View allAll Photos Tagged PanelDiscussion
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
06 November 2019, Rome Italy - Welcome statement, Qu Dongyu, FAO Director-General. Panel Discussion: Dialogue on Enhancing Access to Innovation in Agriculture to achieve the SDGs, (Sheikh Zayed Centre), FAO Headquarters.
Photo credit must be given: ©FAO/Alessandra Benedetti. Editorial use only. Copyright ©FAO.
Luca Miggiano
TerraProject Photographers
In seguito alla crisi alimentare del 2008, i fotografi del collettivo TerraProject cominciarono ad investigare le caratteristiche dell’agricoltura industriale a livello globale, alla ricerca delle cause scatenanti che avevano condotto all’esorbitante rincaro dei prezzi, e alla conseguente instabilità socio-politica in molti paesi in via di sviluppo. Da questo ambizioso viaggio di indagine sono nati 7 diversi reportage, realizzati in altrettanti paesi del mondo: Brasile, Filippine, Etiopia, Madagascar, Dubai, Indonesia, Ucraina. Ogni racconto mette a fuoco uno degli aspetti problematici legati alla pratica dell’agricoltura intensiva e alla trasformazione della terra da risorsa a bene commercializzabile, tra cui la produzione di biocarburanti, le monocolture intensive, la finanziarizzazione dei prodotti agricoli, l’esproprio di terre ancestrali, la produzione agricola destinata all’esportazione, ecc. Dopo ripetute pubblicazioni editoriali in magazines di tutto il mondo, il progetto è confluito nel libro LAND INC., pubblicato dall’editore francese Intervalles anche grazie ad un’iniziativa di prevendita. Durante il panel, due fotografi di TerraProject presenteranno il libro, illustrando il lungo processo di cui esso è il culmine, e discuteranno insieme a Luca Miggiano, esperto di Land Rights di Oxfam, sulle conseguenze globali del passaggio da un modello agricolo di sussistenza a uno industriale: è lecito parlare di sviluppo agricolo, oppure di neo-colonialismo?
Following the food crisis of 2008, the photographers of the TerraProject collective began to investigate the characteristics of industrial agriculture on a global level, in search of the trigger that had led to the exorbitant rise in prices and the resulting social and political instability in many developing countries.
video: media.journalismfestival.com/programme/2017/land-inc-indu...
Luca Miggiano
TerraProject Photographers
In seguito alla crisi alimentare del 2008, i fotografi del collettivo TerraProject cominciarono ad investigare le caratteristiche dell’agricoltura industriale a livello globale, alla ricerca delle cause scatenanti che avevano condotto all’esorbitante rincaro dei prezzi, e alla conseguente instabilità socio-politica in molti paesi in via di sviluppo. Da questo ambizioso viaggio di indagine sono nati 7 diversi reportage, realizzati in altrettanti paesi del mondo: Brasile, Filippine, Etiopia, Madagascar, Dubai, Indonesia, Ucraina. Ogni racconto mette a fuoco uno degli aspetti problematici legati alla pratica dell’agricoltura intensiva e alla trasformazione della terra da risorsa a bene commercializzabile, tra cui la produzione di biocarburanti, le monocolture intensive, la finanziarizzazione dei prodotti agricoli, l’esproprio di terre ancestrali, la produzione agricola destinata all’esportazione, ecc. Dopo ripetute pubblicazioni editoriali in magazines di tutto il mondo, il progetto è confluito nel libro LAND INC., pubblicato dall’editore francese Intervalles anche grazie ad un’iniziativa di prevendita. Durante il panel, due fotografi di TerraProject presenteranno il libro, illustrando il lungo processo di cui esso è il culmine, e discuteranno insieme a Luca Miggiano, esperto di Land Rights di Oxfam, sulle conseguenze globali del passaggio da un modello agricolo di sussistenza a uno industriale: è lecito parlare di sviluppo agricolo, oppure di neo-colonialismo?
