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The two rows of monolithic Serdobol granite columns that give this hall its present name divide it into three parts. The capitals of the columns, the ceiling and walls are covered in painting, the motifs for which were taken from the decoration of ancient vases. The floor is a stone mosaic created at the Peterhof Lapidary Works in imitation of ancient tradition. According to Klenze's project for the New Hermitage, the Twenty-Column Hall was intended for the display of Graeco-Etruscan vases. They can now be seen in the Karelian birch cases with amaranth inlay-work. The room contains a collection of art created in ancient Italy from the late 9th to 2nd century B.C.
The State Hermitage in St. Petersburg
DSCN7461
Tympanum showing Christ in Majesty and the four Evangelists (top left: John, top right: Matthew, bottom left: Luke, bottom right: Mark), main portal of Mosteiro de Santa Maria da Vitória (Monastery of Saint Mary of Victory), better known as Mosteiro da Batalha (Monastery of Batalha, literally Monastery of the Battle), Batalha, Portugal.
Batalha monastery is inscribed in the World Heritage List of the UNESCO.
---citation from whc.unesco.org---
The Monastery of the Dominicans of Batalha was built to commemorate the victory of the Portuguese over the Castilians at the battle of Aljubarrota in 1385. It was to be the Portuguese monarchy's main building project for the next two centuries. Here a highly original, national Gothic style evolved, profoundly influenced by Manueline art, as demonstrated by its masterpiece, the Royal Cloister.
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-----citation from en.wikipedia.org-----
The portal shows in the archivolt a profusion of 78 statues, divided over six rows, of Old Testament Kings, angels, prophets and saints, each under a baldachin. The splays on both sides display (inferior copies of) statues of the apostles, with one standing on a chained devil. The tympanum shows us Christ enthroned, sitting under a baldachin and flanked by the Four Evangelists, each with his own attribute.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
The Hall of Supreme Harmony the largest hall within the Forbidden City. It is located at its central axis, behind the Gate of Supreme Harmony. Built above three levels of marble stone base, and surrounded by bronze incense burners, the Hall of Supreme Harmony is one of the largest wooden structures within China. It was the location where Ming Dynasty and Qing Dynasty Emperors hosted their enthronement and wedding ceremonies.
The Hall of Supreme Harmony rises some 30 meters above the level of the surrounding square. It is the ceremonial center of imperial power, and the largest surviving wooden structure in China. It is nine bays wide and five bays deep, the numbers nine and five being symbolically connected to the majesty of the Emperor. The six pillars nearest the imperial throne are covered with gold, and the entire area is decorated with a dragon motif. The imperial Dragon Throne, in particular, has five dragons coiled around the back and handrests. The screen behind it features sets of nine dragons, again reflecting the "nine-five" symbolism.
Set into the ceiling directly above the throne is an intricate caisson decorated with a coiled dragon, from the mouth of which issues a chandelier-like set of metal balls. Called the "Xuanyuan Mirror", this object harkens back to Xuanyuan, the Yellow Emperor, the legendary first ruler of China. In the Ming Dynasty, the Emperor held court here to discuss affairs of state. During the Qing Dynasty, Emperors held court far more frequently. As a result, the location was changed to the Inner Court, and the Hall of Supreme Harmony was only used for ceremonial purposes, such as coronations, investitures, and imperial weddings.
The original hall was built by the Ming Dynasty in 1406 and was destroyed seven times by fires during the Qing Dynasty and last re-built in 1695–1697. -wikipedia
1314
Cruz Alta (High Cross) and Palácio Nacional da Pena (Pena National Palace), Pena Park, Sintra, Portugal.
Pena National Palace is a "romantic fairy tale castle" surrounded by a large Park, the Pena Park. It was built from 1842–1854 by order of Fernando II of Portugal on the site of a former monastery that had been destroyed by the 1755 Lisbon earthquake. It's an intentional mixture of several architectural styles including Neo-Gothic, Neo-Manueline, Islamic and Neo-Renaissance.
The reception of this eclectic building is quite ambivalent: while many people love it, critics decry it as an "early Disneyland".
Pena Palace belongs to the UNESCO World Heritage Site Cultural Lanscape of Sintra.
----quotation from en.wikipedia.org about Sintra:----
Sintra [...] is a town within the municipality of Sintra in the Grande Lisboa subregion (Lisbon Region) of Portugal. Owing to its 19th century Romantic architecture and landscapes, becoming a major tourist centre, visited by many day-trippers who travel from the urbanized suburbs and capital of Lisbon.
In addition to the Sintra Mountains and Sintra-Cascais Nature Park, the parishes of the town of Sintra are dotted by royal retreats, estates, castles and buildings from the 8th-9th century, in addition to many buildings completed between the 15th and 19th century, including the Castelo dos Mouros, the Pena National Palace and the Sintra National Palace, resulting in its classification by UNESCO as a World Heritage Site in 1995.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Visita micamara.es/alemania/ para saber mas de Alemania y de mas lugares que quiero compartir y he viajado.
Scan of an analog photo taken in June 1991
In 1405 Aeneas Silvius Piccolomini (Italian: Enea Silvio Piccolomini) was born in Corsignano into ane exiled Sienese family. He was a Renaissance humanist who later became Pope Pius II. (1458 - 1464). After his election, he had the entire village rebuilt as an ideal Renaissance town, renamed it to Pienza, which means Citiy of Pius and intended it as a retreat from Rome. For the rebuilding he engaged the Florentine architect Bernardo Gambarelli (known as Bernardo Rossellino) and the costruction started in 1459.
In 1996 the UNESCO declared the town of Pienza a World Heritage Site and in 2004 the entire valley, the Val d'Orcia, was included on the list of UNESCO's World Cultural Landscapes
Puebla - Mexico
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Statue at Loreta, a pilgrimage destination in Castle District (Hradčany), Prague (Praha), Czech Republic.
There's more information about Loreta at digital-guide.
The Historic Centre of Prague is inscribed in the World Heritage List of the UNESCO.
Citation from whc.unesco.org/en/list/616
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Built between the 11th and 18th centuries, the Old Town, the Lesser Town and the New Town speak of the great architectural and cultural influence enjoyed by this city since the Middle Ages. The many magnificent monuments, such as Hradcani Castle, St Vitus Cathedral, Charles Bridge and numerous churches and palaces, built mostly in the 14th century under the Holy Roman Emperor, Charles IV.
Prague is one of the most beautiful cities in Europe in terms of its setting on both banks of the Vltava River, its townscape of burger houses and palaces punctuated by towers, and its individual buildings.
The Historic Centre represents a supreme manifestation of Medieval urbanism (the New Town of Emperor Charles IV built as the New Jerusalem). The Prague architectural works of the Gothic Period (14th and 15th centuries), of the High Baroque of the 1st half of the 18th century and of the rising modernism after the year 1900, influenced the development of Central Europe, perhaps even all European architecture. Prague represents one of the most prominent world centres of creative life in the field of urbanism and architecture across generations, human mentality and beliefs.
