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Created in England in the late twelfth century, this manuscript was intended to be a scientific textbook for monks. The manuscript is brief at nine folios, and was designed as a compendium of cosmographical knowledge drawn from early Christian writers such as Bede and Isidore, as well as the later Abbo of Fleury. Those writers, in turn, drew on classical sources like Pliny the Elder for their knowledge, but adapted it to be understood through the filter of Christianity. The twenty complex diagrams that accompany the texts in this pamphlet help illustrate them, and include visualizations of the heavens and earth, seasons, winds, tides, and the zodiac, as well as demonstrations of how these things relate to man. Although the exact grouping of texts and diagrams here is unique, the manuscript is related to other scientific compilations from this era, such as British Library, Royal Ms. 13 A.XI, Cotton Ms. Tiberius E.IV, and Oxford, St. John's College, Ms. 17.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Still feeling very much under the weather but we went out for a short drive in an effort to soak up some of the glorious sunshine we had on this last day of Winter. Bly skies, sunny and 23˚C. I took this from the car too, but from the passenger seat this time.
Apologies I am so very far behind on all of your streams. It's taking everything I have just to be able to keep up with my 365. I thank you for your continued support and I am so looking forward to catching up on your streams when I'm feeling well again, which I hope is very soon.
The devil, who has been an actor that now struggles through life as a small-time crook, knocks the giant down by order of some people of the village. He apologizes to the Giant: "I am also only a poor devil"
Stage Direction: The taylor cleans the blood-smeared face of the giant. Irmelin, the little woman, stands on top of the human pyramide. Fearfully she looks to the giant, she is swaying.
Part of: Empty Padded ~ LeerGefüllt - Time at Work. Left handed drawings and writings on the empty left pages of my prompter`s book. Soufflierbuch "Der Riese vom Steinfeld"
DMC-G2 - P1500972 25.9.2012
Drawings:
left side 25.6.2012, 25.9.2012
right side: 22.9.2012
#theater #theatre #textbuch #text #ordner #bilderordner
Fiquei triste com a notícia da morte de Amy Winehouse. Em seu tributo eu republico o "bilhete para Amy Winehouse", que subi originariamente no dia 16 de Maio.
Se há um outro mundo para onde vai a alma dos mortos, que ela seja bem recebida e que fique em paz.
I was saddened by the news of the death of Amy Winehouse. In his tribute I republish the "ticket for Amy Winehouse," which originally went up on May 16.
If there is another world where does the soul of the dead, she is well received and be at peace.
Amy,
esses seus peitões de silicone
não dão nem me matam a fome
o seu imenso topete, não,
não faz a minha cabeça
sua maquiagem exagerada
não, não está com nada,
mas com perdão da palavra chula
− não há outra que melhor se aplique −
você canta pra caralho
e somente por este atributo
presto-lhe este tributo
e me atrapalho
tentando pronunciar seu sobrenome
que me lembra o de uma geladeira imensa
que havia na casa da minha sogra
que se chama Wanda
e não tem nada a ver com esta história.
I should not translate the poem using the Google translator.
I fear that results in a monstrous text and perhaps incomprehensible.
That said, the poem follows:
Amy,
these are their big tits silicone
do not give me or kill hunger
his immense pompadour, no,
it makes my head
her exaggerated makeup
no, not with anything
but pardon the word foul
- no one that best applies -
you fucking sing
and only by this attribute
I pay him this tribute
I lag behind and
trying to pronounce her last name
that reminds me of a huge fridge
What was in the house of my mother
called Wanda
and has nothing to do with this story.
SOLD
name: REGARDS - Barry McGee catalog
year: 1998
from: exhibition at Walker Art Center, San Francisco
description:
Rare catalog published on the occasion of Barry's exhibition with the same title at the Walker Art Center, San Francisco on 1998.
Inside it features graffiti, tags, stickers, paintings, street photos & details of exhibition and some pages forming 5 fold-out color spreads, 30,8cm x 41,8cm each one.
