. You know you cannot do everything at once – nor should you. Instead, you must prioritise what’s important to you and direct your focus and attention on the few tasks that will move you closer to your goals. It’s the 80-20 rule: 20% of your work will account for 80% of your results, so focus on the 20%. You may be able to accept some responsibilities or duties, but not all of them. Or you may say ‘yes’ to some projects at the expense of others. The Seven of Swords also suggests that you may need to use shortcuts or the ‘backdoor’ to get what you want. Rather than dutifully following the process, you may need to find ways to resolve your problem quickly so you can move towards your goals. For example, if you missed out getting into your preferred course, you might write a letter to the Dean or draw on your networks to get a mid-year entry. You may need to think on your feet and act in a way that isn’t exactly all ‘above board.’ At times the Seven of Swords suggests that you may need to put yourself first to get what you want, even if it means letting others down or putting others off-side. For example, you may be asked to travel for work to attend a high-profile event, but it would mean missing your child’s birthday, so you decline the travel opportunity, even though you know it will upset your boss. Here’s the thing: you can’t be everything to everyone, and sometimes you need to put your own needs and priorities first, even if others may not agree with you or understand where you are coming from. The Seven of Swords could also imply that you are trying to escape from a situation that is not working for you anymore rather than dealing with it head-on. You may attempt to run away from commitment, responsibility, hard work or love. You may procrastinate, letting problems slip and become worse because you do not want to deal with them. Sometimes you just have to face what has to be faced.Seven Of Swords Reversed
The Seven of Swords often appears reversed when you feel like a fraud and are suffering from ‘imposter syndrome’. You may doubt yourself and your abilities. For example, if you have started a new business, you may ask yourself, 'Who am I to be doing this?' Know that this is fear talking. Get out of your head and trust that you have everything you need to make your new venture a success. Similarly, the Seven of Swords reversed can suggest that you are deceiving yourself, trying to trick yourself into believing something even though it is out of integrity with your true self. You may attempt to fool yourself that everything is okay when it is not. Now is the time to get real with where you are and confront your situation head-on. As a card of inner deceit, the reversed Seven of Swords represents keeping secrets hidden from others. You may be harbouring a dark secret that you hope will never be revealed. Keeping this secret may bring you stress and tension, along with deeper feelings of guilt and shame. While the thought of confessing may be horrifying, it will free you from the negative emotions you are experiencing. First forgive yourself, then confide in someone you trust. You will no doubt feel much lighter as a result. If you are involved in an affair or extra-marital relationship, the reversed Seven of Swords shows a growing reluctance to keep up the charade. You or your partner may feel increasingly uncomfortable with this relationship and would much rather come out in the open.
www.biddytarot.com/tarot-card-meanings/minor-arcana/suit-...
Seven of Swords Tarot Card Description
In the Seven of Swords card, there is a man that is seen running away sneakily from a camp of some sort, while carrying five swords in his hands. Behind him, two other swords are on standing on the ground. From this image, we can deduce that the Seven of Swords is about stealth, getting away with something, deception or betrayal. The expression on the man’s face shows quite a bit of confidence, and he seems to be sure of his success on this mission of stealing the swords. Unfortunately for him though, on the left there seems to be a group of soldiers who have discovered the theft and one soldier is actually raising a flag or a weapon as if to signal his pursuit. Upright Seven of Swords Meaning: The Seven of Swords in general, is said to be about betrayal and deception. When you get this card, it may imply that you or someone else in your life is having difficulty getting away with something. There are instances when we are forced to be sneaky, hoping that we will not be discovered. When we are found out, we have to face the consequences - whether it's embarrassment, punishment, or worse. Sometimes this happens when there are instances when you had to think on your feet, and did something that was somewhat shrewd and out of character. Now there is a danger of the secret coming out.
There are instances when we are forced to be sneaky, hoping that we will not be discovered. When we are found out, we have to face the consequences. You may be tempted to sneak away from somewhere, indicating a situation that is no longer working as expected. Instead of dealing with it, you choose to sneak away and hope that you will go unnoticed. Perhaps you were hoping that this issue would just resolve itself over time, and you've neglected it - leaving it to only grow and get worse.
