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"Why do we always want the best? I had to get a toothbrush the other day. Before I left my house, I searched “best toothbrush.” It seemed like the sensible thing to do.

As I typed in the searchbox, the auto-fill completed the thought immediately. I wasn’t alone in my toothbrush purchase insecurity. A flurry of articles came up with conflicting opinions and, for a moment, I felt stupid.

Every toothbrush I bought on a hunch has been fine. I’ve never been disappointed in a toothbrush. Why waste my time trying to find the best? Have you ever run into someone with no teeth and asked, “What happened?”

And they replied, “Bought the wrong toothbrush. Should have done more research.” Then again, I do use a toothbrush quite a bit. If you can get the best, why not?

I mentioned the dilemma to a friend. She said her dentist had given her a great toothbrush called Timbul. She claimed it was “amazing” and it “changed the game.”

A game-changing toothbrush!

I went on Amazon and found it. There were 192 reviews.

First review. 5 stars. “Great brushes.” From a guy delightfully named, Skip Smiley.

Could I trust him? I clicked to see his other reviews.

I soon began to question Mr. Smiley’s integrity. Dude was giving 5 stars to everything:

A diving snorkel: “Love it.”

The book, I, Alex Cross: “Great book.”

An ink cartridge: “Just fine.”

“Just fine” but still five stars? Huh? More research had to be done.

But then I thought about Skip Smiley. Maybe he figured it out. Maybe you just make confident decisions and feel great about them. Did Skip fret about which diving snorkel to buy? Doubtful. Instead of stressing out about other options and possibilities, he was swimming with his snorkel, making the best of life.

I decided to buy the toothbrush. And you know what?

It’s a great toothbrush."

- Aziz Ansari

 

Went out to lunch at Chipotle and this was on their take-out bag

I just laughed out loud

So I come back and take a pic....b'coz I had to share the quote :)))

 

Here's to starting off the new week with a smile =D

Hope y'all are smiling :)

 

ps: Think about how hard the job of a stand-up comic is...

He had to make a toothbrush funny ;)

 

Have a supa dupa week

xxx

 

James Abidi & Fayezah Ansari at the launch of James Abidi Collection at Labels on 22nd Nov '08.

Red Mass @ Wyrd III @ The Royal Canadian Legion #1. Photo by Arif Ansari.

LCD Soundsystem's Final Show

Madison Square Garden

April 2, 2011

New York, NY

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

Abu Ayub Al Ansari (Khalid bin Zayd) was a great companion of Prophet Muhammad P.B.U.H.

He had participated under command of Yazid Bin Muawiya in first Siege of Constantinople (674–678) and fell ill and died in 674 AD.

Syrien Aleppo Ansari 3.02.2013.

.

Ein Wohnhaus wurde 12 Uhr Ortszeit bei einem Luftangriff zerstört mehrere Tote und Verletzte Zivilisten..

.

C4511 Rassloff, Thomas

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

In his published notes, F H Andrews, former Principal of the Mayo School of Arts, describes the mosque thus: 'The material used in the construction of the Mosque is a small tile-like brick universally used by the Mughals when stone was unusable or too costly. The only stone used in the building is used for brackets and some of the fretwork (pinjra). The walls were coated with plaster (chunam) and faced with a finely-soft quality of the same material tooled to a marble-like surface and coloured. All the external plasterwork was richly coloured a rich Indian red, in true fresco, and the surface afterwards picked out with white lines in the similitude of the small bricks beneath. The extreme severity of the lines of the building is relieved by the division of the surfaces into slightly sunk rectangular panels, alternatively vertical and horizontal, the vertical panels having usually an inner panel with arched head or the more florid cusped mihrab. These panels, where they are exposed to weather, are generally filled with a peculiar inlaid faience pottery called kashi, the effect of which must have been very fine when the setting of deep red plaster of the walls was intact.'