Following the food crisis of 2008, the photographers of the TerraProject collective began to investigate the characteristics of industrial agriculture on a global level, in search of the trigger that had led to the exorbitant rise in prices and the resulting social and political instability in many developing countries.
video: media.journalismfestival.com/programme/2017/land-inc-indu...
Photo by Carlyle Smith.
Saturday June 23, 2012 12:30pm - 1:30pm @ Affinity Lab (920 U St Washington, DC 20001)
A panel about cross-platform, multi-media storytelling for non-profits. Panel members include a filmmaker-turned-app developer, a photographer-turned-web-designer and web-designer-turned-storyteller. They have all developed campaigns for nonprofits that are pushing the storytelling boundaries of the web.
After a short presentation on their campaigns and the salient points they've learned, speakers will open the floor for questions.
The Panelists
Patrick White, Creative Director, Arcade Sunshine Media - Filmmaker Patrick White founded Arcade Sunshine Media after producing documentaries for History. The company is a strange new hybrid designed for a bold future of digital storytelling. Part video production house, part publishing house, part app development firm, and part marketing firm – Arcade Sunshine is telling stories in ways never before possible. They are now producing a cross-platform, multi-media campaign designed to raise awareness of Haitian musicians. The campaign is a fascinating marriage of traditional storytelling (films, music, photography, writing) and emerging online outreach (social media, apps, video broadcasting tools, new music distribution).
Joshua Cogan, Founder, Joshua Cogan Photography - Joshua Cogan is a photographer and anthropologist whose skill in environmental portraiture has defined his career. Cogan’s combination of still photography and poetry created, Live Hope Love, a revelatory look at the silenced voices of HIV-positive Jamaicans enduring the stigmas of their society through the words of poet Kwame Dawes. Produced by the Pulitzer Center, it won an Emmy for New Approaches to Documentary Storytelling. Cogan's work has also appears regularly on or in the Travel Channel, Discovery, New Yorker, GQ, Men's Journal, Washington Post, and the New York Times.
Rajneesh Aggarwal, President, PROVOC - Raj has over twenty years of experience as a graphic artist and designer. He specializes in theme development, color, interface design, image composition, and computer illustration. He has overseen major technology, design, and print campaigns from the Save Darfur Coalition to Citibank, Rare Conservation to Verizon, and The Aspen Institute to George Washington University. He is known for developing and implementing marketing initiatives that combine traditional marketing tactics with grassroots outreach campaigns.
Learn more: benevolentmedia.org/festival
Aine Kerr Mark Little Alexios Mantzarlis Craig Silverman Claire Wardle
Le ‘fake news’ e l’ecosistema della disinformazione: come possono le redazioni lavorare con i social network per aiutare a risolvere questo problema? Questo panel esplorerà gli attuali dibattiti sul dibattito riguardante le ‘fake news’, esaminando le soluzioni tecniche e a propulsione umana che sono state implementate negli scorsi sei mesi. Cosa funziona? E cosa no? In che modo diverse realtà dovrebbero riflettere su tali questioni nei prossimi tre anni includendo social network, governi, ricercatori, educatori e il pubblico stesso? Organizzato in collaborazione con First Draft News.
‘Fake news’ and the misinformation ecosystem: how can newsrooms work with social networks to help solve this problem?
on demand video here: media.journalismfestival.com/programme/2017/fake-news-and...
General Counsel Jason Johnson, Senior Associate Legal Counsel Jannine Mohr, Vicce President for External Relations Tom Milligan and Director of Diversity Education an Training Ria Vigil lead a panel discussion on the First Amendment in the Alumni Center. December 13, 2017
Protocol Youth IPU conference
CD__1838
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
Laura Cappon
Hind Lafram
Marwa Mahmoud
Sabika Shah Povia
Come le giovani musulmane italiane vedono la narrazione della stampa italiana sul terrorismo e l'integrazione multiculturale? Quali sono gli errori che i mass media commettono nella narrazione del mondo musulmano e quale influenza giocano nella costruzione del discorso pubblico italiano? Sono alcune delle domande alle quali cerca di rispondere questo panel sottolineando come la conoscenza del diverso possa aiutare gli addetti dell'informazione a raccontare una realtà più articolata e meno incline alle strumentalizzazioni politiche.
