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About Burton Mere Wetlands
Wildfowl and wading birds in winter, warblers in spring, vast panoramas and a fascinating history are just some of the highlights from Burton Mere Wetlands. Straddling the border between England and Wales, this is a unique landscape. Many years of hard work have restored reedbeds, fenland and farmland.
Opening times
Our reception building is open between 9.30 am and 5 pm. The reserve is open between 9 am and 9 pm, or dusk if sooner.
Entrance charges
£4 adults, £6 family, £1 kids, concessions £2.
If you are new to birdwatching...
Burton Mere Wetlands is perfect if you're new to birdwatching, as the entire reserve has been designed to get you closer to nature. It has relaxed, modern facilities with excellent access for people of all abilities.
Information for dog owners
No dogs allowed, except registered assistance dogs
Star species
Our star species are some of the most interesting birds you may see on your visit to the reserve
Black-tailed godwit
Flocks of black-tailed godwits can be seen on the pools here. In spring - when they rest and feed here before heading north to Iceland to breed - they are resplendent in their 'tomato soup-red' breeding attire. On their return in autumn, you can pick out the scaly-backed juvenile birds if you look closely.
Buzzard
The buzzard is now the UK's most numerous bird of prey. Listen for their mewing calls, or keep an eye out for them as they soar overheard on sunny days.
Kingfisher
Spend time in the hides and you may be rewarded with an unforgettable kingfisher encounter. Listen for their shrill, piping calls and then watch for the flash of blue and orange.
Linnet
Linnets are fairly unobtrusive finches for most of the year. In spring, watch out for the smart males with their twittering song and bright pink bellies.
Little egret
These dainty little white herons can be seen throughout the year here. You can see them fishing, stirring up fish fry from the muddy bottom with their feet, or watch large numbers arrive to roost at dusk.
Seasonal highlights
Each season brings a different experience at our nature reserves. In spring, the air is filled with birdsong as they compete to establish territories and attract a mate. In summer, look out for young birds making their first venture into the outside world. Autumn brings large movements of migrating birds - some heading south to a warmer climate, others seeking refuge in the UK from the cold Arctic winter. In winter, look out for large flocks of birds gathering to feed, or flying at dusk to form large roosts to keep warm.
Spring
Spring is alive with the sounds and sights of many breeding birds. Our favourites include the sky-diving lapwings and herons with their precarious nests in the trees. The highlight amongst the many warblers is undoubtely the grasshopper warbler with its distinctive 'reeling' song. Non-breeding regular visitors include black-tailed godwits and spotted redshanks, which pass through on their way north.
Summer
As the weather hots up, so does the wildlife action. Summer visitors include the aerobatic hobby and menacing marsh harrier. Ducklings are well on their way and are actively feeding. Many wildflowers come into their own, such as marsh orchids and fleabane, while marsh marigolds bloom. A quiet and patient watcher may catch a glimpse of a water vole as it plops underwater. Insect stars include wall brown butterflies. Stick around until dusk and see the Daubenton's and pipistrelle bats feasting on flying insects.
Autumn
Autumn sees the action slow down as nature gets ready for winter. The reserve, however, remains well-watched as many scarce migrant birds have been seen in previous years, including little stints, green, curlew and wood sandpipers. Little egret numbers are at their highest now as the chicks have fledged and large roosts make it worthwhile being here just before dusk. Also, small numbers of wild geese begin to arrive.
Winter
The whole area becomes a winter wildlife wonderland. Believe it or not, many of our feathered friends choose to spend their winter here. Probably the most spectacular (and noisy) are the thrushes and starlings that have come from the continent to feast upon our unfrozen farmland. Hen harriers spend their winter out on the saltmarsh but will regularly hunt the pools and wetland here. Both whooper and Bewick's swans over-winter on the estuary and occasionally drop in for a feed or even to spend the night. Frozen days are the best time to see the usually shy water rail, as it is forced to leave the cover of vegetation to find somewhere to feed.
Facilities
Facilities
•Car park : 85 spaces (7 disabled). Two bike racks. Not suitable for coaches - please ring for details on parking coaches and larger minibuses.
•Toilets
•Disabled toilets
•Baby-changing facilities
•Picnic area
•Binocular hire
•Live camera
•Group bookings accepted
•Guided walks available
•Remote location
•Good for walking
•Pushchair friendly
Viewing points
There are two main hides: the reception building and Marsh Covert hide - and several viewpoints. More screens to come in the future.
Nature trails
There are three nature trails:
Gorse Covert Woodland Trail (600 m) meanders through woodland that is full of bluebells and birdsong in the spring. Autumn offers a burst of colour. It can get muddy in wet weather.
Burton Mere Trail (900 m and fully accessible). A splendid stroll around the old mere which in summer is covered in lily pads with dozens of dragonflies. If you’re lucky you may see a kingfisher.
Reed and Fen Trail: leading to Marsh Covert Hide and fully accessible, this trail is sandwiched between our new reedbed and a wet woodland – in spring it is a wall of warbler song.
Refreshments available
•Hot drinks
•Cold drinks
How to get here
By train
Neston (3.4 miles) and Hooton (4.3 miles) are the nearest. Neston is on the Wrexham to Bidston line (Borderlands Line). Hooton is served by Merseyrail's Wirral Line.
By bus
Buses run between Neston and Hooton Station. The nearest bus stop is in Burton village, 600 m from the reserve entrance.
By road
Burton Mere Wetlands is off the A540 (Chester High Road) and just 10 minutes from the M56. Look out for the brown signposts on the A540. Otherwise turn down Puddington Lane - the reserve entrance is just outside Burton village near to Bishop Wilson Primary School.
Contact us
•Tel: 0151 353 8478
•E-mail: deeestuary@rspb.org.uk
Where is it?
•Lat/lng: 53.257862,-3.021908
•Postcode: CH64 5SF
•Grid reference: SJ319739
•Nearest town: Neston, Cheshire
•County: Cheshire
•Country: England
en.wikipedia.org/wiki/Plumbeous_Water_Redstart
The Plumbeous Water Redstart (Rhyacornis fuliginosa) is a species of bird in the family Muscicapidae. It is found in South Asia, Southeast Asia and China. Males are slate blue in colour, while females are grey. The bird's common name refers to its colour which resembles lead. They tend to live near fast-moving streams and rivers.