'The facade of the sanctuary is practically covered with kashi and is divided into the usual oblong panels. A beautiful border is carried rectangularly round the centre archway, and inscriptions in Persian characters occur in an outer border, in a long panel over the archway, and in horizontal panels along the upper portions of the lower walls to right and left. The spandrels are filled in with extremely fine designs.'

'With the minars, however, the facade of the sanctuary, and the entrance gateway, where a small portion of the surface was left for plaster, the effect of the gorgeous colours against the soft blue of a Punjabi sky, and saturated with brilliant sunlight and glowing purple shadow is indescribably rich and jewel-like.'

'Right and left of the sanctuary are two stately octagonal minars 100 feet in height. On the long sides of the quadrangle are ranged small khanas or cells, each closed by the usual Indian two-leaved door set in a slightly recessed pointed arch, of which there are thirteen on each side by a pavilion rising above the general level, containing larger apartments and an upper story reached by two flights of steps, which also give access to the roof of the arcading and pavilions...these pavilions occur, in the centre of the north and south sides of the lower level of the pavement. In the pavilion on the south side is a fountain set in a circular scalloped basin, and served from the main which supplies the tank in the quadrangle.'

Within the inner courtyard of the mosque lies the subterranean tomb of Syed Muhammad Ishaq, known as Miran Badshah, a divine from Iran who settled in Lahore during the time of the Tughluq dynasty. The tomb, therefore, predates the mosque.

 

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

In his published notes, F H Andrews, former Principal of the Mayo School of Arts, describes the mosque thus: 'The material used in the construction of the Mosque is a small tile-like brick universally used by the Mughals when stone was unusable or too costly. The only stone used in the building is used for brackets and some of the fretwork (pinjra). The walls were coated with plaster (chunam) and faced with a finely-soft quality of the same material tooled to a marble-like surface and coloured. All the external plasterwork was richly coloured a rich Indian red, in true fresco, and the surface afterwards picked out with white lines in the similitude of the small bricks beneath. The extreme severity of the lines of the building is relieved by the division of the surfaces into slightly sunk rectangular panels, alternatively vertical and horizontal, the vertical panels having usually an inner panel with arched head or the more florid cusped mihrab. These panels, where they are exposed to weather, are generally filled with a peculiar inlaid faience pottery called kashi, the effect of which must have been very fine when the setting of deep red plaster of the walls was intact.'

'The facade of the sanctuary is practically covered with kashi and is divided into the usual oblong panels. A beautiful border is carried rectangularly round the centre archway, and inscriptions in Persian characters occur in an outer border, in a long panel over the archway, and in horizontal panels along the upper portions of the lower walls to right and left. The spandrels are filled in with extremely fine designs.'

'With the minars, however, the facade of the sanctuary, and the entrance gateway, where a small portion of the surface was left for plaster, the effect of the gorgeous colours against the soft blue of a Punjabi sky, and saturated with brilliant sunlight and glowing purple shadow is indescribably rich and jewel-like.'

'Right and left of the sanctuary are two stately octagonal minars 100 feet in height. On the long sides of the quadrangle are ranged small khanas or cells, each closed by the usual Indian two-leaved door set in a slightly recessed pointed arch, of which there are thirteen on each side by a pavilion rising above the general level, containing larger apartments and an upper story reached by two flights of steps, which also give access to the roof of the arcading and pavilions...these pavilions occur, in the centre of the north and south sides of the lower level of the pavement. In the pavilion on the south side is a fountain set in a circular scalloped basin, and served from the main which supplies the tank in the quadrangle.'

Within the inner courtyard of the mosque lies the subterranean tomb of Syed Muhammad Ishaq, known as Miran Badshah, a divine from Iran who settled in Lahore during the time of the Tughluq dynasty. The tomb, therefore, predates the mosque.