The big question, when looking at the Seven of Swords, is whether escaping will solve this problem that you are facing. While you might be thinking that you have gotten away, you discover that the situation has cornered you and you are found out as you are trying to escape. There are instances when the Seven of Swords may indicate the willingness to go solo. You may have the urge to explore and discover some things on your own. This can be an effective approach if you want to assert your independence and bypass group agreement. The Seven of Swords symbolism may be encouraging you to go on this path; sometimes innovation comes from a rogue genius. Tarot Love Meaning - Upright 7 of Swords : Lies and tricks may be abound with the 7 of Swords tarot love meaning. It may be important for you right now to remain cautious, especially if you’ve met someone new. You or someone in your romantic life can be dishonest right now, and in the worst possible cases, even unfaithful. If your instincts have been telling you that you are being lied to, you may need to confront this and have an honest discussion. If this has been you, consider the long term consequences of your actions. Even the kindest lie to spare feelings can grow into big problems should the root cause not be addressed. If you’re single, you may need to evaluate whether you’ve been too suspicious or untrusting of potential lovers, or on the other hand, been leading them on, or exaggerating who you are. Career Meaning - Upright 7 of Swords: There may be some shady characters in your workplace. Lies and deceit can take you by surprise. You may be dealing with colleagues attempting to sabotage you with gossip, badmouthing you to bosses, or attempting to take credit for your work. Be cautious about who you trust in this situation; it may come from where you least expect it. Sometimes, this card can also suggest you will need a certain degree of strategy to accomplish your projects. You may be the underdog here, and others may have more resources or established positions. A certain degree of working tactically can be an advantage for you now. Finances Meaning - Upright 7 of Swords: Be careful regarding your finances right now, as there may be some sort of trickery, scam or stealing of your resources. This can come outside of you, but you may also be inviting these situations if you are trying any get rich quick schemes, or gambling away your money on other shady deals. Stay away from things that feel suspicious or too good to be true.
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Upright Meaning Guide
Seven of Swords Upright Tarot Card Key Meanings:
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Deceit, lies, trickery, cheating, theft, underhanded, scheming, dangerous/risky behaviour, enemy masquerading as friend, spying, lack of conscience, strategy, resourceful, flexible, escaping detection, getting away with it, adaptable, courage, daring, sharp wit, mental manipulation, cunning, overly rational
General Meaning and Interpretation (Upright) In a general context, the Seven of Swords represents deception, lies, trickery, cheating and lack of conscience. This card also signifies mental manipulation, tactics, scheming, cunning, enemies who masquerade as friends and spies in your camp. It is a Minor Arcana card of dangerous or risky behaviour, daring, courage and staying ahead of the game. The Seven of Swords can also represent flexibility, adaptability, sharp wit, resourcefulness, being strategic or being overly rational. This Tarot card can also signify underhanded behaviour, theft, burglary, fraud, dodgy deals and a general lack of conscience. It represents escaping detection and getting away with something. Upright Meaning Guide Seven of Swords Upright Tarot Card Key Meanings:
Get a Tarot Reading Deceit, lies, trickery, cheating, theft, underhanded, scheming, dangerous/risky behaviour, enemy masquerading as friend, spying, lack of conscience, strategy, resourceful, flexible, escaping detection, getting away with it, adaptable, courage, daring, sharp wit, mental manipulation, cunning, overly rational General Meaning and Interpretation (Upright) In a general context, the Seven of Swords represents deception, lies, trickery, cheating and lack of conscience. This card also signifies mental manipulation, tactics, scheming, cunning, enemies who masquerade as friends and spies in your camp. It is a Minor Arcana card of dangerous or risky behaviour, daring, courage and staying ahead of the game. The Seven of Swords can also represent flexibility, adaptability, sharp wit, resourcefulness, being strategic or being overly rational. This Tarot card can also signify underhanded behaviour, theft, burglary, fraud, dodgy deals and a general lack of conscience. It represents escaping detection and getting away with something.Spirituality (Upright) In a spiritual context, the Seven