View allAll Photos Tagged Terrifying
This was a woman I saw in the parking lot of Costco. She had the biggest boobs. They were so big it was like they were more hovering around her as she walked. Super scifi. I looked around me to see if anyone was as terrified as I was. Then I'm pretty sure Rotisserie Chicken juices started raining from the sky.
@Alabino firing grounds - Called by code names such as Kostikov guns, after the head of the RNII, the Reaction-Engine Scientific Research Institute, and fremained classified until after the war.
Because they were marked with the letter K (for Voronezh Komintern Factory),
Red Army troops adopted a nickname from Mikhail Isakovsky's popular wartime song, "Katyusha", about a girl longing for her absent beloved, who has gone away on military service. Katyusha is the Russian equivalent of Katie, an endearing diminutive form of the name Katherine: Yekaterina →Katya →Katyusha.
German troops coined the nickname "Stalin's organ" (German: Stalinorgel), after Soviet leader Joseph Stalin, comparing the visual resemblance of the launch array to a church organ, and the sound of the weapon's rocket motors, a distinctive howling sound which terrified the German troops
Designed as a series of terrifying episodes, Resident Evil Revelations 2 unfolds across four adventures drawn taut with dramatic cliff-hangers and gripping horror gameplay.
The beginning of the Resident Evil Revelations 2 tale sees fan favorite Claire Redfield make a dramatic return to the horrors that haunted her in the past . Survivor of the Raccoon City incident depicted in previous Resident Evil games, Claire now works for the anti-bioterrorism organisation Terra Save. Moira Burton, new recruit and daughter of Resident Evil legend Barry Burton, is attending her welcome party for Terra Save when unknown armed forces storm the office. Claire and Moira are knocked unconscious and awaken later to find themselves in a dark and abandoned detention facility. Working together, they must find out who took them and to what sinister end. With the terrifying Afflicted enemies waiting around every dark corner, players will need to use their ammo and weapon supply wisely, in classic survival horror style. Will Claire and Moira make it out alive and discover what’s led to them being taken to this remote island? Who else will they come across? A story of twists and turns will have players guessing the next step at every turn.
More PlayStation screenshots, trailers and trophies and everything for PS3, PS Vita & PS4: PSMania.
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Do not let the cute fool you.
He has no mouth. This is because he feeds on souls.
I entirely blame this lady and her monkey...
Incidentally, crochet is really seriously quick to learn, much more instantly gratifying than knitting and has the bonus that you're not trying to grapple with two foot long sticks of slippery wood (*ahem* I'm talking knitting, you filthy lot) that the whole lot of work slides off of when you break hard on the way home (don't ask). Created this in a couple of hours yesterday, using Debbie Stoller's great 'Happy Hooker' book to get the basic technique, and 'Amigurumi World' to learn how to make curvy ball shapes with smooth increases and decreases.
a terrifying or very unpleasant experience or prospect.
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This piece of GF toast looked terrified as I buttered it! Funny thing is, that's the exact face I made when the loaf of bread cost me £2.50!!!
This is a TERRIFYING BUG that hopped onto Josh's mirror this morning in North Vancouver, traveling with us from home, through downtown Vancouver, waited throughout breakfast, then traveled with us to MEC on Broadway before disappearing.
Boo chips, mummy dog, apples w/ marshmallow teeth, string cheese fingers and orange bell pepper pumpkins on green beans
I had a chance to visit the 2015 Phoenix Comicon - wow - it was impressive, amazing, and huge! It was a visual assault on the senses. So many people in costumes everywhere - for every person I shot there were 2-3 people I missed. The Comicon was scattered between a very large convention center and several hotels so I definitely got a lot of exercise trying to take it all in (which is impossible). Everyone was so gracious about shooting with me, a big goofy photographer.
I loved the energy and creativity people put into their costumes - many of them home-made. I hope I make it back for the 2016 event.
I took these photos at the end of May 2015 in Phoenix, Arizona.
They are maybe terrifying but it would certainly suit my fancy to eat one of these little beauties!!