 

Moderator Robert Capps, head of editorial, WIRED, left, and Anousheh Ansari, CEO and Co-Founder, Prodea Systems, Inc., right, speak on a panel on Interplanetary Frontiers with NASA Deputy Administrator Dava Newman and Erika Wagner, business development manager, Blue Origin, at the White House Frontiers Conference Thursday, October 13, 2016 at Carnegie Mellon University in Pittsburgh, PA. The conference, hosted by President Obama, and co-hosted by the University of Pittsburgh and Carnegie Mellon University, explores the future of innovation with a focus on building U.S. capacity in science and technology. Photo Credit: (NASA/Aubrey Gemignani)

quilt brilliant

www.fb.com/iamshoaibansari

 

captured during my visit to #Naran, #BabusarTop, near gilgit-Baltistan

 

Shoaib Ansari from Kasur City at Babusar Top, Pakistan

 

#Naran, #BabusarTop #Babusar #Kaghan #Hills #BeautyOfPakistan

 

ShoAib AnsAri from Kasur City at Babusar Top, Naran, Pakistan

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

In his published notes, F H Andrews, former Principal of the Mayo School of Arts, describes the mosque thus: 'The material used in the construction of the Mosque is a small tile-like brick universally used by the Mughals when stone was unusable or too costly. The only stone used in the building is used for brackets and some of the fretwork (pinjra). The walls were coated with plaster (chunam) and faced with a finely-soft quality of the same material tooled to a marble-like surface and coloured. All the external plasterwork was richly coloured a rich Indian red, in true fresco, and the surface afterwards picked out with white lines in the similitude of the small bricks beneath. The extreme severity of the lines of the building is relieved by the division of the surfaces into slightly sunk rectangular panels, alternatively vertical and horizontal, the vertical panels having usually an inner panel with arched head or the more florid cusped mihrab. These panels, where they are exposed to weather, are generally filled with a peculiar inlaid faience pottery called kashi, the effect of which must have been very fine when the setting of deep red plaster of the walls was intact.'

'The facade of the sanctuary is practically covered with kashi and is divided into the usual oblong panels. A beautiful border is carried rectangularly round the centre archway, and inscriptions in Persian characters occur in an outer border, in a long panel over the archway, and in horizontal panels along the upper portions of the lower walls to right and left. The spandrels are filled in with extremely fine designs.'

'With the minars, however, the facade of the sanctuary, and the entrance gateway, where a small portion of the surface was left for plaster, the effect of the gorgeous colours against the soft blue of a Punjabi sky, and saturated with brilliant sunlight and glowing purple shadow is indescribably rich and jewel-like.'

'Right and left of the sanctuary are two stately octagonal minars 100 feet in height. On the long sides of the quadrangle are ranged small khanas or cells, each closed by the usual Indian two-leaved door set in a slightly recessed pointed arch, of which there are thirteen on each side by a pavilion rising above the general level, containing larger apartments and an upper story reached by two flights of steps, which also give access to the roof of the arcading and pavilions...these pavilions occur, in the centre of the north and south sides of the lower level of the pavement. In the pavilion on the south side is a fountain set in a circular scalloped basin, and served from the main which supplies the tank in the quadrangle.'

Within the inner courtyard of the mosque lies the subterranean tomb of Syed Muhammad Ishaq, known as Miran Badshah, a divine from Iran who settled in Lahore during the time of the Tughluq dynasty. The tomb, therefore, predates the mosque.

 

The new brides in their burkas that for the season they will wear everywhere outside their homes. In Chanderi and much of this area of North India this burka style denotes the status of a new bride, and the girls wear their's with pride.

published in Dawn Images, 6-Apr-08

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

In his published notes, F H Andrews, former Principal of the Mayo School of Arts, describes the mosque thus: 'The material used in the construction of the Mosque is a small tile-like brick universally used by the Mughals when stone was unusable or too costly. The only stone used in the building is used for brackets and some of the fretwork (pinjra). The walls were coated with plaster (chunam) and faced with a finely-soft quality of the same material tooled to a marble-like surface and coloured. All the external plasterwork was richly coloured a rich Indian red, in true fresco, and the surface afterwards picked out with white lines in the similitude of the small bricks beneath. The extreme severity of the lines of the building is relieved by the division of the surfaces into slightly sunk rectangular panels, alternatively vertical and horizontal, the vertical panels having usually an inner panel with arched head or the more florid cusped mihrab. These panels, where they are exposed to weather, are generally filled with a peculiar inlaid faience pottery called kashi, the effect of which must have been very fine when the setting of deep red plaster of the walls was intact.'