How do the young Italian Muslim women look at the narrative of the Italian press on terrorism and multicultural integration? What are the mistakes made by the mass media about the Muslim world and what influence do they play in the construction of Italian public discourse?
video: media.journalismfestival.com/programme/2017/media-and-isl...
Protocol Youth IPU conference
CD__1759
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
Photo by Carlyle Smith.
Saturday June 23, 2012 12:30pm - 1:30pm @ Affinity Lab (920 U St Washington, DC 20001)
A panel about cross-platform, multi-media storytelling for non-profits. Panel members include a filmmaker-turned-app developer, a photographer-turned-web-designer and web-designer-turned-storyteller. They have all developed campaigns for nonprofits that are pushing the storytelling boundaries of the web.
After a short presentation on their campaigns and the salient points they've learned, speakers will open the floor for questions.
The Panelists
Patrick White, Creative Director, Arcade Sunshine Media - Filmmaker Patrick White founded Arcade Sunshine Media after producing documentaries for History. The company is a strange new hybrid designed for a bold future of digital storytelling. Part video production house, part publishing house, part app development firm, and part marketing firm – Arcade Sunshine is telling stories in ways never before possible. They are now producing a cross-platform, multi-media campaign designed to raise awareness of Haitian musicians. The campaign is a fascinating marriage of traditional storytelling (films, music, photography, writing) and emerging online outreach (social media, apps, video broadcasting tools, new music distribution).
Joshua Cogan, Founder, Joshua Cogan Photography - Joshua Cogan is a photographer and anthropologist whose skill in environmental portraiture has defined his career. Cogan’s combination of still photography and poetry created, Live Hope Love, a revelatory look at the silenced voices of HIV-positive Jamaicans enduring the stigmas of their society through the words of poet Kwame Dawes. Produced by the Pulitzer Center, it won an Emmy for New Approaches to Documentary Storytelling. Cogan's work has also appears regularly on or in the Travel Channel, Discovery, New Yorker, GQ, Men's Journal, Washington Post, and the New York Times.
Rajneesh Aggarwal, President, PROVOC - Raj has over twenty years of experience as a graphic artist and designer. He specializes in theme development, color, interface design, image composition, and computer illustration. He has overseen major technology, design, and print campaigns from the Save Darfur Coalition to Citibank, Rare Conservation to Verizon, and The Aspen Institute to George Washington University. He is known for developing and implementing marketing initiatives that combine traditional marketing tactics with grassroots outreach campaigns.
Learn more: benevolentmedia.org/festival
Oberlin hosted a two day symposium analyzing the life and contributions of alumna and civil rights pioneer Mary Church Terrell in"Complicated Relationships: Mary Church Terrell, Oberlin and Gender Studies. Sessions took place in Mudd Center library, Finney Chapel, and King Hall and welcomed guests including Terrell descendants Ray and Jean Langston, keynote speaker Johnnetta Cole ’57, alumnae Lillie Edwards ’75, Treva Lindsey ‘04, Rachel Seidman ’88, Jennifer Morgan ’86, and Lori Ginzberg ’78, and current Oberlin students.
Photograph by Yvette Chen
Prof. Seungjin Whang, Graduate School of Business, Stanford University "Technology, Innovation and Entrepreneurship in Silicon Valley.“
Photo by Carlyle Smith.
