View allAll Photos Tagged Ravilious,
Brighton & Hove YX24 PPK in Cornfield Rd, Eastbourne on Tuesday 29th April 2025, prior to setting off on the 11.20 12A ‘Coaster’ service to Brighton
colour is wonderful (i like the way the pinks here are dusky, faded, not too pretty), but i've been thinking, a lot, about black & white.
i saw a doco on james ravilious ( www.jamesravilious.com/gallery.asp ) which was rather good.
excited about 2011, now.
Farmstock or Cockstock, a weekend camping and enjoying farm life (private event and location), Cheshire. January 2013.
Photograph by Lee William Hughes © The Rural Eye.
Boys only, surviving at camp in the depths of winter. Actually a wonderful weekend with great people, driving tractors, getting stuck, building fires, shootings guns and going to the toilet in the great outdoors. An annual farm based experience weekend for a select group of guys.
To purchase prints, please click the link below and then select 'The Rural Eye Archive' folder...
James Ravilious once lamented that England's problem was it was too green, what to do with all that green. His answer was black and white; and he is firmly one of my favourite photographers. My kind of photographer too.
I don't often see the problem with green, it's a balancing act though; and I think black and white photography has made me a better colour photographer. You subconsciously analyse the scene in a very different way, luminescence, shadows, light -- you become detached from the actual colour of the scene as it were.
I watched a very moving YouTube video on James Ravilious. He loved to use uncoated camera optics for the way they tend to "open up the shadows" and help the hightlights create a "creamy" look. Thinking a bit about that, I decided to see how I might achieve that look using modern tools and techniques. These are just a rough draft. I'll print them out to some smooth Hanemulhe rag to see what they look like.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
I watched a very moving YouTube video on James Ravilious. He loved to use uncoated camera optics for the way they tend to "open up the shadows" and help the hightlights create a "creamy" look. Thinking a bit about that, I decided to see how I might achieve that look using modern tools and techniques. These are just a rough draft. I'll print them out to some smooth Hanemulhe rag to see what they look like.
... our enlightened and fairly hip photography teacher, Brendan Jackson, took us for an away day. The exhibition featured Bill Owens, Martin Roberts and the esteemed James Ravilious, so I’m sure there was plenty of inspiration on show. It ran from 13 March to 11 April. It was the only real way to see photographs, long before flickr ...
This is the oldest public art gallery in the world, opening in 1811. Before this visiting art collections was at the invitation of the owners as a social event. The collection is OK to photograph but not the special exhibitions. We went to see the Eric Ravilious exhibition, it was really excellent and worth seeing before it closes if you are in south-east London.
A photo from the 'Old Archive', photos copied by Ravilious during his time at Beaford. alongside a picture of the same woman taken later in life.
From the HERE | Uncovering North Devon exhibition about the Beaford Archive, featuring photographs from James Ravilious and Roger Deakins, at The Burton, Bideford.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
Spent a day scanning in some old 35mm, FP4 negs from West Dean. Just experimenting and honing the old P'shop skills and trying to sort my printer out. Finally got some satisfying copies of these off at A4.
Riverside Walk, River Taw, 2009
Part of a series that I offer as a tribute to James Ravilious. James Ravilious was a painter turned photgrapher who lived in the North Devon area until his death in 1999. He spent some 17 years recording, in black and white, rural life.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
A reception and screening of the film ‘Drawn to War’, a documentary about the life of British artist Eric Ravilious, whose artwork often drew inspiration from his wartime surroundings. Roger Readwin provided brief remarks
and introduced Dame Diane Lees.
I watched a very moving YouTube video on James Ravilious. He loved to use uncoated camera optics for the way they tend to "open up the shadows" and help the hightlights create a "creamy" look. Thinking a bit about that, I decided to see how I might achieve that look using modern tools and techniques. These are just a rough draft. I'll print them out to some smooth Hanemulhe rag to see what they look like.