Prague belongs to the group of historic cities which have preserved the structure of their development until the present times. Within the core of Prague, successive stages of growth and changes have respected the original grand-scale urban structure of the Early Middle Ages. This structure was essentially and greatly enlarged with urban activities in the High Gothic period with more additions during the High Baroque period and in the 19th century. It has been saved from any large-scale urban renewal or massive demolitions and thus preserves its overall configuration, pattern and spatial composition.
In the course of the 1100 years of its existence, Prague’s development can be documented in the architectural expression of many historical periods and their styles. The city is rich in outstanding monuments from all periods of its history. Of particular importance are Prague Castle, the Cathedral of St Vitus, Hradćany Square in front of the Castle, the Valdgtejn Palace on the left bank of the river, the Gothic Charles Bridge, the Romanesque Rotunda of the Holy Rood, the Gothic arcaded houses round the Old Town Square, the High Gothic Minorite Church of St James in the Stark Mĕsto, the late 19th century buildings and town plan of the Nave Mĕsto.
As early as the Middle Ages, Prague became one of the leading cultural centres of Christian Europe. The Prague University, founded in 1348, is one of the earliest in Europe. The milieu of the University in the last quarter of the 14th century and the first years of the 15th century contributed among other things to the formation of ideas of the Hussite Movement which represented in fact the first steps of the European Reformation. As a metropolis of culture, Prague is connected with prominent names in art, science and politics, such as Charles IV, Petr Parléř, Jan Hus, Johannes Kepler, Wolfgang Amadeus Mozart, Franz Kafka, Antonín Dvořák, Albert Einstein, Edvard Beneš (co-founder of the League of Nations) and Václav Havel.
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St. Nikolaikirche (St. Nicholas' Church) with Buchholz organ and Bläserchor (Winds loft), Hanseatic Town of Stralsund, district of Vorpommern-Rügen, Mecklenburg-Vorpommern (Mecklenburg-Western Pomerania), Germany.
The great organ of St. Nicholas' Church was buit in 1841 by Carl August Buchholz. It is one of only a few preserved European organs of the Early Romantic period. It has 3 manuals, a pedalboard and 56 stops.
Bläserchor (Winds Loft) is a small gallery in the nave of St. Nicholas' Church. It was built in 1505 and is decorated in Late Gothic style. The winds loft shows paintings of Jesus and the twelve apostles.
The pillars of the arcades of St. Nicholas' Church are painted in Gothic style. Many of them show colourful paintings of human figures. The heads of the figures are sculptured.
St. Nikolaikirche was built in Northern German Brick Gothic style. It's the oldest of Stralsund's main churches. Being the main church of the local council, St. Nikolaikirche is closely connected to the town hall.
----quotation from en.wikipedia.org:----
The town of Stralsund lies in Northeast Germany in the region of Western Pomerania in the state of Mecklenburg-Vorpommern.
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The town lies on the sound of Strelasund, a strait of the Baltic Sea. Its geographic proximity to the island of Rügen, whose only fixed link to the mainland, the Strelasund Crossing, runs between Stralsund and the village of Altefähr, has given Stralsund the sobriquet "Gateway to the Island of Rügen" (Tor zur Insel Rügen). Stralsund lies close to the Western Pomerania Lagoon Area National Park.
A municipal forest and three municipal ponds (the Knieperteich, Frankenteich and Moorteich) belong to the Stralsund's town borough . The three ponds and the Strelasund lend the Old Town, the original settlement site and historic centre of the town, a protected island location.
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The centre of Stralsund has a wealth of historic buildings. Since 1990, large parts of the historic old town have been renovated with private and public capital, and with the support of foundations. As a result of the contempt for historic buildings in East Germany many houses were threatened by ruin. The Old Town in particular, offers a rich variety of historic buildings, with many former merchants' houses, churches, streets and squares. Of more than 800 listed buildings in Stralsund, more than 500 are designated as individual monuments in the Old Town. In twenty years, from the Wende in 1990 to November 2010, 588 of the more than 1,000 old buildings were completely refurbished, including 363 individual monuments. Because of its historical and architectural significance, in 2002 Stralsund's old town together with the old town of Wismar were added to entitled the UNESCO World Cultural Heritage list as the "Historic Centres of Stralsund and Wismar".
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----quotation from whc.unesco.org:----
The medieval towns of Wismar and Stralsund, on the Baltic coast of northern Germany, were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the Town Hall of Stralsund, and the series of houses for residential, commercial and crafts use, representing its evolution over several centuries.
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Stralsund short trip October 2012
Huê - Vietnam
All rights reserved - Copyright © Joerg Reichel
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Moon over the gable of Scharfrichterhaus (Executioner's house), Filterstraße, Hanseatic Town of Stralsund, district of Vorpommern-Rügen, Mecklenburg-Vorpommern (Mecklenburg-Western Pomerania), Germany.
The executioner's house is a complex of two houses: a corner house from the 13th century which was the home and workplace of the executioner, and a brick gabled house from the 15th century which was a prison. The complex was used by the town's executioner until 1842.
----quotation from en.wikipedia.org:----
The town of Stralsund lies in Northeast Germany in the region of Western Pomerania in the state of Mecklenburg-Vorpommern.
...
The town lies on the sound of Strelasund, a strait of the Baltic Sea. Its geographic proximity to the island of Rügen, whose only fixed link to the mainland, the Strelasund Crossing, runs between Stralsund and the village of Altefähr, has given Stralsund the sobriquet "Gateway to the Island of Rügen" (Tor zur Insel Rügen). Stralsund lies close to the Western Pomerania Lagoon Area National Park.
A municipal forest and three municipal ponds (the Knieperteich, Frankenteich and Moorteich) belong to the Stralsund's town borough . The three ponds and the Strelasund lend the Old Town, the original settlement site and historic centre of the town, a protected island location.
...
The centre of Stralsund has a wealth of historic buildings. Since 1990, large parts of the historic old town have been renovated with private and public capital, and with the support of foundations. As a result of the contempt for historic buildings in East Germany many houses were threatened by ruin. The Old Town in particular, offers a rich variety of historic buildings, with many former merchants' houses, churches, streets and squares. Of more than 800 listed buildings in Stralsund, more than 500 are designated as individual monuments in the Old Town. In twenty years, from the Wende in 1990 to November 2010, 588 of the more than 1,000 old buildings were completely refurbished, including 363 individual monuments. Because of its historical and architectural significance, in 2002 Stralsund's old town together with the old town of Wismar were added to entitled the UNESCO World Cultural Heritage list as the "Historic Centres of Stralsund and Wismar".
----end of quotation----
----quotation from whc.unesco.org:----
The medieval towns of Wismar and Stralsund, on the Baltic coast of northern Germany, were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the Town Hall of Stralsund, and the series of houses for residential, commercial and crafts use, representing its evolution over several centuries.