'The facade of the sanctuary is practically covered with kashi and is divided into the usual oblong panels. A beautiful border is carried rectangularly round the centre archway, and inscriptions in Persian characters occur in an outer border, in a long panel over the archway, and in horizontal panels along the upper portions of the lower walls to right and left. The spandrels are filled in with extremely fine designs.'

'With the minars, however, the facade of the sanctuary, and the entrance gateway, where a small portion of the surface was left for plaster, the effect of the gorgeous colours against the soft blue of a Punjabi sky, and saturated with brilliant sunlight and glowing purple shadow is indescribably rich and jewel-like.'

'Right and left of the sanctuary are two stately octagonal minars 100 feet in height. On the long sides of the quadrangle are ranged small khanas or cells, each closed by the usual Indian two-leaved door set in a slightly recessed pointed arch, of which there are thirteen on each side by a pavilion rising above the general level, containing larger apartments and an upper story reached by two flights of steps, which also give access to the roof of the arcading and pavilions...these pavilions occur, in the centre of the north and south sides of the lower level of the pavement. In the pavilion on the south side is a fountain set in a circular scalloped basin, and served from the main which supplies the tank in the quadrangle.'

Within the inner courtyard of the mosque lies the subterranean tomb of Syed Muhammad Ishaq, known as Miran Badshah, a divine from Iran who settled in Lahore during the time of the Tughluq dynasty. The tomb, therefore, predates the mosque.

 

Syrien Aleppo Ansari und Amria 28.03.2013.

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Ansari Alltag .

.

Amria Frontline

The Wazir Khan Mosque in Lahore, Pakistan, is famous for its extensive faience tile work. It has been described as ' a mole on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. (The word wazir means 'minister' in Urdu language.) The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.

In his published notes, F H Andrews, former Principal of the Mayo School of Arts, describes the mosque thus: 'The material used in the construction of the Mosque is a small tile-like brick universally used by the Mughals when stone was unusable or too costly. The only stone used in the building is used for brackets and some of the fretwork (pinjra). The walls were coated with plaster (chunam) and faced with a finely-soft quality of the same material tooled to a marble-like surface and coloured. All the external plasterwork was richly coloured a rich Indian red, in true fresco, and the surface afterwards picked out with white lines in the similitude of the small bricks beneath. The extreme severity of the lines of the building is relieved by the division of the surfaces into slightly sunk rectangular panels, alternatively vertical and horizontal, the vertical panels having usually an inner panel with arched head or the more florid cusped mihrab. These panels, where they are exposed to weather, are generally filled with a peculiar inlaid faience pottery called kashi, the effect of which must have been very fine when the setting of deep red plaster of the walls was intact.'

'The facade of the sanctuary is practically covered with kashi and is divided into the usual oblong panels. A beautiful border is carried rectangularly round the centre archway, and inscriptions in Persian characters occur in an outer border, in a long panel over the archway, and in horizontal panels along the upper portions of the lower walls to right and left. The spandrels are filled in with extremely fine designs.'

'With the minars, however, the facade of the sanctuary, and the entrance gateway, where a small portion of the surface was left for plaster, the effect of the gorgeous colours against the soft blue of a Punjabi sky, and saturated with brilliant sunlight and glowing purple shadow is indescribably rich and jewel-like.'

