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The remains of the small stack on Seaham's Blast beach - a few more years and it'll just be a lump on the sand.
ND1000 slow shutter.
this was taken at a Chinese herbal tea stall in Hong Kong.
Each type of tea is served in bowls and the stacked consumed bowls are displayed infront of the counter to advertise their good business ( and from a consumer point of view, that the bowls are not reused immediately? ^^ )
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Looking up at the Baker Hotel in Mineral Wells, Texas from the circle drive around back. Shot in November 2008.
For more information or images (inside and out) on this decaying Texas landmark, see my Baker Hotel Set Page.
Looking at this image now, I'm struck by how similar the ambient lighting here is to the lighting at the Michigan Central Depot in Detroit, Michigan. The lower portion of the building illuminated by the greenish mercury vapor light, the upper floors lit with the more orangish/yellow of sodium vapor light.
Gotta go large on black with this one...
Night, full moon, ambient mercury and sodium vapor light, blue-gelled strobe.
Palmer, Alfred T.,, photographer.
Smoke stacks
1942
1 transparency : color.
Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.
Subjects:
Smokestacks
Industry
World War, 1939-1945
United States--Ohio
Format: Transparencies--Color
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Collection 12002-28 (DLC) 93845501
General information about the FSA/OWI Color Photographs is available at hdl.loc.gov/loc.pnp/pp.fsac
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35073
Call Number: LC-USW36-377
The Gaada Stack, Shetland.
We’ll be celebrating Shetland’s spectacular natural heritage this week for Shetland Nature Festival 2014! Whether you’re exploring Shetland’s dramatic coastline, prancing around with Shetland ponies, admiring puffin colonies or simply having a great time in Scotland, be sure to share your #brilliantmoments with us on Instagram!
75% dark chocolate
organic dried cherries
chopped walnuts
coconut oil
browned organic cultured butter
cold soy milk
Variable Oysterling (Crepidotus variabilis) on the New Forest, new Forest National Park, Hampshire England
This is a stack of 120 images (interval 5 sec; lapse time ~10 minutes), layers darkened and lightened then blended 50%-50% with Photoshop. Since the clouds remained nearly stationary, except for a drifting contrail at top, the image almost looks like a single frame image.
The phantom jeep was unavoidable.
I recently found out about a procedure for stacking multiple digital (astronomical) images together to enhance an image. By stacking several photos, the signal to noise ratio is increased and details lost in the noise of individual pictures become visible in the resulting stacked image. This is my first effort at stacking three images of the moon using a program called Lynkeos (lynkeos.sourceforge.net), although there are several other similar programs available.
To take the pictures I used a Sony α100 camera with a Tokina 170 to 500 mm lens using a fence as a monopod. :-) The image is highly cropped from the original full frame photos.
Scarlet Darter (Crocothemis erythraea) male dragonfly.
One more shot from my tele+tubes setup: this was captured with my 70-200 (at 200mm), with 65mm of extension tubes.
Focus stacked from two shots, in Photoshop.
Stack of Windmills in harbour area renewable energy looks funny when they mills are aligned in one single line
Panasonic FZ70 f6.3 1/100sec 112mm
stacked from 3 images and sharpened by wavelet filter in RegiStax V6.
(Highway 395, California) - This image was created from 26 images stacked in PS5. 25 images of 4 minutes each (yes, that is 100 minutes or 1.40 hours of exposure time!!) were used for the star trails. I did two light painting exposures before starting the series of 25 images. I blended one of these in to emphasize some of the details on the cars a bit more (the headlights, grills and some detail under the hoods).
Did I just sit around when doing this? No, I was using my 5D Mark II to shoot other stuff while the 7D was taking this image. Why the 7D? I managed to horribly smudge my second 5D with an inept application of the Arctic Butterfly cleaning utensil.
I just took a guess at where the star trails would go, but I knew this was roughly North-east so they would curve the same direction as the hoods.
4 Stacks from 115 images and differend light figuration combined
This was taken with f16, Panasonic 45-175mm and Raynox DCR-150. The interresting thing about some telezoom lenses is, that their sharpest possible aperture in combination with raynox dcr lenses is f16, and the picture quality is much above the native quality of the teelezoom lens. In stacking f16 brings often much better results than f4, because of the smaler seams around overlapping objects.
This was taken on 1st September 2013 when I had the opportunity to pop over to Anglesey, North Wales to a location called “South Stack”. It is a 7x HDR image that was processed using photomatix and lightroom.
For more information about South Stack see the Wiki site:
Please view larger here www.kieranoconnorphotography.com/Nature/Seascapes/1585664...
Golden afternoon light hits Stack Island off the coast at Minnamurra, NSW, Australia
A detail of a stack of boats down at the Lake Mendota lake shore. It will take a while until they can flash their colors on the lake again.
Another Anemone picture taken at the CBG. I wanted sharpness all through this flower, but not in the background. So I decided to try focus stacking. Fortunately this was inside, so no problem with wind. This is just two pictures merged. One picture was taken focusing on the petals and the other on the stamen.
I then used PSE, layering the two images and selctively merged the layers. It seems like a valid technique. May have to try this again with something that has greater depth than this Anemone.
A Marine stack takes cover behind a protective blanket during an explosion Aug. 28, 2013, while completing a demolitions training evolution at a demo range in the Central Training Area in Okinawa, Japan. The knowledge of the different types of explosives in urban mobility breaching is vital to combat engineers as they perform a key role in a war-time theater. The Marines are combat engineers with 9th Engineer Support Battalion, 3rd Marine Logistics Group, III Marine Expeditionary Force.
(U.S. Marine Corps photo by Lance Cpl. Jose Lujano/Released)