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Cité Falguière, Paris
Old house for artists, where Amedeo Modigliani and Chaïm Soutine lived and worked. Now, an association invites artists from everywhere for residences. More information : www.lairarts.com
During the 1920s, the state of France built a pair of oval rooms at the Musée de l'Orangerie as a permanent home for eight water lily murals by Monet. The exhibit opened to the public on 16 May 1927, a few months after Monet's death.
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located on the Place de la Concorde in Paris. It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde
White Box presents
Hyman Bloom
Paintings and Drawings 1940–2005
(“The Rabbinical Series”)
July 17 through September 23
Hyman Bloom (1913–2009) was a Latvian-born painter influenced by Eastern European Jewish heritage, Middle Eastern
and South Asian music, and mortality. Bloom and his family immigrated to Boston in the 1920s where he was discovered at
14, and received a scholarship to study drawing under famed Harvard art professor, Denman Ross.
The Rabbinical paintings presented in this exhibition, permeated by historical influences ranging from Grünewald and
Rembrandt, to Redon and Soutine, to Indian tantric art and Chinese painting, reflect the mystical and macabre with vivid
intensity: sordid subjects depicted in sensual, jewel-like colors. According to the artist, his works serve as “an attempt to cope
with one’s destiny and become master of it.”
Art critic, Thomas Hess, hailed Bloom in Art News as “one of the outstanding painters of his generation”. Bloom’s
“successors” Jackson Pollock and Willem de Kooning considered him the first Abstract Expressionist. His first public showing
contained thirteen paintings in the Museum of Modern Art exhibition “Americans 1942”, curated by Dorothy C. Miller. Bloom
represented the United States at the 1950 Venice Biennale alongside Gorky, Pollock, and de Kooning. In 1954, a traveling
retrospective of his work appeared at the Whitney Museum of American Art, to critical and press acclaim. In the mid-50s, he
participated in an experiment recording the effects of LSD in his drawings.
Bloom was a key figure in the Boston Expressionist movement. His shy, reclusive nature did not allow for joining arms
with the Abstract Expressionist explosion in the art world of the mid-20th century in New York. Rather, uninterested in fame,
Bloom veered off in his own direction, evoking the spiritual and the metaphysical, and not succumbing either to the pop art
movement that became ubiquitous later. Nonetheless, he remains an important link in American post-war art history, and his
work has been increasingly revisited since his death at the age of 96.
One of the best galleries in Paris in my opinion. At the end of the Tuilerie garden. Note it is open 12.30 to 7pm. Dont go in the mornings. Paul Guilloume and Jean Walter collection. Large Monets lilies and works by Matisse, Soutine, Mogdigliani and Roussseau.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
It's a long time since I last visited the Musée de l'Orangerie because it has been closed for years. The whole interior space has been modernized, and the lighting for the two oval rooms of Monet's Nymphéas much improved - natural light floods through the ceiling. The rest of the gallery contains the Walter-Guillaume collection of paintings by Picasso, Utrillo, Renoir, Laurencin, Soutine and more. When you sit in the centre of the oval rooms and drink in the beautiful melting blues and greens of the Nymphéas, you can almost hear the water rippling and the willow fronds rustling in the breeze.
A4. Experimental piece made with tissue paper, watercolour paint and PVA glue. Inspired by the work of Chaim Soutine. Part of a series considering alternative approaches to emulate flesh.
©alfie lee
Digital painting.
All artwork available for sale.
Commissions for portraits welcomed.
To buy artwork, for more details and contact info go to www.alfieleepaintings.blogspot.com
François Mauriac: Thérèse
Cover: Paysage avec personnage allongé - Champigny by Chaïm Soutine
Penguin Modern Classics, 1981, 1397
1915 HEAD OF FUJITA by his intimate friend LEON INDENBAUM (1890-1981) sculptor born in Russia (Belarus) of the movement ECOLE DE PARIS (1905-1939). Indenbaum works in Paris with his friends painters and sculptors: Modigliani, Soutine, Kahlo, Chagall, Rivera, Bourdelle, Orloff, Valadon, Pompon, Kikoine, Brancusi, Bugatti, Laurencin, Matisse, Miro, Picasso, Zadkine, Léger, Archipenko .. . Head of Foujita (Japanese painter) 11.4 x 9 in. (29 x 23 cm) - Original carved in stone.
1924 "Young girl face" by LEON INDENBAUM 1890-1981, this Russian sculptor naturalized French, born in Belarus, arrived in Paris in 1911 where he hosted Soutine and Modigliani in his workshop of "La Ruche". Diego Rivera and Amedeo Modigliani painted each a portrait of Leon Indenbaum. These four artists participated in the movement "Ecole de Paris" with their friends sculptors … Alexander Archipenko, Constantin Brancusi, Alfred Boucher, Marc Chagall, Joseph Csaky, Henri Laurens, Jacques Lichitz, Henri Matisse, Oscar Miestchaninoff, Chana Orloff, Pablo Picasso, Ossip Zadkine. Bronze sculpture 11 inch - 29 cm.