Taxonomy
The Plumbeous Water Redstart belongs to the order Passeriformes and the family Muscicapidae. The species consists of two recognized subspecies – Rhyacornis fuliginosa fuliginosa and Rhyacornis fuliginosa affinis. The former was described by Nicholas Aylward Vigors in 1831, while the latter was described by William Robert Ogilvie-Grant in 1906 and is found in Taiwan.[2] In China, the female and first-year male redstarts appear more brown at the top, leading to the possibility of classifying them as a separate race tenuirostris.
Description
The Plumbeous Water Redstart is typically 14 centimetres (5.5 in) long in total,[3] with an average weight of 22 grams (0.78 oz) for males and 18.8 grams (0.66 oz) for females.[4] The male birds are slate blue in colour with a tail that is rusty red.[5][6] On the other hand, female birds are pale grey and feature a white rump.
Habitat
The bird is found in Afghanistan, Bhutan, China, India, Laos, Myanmar, Nepal, Pakistan, Taiwan, Thailand, and Vietnam.[7][8] Their preferred habitats are streams,[7] nullahs[6] and rivers[9] with boulders that are shaded,[10] as well as vegetation near riverbanks.[7] Streams with higher populations of insects such as mayflies appear to be preferred.[11]
They are typically found at relatively high elevations, with the ones living in the Himalayas seen between 2,000 metres (6,600 ft)[12] and 4,100 metres (13,500 ft).[7] However, they tend to descend to lower altitudes during the winter.[7]
The Plumbeous Water Redstart has been placed on the Least Concern category of the IUCN Red List, as the population has remained stable throughout the last ten years. The size of its distribution range is over 5,100,000 square kilometres (2,000,000 sq mi).
Behavior
The Plumbeous Water Redstart is very protective of its habitat[14] and will be extremely confrontational to any trespasser on its territory.[5] In order to catch flies in rivers, it flies vertically until it is at least 20 feet (6.1 m) above the water, before gliding down in a spiral back to the same place.
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Εκκλησιαστικοί ύμνοι
Χριστιανικά Παιδικά Τραγούδια | Προσφέροντας μια ειλικρινή καρδιά στον Θεό
Έι, αδελφοί και αδελφές, ας ψάλλουμε και ας χορέψουμε για να δοξάσουμε τον Θεό.
Εντάξει!
Αδελφοί και αδελφές, ας κινητοποιηθούμε· μην είστε σε αμηχανία και μην ντρέπεστε.
Ο Θεός δεν νοιάζεται αν οι κινήσεις μας είναι καλές ή κακές, μόνο ο αυθεντικός αίνος Τον κάνει χαρούμενο.
Εάν θέλετε να Τον δοξάσετε με όλη σας την καρδιά, αφήστε στην άκρη την περηφάνια σας και κινητοποιηθείτε.
Ο Θεός δεν νοιάζεται πόσο μεγάλοι είμαστε σε ηλικία, ούτε πόσοι από εμάς στεκόμαστε εδώ.
Ο ειλικρινής αίνος ελευθερώνει το πνεύμα μας. Δώστε όλη την δόξα στον Θεό.
Δοξάζοντας τον Θεό με όλη μας την καρδία μας φέρνει χαρά, η χάρη του Θεού σίγουρα δίνεται σ’ εμάς.
Αδελφοί και αδελφές ελάτε και δοξάστε τον Θεό, είναι καθήκον μας να Τον δοξάσουμε με όλη μας την καρδιά.
Αυτοί που Τον δοξάζουν θα λάβουν τις ευλογίες Του, οι οποίες δεν αγοράζονται ούτε με όλα τα πλούτη της γης.
Είμαστε τυχεροί που υψωνόμαστε ενώπιον του Θεού, είναι η χάρη του Θεού και η εξαίρετη αγάπη.
Κανένας βασιλιάς δεν είναι πιο ευλογημένος από εμάς, δεν θα υποτιμήσουμε τους εαυτούς μας.
Προσφέρετε μια ειλικρινή καρδιά στον Θεό, όλα τα πλάσματα δοξάστε Τον εγκάρδια.
Σήμερα ζούμε στην βασιλεία, μεταρσιωμένοι από τον Θεό για να γίνουμε ο λαός Του.
Δόξα στον Παντοδύναμο Θεό , όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.
Δόξα στον Παντοδύναμο Θεό, όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.
Όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
τα χνάρια του Θεού
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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en.wikipedia.org/wiki/Atlantic_Ocean
The Atlantic Ocean is the second-largest of the world's oceanic divisions. With a total area of about 106,400,000 square kilometres (41,100,000 sq mi),[1] it covers approximately 20% of the Earth's surface and about 26% of its water surface area. The first part of its name refers to Atlas of Greek mythology, making the Atlantic the "Sea of Atlas".
The oldest known mention of "Atlantic" is in The Histories of Herodotus around 450 BC (Hdt. 1.202.4): Atlantis thalassa (Greek: Ἀτλαντὶς θάλασσα; English: Sea of Atlas); see also: Atlas Mountains. The term Ethiopic Ocean, derived from Ethiopia, was applied to the southern Atlantic ocean as late as the mid-19th century.[2] Before Europeans discovered other oceans, the term "ocean" itself was synonymous with the waters beyond the Strait of Gibraltar that we now know as the Atlantic. The early Greeks believed this ocean to be a gigantic river encircling the world.
The Atlantic Ocean occupies an elongated, S-shaped basin extending longitudinally between Eurasia and Africa to the east, and the Americas to the west. As one component of the interconnected global ocean, it is connected in the north to the Arctic Ocean (which is sometimes considered a sea of the Atlantic), to the Pacific Ocean in the southwest, the Indian Ocean in the southeast, and the Southern Ocean in the south. (Other definitions describe the Atlantic as extending southward to Antarctica.) The equator subdivides it into the North Atlantic Ocean and South Atlantic Ocean.