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Stralsund short trip October 2012
Doorway from the Claustro Real (Royal Cloister, or Cloister of King João I) to the Sala do Capítulo (Chapter House) of Mosteiro de Santa Maria da Vitória (Monastery of Saint Mary of Victory), better known as Mosteiro da Batalha (Monastery of Batalha, literally Monastery of the Battle), Batalha, Portugal.
You can see the star vault of the Chapter House in this picture.
Batalha monastery is inscribed in the World Heritage List of the UNESCO.
---citation from whc.unesco.org---
The Monastery of the Dominicans of Batalha was built to commemorate the victory of the Portuguese over the Castilians at the battle of Aljubarrota in 1385. It was to be the Portuguese monarchy's main building project for the next two centuries. Here a highly original, national Gothic style evolved, profoundly influenced by Manueline art, as demonstrated by its masterpiece, the Royal Cloister.
---end of citation---
-----citation from en.wikipedia.org-----
Chapter House (Sala do Capitulo)
The Chapter House reminds the visitors of the military reason for its foundation: two sentinels guard the tombs of two unknown soldiers killed in World War I.
This square room is especially notable for its star vault lacking a central support and spanning a space of 19 square meters. This was such a daring concept at the time that condemned prisoners were used to perform the task. It was completed after two failed attempts. When the last scaffolds were removed, it is said that Huguet spent the night under the vault in order to silence his critics.
The stained-glass Renaissance window in the east wall dates from 1508. It depicts scenes of the Passion and is attributed to the Portuguese painters Master João and Francisco Henriques.
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Cloister of King John I (Claustro Real)
This cloister was not part of the original project. It was built under the architect Fernão de Évora between 1448 and 1477. Its sober outward appearance is in stark contrast with the Flamboyant Gothic style of the church. The carved tracery decoration in Gothic style (including quatrefoils, fleurs-de-lis and rosettes) by Huguet in the ambulatory forms a successful combination with the Manueline style in the arcade screens, added later by Mateus Fernandes. Two different patterns alternate, one with the cross of the Order of Christ, the other with armillaries.
The colonnettes, supporting these intricate arcade screens, are decorated with spiral motives, armillaries, lotus blossoms, briar branches, pearls and shells and exotic vegetation.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Doorways inside Real Alcázar de Sevilla (Royal Palace of Seville), Sevilla (Seville), Province of Sevilla (Seville), Andalusia, Spain.
Real Alcazár is one of the best preserved examples of Mudéjar architecture (built under Christian rule, but with strong Islamic influence).
Together with Seville Cathedral and the General Archive of the Indies of Seville it is inscribed in the World Heritage List of the UNESCO.
-----quotation from whc.unesco.org:------
Together the Cathedral, Alcázar and Archivo de Indias as a series, form a remarkable monumental complex in the heart of Seville. They perfectly epitomize the Spanish "Golden Age", incorporating vestiges of Islamic culture, centuries of ecclesiastical power, royal sovereignty and the trading power that Spain acquired through its colonies in the New World.
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The original nucleus of the Alcázar was constructed in the 10th century as the palace of the Moslem governor, and is used even today as the Spanish royal family's residence in this city, thereby retaining the same purpose for which it was originally intended: as a residence of monarchs and heads of state. Built and rebuilt from the early Middle Ages right up to our times, it consists of a group of palatial buildings and extensive gardens. The Alcázar embraces a rare compendium of cultures where areas of the original Almohad palace - such as the "Patio del Yeso" or the "Jardines del Crucero" - coexist with the Palacio de Pedro I representing Spanish Mudejar art, together with other constructions displaying every cultural style from the Renaissance to the Neoclassical.
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-----quotation from en.wikipedia.org:-----
Seville ... is the capital of the autonomous community of Andalusia and the province of Seville, Spain. It is situated on the plain of the River Guadalquivir, with an average elevation of 7 metres (23 ft) above sea level. The inhabitants of the city are known as sevillanos (feminine form: sevillanas) or hispalenses, following the Roman name of the city, Hispalis.
Seville is the fourth largest city of Spain with a municipal population of about 703,000 as of 2011, and a metropolitan population (including satellite towns) of about 1.2 million, making it the 31st most populous municipality in the European Union. Its Old Town is one of the three largest in Europe along with Venice and Genoa (covering almost four square kilometers), which includes three UNESCO World Heritage Sites (the Alcázar palace complex, the Cathedral and the General Archive of the Indies). The Seville harbor, located about 80 km from the Atlantic Ocean, is the only river port in Spain.
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Andalusia holiday April 2012
The Danse Macabre (Dance of Death) attributed to the Lübeck master Bernt Notke (c. 1435 - 1508/1509) depicts the transience of life, the skeletal figures of Death taking along the mighty as well as the feeble ones.
The original painting was 30 meters (98.4 ft) wide, but only two fragments of 6.4 m and 1.15 meters still exist. They were joined and framed in 1843. The original painting showed 24 couples, each consisting of a figure and death claiming it. This image shows the left end of the picture. It shows a preacher who admonishes his congregation. This is probably a contemporary replica of Notke's Lübeck Danse Macabre (1463) which perished in WW II.
The painting is housed at the St. Nicholas' Church (Niguliste kirik), a Gothic church which now serves as a branch of the Eesti Kunstimuuseum (Art Museum of Estonia) that contains mainly ecclesiastical art.
Manueline arch in the cloister of Mosteiro dos Jerónimos (Hieronymites Monastery), Belém, Lisboa (Lisbon), Portugal.
The Hieronymites Monastery (official name: Mosteiro da Santa Maria de Belém), located near the shore of Rio Tejo (Tagus river), is one of the most prominent monuments of the Manueline style architecture. Along with the predominant Manueline style, there are also elements of the Spanish Plateresque style, and of Renaissance style.
The monastery was built by order of Manuel I. shortly after Vasco da Gama had returned from his first journey to India. The building was financed with the money now rolling in from the overseas trade. Work began in 1502 and ended in 1544 (except for some extensions that were added later).
Up to 1834, the monastery gave home to the order of the Hieronymites (that's where it's got its name from). The building survived the great earthquake of 1755 without larger damage, but was ravaged by Napoleon's troops in the beginning of the 19th century.
In 1983, Mosteiro dos Jerónimos was - together with the nearby Torre de Belém (Bélem tower) - inscribed on the World Heritage List of the UNESCO.
On December 13, 2007, the Treaty of Lisbon was signed at the monastery, laying down the basis for the reform of the European Union.
----quotation from en.wikipedia.org about the cloister----
Work on the vast square cloister (55 x 55 m) of the monastery was begun by Boitac. He built the groin vaults with wide arches and windows with tracery resting on delicate mullions. Juan de Castilho finished the construction by giving the lower storey a classical overlay and building a more recessed upper-storey. The construction of such a cloister was a novelty at the time. Castilho changed the original round columns of Boitac into rectangular ones, and embellished it with Plateresque-style ornamentation. Each wing consists of six bays with tracery vaults. The four inner bays rest on massive buttresses, forming broad arcades. The corner bays are linked by a diagonal arched construction and show the richly decorated corner pillars. The cloister had a religious function as well as a representative function by its decorative ornamentation and the dynastic symbolic motives, such as the armillarium, coat-of-arms, and the cross from the Order of Christ, showing the growing world power of Portugal.