There are also some pages with texts: an intro, an interview and artist bibliography.
B/w & colour pages, format 15,4 cm x 20,9 cm, nice conditions + original exhibition sticker!
a true warrior of the heart fights for the universe he loves and sees in his dreams. he knows another world is possible, even through the noise of the people which rushes meaninglessly past him, unrelenting. the noise will always be there, but so too will the dream, which for the heart is the only real thing.
to be a warrior of the heart is not to sit, and to camp out, and to hone your weapons until they are sharper than a sword, sinisterly, calculating. nor is it to wait in vain, in paranoia or delusion, for the so called enemy to attack. for the true warrior of the heart, there is no enemy.
this is the order for the warriors of the new world, finally ushered into the universe. first they will marry themselves, without doubt or compromise. they will bear faith, and they will nurture it, like one nurtures a plant, a weak kitten, any living thing. they will bear witness to the light, not the darkness. they will not rot in anger, nor in indifference. they will not waste time on mirrors, being driven instead only by an internal compass. they will cultivate, against all odds, a practice of generosity. they will turn self righteousness into compassion. a strong will, which is a sheath, which is a shield, from the glances or the words of others.
the true warrior of the heart will redefine action. the sacred over the profane. prayer over force. self knowing over war.
for there is no enemy but one’s own shadow, one’s own fear. that dark place that, when unattended, wants nothing but eternal sleep, or dreams of the battlefield and sees only defeat. so the new warrior shall, above all, conquer no one but his/her own power of will, shall liberate not the masses but oneself, for what is in one is in the whole, and what the warrior conquers in oneself shall conquer it for all eternity, for all humanity, for all of the universe, for the rabbit, and the oak, and the moon, which shall continue to shine in the darkness the same for all living things, and in shining guide the warrior, eventually, home.
(c) 2012
I don't know about you, but every time I see an old motel with a great creative sign, I get nostalgic--which is easy for me to do, as I don't ever recall staying in one. So I can imagine anything I want about these old motels. Of course I'm sure most of these places are now dingier and sketchier than they were back in their heyday of the 50s and 60s but I still say, sketchy or not, that there is something to be said about how wonderfully unique each old motel is. Yes, you (usually) know what you are getting with a chain motel but it's not quite as creative as the individual old motel. I can just see taking a road trip in your classic 1960 Cadillac De Ville and riding down the strip in a town with neon motel signs on each block just waiting for your to take your pick.
This motel sign is located in the beautiful mountain city of Bozeman, Montana. If you think about it, this hotel was likely built in the 50s or 60s--back
when Montana was still fairly "wild". Before all the celebrities and rich people with their log cabin homes moved in and there was a super 8 in every town. I'm sure these (at the time) new modern hotels were a sight for sore eyes to weary travelers coming from more "civilized" places :)
Something interesting to note is that what is now the Royal 7 Motel, used to be the Stardust motel back in the day. If you follow this link, you'll see a photo and some information about this old motel back in the 60s! (the entire website is great, by the way, it features old hotels in their heyday)
It's a beautiful thing, the destruction of words....in the end the whole notion of goodness and badness will be covered by only six words — in reality, only one word. Don't you see the beauty of that, Winston?
郁雯說:再怎麼樣,也要做一件作品向小星星通信致敬~
我想起"跟著奈良美智去旅行"紀錄片裡,那位小女孩說的:每當我難過的時候,就會想喊你的名字!
不知怎麼著,每當我看到這一段,內心就好像有一塊小小的地方,像是被發著微弱光亮的星星溫暖照耀著.
此次的所有藏書票作品將於2012年8月8日起,於台北當代藝術館右側大廳櫥窗展出.同期也展出"春季旅行小讀本版畫原件".若是你們有到當代館,請不要錯過了~
春季旅行小讀本: www.flickr.com/photos/324ps/sets/72157630555458686/
Constructive criticism gratefully received.