Geography
The Atlantic Ocean is bounded on the west by North and South America. It connects to the Arctic Ocean through the Denmark Strait, Greenland Sea, Norwegian Sea and Barents Sea. To the east, the boundaries of the ocean proper are Europe; the Strait of Gibraltar (where it connects with the Mediterranean Sea–one of its marginal seas–and, in turn, the Black Sea, both of which also touch upon Asia) and Africa.
In the southeast, the Atlantic merges into the Indian Ocean. The 20° East meridian, running south from Cape Agulhas to Antarctica defines its border. Some authorities show it extending south to Antarctica, while others show it bounded at the 60° parallel by the Southern Ocean.[3]
In the southwest, the Drake Passage connects it to the Pacific Ocean. The man-made Panama Canal links the Atlantic and Pacific. Besides those mentioned, other large bodies of water adjacent to the Atlantic are the Caribbean Sea; the Gulf of Mexico; Hudson Bay; the Arctic Ocean; the Mediterranean Sea; the North Sea; the Baltic Sea and the Celtic Sea.
Covering approximately 22% of Earth's surface, the Atlantic is second in size to the Pacific. With its adjacent seas, it occupies an area of about 106,400,000 square kilometres (41,100,000 sq mi);[1] without them, it has an area of 82,400,000 square kilometres (31,800,000 sq mi). The land that drains into the Atlantic covers four times that of either the Pacific or Indian oceans. The volume of the Atlantic with its adjacent seas is 354,700,000 cubic kilometers (85,100,000 cu mi) and without them 323,600,000 cubic kilometres (77,640,000 cu mi).
The average depth of the Atlantic, with its adjacent seas, is 3,339 metres (1,826 fathoms; 10,950 ft); without them it is 3,926 metres (2,147 fathoms; 12,880 ft). The greatest depth, Milwaukee Deep with 8,380 metres (4,580 fathoms; 27,500 ft), is in the Puerto Rico Trench. The Atlantic's width varies from 1,538 nautical miles (2,848 km; 1,770 mi) between Brazil and Sierra Leone to over 3,450 nautical miles (6,400 km; 4,000 mi) in the south
Cultural significance
Transatlantic travel played a major role in the expansion of Western civilization into the Americas. It is the Atlantic that separates the "Old World" from the "New World". In modern times, some idioms refer to the ocean in a humorously diminutive way as the Pond, describing both the geographical and cultural divide between North America and Europe, in particular between the English-speaking nations of both continents. Many British people refer to the United States and Canada as "across the pond", and vice versa
Ocean bottom
The principal feature of the bathymetry (bottom topography) is a submarine mountain range called the Mid-Atlantic Ridge.[5] It extends from Iceland in the north to approximately 58° South latitude, reaching a maximum width of about 860 nautical miles (1,590 km; 990 mi). A great rift valley also extends along the ridge over most of its length. The depth of water at the apex of the ridge is less than 2,700 metres (1,500 fathoms; 8,900 ft) in most places, while the bottom of the ridge is three times as deep. Several peaks rise above the water and form islands.[6] The South Atlantic Ocean has an additional submarine ridge, the Walvis Ridge.[7]
The Mid-Atlantic Ridge separates the Atlantic Ocean into two large troughs with depths from 3,700–5,500 metres (2,000–3,000 fathoms; 12,000–18,000 ft). Transverse ridges running between the continents and the Mid-Atlantic Ridge divide the ocean floor into numerous basins. Some of the larger basins are the Blake, Guiana, North American, Cape Verde, and Canaries basins in the North Atlantic. The largest South Atlantic basins are the Angola, Cape, Argentina, and Brazil basins.
The deep ocean floor is thought to be fairly flat with occasional deeps, abyssal plains, trenches, seamounts, basins, plateaus, canyons, and some guyots. Various shelves along the margins of the continents constitute about 11% of the bottom topography with few deep channels cut across the continental rise.
Ocean floor trenches and seamounts:
•Puerto Rico Trench, in the North Atlantic, is the deepest trench at 8,605 metres (4,705 fathoms; 28,230 ft)[8]
•Laurentian Abyss is found off the eastern coast of Canada
•South Sandwich Trench reaches a depth of 8,428 metres (4,608 fathoms; 27,650 ft)
•Romanche Trench is located near the equator and reaches a depth of about 7,454 metres (4,076 fathoms; 24,460 ft).
Ocean sediments are composed of:
•Terrigenous deposits with land origins, consisting of sand, mud, and rock particles formed by erosion, weathering, and volcanic activity on land washed to sea. These materials are found mostly on the continental shelves and are thickest near large river mouths or off desert coasts.
•Pelagic deposits, which contain the remains of organisms that sink to the ocean floor, include red clays and Globigerina, pteropod, and siliceous oozes. Covering most of the ocean floor and ranging in thickness from 60–3,300 metres (33–1,800 fathoms; 200–11,000 ft) they are thickest in the convergence belts, notably at the Hamilton Ridge and in upwelling zones.
•Authigenic deposits consist of such materials as manganese nodules. They occur where sedimentation proceeds slowly or where currents sort the deposits, such as in the Hewett Curve.
Water characteristics
On average, the Atlantic is the saltiest major ocean; surface water salinity in the open ocean ranges from 33 to 37 parts per thousand (3.3 – 3.7%) by mass and varies with latitude and season. Evaporation, precipitation, river inflow and sea ice melting influence surface salinity values. Although the lowest salinity values are just north of the equator (because of heavy tropical rainfall), in general the lowest values are in the high latitudes and along coasts where large rivers enter. Maximum salinity values occur at about 25° north and south, in subtropical regions with low rainfall and high evaporation.
Surface water temperatures, which vary with latitude, current systems, and season and reflect the latitudinal distribution of solar energy, range from below −2 °C (28 °F). Maximum temperatures occur north of the equator, and minimum values are found in the polar regions. In the middle latitudes, the area of maximum temperature variations, values may vary by 7–8 °C (12–15 °F).
The Atlantic Ocean consists of four major water masses. The North and South Atlantic central waters make up the surface. The sub-Antarctic intermediate water extends to depths of 1,000 metres (550 fathoms; 3,300 ft). The North Atlantic Deep Water reaches depths of as much as 4,000 metres (2,200 fathoms; 13,000 ft). The Antarctic Bottom Water occupies ocean basins at depths greater than 4,000 metres.