Flickr Lounge Weekly Theme (Week 44) ~ It Suits My Fancy ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all.
Jersey Shore Fightin’ Texas Aggie Ring doesn’t often make sweets. He doesn’t allow me to consume them all that often either because he’s terrified of me turning into a Fat Ag and having to get him resized.
After asking him for several weeks, Aggie Ring consented to allowing me to make something I’ve wanted for some time, “Guinness Chocolate Truffles.” There are only four ingredients. The Muscovado sugar did take a trip to the Whole Foods. I’ve never used it before. It smells and tastes like molasses.
Aggie Ring assembled the ingredients and brought the Guinness up to just below the boil. He didn’t want the alcohol to evaporate. Then he added the dark chocolate and proceeded to “Beat the Hell” outta the chocolate while whisking it into the hot Guinness. When the mixture was smooth, Aggie Ring put it into the refrigerator for several hours for it to set.
Then, things got a bit “messy” for Aggie Ring. He had to take spoonfuls of that delicious Guinness chocolate and roll them in a bowl of incredibly tasting Droste cocoa from The Netherlands. It was a nasty job but as he said, “I know it’s a tough job but some Aggie Ring has to do this.”
When Aggie Ring was finished with the delicious Guinness Chocolate Truffles, he dusted them with the remaining cocoa. I almost couldn’t find him to take the last photograph. Aggie Ring was a real mess. “Look at you!” I cried out. “Covered up to your elbows in Ghirardelli Chocolate, Guinness and cocoa. Even those little pits on your shank are covered in chocolate. What am I ever going to do with you?”
Aggie Ring let out an evil laugh and said, “Yes, I know that all Aggie Rings are supposed to say, “We’ve Never Been Licked.” It’s programmed into our firmware at the Aggie Ring factory in Austin, Texas. But seriously, you know you want to lick me.”
“I’m not sure.” I replied.
The Jersey Shore Aggie Ring gave out another evil laugh and told me, “You know you WANT to lick me and taste just how delicious a Guinness and chocolate covered Aggie Ring tastes. DO IT!”
#AggieRing
P.S. The Guinness Chocolate Truffles are fantastic. They have a slight taste of sweet Guinness and melt in your mouth (or on your Aggie Ring).
John Smyser’s Terrifying Toronado exhibition car, which, terrifyingly enough, is best remembered for hurtling the guardrail at Irwindale Raceway and scaring the bejesus out of the fans in that section.
By all accounts, Smyser was a very good Top Fuel racer. With Nando Haase driving, his 392 Chrysler-powered Radar Wheels entry won the 1965 Hot Rod Magazine Championships in Riverside, Calif., and he and Harry Hibler were runner-up to Tony Nancy at the 1970 March Meet.
The Terrifying Toronado had its street roots in Olds’ peculiar attempt at a muscle car. With gobs of horsepower under the hood and chain-driven front-wheel drive for better traction, it should have been a huge winner, right? After all, while the GTOs and Mustangs were melting the hides trying to glue their tires to the road, the Olds would hook up just fine, thank you very much. The car was so highly praised that it won Motor Trend’s prestigious Car of the Year award in 1966. Smyser’s car was a ’66 – the first year in a production that ran through 1992 – and shared the same engine as the production car, a 425-cid V-8 powerplant.
Noted speed merchant Don Ratican (of Ratican-Jackson-Stearns fame) built the two Olds engines that, while they retained the stock displacement, were pretty racy, packed with Mickey Thompson pistons with Grant rings, a Racer Brown camshaft, heads ported and polished by Valley Head Service, and, naturally, a 6-71 supercharger.
The front engine turned the front 10-inch-wide Casler slicks on Halibrand wheels through the conventional Toronado automatic transmission and differential while the rear-seat-mounted second engine used a dual-disc clutch and a Schiefer aluminum flywheel to funnel power via direct drive to a conventional Olds rear end.