of Swords warns you of deception. This deception may appear in the form of associates, teachers or religious leaders who may be underhanded or deceitful in their dealings with you, do not allow yourself to be manipulated. You have intuition and a conscience for a reason! Follow them over any outside influences. Reversed Meaning Guide Seven of Swords Reversed Tarot Card Key Meanings: Confessing, coming clean, turning over new leaf, conscience kicking in, ignoring warnings, pathological liar, serial cheat, slander, dangerously two-faced, malicious, con artist, blackmail, unworkable strategy, being outsmarted, getting caught, running away from consequences, coward, no backbone, stealing credit, military, General meaning and interpretation (Reversed) In a general context, the Seven of Swords reversed signifies coming clean and one’s conscience kicking in so if you have done something you are not proud of you may find yourself confessing and turning over a new leaf. It can represent careers in the military or security. Alternatively, this Minor Arcana card reversed represents pathological liars, serial cheaters, people who are malicious or so two faced they are toxic or dangerous to be around. It also represents slander, blackmail and con artists. The Seven of Swords reversed can also signify ignoring warning signs, being outsmarted or finding that your strategies or plans are unworkable. This Tarot card can also be an indicator that you are lacking a backbone, behaving in cowardly manner, stealing credit for other people’s achievements or running away from consequences. It may also represent ignoring warning signs or getting caught. Love & Relationships (Reversed) In a love Tarot spread, if you are in a relationship the Seven of Swords reversed is not a great omen as although the card has reversed it usually still indicates that there has been deception or cheating in the relationship. This deception will be exposed and truth will come out but this card can indicate a number of scenarios in the circumstances that bring this about. The cheater or deceiver may trip themselves up or accidentally expose their lies but their partner may ignore the warning signs or choose to turn a blind eye to their behaviour. The cheater/deceiver may discover their conscience, come clean, confess and turn over a new leaf and their partner may choose to forgive them and move on. The cheater may be get caught out and run away with the person they have been cheating with. However, again, you must not jump to conclusions when this Minor Arcana card appears reversed as it can also be an indication that a third party who has been spreading lies or stirring trouble in your relationship will be exposed for the liar they are. If you are single, the Seven of Swords reversed indicates that you may meet someone who is a pathological liar or a serial cheater so beware! It can also be an indication that you are ready to give up the game playing of your previous relationship and are ready to turn over a new leaf and be more genuine with potential partners. Ezoicreport this ad
Money & Career (Reversed) In a career Tarot reading, the Seven of Swords reversed indicates that if you have been deceitful or underhanded in your work your conscience may kick in and you may decide to confess or you may be exposed. This Minor Arcana card reversed may be indication of others in your work environment being extremely two faced or deceitful and being exposed as such. The culprits may also try to run away from the consequences of their actions. This card may also be telling you that your current plans and strategies are unworkable so you might need to go back to the drawing board and be a bit more creative. In a financial Tarot spread, the Seven of Swords reversed still carries a warning of deception around your finances and it can be a stronger indicator that you may become the victim theft, burglary or fraud. However, it may also be telling you to that if you have been deceptive or fraudulent in your financial dealing you will be exposed or you may decide to come clean. Health (Reversed) In a health context, the Seven of Swords reversed indicates that you may be ignoring warning signs in relation to your health. This self-deception will not do you any favours and could make an illness worse so be mindful of the messages your body is giving you and take appropriate action. Spiritualy reversed: In a spiritual context, the Seven of Swords reversed tells you that someone may be trying to offer you spiritual guidance at this time but just be sure you only take what works for you and throw the rest away. While the wisdom they depart may be useful to you, there may still be an ulterior motive in play that you are unaware of. It can also be an indication that your conscience is coming to the fore again where you may have previously ignored it. This is a welcome development, keep it up!