Within the North Atlantic, ocean currents isolate the Sargasso Sea, a large elongated body of water, with above average salinity. The Sargasso Sea contains large amounts of seaweed and is also the spawning ground for both the European eel and the American eel.
The Coriolis effect circulates North Atlantic water in a clockwise direction, whereas South Atlantic water circulates counter-clockwise. The south tides in the Atlantic Ocean are semi-diurnal; that is, two high tides occur during each 24 lunar hours. In latitudes above 40° North some east-west oscillation occurs.
Climate
Climate is influenced by the temperatures of the surface waters and water currents as well as winds. Because of the ocean's great capacity to store and release heat, maritime climates are more moderate and have less extreme seasonal variations than inland climates. Precipitation can be approximated from coastal weather data and air temperature from water temperatures.
The oceans are the major source of the atmospheric moisture that is obtained through evaporation. Climatic zones vary with latitude; the warmest zones stretch across the Atlantic north of the equator. The coldest zones are in high latitudes, with the coldest regions corresponding to the areas covered by sea ice. Ocean currents influence climate by transporting warm and cold waters to other regions. The winds that are cooled or warmed when blowing over these currents influence adjacent land areas.
The Gulf Stream and its northern extension towards Europe, the North Atlantic Drift, for example, warms the atmosphere of the British Isles and north-western Europe and influences weather and climate as far south as the northern Mediterranean. The cold water currents contribute to heavy fog off the coast of eastern Canada (the Grand Banks of Newfoundland area) and Africa's north-western coast. In general, winds transport moisture and air over land areas. Hurricanes develop in the southern part of the North Atlantic Ocean. More local particular weather examples could be found in examples such as the; Azores High, Benguela Current, Nor'easter.
History
The Atlantic Ocean appears to be the second youngest of the five oceans. It did not exist prior to 130 million years ago, when the continents that formed from the breakup of the ancestral super continent Pangaea were drifting apart from seafloor spreading. The Atlantic has been extensively explored since the earliest settlements along its shores.
The Vikings, the Portuguese, and the Spaniards were the most famous among early explorers. After Columbus, European exploration rapidly accelerated, and many new trade routes were established.
As a result, the Atlantic became and remains the major artery between Europe and the Americas (known as transatlantic trade). Scientific explorations include the Challenger expedition, the German Meteor expedition, Columbia University's Lamont-Doherty Earth Observatory and the United States Navy Hydrographic Office.
Notable crossings
Ra II, a ship built from papyrus, was successfully sailed across the Atlantic by Thor Heyerdahl proving that it was possible to cross the Atlantic from Africa using such boats in early epochs of history.
•Around 980 – 982, Eric the Red discovered Greenland, geographically and geologically a part of the Americas.
•In 985 or 986, Bjarni Herjólfsson was the first European to sight the Americas. He did not go ashore, though.
•In the year 1000, the Icelander Leif Ericson was the first European to set foot on North American soil, corresponding to today's Eastern coast of Canada, i. e. the province of Newfoundland and Labrador, including the area of land named "Vinland" by Ericson. The Norse discovery was documented in the 13th century Icelandic Sagas and was corroborated by recent L'Anse aux Meadows archeological evidence.
•Around 1010, Thorfinnr Karlsefni led an attempted Viking settlement in North America with 160 settlers, but was later driven off by the natives. His son Snorri Thorfinnsson was the first American born (somewhere between 1010 and 1013) to European (Icelandic) immigrant parents.
•In 1419 and 1427, Portuguese navigators reached Madeira and Azores, respectively.
•From 1415 to 1488, Portuguese navigators sailed along the Western African coast, reaching the Cape of Good Hope.
•In 1492, Christopher Columbus landed on the island of San Salvador in The Bahamas.
•In 1497, John Cabot landed at Bonavista Newfoundland and Labrador.
•In 1500, Pedro Álvares Cabral reached Brazil.
•In 1524, Italian explorer Giovanni da Verrazzano discovered the United States of America's east coast.
•In 1534, Jacques Cartier entered the Gulf of St. Lawrence and reached the mouth of the St. Lawrence River.
•In 1583, Sir Humphrey Gilbert claimed Newfoundland for the English Crown.
•In 1764 William Harrison (the son of John Harrison) sailed aboard the HMS Tartar, with the H-4 time piece. The voyage became the basis for the invention of the global system of Longitude.
•In 1858, Cyrus West Field laid the first transatlantic telegraph cable (it quickly failed).
•In 1865 Brunel's ship the SS Great Eastern laid the first successful transatlantic telegraph cable .
•In 1870 the small City of Ragusa (Dubrovnik) became the first small Lifeboat to cross the Atlantic from Cork to Boston with two men crew, John Charles Buckley and Nikola Primorac (di Costa), only.[9]
•In 1896 Frank Samuelsen and George Harbo from Norway became the first people to ever row across the Atlantic Ocean.
•On April 15, 1912 the RMS Titanic sank after hitting an iceberg with a loss of more than 1,500 lives.[10]
•1914–1918, the First Battle of the Atlantic took place.
•In 1919, the American NC-4 became the first seaplane to cross the Atlantic (though it made a couple of landings on islands and the sea along the way, and taxied several hundred miles).
•Later in 1919, a British aeroplane piloted by Alcock and Brown made the first non-stop transatlantic flight, from Newfoundland to Ireland.
•In 1921, the British were the first to cross the North Atlantic in an airship.
•In 1922, Sacadura Cabral and Gago Coutinho were the first to cross the South Atlantic in an airship.
•In 1927, Charles Lindbergh made the first solo non-stop transatlantic flight in an aircraft (between New York City and Paris).
•In 1931, Bert Hinkler made the first solo non-stop transatlantic flight across the South Atlantic in an aircraft.
•In 1932, Amelia Earhart became the first female to make a solo flight across the Atlantic
•1939–1945, the Second Battle of the Atlantic. Nearly 3,700 Allied ships were sunk at a cost of 783 German U-boats.[11]
•In 1952, Ann Davison was the first woman to single-handedly sail the Atlantic Ocean.