The inside walls of the cloister have a wealth of Manueline motives with nautical elements, in addition to European, Moorish and Eastern motifs. The round arches and the horizontal structure are clearly in line with the Renaissance style, while at the same time there is also a relationship with Spanish architecture. The decorations on the outer walls of the inner courtyard were made in Plateresco style by Castilho: the arcades include traceried arches that give the construction a filigree aspect.
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-----quotation from en.wikipedia.org about Manueline style-----
Several elements appear regularly in these intricately carved stoneworks:
- elements used on ships: the armillary sphere (a navigational instrument and the personal emblem of Manuel I and also symbol of the cosmos), spheres, anchors, anchor chains, ropes and cables.
- elements from the sea, such as shells, pearls and strings of seaweed.
- botanical motifs such as laurel branches, oak leaves, acorns, poppy capsules, corncobs, thistles.
- symbols of Christianity such as the cross of the Order of Christ (former Templar knights), the military order that played a prominent role and helped finance the first voyages of discovery. The cross of this order decorated the sails of the Portuguese ships.
- elements from newly discovered lands (such as the tracery in the Claustro Real in the Monastery of Batalha, suggesting Islamic filigree work, influenced by buildings in India)
- columns carved like twisted strands of rope
- semicircular arches (instead of Gothic pointed arches) of doors and windows, sometimes consisting of three or more convex curves
- multiple pillars
- eight-sided capitals
- lack of symmetry
- conical pinnacles
- bevelled crenellations
- ornate portals with niches or canopies.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Fountain hall of the Cloister of Silence of Mosteiro de Alcobaça (Alcobaça Monastery), full name Real Abadia de Santa Maria de Alcobaça (Royal Abbey of Saint Mary of Alcobaça), Alcobaça, Portugal.
----citation from en.wikipedia.org----
The Alcobaça Monastery (Portuguese: Mosteiro de Santa Maria de Alcobaça) is a Mediaeval Roman Catholic Monastery located in the town of Alcobaça, in central Portugal. It was founded by the first Portuguese King, Afonso Henriques, in 1153, and maintained a close association with the Kings of Portugal throughout its history.
The church and monastery were the first Gothic buildings in Portugal, and, together with the Monastery of Santa Cruz in Coimbra, it was one of the most important of the mediaeval monasteries in Portugal. Due to its artistic and historical importance, it was listed by UNESCO as a World Heritage Site in 1989.
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Art and architecture
The Alcobaça Monastery was built following an early Gothic style, and represents the arrival of this style in Portugal. The church and other main buildings were constructed from 1178 until the end of the 13th century. The church was consecrated in 1252. Following the precepts of the Order of Cistercians, the original monastic buildings were built under clean architectonic lines, without any decoration apart from some capital sculpture and a statue of the Virgin Mary.
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Cloister of Silence
The cloister of the monastery was built during the reign of, and sponsored by, King Dinis I. It is one of the largest mediaeval Cistercian cloisters in Europe. Its columns are decorated by capitals with animal and vegetal motifs. The builder was the Portuguese architect Domingo Domingues. The Gothic Fountain Hall has an elegant early renaissance water basin inside, decorated with renaissance motifs including the coat-of-arms of the monastery and reliefs of gryphs. The second floor of the cloister, in manueline style as revealed by its typical twisted columns, was built in the early 16th century.
----end of citation----
Alcobaça monastery is inscribed in the World Heritage List of the UNESCO.
----citation from whc.unesco.org----
By virtue of its magnificent dimensions, the clarity of the architectural style, the beauty of the material used and the care with which it was built, the Cistercian Monastery of Santa Maria d'Alcobaça is a masterpiece of Gothic Cistercian art. It bears witness to the spread of an aesthetic style that developed in Burgundy at the time of St Bernard and to the survival of the ascetic ideal which characterized the order's early establishments such as Fontenay. The tombs of Dom Pedro and Doña Inés de Castro are among the most beautiful of Gothic funerary sculptures.
The monastery is also an outstanding example of a great Cistercian establishment with a unique infrastructure of hydraulic systems and functional buildings. Deservedly renowned, the 18th-century kitchen adds to the interest of the group of monastic buildings from the medieval period (cloister and lavabo, chapter room, parlour, dormitory, the monks' room and the refectory).
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Huê - Vietnam
All rights reserved - Copyright © Joerg Reichel
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Ceiling inside Real Alcázar de Sevilla (Royal Palace of Seville), Sevilla (Seville), Province of Sevilla (Seville), Andalusia, Spain.
Real Alcazár is one of the best preserved examples of Mudéjar architecture (built under Christian rule, but with strong Islamic influence).
Together with Seville Cathedral and the General Archive of the Indies of Seville it is inscribed in the World Heritage List of the UNESCO.
-----quotation from whc.unesco.org:------
Together the Cathedral, Alcázar and Archivo de Indias as a series, form a remarkable monumental complex in the heart of Seville. They perfectly epitomize the Spanish "Golden Age", incorporating vestiges of Islamic culture, centuries of ecclesiastical power, royal sovereignty and the trading power that Spain acquired through its colonies in the New World.
...
The original nucleus of the Alcázar was constructed in the 10th century as the palace of the Moslem governor, and is used even today as the Spanish royal family's residence in this city, thereby retaining the same purpose for which it was originally intended: as a residence of monarchs and heads of state. Built and rebuilt from the early Middle Ages right up to our times, it consists of a group of palatial buildings and extensive gardens. The Alcázar embraces a rare compendium of cultures where areas of the original Almohad palace - such as the "Patio del Yeso" or the "Jardines del Crucero" - coexist with the Palacio de Pedro I representing Spanish Mudejar art, together with other constructions displaying every cultural style from the Renaissance to the Neoclassical.
----end of quotation-----
-----quotation from en.wikipedia.org:-----
Seville ... is the capital of the autonomous community of Andalusia and the province of Seville, Spain. It is situated on the plain of the River Guadalquivir, with an average elevation of 7 metres (23 ft) above sea level. The inhabitants of the city are known as sevillanos (feminine form: sevillanas) or hispalenses, following the Roman name of the city, Hispalis.
Seville is the fourth largest city of Spain with a municipal population of about 703,000 as of 2011, and a metropolitan population (including satellite towns) of about 1.2 million, making it the 31st most populous municipality in the European Union. Its Old Town is one of the three largest in Europe along with Venice and Genoa (covering almost four square kilometers), which includes three UNESCO World Heritage Sites (the Alcázar palace complex, the Cathedral and the General Archive of the Indies). The Seville harbor, located about 80 km from the Atlantic Ocean, is the only river port in Spain.