While the wheelbase remained at the stock 119 inches, the track was widened 8 1/2 inches in front and 2 1/2 inches in the rear, presumably for stability and tire clearance. The rear engine sat in a subframe that was easily removable for repairs (maybe they knew something ahead of time?). The car tipped the scales at a portly 4,500 pounds.
Despite its pedigree, the car may have been one of the more ill-conceived and certainly most ill-handling race cars ever built. Or maybe it was just too far ahead of its time.
The Terrifying Toronado was unveiled at the 1966 AHRA Winternationals at Irwindale and made its first run the following week at the ‘Dale. On its fateful lone pass, Smyser lost the handle early, with the car first darting left for the centerline, then hooking up hard and plunging back to the right into and over the Armco. As the famous photos show, it didn’t make it much farther than the guardrail and fell comfortably short – easy for me to say because I wasn’t sitting in the stands – of the chain-link fence.
It ran a few other times that year but never performed well enough to merit much attention. The car’s final outing came about a year after its debut, at the 1967 NHRA Winternationals in Pomona, where the car again ran afoul of the laws of physics. During Saturday qualifying, Smyser made an exhibition pass but again the car got all terrifying on him and busted through the right-side guardrail at speed at three-quarter-track. Fortunately, there were no grandstands that far downtrack. Regardless, it became clear that the Terrifying Toronado was just too terrifying to continue, and the car was retired.
John Smyser’s Terrifying Toronado exhibition car, which, terrifyingly enough, is best remembered for hurtling the guardrail at Irwindale Raceway and scaring the bejesus out of the fans in that section.
By all accounts, Smyser was a very good Top Fuel racer. With Nando Haase driving, his 392 Chrysler-powered Radar Wheels entry won the 1965 Hot Rod Magazine Championships in Riverside, Calif., and he and Harry Hibler were runner-up to Tony Nancy at the 1970 March Meet.
The Terrifying Toronado had its street roots in Olds’ peculiar attempt at a muscle car. With gobs of horsepower under the hood and chain-driven front-wheel drive for better traction, it should have been a huge winner, right? After all, while the GTOs and Mustangs were melting the hides trying to glue their tires to the road, the Olds would hook up just fine, thank you very much. The car was so highly praised that it won Motor Trend’s prestigious Car of the Year award in 1966. Smyser’s car was a ’66 – the first year in a production that ran through 1992 – and shared the same engine as the production car, a 425-cid V-8 powerplant.
Noted speed merchant Don Ratican (of Ratican-Jackson-Stearns fame) built the two Olds engines that, while they retained the stock displacement, were pretty racy, packed with Mickey Thompson pistons with Grant rings, a Racer Brown camshaft, heads ported and polished by Valley Head Service, and, naturally, a 6-71 supercharger.
The front engine turned the front 10-inch-wide Casler slicks on Halibrand wheels through the conventional Toronado automatic transmission and differential while the rear-seat-mounted second engine used a dual-disc clutch and a Schiefer aluminum flywheel to funnel power via direct drive to a conventional Olds rear end.
While the wheelbase remained at the stock 119 inches, the track was widened 8 1/2 inches in front and 2 1/2 inches in the rear, presumably for stability and tire clearance. The rear engine sat in a subframe that was easily removable for repairs (maybe they knew something ahead of time?). The car tipped the scales at a portly 4,500 pounds.
Despite its pedigree, the car may have been one of the more ill-conceived and certainly most ill-handling race cars ever built. Or maybe it was just too far ahead of its time.
The Terrifying Toronado was unveiled at the 1966 AHRA Winternationals at Irwindale and made its first run the following week at the ‘Dale. On its fateful lone pass, Smyser lost the handle early, with the car first darting left for the centerline, then hooking up hard and plunging back to the right into and over the Armco. As the famous photos show, it didn’t make it much farther than the guardrail and fell comfortably short – easy for me to say because I wasn’t sitting in the stands – of the chain-link fence.