'Right and left of the sanctuary are two stately octagonal minars 100 feet in height. On the long sides of the quadrangle are ranged small khanas or cells, each closed by the usual Indian two-leaved door set in a slightly recessed pointed arch, of which there are thirteen on each side by a pavilion rising above the general level, containing larger apartments and an upper story reached by two flights of steps, which also give access to the roof of the arcading and pavilions...these pavilions occur, in the centre of the north and south sides of the lower level of the pavement. In the pavilion on the south side is a fountain set in a circular scalloped basin, and served from the main which supplies the tank in the quadrangle.'

Within the inner courtyard of the mosque lies the subterranean tomb of Syed Muhammad Ishaq, known as Miran Badshah, a divine from Iran who settled in Lahore during the time of the Tughluq dynasty. The tomb, therefore, predates the mosque.

 

Syrien Aleppo Ansari und Amria 28.03.2013.

.

Ansari Alltag .

.

Amria Frontline

Katelynn Ansari (left) and Jessica Harbour (right). SEMA 2013, Las Vegas, NV.

When out in public the new brides dress in traditional burqa. Here Nahid and the other brides are escorted to the Marriage grounds. Over 50 couples will be signed into Marriage on this day and at the Marriage Grounds, at the same venue on the same day. There would be many levels to this, economic, social, and community. Separately the families can not afford to stage a wedding event but together the communtiy can put on a grand event, making it a grand day, event, and union for the whole community. (photo, Zafar Ansari)

SpaceShipOne wins the Ansari X-Prize - Google logo from October 4, 2004, signed by Larry Page, Sergey Brin and Burt Rutan (aerospace engineer who designed the SpaceShipOne).

 

More info about this autographed logo at my blog story on "Google Logo with Autographs".

Syrien Aleppo Insari 3.02.2013.

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Ein Wohnhaus wurde 12 Uhr Ortszeit bei einem Luftangriff zerstört mehrere Tote und Verletzte Zivilisten..

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C4511 Rassloff, Thomas

I feel privileged to be here amidst such a distinguished audience. Over the years the IDSA has provided the impulse for such gatherings of scholars and analysts. The end products add to the compendium of knowledge.

 

The attention of this conference, I understand, would be on dimensions of change in South Asia and its possible implications.

 

The logic of geography is compelling. For India, the neighbourhood radiates in concentric circles, buttressed by history, cultural affinities and economic necessities.

 

Our political commitment to closer ties with our neighbours in South Asia is serious. India’s security interests are better served if our neighbours evolve as viable states with moderate and stable political and social environments and vibrant economies.

 

We wish to see South Asia at peace with itself, leading to ever widening circles of security, peace and prosperity in the region.

 

The theme of this seminar is twofold: security and regional cooperation. Both need to be understood in themselves as also in their mutual relationship. Their logical manifestations could be (1) security exclusively in national terms (2) regional security cooperation (3) regional economic cooperation and (4) a mix of all these resulting in comprehensive security. In terms of linkages, it would be valid to ask if the perceived regional economic cooperation is to be the first step in our quest for regional security cooperation, or vice versa.

 

Perceptions, as this audience is well aware, have changed overtime. At one point security in the conventional sense offered a menu of choices in regard to security cooperation and suggested options ranging from alliances to collective security, security regimes and security communities. At a later stage, frameworks for communication and dialogue emerged. Each of these was experimented with; results varied from region to region.

 

Regional economic cooperation has tended to be influenced by a set of factors relating to intra-regional relations and convergence of political interests and cultural compatibility. The potential for economic cooperation is stymied when historic fears cloud security perceptions.

II

South Asia presents a varied picture towards the end of 2008. In some areas, forces of change are resonating noticeably. Bhutan has opted for a new system of governance through a constitutional monarchy. Change is the message of the election in Maldives last week. Nepal has witnessed historic transition from a monarchy to a democratic republic with a new leadership, and a new constitution in the offing. Pakistan has reverted to civilian rule with a new Parliament and a democratically elected President.