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Andalusia holiday April 2012
The St. Mary's Cathedral (Toomkirik) is located on the Toompea Hill that overlooks the city of Tallinn. A first wooden church was already present when the Danes invaded in 1219. A Gothic single-aisled stone church was built 1223-1240. It was expanded into the current three-aisled structure in the 14th century. When the Reformation in Estonia was completed in 1561, the cathedral became the main Lutheran church in Estonia.
The interior decor was replaced in a Baroque style after a fire in 1684. The new pulpit with figures of the apostles (1686) and the altarpiece (1696) were made by the Estonian sculptor and carver Christian Ackermann. In 1778-79 a new baroque spire was added.
Mountainous landscape around Encumeada pass in the Ribeira Brava valley, island of Madeira, Portugal.
Hiking tour "Two levadas near Encumeada pass": Levada das Rabaças and Levada do Norte.
This region of Madeira is part of the UNESCO World Heritage Site Laurisilva of Madeira.
Madeira is a Portuguese island in the Atlantic ocean, approximately 1000 km (620 mi) southwest of Lisbon and 700 km (435 mi) west of the Moroccan coast. Situated in a hot spot area, Madeira is of volcanic origin, formed during several eruptive phases, the last of which ended around 6500 years ago. Madeira is a very mountainous island. With an extent of only 57 km (35 mi) from west to east and 22 km (14 mi) from north to south, and with the highest mountain having an elevation of 1862 m (6109 ft), the terrain of the island is mostly very rocky and steep, except for the high plateau Paul da Serra.
Madeira is also known as the "island of flowers", although most of the popular "typical" Madeiran flowers (like the bird of paradise flower, the hydrangea, the agapanthus and others) are neither endemic nor native. Some of the genuine Madeiran plants are the "Pride of Madeira" (Echium candicans), Canary Islands Juniper (Juniperus cedrus) and the laurel forests of Madeira (the latter one being listed as UNESCO World Heritage).
Madeira is permeated by artificially built water channels called levadas, which distribute the water from the wetter northern half of the island to the agricultural regions of the south. The levadas, mostly built by prisoners or slaves, were cut into the side of the mountains, partly running through tunnels, and enabled for example the cultivation of sugar cane which was the source of the Madeiran wealth during the 15th to 17th century.
Today most of the levadas are still in use, not only for irrigation but also for hydroelectricity. Running across the whole island, they provide a wide network of walking paths, making even extremely remote regions of the island accessible to pedestrians, which is one of the reasons for Madeira's popularity as a hiking paradise.
Madeira hiking holiday July 2013.
This Jugendstil (Art Nouveu) building in Riga was designed by the German-Baltic architect Mihails Eizenšteins (Mikhail Eisenstein; 1867—1921) and built in 1904. Eizenšteins was the father of the Soviet film director Sergei Eisenstein.
www.jugendstils.riga.lv/lat/JugendstilsRiga/eizensteins/a...
This Jugendstil (Art Nouveu) building in Riga was designed by the German-Baltic architect Mihails Eizenšteins (Mikhail Eisenstein; 1867—1921) and built in 1904. Eizenšteins was the father of the Soviet film director Sergei Eisenstein.
www.jugendstils.riga.lv/JugendstilsRiga//eizensteins/albe...
The Riga Cathedral (Rīgas Doms) today is the main Lutheran church in Riga. Construction began in 1211 so the basic architecture is Gothic. A number of remodeling projects over the centuries left their stylistic marks on the cathedral. The lovely Baroque gable was added in 1727.
Blick auf dem Stevns Klint (Unesco-Weltnaturerbe) von der alten Kirche von Højerup (Gamle Kirke), Seeland/Dänemark.
Cliffs of Stevns (Unesco World Heritage) seen from the church of Højerup (Gamle Kirke), Zealand / Denmark.
es.wikipedia.org/wiki/Palacio_de_la_Orangerie
de.wikipedia.org/wiki/Orangerieschloss_(Potsdam)
en.wikipedia.org/wiki/Orangery_Palace
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Nave of Mosteiro de Alcobaça (Alcobaça Monastery), full name Real Abadia de Santa Maria de Alcobaça (Royal Abbey of Saint Mary of Alcobaça), Alcobaça, Portugal.
----citation from en.wikipedia.org----
The Alcobaça Monastery (Portuguese: Mosteiro de Santa Maria de Alcobaça) is a Mediaeval Roman Catholic Monastery located in the town of Alcobaça, in central Portugal. It was founded by the first Portuguese King, Afonso Henriques, in 1153, and maintained a close association with the Kings of Portugal throughout its history.
The church and monastery were the first Gothic buildings in Portugal, and, together with the Monastery of Santa Cruz in Coimbra, it was one of the most important of the mediaeval monasteries in Portugal. Due to its artistic and historical importance, it was listed by UNESCO as a World Heritage Site in 1989.
...
Art and architecture
The Alcobaça Monastery was built following an early Gothic style, and represents the arrival of this style in Portugal. The church and other main buildings were constructed from 1178 until the end of the 13th century. The church was consecrated in 1252. Following the precepts of the Order of Cistercians, the original monastic buildings were built under clean architectonic lines, without any decoration apart from some capital sculpture and a statue of the Virgin Mary.
...
Interior of the church
The first architect(s) of the church, most probably of French origin, followed the design of the Abbey of Clairvaux (now mostly demolished), which had been founded by Bernard of Clairvaux in 1115. The church is a Latin-cross building with pronounced transept arms and three aisles. The lateral aisles of the nave are as high (20 metres) as the central one, which together with the relative slenderness of the church (17 metres) and large length (106 metres) conveys an impression of monumentality. Alcobaça remains, after 800 years, the largest Portuguese church. The vertical emphasis observed in the building is a typical gothic feature.
Columns and walls are devoid of decoration, as required in Cistercian churches, and the interior is very brightly illuminated by rows of windows on the walls and rose windows on the main façade and transept arms. The main chapel, like in Clairvaux, is surrounded by a gallery (ambulatory) and has a series of radiating chapels. The aisles are covered by simple Gothic vaulting.
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Alcobaça monastery is inscribed in the World Heritage List of the UNESCO.
----citation from whc.unesco.org----
By virtue of its magnificent dimensions, the clarity of the architectural style, the beauty of the material used and the care with which it was built, the Cistercian Monastery of Santa Maria d'Alcobaça is a masterpiece of Gothic Cistercian art. It bears witness to the spread of an aesthetic style that developed in Burgundy at the time of St Bernard and to the survival of the ascetic ideal which characterized the order's early establishments such as Fontenay. The tombs of Dom Pedro and Doña Inés de Castro are among the most beautiful of Gothic funerary sculptures.
The monastery is also an outstanding example of a great Cistercian establishment with a unique infrastructure of hydraulic systems and functional buildings. Deservedly renowned, the 18th-century kitchen adds to the interest of the group of monastic buildings from the medieval period (cloister and lavabo, chapter room, parlour, dormitory, the monks' room and the refectory).