www.thetarotguide.com/seven-of-swords
Seven of Swords Tarot: Love, Health, Money & More
By Wille. The Seven of Swords tarot card stands for trickery, theft, and dishonesty. You or someone around you might be using deceitful tactics to achieve a goal.The intention of these actions is deliberate and they are done without thought of how it will affect other people. If you are the person that needs to make a change, the first step is recognizing that you are headed down the wrong path. Then, you can create a master plan to change those behaviors. If it is someone else, you won’t be able to force their hand. But what you can do is to be on the alert, as someone is trying to pull the wool over your eyes. SEVEN OF SWORDS TAROT CARD: KEY TERMS Before diving deeper into the upright- and reversed Seven of Swords tarot card meanings, and its connection to relationships, career, and health, let’s discuss the most important key terms connected to this Minor Arcana Ace card. The Seven of Swords Tarot card depicts a man hauling off five swords in his hands, looking behind him to check for any witnesses. In the background, two upright swords stand, indicating that this man has stolen the weapons that he possesses. The expression on his face is confident, knowing that he will not be caught. The yellow background of the card symbolizes consciousness, confirming that the man is fully conscious that he is committing a robbery in broad daylight.
The red color of his boots and head tells us that this is a man with a big ego and energy and that he is willing to act on his ego to get what he wants. His smugness shows that he is not ashamed of what he is doing and that he is sure he will get away with it. Further in the background, though, we see a flag being raised to alert the camp of his actions. He will soon be found out.
SEVEN OF SWORDS UPRIGHT MEANING The Seven of Swords in the upright position represents lies, scheming behavior, and a lack of conscience. If you pull this card in a reading, you might be using less scrupulous ways to get what you want. Are you using manipulative behaviors to get the upper hand in a close relationship? This card reminds you that there are other ways of accomplishing what you need. When the Seven of Swords represents someone else in a reading, it serves as a warning to keep an eye out for someone that might be taking advantage of you. Look closely at the people that you surround yourself with and determine whether this applies to your situation. Are you naive to their true intentions? Hidden motives will soon be revealed if you use your instincts and wits. MONEY AND CAREER MEANING When the Seven of Swords appears in a career reading, this could be an indication that there are some improvements you can make with how you handle professional matters. For example, if you are in a sales position, you might inflate the description of a product to make a sale or make promises that you can’t keep in favor of earning your commission.The same goes for other business deals and investments. Although ‘get-rich-quick schemes’ might be tempting, they usually end in more loss than gain. Honesty and transparency will often get you much further with customers and coworkers. The Seven of Swords doesn’t tell us that you are bound to act one way forever. It simply calls attention to your actions and urges you to make necessary changes to fulfill a happier future. LOVE AND RELATIONSHIPS MEANING
If the Seven of Swords in a love reading is drawn to represent you, it could denote that you are having thoughts of being unfaithful or deceitful to your partner. Whether or not you act on these thoughts is up to you. There is no need to cause pain to other people based on your urges. Think of your partner before you make any rash decisions. If you are already having an affair or hiding things from your partner, you might consider coming clean. If the Seven of Swords is pulled for another person in a love context, it could be foretelling less than an honest partner. The relationship that you are in now is not all that it seems and you will need to dig deeper under the surface to get the answers that you seek. This doesn’t always mean that your partner is bound to cheat on you, but they may be being dishonest in other areas such as how they are feeling. The best way to resolve this is to talk to your partner; make an effort to get everything out in the open so that you can deal with the issue together. If you are single, this card predicts a deceitful new suitor. You will need to be careful in entertaining this new relationship because this person could be hiding something from you. It could be as simple as this person not wanting to share the intimate details of their life right away, or it could be something more serious such as a history of abuse. It is up to you to protect yourself and spend plenty of time