Saturday June 23, 2012 12:30pm - 1:30pm @ Affinity Lab (920 U St Washington, DC 20001)
A panel about cross-platform, multi-media storytelling for non-profits. Panel members include a filmmaker-turned-app developer, a photographer-turned-web-designer and web-designer-turned-storyteller. They have all developed campaigns for nonprofits that are pushing the storytelling boundaries of the web.
After a short presentation on their campaigns and the salient points they've learned, speakers will open the floor for questions.
The Panelists
Patrick White, Creative Director, Arcade Sunshine Media - Filmmaker Patrick White founded Arcade Sunshine Media after producing documentaries for History. The company is a strange new hybrid designed for a bold future of digital storytelling. Part video production house, part publishing house, part app development firm, and part marketing firm – Arcade Sunshine is telling stories in ways never before possible. They are now producing a cross-platform, multi-media campaign designed to raise awareness of Haitian musicians. The campaign is a fascinating marriage of traditional storytelling (films, music, photography, writing) and emerging online outreach (social media, apps, video broadcasting tools, new music distribution).
Joshua Cogan, Founder, Joshua Cogan Photography - Joshua Cogan is a photographer and anthropologist whose skill in environmental portraiture has defined his career. Cogan’s combination of still photography and poetry created, Live Hope Love, a revelatory look at the silenced voices of HIV-positive Jamaicans enduring the stigmas of their society through the words of poet Kwame Dawes. Produced by the Pulitzer Center, it won an Emmy for New Approaches to Documentary Storytelling. Cogan's work has also appears regularly on or in the Travel Channel, Discovery, New Yorker, GQ, Men's Journal, Washington Post, and the New York Times.
Rajneesh Aggarwal, President, PROVOC - Raj has over twenty years of experience as a graphic artist and designer. He specializes in theme development, color, interface design, image composition, and computer illustration. He has overseen major technology, design, and print campaigns from the Save Darfur Coalition to Citibank, Rare Conservation to Verizon, and The Aspen Institute to George Washington University. He is known for developing and implementing marketing initiatives that combine traditional marketing tactics with grassroots outreach campaigns.
Learn more: benevolentmedia.org/festival
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
British High Commission brought together the Chevening and UK-India cyber community for a panel discussion on ‘Digital India: Challenges and Solutions of an expanding Cyber Space’ in New Delhi, Thursday 3 August 2017. Follow us on Twitter @UKinIndia
Curt Hunter, Dean Emeritus, Henry B. Tippie College of Business, The University of Iowa
On November 12, 2015, Loyola's Quinlan School of Business hosted a symposium featuring eight current and former deans, as well as government leaders, discussing whether business schools should prepare students for public and government careers in addition to private sector careers. Photo by Glenn Kaupert. © Glenn Kaupert, 2015.
General Counsel Jason Johnson, Senior Associate Legal Counsel Jannine Mohr, Vicce President for External Relations Tom Milligan and Director of Diversity Education an Training Ria Vigil lead a panel discussion on the First Amendment in the Alumni Center. December 13, 2017
Luca Miggiano
TerraProject Photographers
In seguito alla crisi alimentare del 2008, i fotografi del collettivo TerraProject cominciarono ad investigare le caratteristiche dell’agricoltura industriale a livello globale, alla ricerca delle cause scatenanti che avevano condotto all’esorbitante rincaro dei prezzi, e alla conseguente instabilità socio-politica in molti paesi in via di sviluppo. Da questo ambizioso viaggio di indagine sono nati 7 diversi reportage, realizzati in altrettanti paesi del mondo: Brasile, Filippine, Etiopia, Madagascar, Dubai, Indonesia, Ucraina. Ogni racconto mette a fuoco uno degli aspetti problematici legati alla pratica dell’agricoltura intensiva e alla trasformazione della terra da risorsa a bene commercializzabile, tra cui la produzione di biocarburanti, le monocolture intensive, la finanziarizzazione dei prodotti agricoli, l’esproprio di terre ancestrali, la produzione agricola destinata all’esportazione, ecc. Dopo ripetute pubblicazioni editoriali in magazines di tutto il mondo, il progetto è confluito nel libro LAND INC., pubblicato dall’editore francese Intervalles anche grazie ad un’iniziativa di prevendita. Durante il panel, due fotografi di TerraProject presenteranno il libro, illustrando il lungo processo di cui esso è il culmine, e discuteranno insieme a Luca Miggiano, esperto di Land Rights di Oxfam, sulle conseguenze globali del passaggio da un modello agricolo di sussistenza a uno industriale: è lecito parlare di sviluppo agricolo, oppure di neo-colonialismo?