----end of citation----
Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Entrance in Heilgeiststraße, Hanseatic Town of Stralsund, district of Vorpommern-Rügen, Mecklenburg-Vorpommern (Mecklenburg-Western Pomerania), Germany.
----quotation from en.wikipedia.org:----
The town of Stralsund lies in Northeast Germany in the region of Western Pomerania in the state of Mecklenburg-Vorpommern.
...
The town lies on the sound of Strelasund, a strait of the Baltic Sea. Its geographic proximity to the island of Rügen, whose only fixed link to the mainland, the Strelasund Crossing, runs between Stralsund and the village of Altefähr, has given Stralsund the sobriquet "Gateway to the Island of Rügen" (Tor zur Insel Rügen). Stralsund lies close to the Western Pomerania Lagoon Area National Park.
A municipal forest and three municipal ponds (the Knieperteich, Frankenteich and Moorteich) belong to the Stralsund's town borough . The three ponds and the Strelasund lend the Old Town, the original settlement site and historic centre of the town, a protected island location.
...
The centre of Stralsund has a wealth of historic buildings. Since 1990, large parts of the historic old town have been renovated with private and public capital, and with the support of foundations. As a result of the contempt for historic buildings in East Germany many houses were threatened by ruin. The Old Town in particular, offers a rich variety of historic buildings, with many former merchants' houses, churches, streets and squares. Of more than 800 listed buildings in Stralsund, more than 500 are designated as individual monuments in the Old Town. In twenty years, from the Wende in 1990 to November 2010, 588 of the more than 1,000 old buildings were completely refurbished, including 363 individual monuments. Because of its historical and architectural significance, in 2002 Stralsund's old town together with the old town of Wismar were added to entitled the UNESCO World Cultural Heritage list as the "Historic Centres of Stralsund and Wismar".
----end of quotation----
----quotation from whc.unesco.org:----
The medieval towns of Wismar and Stralsund, on the Baltic coast of northern Germany, were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the Town Hall of Stralsund, and the series of houses for residential, commercial and crafts use, representing its evolution over several centuries.
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Stralsund short trip October 2012
Hiking tour from Queimadas to Caldeirão Verde ("Green cauldron") and (somewhere near) Caldeirão do Inferno ("Cauldron of hell"), island of Madeira, Portugal.
This region of Madeira is part of the UNESCO World Heritage Site Laurisilva of Madeira.
Madeira is a Portuguese island in the Atlantic ocean, approximately 1000 km (620 mi) southwest of Lisbon and 700 km (435 mi) west of the Moroccan coast. Situated in a hot spot area, Madeira is of volcanic origin, formed during several eruptive phases, the last of which ended around 6500 years ago. Madeira is a very mountainous island. With an extent of only 57 km (35 mi) from west to east and 22 km (14 mi) from north to south, and with the highest mountain having an elevation of 1862 m (6109 ft), the terrain of the island is mostly very rocky and steep, except for the high plateau Paul da Serra.
Madeira is also known as the "island of flowers", although most of the popular "typical" Madeiran flowers (like the bird of paradise flower, the hydrangea, the agapanthus and others) are neither endemic nor native. Some of the genuine Madeiran plants are the "Pride of Madeira" (Echium candicans), Canary Islands Juniper (Juniperus cedrus) and the laurel forests of Madeira (the latter one being listed as UNESCO World Heritage).
Madeira is permeated by artificially built water channels called levadas, which distribute the water from the wetter northern half of the island to the agricultural regions of the south. The levadas, mostly built by prisoners or slaves, were cut into the side of the mountains, partly running through tunnels, and enabled for example the cultivation of sugar cane which was the source of the Madeiran wealth during the 15th to 17th century.
Today most of the levadas are still in use, not only for irrigation but also for hydroelectricity. Running across the whole island, they provide a wide network of walking paths, making even extremely remote regions of the island accessible to pedestrians, which is one of the reasons for Madeira's popularity as a hiking paradise.
Madeira hiking holiday July 2013.
Levada do Norte, Madeira, island of Madeira, Portugal.
Hiking tour "Two levadas near Encumeada pass": Levada das Rabaças and Levada do Norte.
This region of Madeira is part of the UNESCO World Heritage Site Laurisilva of Madeira.
Madeira is a Portuguese island in the Atlantic ocean, approximately 1000 km (620 mi) southwest of Lisbon and 700 km (435 mi) west of the Moroccan coast. Situated in a hot spot area, Madeira is of volcanic origin, formed during several eruptive phases, the last of which ended around 6500 years ago. Madeira is a very mountainous island. With an extent of only 57 km (35 mi) from west to east and 22 km (14 mi) from north to south, and with the highest mountain having an elevation of 1862 m (6109 ft), the terrain of the island is mostly very rocky and steep, except for the high plateau Paul da Serra.
Madeira is also known as the "island of flowers", although most of the popular "typical" Madeiran flowers (like the bird of paradise flower, the hydrangea, the agapanthus and others) are neither endemic nor native. Some of the genuine Madeiran plants are the "Pride of Madeira" (Echium candicans), Canary Islands Juniper (Juniperus cedrus) and the laurel forests of Madeira (the latter one being listed as UNESCO World Heritage).
Madeira is permeated by artificially built water channels called levadas, which distribute the water from the wetter northern half of the island to the agricultural regions of the south. The levadas, mostly built by prisoners or slaves, were cut into the side of the mountains, partly running through tunnels, and enabled for example the cultivation of sugar cane which was the source of the Madeiran wealth during the 15th to 17th century.
Today most of the levadas are still in use, not only for irrigation but also for hydroelectricity. Running across the whole island, they provide a wide network of walking paths, making even extremely remote regions of the island accessible to pedestrians, which is one of the reasons for Madeira's popularity as a hiking paradise.
Madeira hiking holiday July 2013.
Detail of the colonnaded footpath with sloping columns, carrying the road above, in Parc Güell (Park Güell), Barcelona, autonomous community Catalonia, Spain.
---quotation from en.wikipedia.org about Park Güell:---
Park Güell (Catalan: Parc Güell...) is a garden complex with architectural elements situated on the hill of El Carmel in the Gràcia district of Barcelona, Catalonia, Spain. It was designed by the Catalan architect Antoni Gaudí and built in the years 1900 to 1914. It has an extension of 17.18 ha (0.1718 km²), which makes it one of the largest architectural works in south Europe. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí".
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---quotation from en.wikipedia.org about Antoni Gaudí:---
Antoni Gaudí i Cornet (...25 June 1852 – 10 June 1926) was a Spanish Catalan architect and figurehead of Catalan Modernism. Gaudí's works reflect his highly individual and distinctive style and are largely concentrated in the Catalan capital of Barcelona, notably his magnum opus, the Sagrada Família.
Much of Gaudí's work was marked by his big passions in life: architecture, nature, religion. Gaudí studied every detail of his creations, integrating into his architecture a series of crafts in which he was skilled: ceramics, stained glass, wrought ironwork forging and carpentry. He introduced new techniques in the treatment of materials, such as trencadís, made of waste ceramic pieces.