•In 1965, Robert Manry crossed the Atlantic from the U.S. to England non-stop in a 13.5 foot (4.05 meters) sailboat named "Tinkerbell".[12] Several others also crossed the Atlantic in very small sailboats in the 1960s, none of them non-stop, though.
•In 1969 and 1970 Thor Heyerdahl launched expeditions to cross the Atlantic in boats built from papyrus. He succeeded in crossing the Atlantic from Morocco to Barbados after a two-month voyage of 6,100 km with Ra II in 1970, thus conclusively proving that boats such as the Ra could have sailed with the Canary Current across the Atlantic in prehistoric times.[13]
•In 1975, Fons Oerlemans crossed the Atlantic in 82 days, starting from Safi (Morocco) to Trinidad and Tobago, on a selfmade raft.
•In 1980, Gérard d'Aboville was the first man to cross the Atlantic Ocean rowing solo.
•In 1984, Five Argentines sail in a 10-meter-long raft made from tree trunks named Atlantis from Canary Islands and after 52 days 3,000 miles (4,800 km) journey arrived to Venezuela in an attempt to prove travelers from Africa may have crossed the Atlantic before Christopher Columbus.[14][15]
•In 1994, Guy Delage was the first man to allegedly swim across the Atlantic Ocean (with the help of a kick board, from Cape Verde to Barbados).
•In 1998, Benoît Lecomte was the first man to swim across the northern Atlantic Ocean without a kick board, stopping for only one week in the Azores.
•In 1999, after rowing for 81 days and 4,767 kilometres (2,962 mi), Tori Murden became the first woman to cross the Atlantic Ocean by rowboat alone when she reached Guadeloupe from the Canary Islands.
Ethiopic Ocean
The Aethiopian Sea, Ethiopic Ocean or Ethiopian Ocean (Okeanos Aithiopos), is an old name for what is now called the South Atlantic Ocean, which is separated from the North Atlantic Ocean by a narrow region between Natal, Brazil and Monrovia, Liberia. The use of this term illustrates a past trend towards referring to the whole continent of Africa by the name Aethiopia. The modern nation of Ethiopia, in northeast Africa, is nowhere near the Ethiopic Ocean, which would be said to lie off the west coast of Africa. The term Ethiopian Ocean sometimes appeared until the mid-19th century.[
Economy
The Atlantic has contributed significantly to the development and economy of surrounding countries. Besides major transatlantic transportation and communication routes, the Atlantic offers abundant petroleum deposits in the sedimentary rocks of the continental shelves. The Atlantic hosts the world's richest fishing resources, especially in the waters covering the shelves. The major fish are cod, haddock, hake, herring, and mackerel.
The most productive areas include Newfoundland's Grand Banks, the Nova Scotia shelf, Georges Bank off Cape Cod, the Bahama Banks, the waters around Iceland, the Irish Sea, the Dogger Bank of the North Sea, and the Falkland Banks. Eel, lobster, and whales appear in great quantities. Various international treaties attempt to reduce pollution caused by environmental threats such as oil spills, marine debris, and the incineration of toxic wastes at sea.
Terrain
From October to June the surface is usually covered with sea ice in the Labrador Sea, Denmark Strait, and Baltic Sea. A clockwise warm-water gyre occupies the northern Atlantic, and a counter-clockwise warm-water gyre appears in the southern Atlantic. The Mid-Atlantic Ridge, a rugged north-south centerline for the entire Atlantic basin, first discovered by the Challenger Expedition dominates the ocean floor. This was formed by the vulcanism that also formed the ocean floor and the islands rising from it.
The Atlantic has irregular coasts indented by numerous bays, gulfs, and seas. These include the Norwegian Sea, Baltic Sea, North Sea, Labrador Sea, Black Sea, Gulf of Saint Lawrence, Bay of Fundy, Gulf of Maine, Mediterranean Sea, Gulf of Mexico, and Caribbean Sea.
Islands include Newfoundland (including hundreds of surrounding islands), Greenland, Iceland, Faroe Islands, Great Britain (including numerous surrounding islands), Ireland, Rockall, Sable Island, Azores, St. Pierre and Miquelon, Madeira, Bermuda, Canary Islands, Caribbean, Cape Verde, São Tomé and Príncipe, Annobón Province, Fernando de Noronha, Rocas Atoll, Ascension Island, Saint Helena, Trindade and Martim Vaz, Tristan da Cunha, Gough Island (Also known as Diego Alvarez), Falkland Islands, Tierra del Fuego, South Georgia Island, South Sandwich Islands, and Bouvet Island.
Natural resources
The Atlantic harbors petroleum and gas fields, fish, marine mammals (seals and whales), sand and gravel aggregates, placer deposits, polymetallic nodules, and precious stones.
Natural hazards
Icebergs are common from February to August in the Davis Strait, Denmark Strait, and the northwestern Atlantic and have been spotted as far south as Bermuda and Madeira. Ships are subject to superstructure icing in the extreme north from October to May. Persistent fog can be a maritime hazard from May to September, as can hurricanes north of the equator (May to December).
The United States' southeast coast has a long history of shipwrecks due to its many shoals and reefs. The Virginia and North Carolina coasts were particularly dangerous.
The Bermuda Triangle is popularly believed to be the site of numerous aviation and shipping incidents because of unexplained and supposedly mysterious causes, but Coast Guard records do not support this belief.
Hurricanes are also a natural hazard in the Atlantic, but mainly in the northern part of the ocean, rarely tropical cyclones form in the southern parts. Hurricanes usually form between June 1 and November 30 of every year. The most notable hurricane in the Atlantic would be Hurricane Katrina in the 2005 season
Current environmental issues
Endangered marine species include the manatee, seals, sea lions, turtles, and whales. Drift net fishing can kill dolphins, albatrosses and other seabirds (petrels, auks), hastening the fish stock decline and contributing to international disputes.[16] Municipal pollution comes from the eastern United States, southern Brazil, and eastern Argentina; oil pollution in the Caribbean Sea, Gulf of Mexico, Lake Maracaibo, Mediterranean Sea, and North Sea; and industrial waste and municipal sewage pollution in the Baltic Sea, North Sea, and Mediterranean Sea.
