View allAll Photos Tagged Verification
SAAB Aeronautics Flight Test & Verification Department
- SAAB JAS-39E Gripen- 396003 / 39-6003
Royal International Air Tattoo RIAT RIAT23
RAF Fairford
Sunday Show day - Sunday 16th July 2023
From left to Right Pilot launch Patrol, Harbourmaster's new vessel Southwark, TOSCA Recover behind Recover is survey vessel Verifier. I was unable to positively identify the vessel far right behind verifier, but believe its another survey vessel Yantlet.
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Batonbearer 055 Elizabeth Meldrum carries the Glasgow 2014 Queen's Baton through Bowling in West Dunbartonshire. The batonbearer's name has been provided in good faith, however it has not been independently verified. Photo credit should read: Chris Radburn for Glasgow 2014. Copyright Glasgow2014, 2014, All rights reserved..
Batonbearer 103 Sophie Gallagher carries the Glasgow 2014 Queen's Baton through Saltcoats in North Ayrshire. The batonbearer's name has been provided in good faith, however it has not been independently verified. Photo credit should read: David Cheskin for Glasgow 2014. Copyright Glasgow2014, 2014, All rights reserved....
Motorsport - transorientale 2008 - scrutineering - saint petersburg (Rus) 10/06 to 11/06/2008 - photo : Clement marin / Dppi
car - ronn bailey (Usa) / Jimco chevrolet buggy - ambiance - portrait
This set of photos is to verify how the section of Bread and Cheese Creek between Plainfield Road and Old North Point Road looked after 101 volunteers spent Saturday 4/10/10 cleaning it. I wish to think everyone who contributed their time to making such a fantastic change. You can really see the beautiful potential of this creek!
Anyone can see the huge difference before and after the cleanup. Four thirty yard dumpsters were filled, two with trash, two with metal (mostly shopping carts) and huge stacks of natural debris were all removed from the creek. Some of the more noteworthy debris included three hundred and two bags of trash, twenty-two shopping carts, seventeen tires, six bicycles, four skateboards, two porcelain sinks, a bath tub, an industrial cable spool, a swing set, and a boogie board...
This monumental effort would have never been possible without so many incredible volunteers! Thank you, Thank you all!!!
Visit us at www.Bread-and-Cheese-Creek.com to learn more!
Acrylic flow painting
When you think about it, it makes sense that the universe is as big as it is because if it was any smaller there wouldn't be enough time, space and energy to develop the gas, galaxies, stars, planets and eventual life that resulted in us. Life needs a very big stage to perform on and it doesn't get much bigger than our universe. No other platform but our universe could suffice and provide the necessary size, momentum and materials to achieve the outcome of life.
#SKYPE: #Vérifier l'identité d'un #correspondant
Je vous présente une #méthode simple pour vérifier l’identité d'un correspondant qui vous demande en #contact sur Skype.
This blog will explain how to avoid adding a phone number during the phone number verification process when creating a Gmail account and the significance of doing so for your Google Account security.
Background Verification is an imperative move to protect your company from potential risks so it is important to get verification done by the best companies in India.
Keith Creagh (right), Michigan Department of Agriculture and Rural Development (MDARD) director honored MAEAP verified farmer Larry Lee (middle) and his family on Monday, October 17, 2011. The Lee's farm in Laingsburg was honored for being the 1,000th MAEAP verification.
The votes for the lookfantastic and lookmantastic awards have been counted, verified, signed, sealed and delivered.
Pulling in over 22,000 votes, including the opinions of our expert panel, the awards ceromony was a major success with top brands all in attendance to collect their awards.
Visit lookfantastic to view all the winners
lookfantastic salons are located throughout Sussex and Kent, with our flagship salon in Notting Hill, London. All salons offer a wide range of hair services in luxurious surroundings, and selected salons offer both hair and beauty services for an all over pampering experience.
We also operate two of the leading hair, beauty and grooming websites in Europe: lookfantastic.com and lookmantastic.com, which stock over 8000 high end products, from Redken, Kerastase and Tigi to Dermalogica, Clarins and Decleor - all delivered direct to your door.
Verification of damage from Qatar Post. Note that the post office stated the outer box is in good condition, meaning there was no mis-handling during transportation. In the other words, if there is any damage it is the way of packing has gone wrong.
Hattie Hutchcraft Hill - (1847 - 1921)
Impressionist Landscape - 1896
wo vastly different cities with a shared name shaped Hattie Hutchcraft Hill’s life and art. A native of Paris, Kentucky—the seat of Bourbon County situated amid the commonwealth’s bluegrass countryside—Hill would spend the majority of her life in the surrounding area. The French capital of Paris was Hill’s other home and creative wellspring, the place where her painting career was sparked, matured, and flourished.
According to one source, Hill studied in Cincinnati, New York, and Boston, although details are indeterminate. It can be verified that she attended Daughter’s College in Harrodsburg, Kentucky. After graduating around 1865, she married William A. Hill—a union cut short by William’s death just five years later. Afterwards, Hill worked as a teacher in Paris and nearby Georgetown, Kentucky. At the age of thirty-one, “Hattie” (as she was known) and her sister went to Paris, France, where they attended the 1878 Exposition Universelle. Like thousands of other visitors to the fair, Hill saw the mammoth head of the Statue of Liberty designed by Frédéric-Auguste Bartholdi. This trip inspired her to pursue a career as an artist.