getting to know this person before you commit to a long-term relationship. HEALTH AND SPIRITUALITY MEANING In a health spread, the Seven of Swords says you may need to do more testing to find out what the status of your health is. Perhaps a doctor has waved you off, but the problem is persisting. This reading indicates that you would do well in getting a second opinion on the matter. When it comes to spirituality, these swords suggest that you are not being true to yourself. Your Higher Self knows what is best for you, but you continue down the wrong path. It’s time to make a U-turn and head in the right direction. SEVEN OF SWORDS REVERSED MEANING In this paragraph, we will talk a bit more about what it means if you’ve pulled the Seven of Swords tarot card in the reversed position (upside down). The Seven of Swords in the reversed position stands for turning over a new leaf. Perhaps you have recognized the negative behaviors that you have been displaying, and you want to change. The Seven of Swords suggests you have all the power. If old habits aren’t serving you, look for ways to build new ones. On the other hand, someone in your life may come face-to-face with their actions and be ready to start over and change their ways. Either way, this reversal is a positive one. You are on the right track to the person you are meant to be – keep pushing forward. MONEY AND CAREER MEANING In a career Tarot reading, the reversed Seven of Swords suggests that if you have engaged in deceitful actions at work, your conscience may push you to confess or face exposure. This Minor Arcana card also indicates the potential for others in your workplace to be deceitful and face the consequences of their actions. It advises reevaluating your current plans and strategies, as they may be unworkable, requiring a more creative approach. In the financial Tarot spread, the reversed Seven of Swords continues to caution against deception and warns of potential theft, burglary, or fraud. It serves as a stronger indicator that you could become a victim of such actions. Alternatively, this card urges you to be honest and transparent in your financial dealings to avoid exposure or to make the decision to come clean if you have been involved in deceitful practices. LOVE AND RELATIONSHIPS MEANING
In a love Tarot reading, the reversed Seven of Swords is not a favorable sign, as it often suggests deception or infidelity within the relationship. However, its reversal indicates that the truth will eventually be revealed. The circumstances surrounding the exposure of deception may vary. The deceiver may unintentionally expose their lies, but their partner may choose to ignore the warning signs or turn a blind eye. Alternatively, the deceiver may experience a change of heart, confess, and seek forgiveness, leading to a fresh start. In some cases, the cheater may be caught and choose to run away with their illicit partner.
It’s important not to jump to conclusions when this card appears reversed, as it can also signify the exposure of a third party who has been spreading lies or causing trouble in the relationship. For those who are single, the reversed Seven of Swords serves as a warning to be cautious. It suggests the possibility of encountering someone who is dishonest or a habitual cheater.
Additionally, it can signify a personal readiness to stop playing games of your past relationships and embrace authenticity when connecting with potential partners. HEALTH AND SPIRITUALITY MEANING In terms of health, the reversed Seven of Swords warns against ignoring warning signs and messages from your body. Disregarding these signals can have negative consequences and potentially worsen any existing illness. It’s important to be attentive to your body’s needs and take appropriate action to maintain your well-being. In a spiritual context, the reversed Seven of Swords advises caution when receiving spiritual guidance. While someone may offer wisdom that resonates with you, it’s essential to discern what truly works for you and discard anything that doesn’t align with your beliefs or values. Be aware that there may be hidden motives behind the guidance you receive. Additionally, this card signifies the emergence of your conscience, which indicates a positive development. Embrace this shift and continue to listen to your inner voice. SEVEN OF SWORDS: YES OR NO The Seven of Swords represents negativity, also in a yes or no reading. It calls attention to lying, taking advantage of others, and being deceitful. For these reasons, the answer to your question is no or not until some surrounding issues are exposed and cleared SEVEN OF SWORDS AND ASTROLOGY The Seven of Swords is connected to the zodiac sign Aquarius. Aquarius, ruled by Uranus, is the power of independence and freedom— the ultimate catalyst for breakthroughs and wiping the slate clean.