Following the food crisis of 2008, the photographers of the TerraProject collective began to investigate the characteristics of industrial agriculture on a global level, in search of the trigger that had led to the exorbitant rise in prices and the resulting social and political instability in many developing countries.
video: media.journalismfestival.com/programme/2017/land-inc-indu...
The Veterans History Project hosts a panel discussion on MEDEVAC flights featuring pilots from the Vietnam War and current conflicts, September 10, 2019. Photo by Shawn Miller/Library of Congress.
George Brock
Mark Bunting
Janine Gibson
Nathalie Malinarich
Gavin Sheridan
Questo dibattito non riguarda la possibilità che i problemi del business model per le news siano risolti o meno entro il 2030. Le ‘fake news’ hanno generato parecchie dichiarazioni secondo le quali ora si ha più bisogno che mai del giornalismo. Ma la minaccia della ‘disintermediazione’ da parte della tecnologia digitale non è scomparsa. La distribuzione delle notizie da parte dei social network ha separato tale distribuzione dalle redazioni che fanno giornalismo. Chiunque abbia uno smartphone può cercare di essere un editore. Come giustificano la loro esistenza in questo contesto i giornalisti? Fra 100 anni, gli storici penseranno che fosse strano che per tanti secoli ci fosse una classe professionale che raccoglieva e elaborava le informazioni sul mondo al posto nostro?
This debate is not about whether or not the problems of the business model for news will or will not have been solved by 2030. Fake news has generated many claims that journalism is more needed than it has ever been. But the threat of ‘disintermediation’ by digital technology has not gone away. Distribution of news by social networks has decoupled that distribution from the newsrooms which do the journalism. Anyone with a smartphone can bid to be a publisher. How do journalists justify their existence in this context? Will the historians of a 100 years from now think it odd that for several centuries there was a professional class which gathered and processed information about the world on our behalf?
video: media.journalismfestival.com/programme/2017/will-there-be...
Luca Miggiano
TerraProject Photographers
In seguito alla crisi alimentare del 2008, i fotografi del collettivo TerraProject cominciarono ad investigare le caratteristiche dell’agricoltura industriale a livello globale, alla ricerca delle cause scatenanti che avevano condotto all’esorbitante rincaro dei prezzi, e alla conseguente instabilità socio-politica in molti paesi in via di sviluppo. Da questo ambizioso viaggio di indagine sono nati 7 diversi reportage, realizzati in altrettanti paesi del mondo: Brasile, Filippine, Etiopia, Madagascar, Dubai, Indonesia, Ucraina. Ogni racconto mette a fuoco uno degli aspetti problematici legati alla pratica dell’agricoltura intensiva e alla trasformazione della terra da risorsa a bene commercializzabile, tra cui la produzione di biocarburanti, le monocolture intensive, la finanziarizzazione dei prodotti agricoli, l’esproprio di terre ancestrali, la produzione agricola destinata all’esportazione, ecc. Dopo ripetute pubblicazioni editoriali in magazines di tutto il mondo, il progetto è confluito nel libro LAND INC., pubblicato dall’editore francese Intervalles anche grazie ad un’iniziativa di prevendita. Durante il panel, due fotografi di TerraProject presenteranno il libro, illustrando il lungo processo di cui esso è il culmine, e discuteranno insieme a Luca Miggiano, esperto di Land Rights di Oxfam, sulle conseguenze globali del passaggio da un modello agricolo di sussistenza a uno industriale: è lecito parlare di sviluppo agricolo, oppure di neo-colonialismo?