Based on this tutorial alfoart.com/bamboo&pandas_text_4.html
With thanks for the following resources;
Background Bokeh - created by me
Font - www.dafont.com/fabada.font
Panda 1 - sophie-y.deviantart.com/art/panda-13-258787470
Panda 2 - drezdany-stocks.deviantart.com/art/panda-76791894
Bamboo Leaves - draginchic-stock.deviantart.com/art/Bamboo-77933332
Fur Brushes - redheadstock.deviantart.com/art/Fur-Brushes-415149998
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Attention: NYC, I'll be doing a free cartoon slideshow & book lauch bash for my first book, Attack of the 50-Foot Mikhaela! on Tuesday June 12 at Bluestockings and you are cordially invited.
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Mikhaela B. Reid * Angry Cartoonist
cartoons@mikhaela.net * www.mikhaela.net
• Coming June 1: “ATTACK OF THE 50-FOOT MIKHAELA!” by Mikhaela Reid, with foreword by Ted Rall. See why Fun Home author Alison Bechdel says "Mikhaela Reid's cartoons are right *$%@ing on!"
• "ATTACK" BOOK TOUR | May 19: Philly @ Temple U. ; June 9: Detroit @ Green Brain Comics; June 12: NYC @ Bluestockings. Soon to come: Boston, DC and more!
Join my weekly update list by sending a blank message to newtoons-subscribe@mikhaela.net!
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Text: Need to placate Afghans and Iraqis upset over deadly U.S. airstrikes? Just hire some... War Marketeers! Hello, I'm a U.S. supporter. Occupation forces are Mac-cool! And I'm an insurgent. Resistance is futile--not to mention dorky! You ingrates. We closed our own schools and hospitals to bomb yours. Sorry! That we kicked down your door, strip-searched your wife and tortured your kids! Still best friends? Democracy Rocks! Dude, at least you got to vote before we accidentally blew up your wedding!
Can you guess what it is?
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WARNING:
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© Copyright : Sie dürfen es nicht kopieren !
© Copyright : Vous ne pouvez pas utiliser mes photos !
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If you wish to use any of the photographs please contact n23art@gmail.com for enquiries.
©n23art
DO NOT USE WITHOUT PERMISSION
Three thousand
Haiku to examine
Two persimmons
- Masaoka Shiki
1 - something black (ink)
2 - something white (paper)
3 - shot in color
I worked really hard to design this shot from the very beginning. It was challenging to build dynamic tension by adjusting the angle of each element so that it had varying distances between other adjacent elements.
A close friend of mine inked the classic haiku on fancy paper with that very brush. My figurative persimmons are the eventual framing this lovely, handcrafted piece of art and this tasty piece of vegan sushi. Yum!
I think this poem reminds us that, although we all have to work, sometimes a lot, it's a good idea to keep in mind the little rewards at the end of a job well done.
A quick note about the creation of the haiku art: we took a kanji font built into Adobe Creative Cloud, and typed the glyphs from the original poem into Photoshop. I selected "bottom/center/top" for each line of vertical text. This was then used as the reference for painting the glyphs. It ends up looking a lot like something the professional haiku studios do (and charge a couple hundred dollars for a custom painting of) for a fraction of the cost.
Fun fact: did you know that it's challenging to hold sushi with chopsticks, pull focus, and take a picture all at the same time, with only two hands?
(Translation of original poem by Timothy L. Jackowski, Takase Studios, LLC)
This is an attempt at illustrating Colossians 1:16-17, which says that "all things have been created through him, and for him. He is before all things, and in him all things hold together."
This, as I see it, means two important things, for Christians. One is that God the Son was the most important agent of creation, whenever and however that occurred, and the other is that God hasn't gone off and left the universe alone -- it is continuously being held together. Don't ask me how.
I chose what I hope is a royal purple color for the text. The background is shown in my comment below, in its original appearance. I chose a spider web because it well illustrates things being held together. I tweaked it a little.
Thanks for looking Larger sizes are available.