After a few years under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Catalan Modernista movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in an organic style inspired by nature. Gaudí rarely drew detailed plans of his works, instead preferring to create them as three-dimensional scale models and molding the details as he was conceiving them.
Gaudí’s work enjoys widespread international appeal and many studies are devoted to understanding his architecture. Today, his work finds admirers among architects and the general public alike. His masterpiece, the still-uncompleted Sagrada Família, is one of the most visited monuments in Spain. Between 1984 and 2005, seven of his works were declared World Heritage Sites by UNESCO.
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---quotation from en.wikipedia.org about Barcelona:---
Barcelona (...) is the capital of Catalonia and the second largest city in Spain, after Madrid, with a population of 1,620,943 within its administrative limits on a land area of 101.4 km² (39 sq mi). The urban area of Barcelona extends beyond the administrative city limits with a population of around 4.5 million within an area of 803 km² (310 sq mi), being the sixth-most populous urban area in the European Union after Paris, London, the Ruhr, Madrid and Milan. About five million people live in the Barcelona metropolitan area. It is also the largest metropolis on the Mediterranean Sea. It is located on the Mediterranean coast between the mouths of the rivers Llobregat and Besòs and is bounded to the west by the Serra de Collserola ridge (512 metres (1,680 ft)).
Founded as a Roman city, Barcelona became the capital of the County of Barcelona. After merging with the Kingdom of Aragon, Barcelona became the most important city of the Crown of Aragon. Besieged several times during its history, Barcelona has a rich cultural heritage and is today an important cultural centre and a major tourist destination. Particularly renowned are the architectural works of Antoni Gaudí and Lluís Domènech i Montaner, which have been designated UNESCO World Heritage Sites. The headquarters of the Union for the Mediterranean is located in Barcelona. The city is known for hosting the 1992 Summer Olympics as well as world-class conferences and expositions and also many international sport tournaments.
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Costa Brava holiday April 2009.
Capela Palatina (Palatine chapel), Palácio Nacional de Sintra (Sintra National Palast), Sintra, Portugal.
Sintra National Palace belongs to the UNESCO World Heritage Site Cultural Lanscape of Sintra.
----quotation from en.wikipedia.org:----
The Sintra National Palace [...] is the best preserved mediaeval Royal Palace in Portugal, having been inhabited more or less continuously at least from the early 15th up to the late 19th century. It is an important tourist attraction and is part of the Cultural landscape of Sintra, designated World Heritage Site by UNESCO.
The history of the Sintra Palace goes back to the times of Islamic domination, when Sintra had two different castles. [...] Its first historical reference dates from the 10th century [...]. In the 12th century, when the village was conquered by King Afonso Henriques, the King took the residence in his possession. The mixture of Gothic, Manueline and Moorish styles in the present palace is, however, mainly the result of building campaigns in the 15th and early 16th centuries.
Nothing built during Moorish rule or during the reign of the first Portuguese kings survives. The earliest surviving part of the palace is the Royal Chapel, possibly built during the reign of King Dinis I in the early 14th century. Much of the palace dates from the times of King John I, who sponsored a major building campaign starting around 1415.
[...]
The other major building campaign that defined the structure and decoration of the Palace was sponsored by King Manuel I between 1497 and 1530, using the wealth engendered by the exploratory expeditions in this Age of Discoveries. The reign of this King saw the development of a transitional Gothic-Renaissance art style, named Manueline, as well as a kind of revival of Islamic artistic influence (Mudéjar) reflected in the choice of polychromed ceramic tiles (azulejos) as a preferred decorative art form.
[...]
In the following centuries the Palace continued to be inhabited by Kings from time to time, gaining new decoration in the form of paintings, tile panels and furniture. A sad story associated with the Palace is that of the mentally unstable King Afonso VI, who was deposed by his brother Pedro II and forced to live without leaving the Palace from 1676 until his death in 1683.
The ensemble suffered damage after the 1755 Lisbon Earthquake but was restored in the "old fashion", according to contemporary accounts.
[...]
During the 19th century, Sintra became again a favourite spot for the Kings and the Palace of Sintra was frequently inhabited. [...] With the foundation of the Republic, in 1910, the Palace became a National Monument. [...] It has been an important historical tourist attraction ever since.
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----quotation from en.wikipedia.org about Sintra:----
Sintra [...] is a town within the municipality of Sintra in the Grande Lisboa subregion (Lisbon Region) of Portugal. Owing to its 19th century Romantic architecture and landscapes, becoming a major tourist centre, visited by many day-trippers who travel from the urbanized suburbs and capital of Lisbon.
In addition to the Sintra Mountains and Sintra-Cascais Nature Park, the parishes of the town of Sintra are dotted by royal retreats, estates, castles and buildings from the 8th-9th century, in addition to many buildings completed between the 15th and 19th century, including the Castelo dos Mouros, the Pena National Palace and the Sintra National Palace, resulting in its classification by UNESCO as a World Heritage Site in 1995.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
"Tã ya Serey": Detail of the Manueline portal of the Panteão de D. Duarte (pantheon of King Duarte), better known as Capelas Imperfeitas (Unfinished Chapels) of Mosteiro de Santa Maria da Vitória (Monastery of Saint Mary of Victory), better known as Mosteiro da Batalha (Monastery of Batalha, literally Monastery of the Battle), Batalha, Portugal.
This is a part of King Duarte's motto "Leauté Faray Tã ya Serey" (I will always be loyal)
Batalha monastery is inscribed in the World Heritage List of the UNESCO.
---citation from whc.unesco.org---
The Monastery of the Dominicans of Batalha was built to commemorate the victory of the Portuguese over the Castilians at the battle of Aljubarrota in 1385. It was to be the Portuguese monarchy's main building project for the next two centuries. Here a highly original, national Gothic style evolved, profoundly influenced by Manueline art, as demonstrated by its masterpiece, the Royal Cloister.
---end of citation---
-----citation from en.wikipedia.org-----
Unfinished Chapels (Capelas Imperfeitas)
As Capelas Imperfeitas (The Unfinished Chapels) remain as a testimony of the fact that the monastery was never actually finished. They form a separate octagonal structure tacked on the choir of the church (via a retrochoir) and only accessible from the outside. It was commissioned in 1437 by King Duarte I as a second royal mausoleum for himself and his descendants. But he and his queen Leonor of Aragon are the only ones buried here. The original design, begun by Huguet, was altered by successive architects, especially Mateus Fernandes (who is buried inside the church). The octagonal rotunda has seven radiating hexagonal chapels. In the corners of the chapels stand the massive unfinished buttresses, that were intended to support the vault. These pillars, designed by Diogo Boitac, are decorated with Manueline motives carved in stone.