Following the food crisis of 2008, the photographers of the TerraProject collective began to investigate the characteristics of industrial agriculture on a global level, in search of the trigger that had led to the exorbitant rise in prices and the resulting social and political instability in many developing countries.
video: media.journalismfestival.com/programme/2017/land-inc-indu...
BASF presence at the Fruit Logistica 2011 was commitment to farmers concerning: Food Quality, Water Management, Worker Safety and Biodiversity
Photo by Echo Xie
Friday June 22, 2012 12:00pm - 1:30pm @ World Resources Institute (10 G St NE, Suite 800, Washington, DC 20002)
Most nonprofit organizations are making use of video as a communications tool, but not as many consider their long-term objectives with video. In a quickly evolving media landscape, a video communications strategy must include short- and long-term planning, audience identification and segmentation, and distribution strategies in order to get your organization's message to the right audiences. Join our panel as we explore best practices in the planning, creation and distribution of nonprofit video.
Lunch sandwiches will be provided by the organizer for the first 40 attendees who preregister online and bring their Eventbrite confirmation to the event.
Our panel will address the following topics:
How to use video as part of a larger communications campaign,
How to determine your audiences and the key issues that matter to them,
The benefits of establishing a long-term relationship with a videographer/editor and animator,
How to create a media file library,
How to allocate resources to use video as part of a long-term communications strategy,
How to create videos with "legs" (that will be picked up by other news sites, blogs, etc).
How to distribute video so as to build your audience,
How infographics and animation can add to your story,
...and more!
Panelists:
Kristen Milhollin (Moderator) - Co-Founder, The Goodspeaks Project
Ben Connors - Media Innovator and Visual Journalist
Will Carroll - Creative Director and Principal, Geoill; Organizer, DC Animation Group
Diane Sherman - Founder and Principal, Dianne Sherman Communications
Martha Dodge - Independent Visual Journalist, Still Photographer and Writer
Dave Cooper, Films and Brand Manager, World Resources Institute
Learn more: benevolentmedia.org/festival
Protocol Youth IPU conference
CD__1699
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
Protocol Youth IPU conference
CD__1718
17 November 2017
Ottawa, ONTARIO, on 17 November, 2017.
Credit: Christian Diotte, House of Commons Photo Services
© HOC-CDC, 2017
Ron McCullagh Sorious Samura Antonella Sinopoli
Esiste una grande scuola di giornalismo investigativo in Africa, costituita da giornalisti, fotoreporter, video maker africani e occidentali che operano su territori di cui hanno una conoscenza profonda acquisita nel corso di anni di permanenza. Insight TWI produce film, documentari e programmi televisivi ad alto impatto, sia nel contenuto che nelle immagini. Tra i titoli, Cry Freetown sulla guerra civile in Sierra Leone; il controverso film sull’omossessualità in Africa, Africa’s last taboo; Blood on the stone affiancato a Blood diamond film multi-premiato con Leonardo Di Caprio. Il team di Insight TWI, di cui fa parte anche Anas Aremeyaw Anas, lo scorso anno ospite al Festival Internazionale del Giornalismo, ha prodotto la serie Africa Investigates in collaborazione con Al Jazeera. Del giornalismo investigativo in Africa, dell’impatto e della sua potenza descrittiva parleranno Ron McCullagh, veterano della BBC e fondatore di Insight TWI, e Sorious Samura, giornalista di punta di Insight TWI.
There is a great school of investigative journalism in Africa, consisting of journalists, photojournalists, African and Western video-makers who operate in the areas of which they have deep knowledge gained over many years.
video: media.journalismfestival.com/programme/2017/investigative...