On the negative side, however, this zodiac sign can lack the inability to empathize with others’ emotions. Aquarians can be cruel but expressed in a socially accepted (yet arguably evil) way.IMPORTANT CARD COMBINATIONS Dishonesty, trickery, and cheating are also the main themes of the Seven of Swords when combined with other tarot cards. Below we wrote down the most important combinations of this Swords card. SEVEN OF SWORDS AND THE HIGH PRIESTESS This card combination with the High Priestess tarot card indicates that someone in your life may be keeping secrets from you. This doesn’t always mean that they are deceptive; they may be doing so to protect your feelings. Unfortunately, concealing the truth often doesn’t do much to protect another person. Encourage those around you to be honest and open with you regardless of the circumstances. The best way to get to the bottom of this is to communicate. SEVEN OF SWORDS AND THE HIEROPHANT When the Seven of Swords and the Hierophant Tarot card appear in reading together, it means someone is breaking the rules. If this person is you, look closely at your actions and decide if the risk is worth the reward. Good things rarely come from disobeying the law. To protect your future, you would do well to abide by the rules every once in a while. SEVEN OF SWORDS AND FIVE OF WANDS The duo of the Seven of Swords and the Five of Wands tarot card denotes a lack of teamwork. Are you having trouble getting along with your co-workers? When this reading appears, it serves as a reminder that you can gain peace in your career if you are willing to bend a little to accommodate others. Sometimes, the end of conflict starts with you. Spark up a conversation about your concerns at work and see what can be done to resolve them. SEVEN OF SWORDS AND TEN OF WANDS If the Seven of Swords and Ten of Wands appear in a spread, you are experiencing troubles rooted in a lack of communication. In a relationship or friendship, the best way to handle this is to find the root cause of the issue. What is it that is making it so difficult to talk to one another? If you can figure that out, the rest will be a breeze. No matter how difficult it might be, talk to your partner. You will need to work through this together. SEVEN OF SWORDS TAROT CARDS There are a lot of depictions of the card of dishonesty and manipulation. Below you can find a small selection of my favorite Seven of Swords tarot cards. Is your favorite Seven of Swords not included? Feel free to drop a comment below and I will have a look at it!
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Meine erste Foto-Einzelausstellung präsentiert im Café Berio, Berlin
Vernissage 31. Juli 2018 | Finissage 22. September 2018
In meiner ersten Foto-Einzelausstellung zeigte ich meine Berliner Portraits und einige meiner Vogel-Fotografien; daher der Titel der Ausstellung. In meinem Fotoprojekt wollte ich einmal weg von den sonst bewusst gewählten Orten, an denen man ein Fotoshooting durchführt. Ein Studio oder eine ausgewählte Location haben für die Menschen meist etwas sehr Unpersönliches. Ich wollte dorthin, wo es am authentischsten ist; an die Orte, an denen die Protagonisten (überwiegend Künstler) zu Hause und in ihrem Element sind: auf der Bühne, hinter der Bühne und vor, während und nach einem Auftritt bzw. Event. Ich möchte dem Betrachter Bilder zeigen, die er nicht unbedingt während einer Veranstaltung wahrnimmt und Außenstehende gefangen nehmen, als hätten sie es live miterlebt.
Über 70 Arbeiten präsentierte ich in der Ausstellung; darunter Portraits von Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper und vielen anderen.
Vögel leben auf allen Kontinenten. Sie sind flüchtige, scheue Tiere. Auf meinen Fotografien lassen sie aber eine unwahrscheinliche Nähe zu. Das eigentlich Fremde und in der Natur nicht Sichtbare habe ich in meinen Vogel-Portraits festgehalten.
Mein Motto: "Authentizität ist das Schlüsselwort, das hinter meiner Fotografie steht. Ich ziehe es vor, mehr die menschliche Note zu zeigen und weniger die Retusche."
Die meisten der Exponate sind in der queeren Community entstanden.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
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My first solo photo exhibition presented at Café Berio, Berlin
Opening July 31, 2018 | Closing September 22, 2018
In my first solo photo exhibition, I showed my Berlin portraits and some of my bird photographs; hence the title of the exhibition. In my photo project, I wanted to get away from the usual deliberately chosen locations for a photo shoot. There is usually something very impersonal about a studio or a selected location for people. I wanted to go where it is most authentic; to the places where the protagonists (mostly artists) are at home and in their element: on stage, backstage and before, during and after a performance or event. I want to show the viewer images that they don't necessarily see during an event and capture outsiders as if they had witnessed it live.