It ran a few other times that year but never performed well enough to merit much attention. The car’s final outing came about a year after its debut, at the 1967 NHRA Winternationals in Pomona, where the car again ran afoul of the laws of physics. During Saturday qualifying, Smyser made an exhibition pass but again the car got all terrifying on him and busted through the right-side guardrail at speed at three-quarter-track. Fortunately, there were no grandstands that far downtrack. Regardless, it became clear that the Terrifying Toronado was just too terrifying to continue, and the car was retired.
Starring Kent Taylor, Cathy Downs and Michael Whalen. Directed by Dan Milner.
A terrifying sea beast that emits atomic radiation threatens the beach in this thrilling 1950s sci-fi epic. Starring Kent Taylor, Michael Whalen, and Cathy Downs. A professor works for an oceanography college on the Pacific coast. He has a daughter. A series of fishermen deaths are reported. A government investigator---not the FBI---and a scientist show up. They soon discover an unexplained source of atomic power on the ocean floor that is guarded by a strange monster. The scientist learns from the professor's secretary that his experiments have something to do with the strange monster. The agent learns that negotiations to sell the atomic inventions, and the very strange monster, to a foreign power are underway. The secretary is killed by the professor's assistant, who has been seeking to turn over the atomic-secrets to a foreign power. The agent discovers the assistant's activities and arrests the assistant and the foreign agent. A ship explodes off the coast. The professor now---just now?--realizes that the undersea weapon and the strange monster are a danger to humanity. The professor dives into the sea with intent to blow up the weapon with dynamite. The monster grabs him and the professor, the strange monster and the atomic weapon are all blown up.
Day 17 of 365 (Year Three)
I spent the afternoon taking head shots of aspiring actors and actresses who didn't have their own head shots as they auditioned for a project that several friends and I are working on. Most of those who showed up today had their own head shots so I had a lot of down time. Me and the Terrify'n Space Monkey decided that we'd kill some time and get in a few shots or ourselves while waiting for the next person who'd need a head shot taken.
More about the Terrify'n Space Monkey.
Amazingly soft faux-rabbit fur eared had, lined in a cozy black fleece. Big white-sparkle wool claws because who else remembers how terrifying General Woundwort was?
I am TERRIFIED of spiders. Moving into this new apartment has really forced me to get over that, as it is in a very drafty attic and practically feels like a treehouse there are so many other ferrel creatures living here with me. But this spider got to live. Not only did he get to live, I started to find other insects around the apartment to feed him. Why? Because he has SEVEN legs. He's like a special needs spider! Or from the isle of misfit insects. How could I squish him?!
Goethe Institute Amsterdam, 2011
Nosferatu: A Symphony of Horror
Nosferatu, eine Symphonie des Grauens
W. Murnau | Germany | 1922 | 93 min
Accompanied by a new electronic score composed and performed live by Machinefabriek.
Machinefabriek
Rutger Zuydervelt (Rotterdam, NL) started releasing and performing as Machinefabriek in 2004.
Since then, he released numerous CDs and LPs, by himself, or at labels such as 12K, Type, Staalplaat, Dekorder, Experimedia, Cold Spring, Root Strata, Digitalis and Spekk.
Also working as a frequent collaborator, he made music with Peter Broderick, Stephen Vitiello, Aaron Martin, Richard Skelton, Steinbrüchel and Andrea Belfi, amongst others.
Machinefabriek has produced (live and/or recorded) soundtracks for (experimental) films by Makino Takashi, Paul Clipson, John Price and Jim Jennings.
Nosferatu
An iconic film of the German expressionist cinema, and one of the most famous of all silent movies, F. W. Murnau's Nosferatu: A Symphony of Horror continues to haunt and terrify modern audiences with the unshakable power of its images.
In this first ever screen adaptation of Bram Stoker's Dracula, a simple real-estate transaction leads an intrepid businessman deep into the superstitious heart of Transylvania. There he encounters the otherworldly Count Orlok, who soon after embarks upon a cross-continental voyage to take up residence in a distant new land, and establish his ambiguous dominion.
With Nosferatu Murnau captured on celluloid the deeply-rooted qualities of a waking nightmare and launched the signature "Murnau-style" that would radically change cinema history.