The portal rises to a monumental fifteen metres. It was originally built in Gothic style, but was transformed beyond recognition by Mateus Fernandes into a masterpiece of Manueline style (completed in 1509). It is completely decorated into a lacework of sumptuous and stylized Manueline motives : armillary, spheres, winged angels, ropes, circles, tree stumps, clover-shaped arches and florid projections. This homage of King Manuel I to his predecessor King D. Duarte mentions his motto Leauté faray tam yaserei (I will always be loyal). This motto is then repeated more than two hundred times in the arches, vaults and pillars of the chapels.
The Renaissance loggia, added at about 1533, was probably meant for musicians. It is ascribed to the architect João de Castilho.
----end of citation----
-----citation from en.wikipedia.org about Manueline style-----
Several elements appear regularly in these intricately carved stoneworks:
- elements used on ships: the armillary sphere (a navigational instrument and the personal emblem of Manuel I and also symbol of the cosmos), spheres, anchors, anchor chains, ropes and cables.
- elements from the sea, such as shells, pearls and strings of seaweed.
- botanical motifs such as laurel branches, oak leaves, acorns, poppy capsules, corncobs, thistles.
- symbols of Christianity such as the cross of the Order of Christ (former Templar knights), the military order that played a prominent role and helped finance the first voyages of discovery. The cross of this order decorated the sails of the Portuguese ships.
- elements from newly discovered lands (such as the tracery in the Claustro Real in the Monastery of Batalha, suggesting Islamic filigree work, influenced by buildings in India)
- columns carved like twisted strands of rope
- semicircular arches (instead of Gothic pointed arches) of doors and windows, sometimes consisting of three or more convex curves
- multiple pillars
- eight-sided capitals
- lack of symmetry
- conical pinnacles
- bevelled crenellations
- ornate portals with niches or canopies.
----end of citation-----
Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Partially burnt choir stalls inside Dom zu Lübeck (Lübeck Cathedral), Hanseatic City of Lübeck, Schleswig-Holstein, Germany.
These choir stalls were partially burnt during the British air raid on Palm Sunday 1942 in World War II.
---quotation from en.wikipedia.org:---
The Lübeck Cathedral (German: Dom zu Lübeck, or colloquially Lübecker Dom) is a large brick Lutheran cathedral in Lübeck, Germany and part of Lübeck's world heritage. It was started in 1173 by Henry the Lion as a cathedral for the Bishop of Lübeck. It was partly destroyed in a bombing raid in World War II (1942), and later reconstructed. The organ by Arp Schnitger was lost in the fire. The current church was finished in 1982.
It is also famous for works of Bernt Notke and Thomas Quellinus, which survived the bombing raid in 1942. The famous altar by Hans Memling is now in Lübeck's St. Annen Museum.
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The old city center of Lübeck is in great parts inscribed in the World Heritage List of the UNESCO. A plan of the inscribed zones can be found here: whc.unesco.org/download.cfm?id_document=102311
---quotation from whc.unesco.org:---
Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
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Sightseeing tour with Seppo and Merja on 15 September 2013.
St. Thomas church, seen from Wallenstein Palace (Valdštejnský palác), Lesser Town (Malá Strana), Prague (Praha), Czech Republic.
Wallenstein Palace was built from 1623-1630 by Albrecht von Wallenstein, Duke of Mecklenburg (1583-1634) in Baroque style. Today it is the home of the Czech Senate.
The Historic Centre of Prague is inscribed in the World Heritage List of the UNESCO.
Citation from whc.unesco.org/en/list/616
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Built between the 11th and 18th centuries, the Old Town, the Lesser Town and the New Town speak of the great architectural and cultural influence enjoyed by this city since the Middle Ages. The many magnificent monuments, such as Hradcani Castle, St Vitus Cathedral, Charles Bridge and numerous churches and palaces, built mostly in the 14th century under the Holy Roman Emperor, Charles IV.
Prague is one of the most beautiful cities in Europe in terms of its setting on both banks of the Vltava River, its townscape of burger houses and palaces punctuated by towers, and its individual buildings.
The Historic Centre represents a supreme manifestation of Medieval urbanism (the New Town of Emperor Charles IV built as the New Jerusalem). The Prague architectural works of the Gothic Period (14th and 15th centuries), of the High Baroque of the 1st half of the 18th century and of the rising modernism after the year 1900, influenced the development of Central Europe, perhaps even all European architecture. Prague represents one of the most prominent world centres of creative life in the field of urbanism and architecture across generations, human mentality and beliefs.
Prague belongs to the group of historic cities which have preserved the structure of their development until the present times. Within the core of Prague, successive stages of growth and changes have respected the original grand-scale urban structure of the Early Middle Ages. This structure was essentially and greatly enlarged with urban activities in the High Gothic period with more additions during the High Baroque period and in the 19th century. It has been saved from any large-scale urban renewal or massive demolitions and thus preserves its overall configuration, pattern and spatial composition.
In the course of the 1100 years of its existence, Prague’s development can be documented in the architectural expression of many historical periods and their styles. The city is rich in outstanding monuments from all periods of its history. Of particular importance are Prague Castle, the Cathedral of St Vitus, Hradćany Square in front of the Castle, the Valdgtejn Palace on the left bank of the river, the Gothic Charles Bridge, the Romanesque Rotunda of the Holy Rood, the Gothic arcaded houses round the Old Town Square, the High Gothic Minorite Church of St James in the Stark Mĕsto, the late 19th century buildings and town plan of the Nave Mĕsto.
As early as the Middle Ages, Prague became one of the leading cultural centres of Christian Europe. The Prague University, founded in 1348, is one of the earliest in Europe. The milieu of the University in the last quarter of the 14th century and the first years of the 15th century contributed among other things to the formation of ideas of the Hussite Movement which represented in fact the first steps of the European Reformation. As a metropolis of culture, Prague is connected with prominent names in art, science and politics, such as Charles IV, Petr Parléř, Jan Hus, Johannes Kepler, Wolfgang Amadeus Mozart, Franz Kafka, Antonín Dvořák, Albert Einstein, Edvard Beneš (co-founder of the League of Nations) and Václav Havel.
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End of citation
"Glass Invasion" The Museum had a kind of extra exhibition trying to cover new approaches to traditional materials. Glass is the first of them. So there were a lot of modern glass objects among the older things and it was interesting to see how old and new worked and corresponded.
You can find the information about the works and the names of the artists in the tags.
All pictures clickable and some more in the set.
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"Glas Invasion" Das Museum will neue Herangehensweisen an traditionelle Materialien zeigen. Glas ist das erste. (Es werden also noch mehr solcher Sonderausstellungen folgen.) Es waren viele moderne Glaswerke mitten unter den "alten" Ausstellungsstücken und es war interessant zu sehen, wie die Dinge miteinander harmoniert und korrespondiert haben. Die Informationen zu den einzelnen Werken stehen immer in den Tags.
Alle Bilder anklickbar und noch mehr im Album.
The Dominiiklaste Klooster (Dominican Monastery) is known to have existed since at least 1246. Its buildings in a Gothic style are among the oldest in Tallinn. In 1524, during the Reformation, the monastery was partly destroyed. Only fragments remain of the original complex, like this portal of the original monastery church that no longer exists.