I presented over 70 works in the exhibition, including portraits of Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper and many others.
Birds live on every continent. They are elusive, shy animals. In my photographs, however, they allow an improbable closeness. I have captured what is actually alien and invisible in nature in my bird portraits.
My motto: "Authenticity is the keyword that lies behind my photography. I prefer to show more the human touch and less the retouch."
Most of the exhibits were created in the queer community.
berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...
偽日記,活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期:2015/03/3 - 2015/03/28
開幕酒會:2015/03/7 (六) 19:00
展覽地點:VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址:http://www.vtartsalon.com/
聯絡電話:02-2597-2525
EMAIL:info@vtartsalon.com
「若時間是這一片海,我們在記憶中推引與淹沒。」
陳文祺,現任實踐大學媒體傳達設計學系(所)主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置,作品懸空浮出牆面,以標本盒凝結影像與文字的圖文日誌,呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡,討論時空與人的存在關係,回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中,藝術家將活版鉛字結合黑白影像,將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式;在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶, 作品體現後設認知(metacognition)如何成形為人為的偽造,影像的作舊感混淆並打破時間感,它從未橫跨過去與未來的視野,也不存在於現在。活版鉛字復刻出墨味與字模,一字一魂的敲打墨印於無酸厚紙,凹陷的墨字詩句是活字的殘留物,文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也,若以人為中心,人為的一切無一真實;過去曾是真理的今天可能成了謬誤,而今天是為謬誤的在明日可能是真理。對於真實,人們早已似回應納西瑟斯(Narcissus)的回聲(echo)中迴響空谷;「偽日記」中對於影像的真實如同記憶的可信度,看似完整與客觀的拍攝,經由書寫,讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡,100見裝置懸浮於半空,適切地貼近觀看與閱讀,於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中,最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片,在今日數位化的介面,古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作,將內心感受與對物、我的關注與歷程,皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊;每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制,閱讀每一篇日記裡的視點與時空概念,圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受,萬物與時間是凝結的,弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像,當感知能夠製造與複製,攝影恰是複製時空的影像片段,文字勾畫已過去的感受,而鉛字本為大量複製的特質,在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是,即使我們認為這一切的凝結,時間也重來沒有停滯過,一切記錄都是真實無關,只是製造著真實的過去。藝術家反覆辯證著影像和時空關係,將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition:2015/03/3 - 2015/03/28
Opening:2015/03/7 (Sat) 19:00
Location:VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website:http://www.vtartsalon.com
Tel:02-2597-2525
EMAIL:info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
eco designer Alessandro Acerra Acerra
www.hinu.it info@hibu.it
Eco moda d’autore Alessandro Acerra
Alessandro Acerra, dà il via a un collezionismo della moda, sotto il segno del riciclaggio & dell’autenticità. Cura dei dettagli, design ricercato e pregio dei materiali riciclati sono gli elementi distintivi della linea di moda. Le magliette sono fatte a mano una per una con massima cura e rifinitura finale ad ago, ogni esemplare è disegnato, ritagliato e cucito assemblando tessuti differenti. Alessandro elabora i soggetti, sceglie le stoffe, le ritaglia e imbastisce per poi cucirle. Sono “ eco ” perché le stoffe provengono da scarti sartoriali o da rimanenze di produttori famosi, tessuti che nascono per capi di lusso destinati alle passerelle modaiole milanesi vengono recuperate, mescolate per poi rivivere in nuova forma con un sano messaggio sociale. Progettati come quadri da indossare sono espressione di prezioso lusso, sono vere e proprie opere d’arte e allo stesso tempo oggetto di consumo: le si può indossare, sporcare, lavare oppure appendere al muro come quadri come consiglia lo stesso eco designer. Ogni t-shirt è diversa dall’altra e ha con sé un certificato di autenticità che ne garantisce l’unicità (una targhetta e la firma interna al capo e il numero di serie personale esprimono il pregio e il lusso di ogni capo, per soddisfare i collezionisti più esigenti).