Back in the United States, Hill returned to the classroom, where she led courses in arts and crafts, a subject which emphasized such decorative arts as china painting and was popular with young women at that time. She returned to France in 1888 to study at the Académie Julian with Benjamin Constant and Jules Lefebvre, an endeavor underwritten by an inheritance following her parents’ deaths. During her five years in Paris, she befriended the famous actress Sarah Bernhardt and painted her portrait (location unknown). She also traveled to Brittany, visiting the noted horse painter Rosa Bonheur at her château near Fontainebleau. Hill’s work was accepted twice for exhibit at the prestigious Paris Salon. In 1895, she returned to the United States and spent two years working in Los Angeles as a portrait painter and art instructor. Three years later, in strained financial circumstances, she returned to her birthplace.
One of Hill’s greatest accomplishments was a large-scale commissioned portrait of Judge William Garth, a philanthropist with a keen interest in fostering the education of local students. Executed in France and shipped to Kentucky, the nearly seven-foot-tall canvas was displayed in the Kentucky Building at the 1893 World’s Columbian Exposition in Chicago before being permanently installed in the Bourbon County Courthouse. Hill painted portraits of other area dignitaries, as well as landscapes and still lifes. She regularly signed her work as “H. Hutchcraft” or “H. Hill,” perhaps in an attempt to conceal her gender. Sadly, Hattie Hill became an invalid around 1900 and lived with family in Paris, Kentucky, until her death in 1921.
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Capturing the Immediate: Impressionism in the South: Paintings from the Permanent Collection
July 13 - December 29, 2024
This expansive exhibition includes figurative, still-life, and landscape paintings by many well-known and some previously undiscovered impressionist painters who worked in the South. Driven by the passionate interest of museum founders Sissie and Billy Morris, the museum has made impressionist painting an important focus of its collection since the start. More than three galleries are devoted to this groundbreaking exhibition.
Although impressionism was looked upon as a radical style of painting in late-nineteenth century Europe, hundreds of American painters—including many who later worked in the South—eagerly adopted the unblended brushwork and vibrant palette of French painters Camille Pissarro, Pierre- Auguste Renoir, and, especially, Claude Monet. In 1883, when Monet moved to Giverny, he proved himself a magnet to the American painters who studied in France, absorbing the ideas and techniques of French realists like Jean-François Millet, impressionists like Monet and his colleagues, and more conservative academic painters. By the turn of the twentieth century, many American painters had elevated landscape and still-life painting to a level traditionally enjoyed only by historical, religious, and mythological subject matter. The unprecedented emphasis on subjects that were part of the artist’s direct experience came naturally to painters in the South, including many—Gari Melchers, Eliot Clark, Paul Sawyier, Virginia Randall McLaws, Louis Betts, William Posey Silva—whose paintings are highlighted in this exhibition. The success of the first major American exhibition of impressionist paintings, in 1886, cemented its popularity among artists, critics, and collectors. But as is often the case, artists were well ahead of the public in their embrace of this new style.
This exhibition demonstrates that artists in the South shared key concerns with their French counterparts, most notably a grounding in direct sensory and lived experience, as well as “the painting of modern life” that meant subjects could be observed in the artist’s own environment. An increasing number of southern painters who discovered impressionism found the combination of sensuous technique and native subject matter perfectly suited to southern sensibilities.
Unlike in Europe, where national schools emerged, impressionism in America had regional associations around the country, and its geographical fractures have led some scholars to view it as merely local and therefore unworthy of serious study. Scholars have also tended to ignore American impressionist paintings created after 1915. Like the many paintings on view, Delphine Julia Bradt’s Spring Day (circa 1925), William Posey Silva’s Raiment of Springtime (1931), and Ernest Lawson’s The Waterfall, Shore’s Mill, Tennessee (1938) demonstrate that impressionism occupied and sustained a place of great importance in keeping with the region’s agrarian roots, retaining its vitality well into the twentieth century.
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Located on the Riverwalk in historic downtown Augusta, the Morris Museum of Art, the oldest museum in the country that is specifically devoted to the art and artists of the American South, is noted for its multifaceted permanent collection of 5,000 works of art and a rich variety of continually changing special exhibitions and public programs. The Morris is dedicated to the continued interpretation of the culture of the South in all its forms.
Located in historic downtown Augusta, Georgia, on the Savannah River, the Morris has preserved the history and culture of the South for more than twenty-five years. The museum’s permanent collection, dating from the late eighteenth century to the present, is arranged thematically in ten galleries. In addition, the museum hosts temporary special exhibitions throughout the year as well as a rich array of public programs and events for children, families, and art lovers of all ages.
The Morris Museum’s permanent collection was established in 1989 with the purchase of 230 paintings from Dr. Robert Powell Coggins, a pioneering collector of Southern art. That acquisition set the museum’s mission and identified its special interest in the art and artists of the American South. When it opened in 1992, the collection included approximately 700 objects, half of them paintings. Today, the museum’s collection includes 5,000 works of art that represent fifteen states and the District of Columbia. In recent years, its traditional strengths in paintings and works on paper have been significantly enhanced by the creation of important collections of photographs, folk art, and studio art glass. The Morris Museum’s Center for the Study of Southern Art, a comprehensive research library, has also grown to include 20,000 volumes, 28,000 vertical files, 1,350 media resources, and a rich archive that includes artists’ letters and papers.
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www.georgiaencyclopedia.org/articles/arts-culture/morris-...
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