In 2005, there was some concern that warm northern European currents were slowing down, but no scientific consensus formed from that evidence.[17]
On June 7, 2006, Florida's wildlife commission voted to take the manatee off the state's endangered species list. Some environmentalists worry that this could erode safeguards for the popular sea creature.
Marine pollution
Marine pollution is a generic term for the entry into the ocean of potentially hazardous chemicals or particles. The biggest culprits are rivers and with them many agriculture fertilizer chemicals as well as livestock and human waste. The excess of oxygen-depleting chemicals leads to hypoxia and the creation of a dead zone.[18]
Marine debris, which is also known as marine litter, describes human-created waste floating in a body of water. Oceanic debris tends to accumulate at the center of gyres and coastlines, frequently washing aground where it is known as beach litter
Bordering countries and territories
The states (territories in italics) with a coastline on the Atlantic Ocean (excluding the Baltic and Mediterranean Seas) are:
Europe
• Belgium
• Denmark
• Germany
• Spain
• France
• Faroe Islands
• Guernsey
• Isle of Man
• Ireland
• Iceland
• Jersey
• Netherlands
• Norway
• Portugal
• Sweden
• United Kingdom
Africa
• Morocco
• Angola
• Benin
• Bouvet Island
• Côte d'Ivoire
• Cameroon
• Democratic Republic of the Congo
• Republic of the Congo
• Cape Verde
• Western Sahara (claimed by Morocco)
• Spain (Canary Islands)
• Gabon
• Ghana
• Guinea
• Gambia
• Guinea-Bissau
• Equatorial Guinea
• Liberia
• Mauritania
• Namibia
• Nigeria
• Senegal
• Saint Helena, Ascension and Tristan da Cunha
• Sierra Leone
• São Tomé and Príncipe
•
South America
• Argentina
• Brazil
• Chile
• Colombia
• Falkland Islands
• France (French Guiana)
• Guyana
• South Georgia and the South Sandwich Islands
• Suriname
• Uruguay
• Venezuela
Caribbean
• Aruba
• Anguilla
• Antigua and Barbuda
• Bahamas
• Saint Barthélemy
• Barbados
• Cuba
• Curaçao
• Cayman Islands
• Dominica
• Dominican Republic
• France (Martinique and Guadeloupe)
• Grenada
• Haiti
• Jamaica
• Saint Lucia
• Saint Martin
• Montserrat
• Netherlands (Caribbean Netherlands)
• Puerto Rico
• Saint Kitts and Nevis
• Sint Maarten
• Turks and Caicos Islands
• Trinidad and Tobago
• Saint Vincent and the Grenadines
• British Virgin Islands
• United States Virgin Islands
Central and North America
• Belize
• Bermuda
• Canada
• Costa Rica
• Greenland
• Guatemala
• Honduras
• Mexico
• Nicaragua
• Panama
• Saint Pierre and Miquelon
• United States
en.wikipedia.org/wiki/Philippi
Philippi (/fɪˈlɪpaɪ, ˈfɪləˌpaɪ/; Greek: Φίλιπποι, Philippoi) was a city in eastern Macedonia, established by Philip II in 356 BC and abandoned in the 14th century after the Ottoman conquest. The present municipality Filippoi is located near the ruins of the ancient city and it is part of the region of East Macedonia and Thrace in Kavalla Greece.
History
Philippi was established by the king of Macedon, Philip II, on the site of the Thasian colony of Krinides or Crenides (Κρηνἱδες, "Fountains"), near the head of the Aegean Sea at the foot of Mt. Orbelos about 8 miles north-west of Kavalla, on the northern border of the marsh that in Antiquity covered the entire plain separating it from the Pangaion hills to the south of Greece.
The objective of founding the town was to take control of the neighbouring gold mines and to establish a garrison at a strategic passage: the site controlled the route between Amphipolis and Neapolis, part of the great royal route which crosses Macedonia from the east to the west and which was reconstructed later by the Roman Empire as the Via Egnatia. Philip II endowed the new city with important fortifications, which partially blocked the passage between the swamp and Mt. Orbelos, and sent colonists to occupy it. Philip also had the marsh partially drained, as is attested by the writer Theophrastus. Philippi preserved its autonomy within the kingdom of Macedon and had its own political institutions (the Assembly of the demos). The discovery of new gold mines near the city, at Asyla, contributed to the wealth of the kingdom and Philip established a mint there. The city was finally fully integrated into the kingdom under Philip V.
The city remained. It contained 2,000 people. When the Romans destroyed the Antigonid dynasty of Macedon in 168 BC and divided it into four separate states (merides), it was Amphipolis and not Philippi that became the capital of the eastern Macedonian state.
Almost nothing is known about the city in this period, aside from the walls, the Greek theatre, the foundations of a house under the Roman forum and a little temple dedicated to a hero cult. This monument covers the tomb of a certain Exekestos, is possibly situated on the agora and is dedicated to the κτίστης (ktistès), the foundation hero of the city.
The Roman era
The city reappears in the sources during the Roman civil war that followed the assassination of Julius Caesar. His heirs Mark Antony and Octavian confronted the assassins of Caesar, Marcus Junius Brutus and Gaius Cassius Longinus, at the Battle of Philippi on the plain to the west of the city during October in 42 BC. Antony and Octavian were victorious in this final battle against the partisans of the Republic. They released some of their veteran soldiers, probably from legion XXVIII and colonized them in the city, which was refounded as Colonia Victrix Philippensium. In 30 BC, Octavian became Roman emperor, reorganized the colony, and established more settlers there, veterans possibly from the Praetorian Guard and other Italians. The city was renamed Colonia Iulia Philippensis, and then Colonia Augusta Iulia Philippensis after January, 27 BC, when Octavian received the title Augustus from the Roman Senate.
Following this second renaming, and perhaps after the first, the territory of Philippi was centuriated (divided into squares of land) and distributed to the colonists. The city kept its Macedonian walls, and its general plan was modified only partially by the construction of a forum, a little to the east of the site of Greek agora. It was a "miniature Rome," under the municipal law of Rome and governed by two military officers, the duumviri, who were appointed directly from Rome.