Capi unici che cercano di combattere l’omologazione di massa portata dalla globalizzazione che valorizzano ogni singolo individuo. Ogni dettaglio, dalla creazione del prodotto alla spedizione, viene curato personalmente da Alessandro Acerra che non ama lasciare nulla al caso, come ogni artista che si rispetti. Anche il packaging estroso è frutto di un riuso, infatti vengono confezionate nei contenitori della pizza da asporto. Una scelta non casuale, ma espressione del legame al territorio italiano. La testimonianza contemporanea della più raffinata professionalità artigiana italiana. Simbolo di una delle poche cose che ancora rappresenta l’Italia nel mondo per qualità e produzione. Vero è proprio cibo per gli occhi!
www.hibu.it info@hibu.it www.alessandroacerra.com/Main.swf
AUTHORIAL ECOLOGICAL FASHION
Alessandro Acerra commenced a new concept of fashion, through the development of personal interpretation of the definition of recycling and authenticity.
The distinctive features of his fashion line are the fine details, the originality
of the design and the quality of the recycled materials. Each t-shirts is made with extreme care and realized in an exclusive way with the artist personal final finishing made by needle. The items are designed, cut out and sewn using different tissues. Alessandro draws the subjects, chooses the materials and paste everything together with his skilful touch. HIBU collection is 'eco' because each piece comes from remnants of famous brands or artigianal sartories. The clothes were once thought to be used by the famous Milan fashion catwalks and then recovered by Acerra, realizing today another art-form with an healthy message inherited. The items are paintings to be worn, they are an expression of luxury, they are at the same time real art work and consumerist objects. In fact you can wear, stain and clean them or simply hang them up to the wall like pictures, as the author himself advises. Each t-shirt is different from the others. Each one carries a certificate of authenticity which assure its uniqueness: there have a little tag, the signature of Alessandro Acerra and the serial number, expressing the good quality and the luxury of each article in order to satisfy even the most exacting collectors. Wearing a HIBU t-shirt tries to give a meaning to each individual, crating a personal fingerprint against the homologation generated by mass production and globalization. Alessandro Acerra personally takes care of all the details, from the concept of his masterpiece to the despatch of the product.
Even the package is excentric as you will receive the 'eco' t-shirts wrapped into “take-away pizza's boxes”. A choice which is not random, but it comes from the artist need of underlining his connection with both Italy and his substainable activity.
The ecological creations of Acerra are then a symbol of those elements which still nowadays represents Italy world-wide as quality and professionality. It derives from the choice of comes from a recycling as well.
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Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
More info about illy issimo and the AuthentiCity project @:
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Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
Pics from the AuthentiCity Lounge, the dedicated space in NYC where the AuthentiCity exhibition took place.
“AuthentiCity” is a photography project conceived in cooperation with the School of Visual Arts (SVA), New York, aimed at young international artists who are SVA students or alumni.
The project theme – “Revealing purity and authenticity in urban life” – is an invitation to use the straightforward language of photography to explore signs of authenticity and purity in the urban setting.
The project began with more than 200 photographers, educated at SVA, who were charged with capturing their vision of urban life. The 19 works selected in the preliminary stage were presented last April in an open exhibition during the Milan Design Week. Five of the 19 photographers, Carlos Alvarez Montero, Igor Aronov, Matthew Baum, Giselle Behrens and Caroline Shepard, were then selected, through a series of juror selections, to continue their work and each received a cash prize of $3000.00. Project winners were then chosen to be featured in the dedicated exhibition at the illy issimo AuthentiCity Lounge in New York.
More info about illy issimo and the AuthentiCity project @:
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AUTHENTICITY DINING TABLE T
オーセンティシティ ダイニングテーブル T
design:Takumi Michihata/道畑拓美
manufacturing:土井木工
please check more furniture.
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