 

Less specific are the readings on Bangladesh and Sri Lanka. The former seeks a return to constitutional democracy and the latter an end to internecine strife.

 

The conflict in Afghanistan remains a source of considerable concern and calls for innovative solutions premised on national unity.

 

India, having registered rapid growth in recent years, is itself moving into a period of state and national elections.

 

The move towards popular and democratically elected governments in South Asia, however, has not eclipsed the existing challenges to governance in all the countries of the region. Poverty and economic disparities coupled with ethnic and social divisions have created political and social fault lines that have been exploited by non-state actors with their own agendas.

 

Human Development indices of most countries of South Asia are not flattering and it would a miracle if the targets of the Millennium Development Goals are achieved.

 

Yet, economic growth has continued as most of the South Asian countries have liberalised and moved towards market economies. Regional cooperation has made headway within the framework of SAARC which itself has expanded to include Afghanistan as well as nine observers.

 

New initiatives on the operationalisation of the SAARC Food Bank, establishment of the SAARC Development Fund, setting up of the South Asian University, the launching of negotiations to bring services into SAFTA and signing of the Convention of Mutual Assistance in Criminal Matters are significant for regional integration.

 

The question that one must ask is whether the changed and changing political context in many SAARC countries would confine itself to domestic politics or go beyond it to develop a changed context for security and economic cooperation with India? In other words, do the new political elites in our neighbourhood harbour a new paradigm of bilateral and regional cooperation?

 

We have to admit that the traditional pattern of bilateral state-to-state relations has already been transformed in varying degrees as a result of globalisation. Governments today do not control information or patterns of human interaction. Across the region, we see a web of connectivities between political actors, media centres, civil society organisations and commercial entities. Common people freely exchange views and ideas on their governments and their lives.

 

The prospects of security and economic cooperation are thus correlated to the ability of States to broad-base their relations beyond the traditional frameworks.

 

Friends

 

Let me venture to summarise some overarching themes that characterise the emergence of this new political context.

 

First, there is recognition of the importance of good relations with India and an advocacy for closer economic and political relations. There is also a desire for updating, where relevant, the existing instrumentalities of such cooperation to reflect the new ground level realities. The question for renegotiating existing treaties has been raised in this context.

 

Second, India on its part has tried - incrementally and non-reciprocally - to incentivise economic cooperation through confidence building measures. As a result, some in our neighbourhood have begun to feel that a prosperous and economically vibrant India is an opportunity for them to reap both economic and political benefits.

 

Third, political elites are increasingly emphasising that the desired economic outcomes transcend investments, growth or development. The focus is on the human development of people, the quality of the lives of citizens and even Gross National Happiness!

 

Fourth, all countries in South Asia realise that globalisation would be meaningless without the improvement of intra-regional connectivities. Informal trade and third country trade is still predominant with formal intra-regional trade constituting under 5% of South Asia’s overall trade.

 

On the other hand, negative security perceptions continue to cloud cooperation in tackling trans-national and cross-boundary issues. These include security concerns such as terrorism, drug-trafficking and money laundering, as well as economic and developmental issues such as food, water, climate change and energy security.

 

Some initiatives need to be mentioned. India has taken the lead in building infrastructure for intra-regional trade in the full knowledge that the economic importance of intra-regional trade is considerable for the smaller regional economies. Taking the theme of connectivity forward, the SAARC Transport Ministers identified specific corridors for implementation linking Nepal, Bhutan, India and Bangladesh. A draft Motor Vehicles Agreement and a draft Railway Agreement are also being negotiated.

 

The expectation is that cross-border trucking and container movements, improved regional air and rail links and upgraded customs and trade facilitation would knit our neighbourhood in a network of mutually beneficial economic partnerships contributing to long term political and social stability.

 

Such partnerships are the need of the hour and can help address problems that cannot be solved nationally. Two instances of these lie in (i) rivers and flood control; and (ii) energy generation, energy trade and energy transit. Both are critical to the achievement of development goals of the countries of South Asia.