1913 Painting "La Ruche" by LEON INDENBAUM 1890-1981, Russian sculptor born in Belarus. The center of the Ecole de Paris movement, home to artistic creation, housed the workshops of Chagall, Modigliani, Soutine, Foujita, Kikoine, Rivera, Kahlo, Indenbaum, Leger, Zadkine, Laurencin, Marevna, Archipenko, Kremegne, Epstein, Orloff, Lipchitz, Bourdelle, Boucher, Chapman, Brancusi, Miestchaninoff, Volovick, Csaky, Kisling, Lipsi, Laurens, Morel, Szwarc, Altman, Dorignac, Dobrinsky ...
Huile sur toile, 66 x 81 cm, 1918-1919, fondation Barnes, Philadelphie.
Dans l'une des scènes les plus narratives de Soutine, un personnage en marron gravit une pente incroyablement raide, tandis que d'autres regardent d'en haut. Une vue de terres agricoles vallonnées se convulse sur la toile. Selon Violette de Mazia, collègue du Dr Barnes, les écarts créatifs par rapport à la réalité physique, comme la démarche latérale du personnage, "résultent de l'utilisation instrumentale par l'artiste de son sujet… pour l'expression de son expérience de certains aspects du monde qu'il rencontre". En contemplant le tourbillon amalgamé de la terre, des arbres et du ciel, comment quelqu'un pourrait autrement traverser un paysage de Soutine ? (cf. fondation Barnes).
"WOMAN DRAPED" 1912 by LEON INDENBAUM (1890-1981) realized in his workshop of "La Ruche". This Russian sculptor works in Paris with his friends painters and sculptors forming the "Ecole de Paris" movement (1905-1939): Modigliani, Soutine, Foujita, Kahlo, Chagall, Rivera, Indenbaum, Bourdelle, Orloff, Miestchaninoff, Valadon , Pompon, Kikoine, Brancusi, Bugatti, Laurencin, Matisse, Miro, Picasso, Vlamenk, Zadkine, Marevna, Leger, Archipenko, Kremegne ...
Orangerie Museum, Tuileries gardens, Paris
Six great intellectuals recently described the museum chosen and arranged by Claude Monet to
showcase his “testamentary” masterpieces as “Unique in its genre”.
Next to the Nymphéas, “the haven of peaceful meditation”, a gift to modern man with his “overworked
nerves”, the Orangerie offers a fabulous concentration of masterpieces from the Jean Walter and Paul
Guillaume Collection, a highly original insight into modern art featuring Cézanne, Renoir, Picasso,
Rousseau, Matisse, Derain, Modigliani, Soutine, Utrillo and Laurencin.
Closed for renovation work since January 2000, completely reviewed and restructured, the museum
was reopened to the public in May 2006.
Monet's Waterlilies has been off display for the better part of the year having been part of an exhibit on the east coast. It's returned to grace the first floor of the Portland Art Museum's CMCA. Soutine's Little Pastry Chef is back there in the right corner.
During the 1920s, the state of France built a pair of oval rooms at the Musée de l'Orangerie as a permanent home for eight water lily murals by Monet. The exhibit opened to the public on 16 May 1927, a few months after Monet's death.
The Musée de l'Orangerie is an art gallery of impressionist and post-impressionist paintings located on the Place de la Concorde in Paris. It contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Chaim Soutine, Alfred Sisley and Maurice Utrillo among others.
Montmartre. Painters square.Place du Tertre.
Picasso, Vlamenck, Derain, Soutine, Modigliani, Van Gogh and countless others lived and worked in these narrow streets.
White Box presents
Hyman Bloom
Paintings and Drawings 1940–2005
(“The Rabbinical Series”)
July 17 through September 23
Hyman Bloom (1913–2009) was a Latvian-born painter influenced by Eastern European Jewish heritage, Middle Eastern
and South Asian music, and mortality. Bloom and his family immigrated to Boston in the 1920s where he was discovered at
14, and received a scholarship to study drawing under famed Harvard art professor, Denman Ross.
The Rabbinical paintings presented in this exhibition, permeated by historical influences ranging from Grünewald and
Rembrandt, to Redon and Soutine, to Indian tantric art and Chinese painting, reflect the mystical and macabre with vivid
intensity: sordid subjects depicted in sensual, jewel-like colors. According to the artist, his works serve as “an attempt to cope
with one’s destiny and become master of it.”
Art critic, Thomas Hess, hailed Bloom in Art News as “one of the outstanding painters of his generation”. Bloom’s
“successors” Jackson Pollock and Willem de Kooning considered him the first Abstract Expressionist. His first public showing
contained thirteen paintings in the Museum of Modern Art exhibition “Americans 1942”, curated by Dorothy C. Miller. Bloom
represented the United States at the 1950 Venice Biennale alongside Gorky, Pollock, and de Kooning. In 1954, a traveling
retrospective of his work appeared at the Whitney Museum of American Art, to critical and press acclaim. In the mid-50s, he
participated in an experiment recording the effects of LSD in his drawings.
Bloom was a key figure in the Boston Expressionist movement. His shy, reclusive nature did not allow for joining arms
with the Abstract Expressionist explosion in the art world of the mid-20th century in New York. Rather, uninterested in fame,
Bloom veered off in his own direction, evoking the spiritual and the metaphysical, and not succumbing either to the pop art
movement that became ubiquitous later. Nonetheless, he remains an important link in American post-war art history, and his
work has been increasingly revisited since his death at the age of 96.