The colony recognized its dependence on the mines that brought it its privileged position on the Via Egnatia. This wealth was shown by the many monuments that were particularly imposing considering the relatively small size of the urban area: the forum, laid out in two terraces on both sides of the main road, was constructed in several phases between the reigns of Claudius and Antoninus Pius, and the theatre was enlarged and expanded in order to hold Roman games. There is an abundance of Latin inscriptions testifying to the prosperity of the city.
The early Christian era
According to the New Testament, in AD 49 or 50, the city was visited by the apostle Paul (Acts 16:9-10). From the Acts of the Apostles (Acts 16:12) and the letter to the Philippians (Philippians 1:1), early Christians concluded that Paul had founded their community. Accompanied by Silas, Timothy and possibly Luke, the author of the Acts of the Apostles, Paul is believed to have preached for the first time on European soil in Philippi (Acts 16:12-40). According to the New Testament, Paul visited the city on two other occasions, in 56 and 57. The Epistle to the Philippians dates from around 61-62 and is believed to show the immediate effects of Paul's instruction.
The development of Christianity in Philippi is indicated by a letter from Polycarp of Smyrna addressed to the community in Philippi around AD 160 and by funerary inscriptions.
The first church described in the city is a small building that was probably originally a small prayer house. This Basilica of Paul, identified by a mosaic inscription on the pavement, is dated around 343 from a mention by the bishop Porphyrios, who was present at the Council of Serdica that year.
The prosperity of the city in the 5th and 6th centuries was attributed to Paul and to his ministry.[citation needed] As in other cities, many new ecclesiastical buildings were constructed at this time. Seven different churches were constructed in Philippi between the mid-4th century and the end of the 6th, some of which competed in size and decoration with the most beautiful buildings in Thessalonica, or those of Constantinople. The relationship of the plan and of the architectural decoration of Basilica B with Hagia Sophia and Saint Irene in Constantinople accorded a privileged place to this church in the history of early Christian art. The complex cathedral which took the place of the Basilica of Paul at the end of the 5th century, constructed around an octagonal church, also rivaled the churches of Constantinople.
In the same age, the fortifications of the city were rebuilt in order to better defend against the growing instability in the Balkans. In 473 CE, the city was besieged by the Ostrogoths, who were unable to take it but burned down the surrounding villages.
The Byzantine and Ottoman era
Already weakened by the Slavic invasions at the end of the 6th century, which ruined the agrarian economy of Macedonia and probably also by the Plague of Justinian in 547, the city was almost totally destroyed by an earthquake around 619, from which it never recovered. There was a small amount of activity there in the 7th century, but the city was now hardly more than a village.
The Byzantine Empire possibly maintained a garrison there, but in 838 the city was taken by the Bulgars under kavhan Isbul, who celebrated their victory with a monumental inscription on the stylobate in Basilica B, now partially in ruins. The site of Philippi was so strategically sound that the Byzantines attempted very soon to recapture it ca. 850. Several seals of civil servants and other Byzantine officials, dated to the first half of the 9th century, prove the presence of Byzantine armies in the city.
Around 969, Emperor Nicephorus II Phocas rebuilt the fortifications on the acropolis and in part of the city. These gradually helped weaken Bulgar power and strengthen the Byzantine presence in the area. In 1077, Bishop Basil Kartzimopoulos rebuilt part of the defenses inside the city. The city began to prosper once more, as witnessed by the Arab geographer Al Idrisi, who mentions it as a centre of business and wine production around 1150.
After a brief occupation by the Franks after the Fourth Crusade and the capture of Constantinople in 1204, the city was captured by the Serbs. Still, it remained a notable fortification on the route of the ancient Via Egnatia; in 1354, the pretender to the Byzantine throne, Matthew Cantacuzenus, was captured there by the Serbs.
The city was abandoned at an unknown date, but when the French traveller Pierre Belon visited it in the 16th century, there were nothing but ruins, used by the Turks as a quarry. The name of the city was preserved at first by a Turkish village on the nearby plain, Philibedjik (Filibecik, "Little Filibe" in Turkish), which has since disappeared and then by a Greek village in the mountains.
Archaeological excavation of the site
Noted or briefly described by 16th century travellers, the first archaeological description of the city was made in 1856 by Perrot, then in 1861 by Léon Heuzey and Henri Daumet in their famous Mission archéologique de Macédoine.[1] The first excavations did not begin until the summer of 1914, and were soon interrupted by the First World War. The excavations, carried out by the École française d'Athènes, were renewed in 1920 and continued until 1937. During this time the Greek theatre, the forum, Basilicas A and B, the baths and the walls were excavated. After the Second World War, Greek archaeologists returned to the site. From 1958 to 1978, the Société Archéologique, then the Service archéologique and the University of Thessalonica uncovered the bishop's quarter and the octagonal church, large private residences, a new basilica near the Museum and two others in the necropolis to the east of the city.
In the Bible
According to the New Testament, in AD 49 or 50 the apostle Paul visited the city, guided there by a vision (Acts 16:9-10). Accompanied by Silas, Timothy and possibly Luke, the author of the Acts of the Apostles, Paul preached for the first time on European soil in Philippi (Acts 16:12-40) and baptized Lydia, a purple dye merchant, in a river to the west of the city. While in Philippi, his exorcism of a demon from a slave girl caused a great uproar in the city, which led to the arrest of Paul and Silas and a public beating (Acts 16:16-24). An earthquake caused their prison to be opened. When the jailer awoke, he prepared to kill himself, thinking all the prisoners had escaped and knowing that he would be severely punished. Paul stopped him, indicating that all the prisoners were in fact still there. The jailer then became one of the first Christians in Europe (Acts 16:25-40).
Paul visited the city at least on two other occasions, in 56 and 57. The Epistle to the Philippians dates from around 61-62 and shows the immediate effects of Paul's instruction.
copyright: © R-Pe 1764.org All rights reserved. Please do not use this image, or any images from my flickr photostream, fb account or g+, without my permission.
Source: en.wikipedia.org/wiki/Monument_Valley
Monument Valley (Navajo: Tsé Biiʼ Ndzisgaii, pronounced [tsʰépìːʔ ǹtsɪ̀skɑ̀ìː], meaning "valley of the rocks") is a region of the Colorado Plateau characterized by a cluster of sandstone buttes, with the largest reaching 1,000 ft (300 m) above the valley floor. The most famous butte formations are located in northeastern Arizona along the Utah–Arizona state line. The valley is considered sacred by the Navajo Nation, the Native American people within whose reservation it lies.