 

Experience elsewhere in the world shows that political constraints need not be permanent barriers to economic cooperation and that the latter could help create a climate of opinion to resolve conflicts.

 

III

 

Ladies and Gentlemen

 

We live in times of great change. The challenges we confront overflow national frontiers. The public in South Asia has, in diverse ways, signalled its impatience with the politics of the status quo. This is most evident in the younger generation. It is now for the governments to think innovatively and encapsulate this impulse in national policies.

 

History is witness to occasions when bold thinking has led to creativity. Why should South Asia be an exception and remain embedded in the unproductive routine and ritual of six decades?

 

Would it then be altogether unrealistic to hope that South Asian cooperation would seek to achieve the following?

Free travel and trade across frontiers, a euro-style single currency, environmentally sustainable and regionally balanced development.

 

Security coordination resulting in Joint action on crime and terror.

 

Speak with a single voice and work closely together on trade issues and development policy.

 

Develop a mechanism for dispute resolution.

 

Coordinate approaches on major foreign and defence policy questions?

 

The meandering River of Time is mighty and can flow in many directions. The answers to the above questions lie in harnessing it for common good and regional betterment. The analyst should go beyond identifying the obstacles and pitfalls to suggesting solutions. I venture to hope that today’s conclave would be part of such an effort.

 

I thank Mr. Sisodia for inviting me today. I wish the Seminar all success.

 

(Keynote Address by Hon’ble Vice President of India, Shri Hamid Ansari at the International Seminar on “Changing Political Context in South Asia and Prospects of Security and Regional Cooperation” organised by IDSA and ICRIER on 5 November 2008.)

Aleppo, Umayyad Mosque

 

Aleppo is the largest city in Syria and serves as the capital of the Aleppo Governorate, the most populous Syrian governorate. With an official population of 2,132,100 (2004 census), it is also one of the largest cities in the Levant. For centuries, Aleppo was the Syrian region's largest city and the Ottoman Empire's third-largest, after Constantinople and Cairo.

 

Aleppo is one of the oldest continuously inhabited cities in the world; it has been inhabited since perhaps as early as the 6th millennium BC. Excavations at Tell as-Sawda and Tell al-Ansari, just south of the old city of Aleppo, show that the area was occupied since at least the latter part of the 3rd millennium BC; and this is also when Aleppo is first mentioned in cuneiform tablets unearthed in Ebla and Mesopotamia, in which it is noted for its commercial and military proficiency. Such a long history is probably due to its being a strategic trading point midway between the Mediterranean Sea and Mesopotamia (i.e. modern Iraq).

 

The city's significance in history has been its location at the end of the Silk Road, which passed through central Asia and Mesopotamia. When the Suez Canal was inaugurated in 1869, trade was diverted to sea and Aleppo began its slow decline. At the fall of the Ottoman Empire after World War I, Aleppo ceded its northern hinterland to modern Turkey, as well as the important railway connecting it to Mosul. Then in the 1940s it lost its main access to the sea, Antioch and Alexandretta, also to Turkey. Finally, the isolation of Syria in the past few decades further exacerbated the situation, although perhaps it is this very decline that has helped to preserve the old city of Aleppo, its medieval architecture and traditional heritage.

 

The Great Mosque of Aleppo or the Umayyad Mosque of Aleppo is the largest and one of the oldest mosques in the city of Aleppo, Syria. It is located in the Ancient City of Aleppo, a World Heritage Site, near the entrance to al-Madina Souq. The mosque was built in the beginning of the 8th century. However, the current building dates back to the 11th through 14th centuries. The minaret was built in 1090, and was destroyed during fighting in the Syrian civil war in April 2013.

 

The construction of the earliest mosque was commenced by the Ummayad caliph al-Walid I in 715 and was finished by his successor Sulayman ibn Abd al-Malik in 717. In the second half of the 11th century, the Mirdasids controlled Aleppo and built a single-domed fountain in the mosque's courtyard. At the northwest corner of the mosque, the 45-meter high minaret was built by the Shia Muslim qadi ("chief Islamic judge") of Aleppo, Abu'l Hasan Muhammad in 1090, during the reign of Seljuk governor Aq Sunqur al-Hajib. Its construction was finished in 1094 during Tutush's rule.

 

The mosque was restored and expanded by the Zengid sultan Nur al-Din in 1159 after a great fire that had destroyed the earlier Ummayad structure. In 1260 the mosque was razed by the Mongols. The Mamluks (1260–1516) made repairs and alterations. Carved Kufic and nashki inscriptions decorated the entire minaret along with alternate bands of stylized ornaments in patterns and muqarnas. Sultan Qalawun replaced the burnt out mihrab (niche indicating the qibla, or direction to Mecca) in 1285. Later, Sultan al-Nasir Muhammad (1293–1341) had the new minbar ("preacher's pulpit") constructed during his reign.

 

The Great Mosque is built around a vast courtyard that connects to different areas of the mosque, positioned behind the colonnaded arcade. The courtyard is well known for its alternating black and white stone floor that forms intricate geometric arrangements. Two ablutions fountains, both of which are roofed. The court yard also has an open prayer estrade and a sundial.

 

The haram ("sanctuary") consists of the main prayer hall to the courtyard's south, which contains the primary elements of the mosque: the shrine of Zechariah, a 15th-century minbar ("pulpit"), and an elaborately carved mihrab ("niche"). Although the central entrance contains an inscription attributing its construction to Ottoman sultan Murad III, it was built by the Mamluks. The hall has three naves, all lined with 18 quadrangular columns with cross-vaults. This large prayer hall originally had a basic straight rooftop with a central dome, but during Mamluk rule was replaced with an intricate cross-vaulted system with arches and a small dome over the arcades. The mihrab is deep and round and Zechariah's supposed tomb is to its left along the southern wall.

 

There are three other halls that abut the remaining sides of the courtyard. The eastern and northern halls each have two naves, while the western hall has one. The latter is mostly of modern construction. The east hall dates to the period of Malik Shah (1072–92) and the north hall was renovated during Mamluk sultan Barquq's reign (1382–1399), but largely maintained its original 11th century character.

 

The minaret's shaft, which protruded out of the flat roof of one of the halls, consisted of five levels with a crowning top encircled with a veranda. A muqarnas-style cornice divided the veranda top from the shaft. The structure was largely built of fine ashlar. The minaret was heavily decorated in relief ornament, more so than any other Islamic-era structure in Aleppo with the exception of the Shu'aybiyah Madrasa. Its stories contained cusped arches and continuous mouldings. The masonry of the minaret varied throughout, with a mix of light and heavy usage of toothed tools, short, long, vertical and horizontal strokes, fine and rough finishes, and small and large stones.

 

(sources: en.wikipedia.org/wiki/Aleppo and en.wikipedia.org/wiki/Great_Mosque_of_Aleppo)

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Aziz Ansari from Human Giant

performance at ISO 2000... wat more cud I ask from my humble D80!

BuFawaz Al-Ansari Portrait Photoshoot in Winter Theme setup

My grandfather. This is a self portrait he took when he was in the British Raj army back in 1940's and was posted in Singapore. I am truly inspired the way he took this photograph.

Syrien Aleppo Ansari und Amria 28.03.2013.

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Ansari Alltag .

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Amria Frontline

Syrien Aleppo Ansari und Amria 28.03.2013.

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Ansari Alltag .

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Amria Frontline

Poster I did for Aziz Ansari.

Will be printed by hand by Dan from Valhalla Studios.

 

Limited edition prints only on sale Nov. 20th only at the Orpheum Theatre, L.A.

Publicada en la revista DT (Focus Ediciones)

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