Monument Valley has been featured in many forms of media since the 1930s. Famed director John Ford used the location for a number of his Westerns. Film critic Keith Phipps wrote that "its five square miles [13 km2] have defined what decades of moviegoers think of when they imagine the American West".
Sourc: navajonationparks.org/navajo-tribal-parks/monument-valley/
History
Before human existence, the Park was once a lowland basin. For hundreds of millions of years, materials that eroded from the early Rock Mountains deposited layer upon layer of sediment which cemented a slow and gentle uplift, generated by ceaseless pressure from below the surface, elevating these horizontal strata quite uniformly one to three miles above sea level. What was once a basin became a plateau.
Natural forces of wind and water that eroded the land spent the last 50 million years cutting into and peeling away at the surface of the plateau. The simple wearing down of altering layers of soft and hard rock slowly revealed the natural wonders of Monument Valley today.
From the visitor center, you see the world-famous panorama of the Mitten Buttes and Merrick Butte. You can also purchase guided tours from Navajo tour operators, who take you down into the valley in Jeeps for a narrated cruise through these mythical formations. Places such as Ear of the Wind and other landmarks can only be accessed via guided tours. During the summer months, the visitor center also features Haskenneini Restaurant, which specializes in both native Navajo and American cuisines, and a film/snack/souvenir shop. There are year-round restroom facilities. One mile before the center, numerous Navajo vendors sell arts, crafts, native food, and souvenirs at roadside stands.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Utah) "يوتا" "犹他州" "יוטה" "यूटा" "ユタ州" "유타" "Юта"
(Monument Valley) "وادي النصب التذكاري" "纪念碑谷" "Vallée des monuments" "מוניומנט ואלי" "स्मारक घाटी" "モニュメントバレー" "모뉴먼트 밸리" "Долина Монументов" "Valle de los Monumentos"
Source: en.wikipedia.org/wiki/Custer_State_Park
Custer State Park is a South Dakota State Park and wildlife reserve in the Black Hills, United States. The park is South Dakota's largest and first state park, named after Lt. Colonel George Armstrong Custer. The park covers an area of over 71,000 acres (287 km2) of varied terrain including rolling prairie grasslands and rugged mountains.
The park is home to a herd of 1,500 bison. Elk, coyotes, mule deer, white tailed deer, mountain goats, prairie dogs, bighorn sheep, river otters, pronghorn, cougars, and feral burros also inhabit the park. The park is known for its scenery, its scenic drives (Needles Highway and the wildlife loop), with views of the bison herd and prairie dog towns. This park is easily accessible by road from Rapid City. Other nearby attractions are Wind Cave National Park, Mount Rushmore, Jewel Cave National Monument, Crazy Horse Memorial, and Badlands National Park.
Source: gfp.sd.gov/parks/detail/custer-state-park/
The granite peaks and rolling plains are calling. The clear mountain waters are inviting and the open ranges are waiting to be discovered. Bring your family to Custer State Park and let yourself run wild.
Encompassing 71,000 acres in the Black Hills, Custer State Park is home to abundant wildlife and adventure; camping, hiking, biking, swimming, fishing, or relaxing, there’s something here for everyone.
Feeding and disturbing park wildlife is against park regulations. While the animals within the park are used to visitors and vehicles, they are still wild animals. Please remain in your vehicle or stay at least 100 yards from bison, elk, and other animals.
Pets must be on a leash no longer than 10 feet and are not allowed in any park buildings or on designated swim beaches. Please clean up after your pet and do not leave it unattended. Service animals are welcome.
Firearms must be unloaded and cased unless during a hunting season with the proper license. Concealed carry is allowed with the appropriate permit.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(South Dakota) "داكوتا الجنوبية" "南达科他州" "Dakota du Sud" "दक्षिण डकोटा" "サウスダコタ" "사우스다코타" "Южная Дакота" "Dakota del Sur"
(Custer State Park) "حديقة كستر الحكومية" "卡斯特州立公园" "Parc d’État de Custer" "कस्टर स्टेट पार्क" "カスター州立公園" "커스터 주립공원" "Государственный парк Кастер" "Parque Estatal Custer"
Taken on the slopes of Midsummer Hill in Malvern. I feared and loved this place as a kid. In spring the woods are beautiful, carpeted with bluebells but in autumn and winter they're dark, mysterious. Didn't help that I heard all sorts of stories about this hill - iron age hill forts, burial mounds (both found on the hill), battles, druids, oh and "big black cats" supposedly spied out here. All stories were told by my father, usually as the light dropped on winter afternoons and told over his shoulder as he and his plucky terrier, Bede strode ahead, leaving me panting in their wake, fully expecting to see a ghost or be eaten by a panther any second.
Clearly, I didn't get eaten by a marauding panther but I still find these woods magical, like the setting for a dark fairytale... enchanting but kind of spooky!! At least I have my knight in shining armour fur now! I'm sure Barney would protect me from whatever lurks in the wood ;-) He certainly showed no fear of the looming trees and kindly cleared the area of all rabbits, squirrels and pheasants for me during our walk yesterday! Kept disappearing into the fog and I'd just hear the odd crash, or distant alarm call from a panicked bird as Barney explored. As it was so foggy and there were so many hunting opportunities, I didn't get a chance to take many photos of Barn but when he climbed a fallen tree, I saw an opportunity and really liked this shot.
Thanks for all the kind words last week about my being (very nearly) a yr cancer free! I had my hospital appointment on Wed and it went well :) I saw one of the consultants who operated on me last yr but hasn't seen me much since and he was really happy with my progress with speaking and recovery etc. He was slightly concerned I'm still so tired but thyroid problems are common after radiotherapy on the neck, so we're going to look into that... Hope everyone has a good weekend. Oh, and for Dilly fans out there, I should be uploading a few soon ;-)
copyright: © R-Pe 1764.org All rights reserved. Please do not use this image, or any images from my flickr photostream, fb account or g+, without my permission.
Artizen HDR
All information taken from www.wattsgallery.org.uk/ and Wikipedia
Designed and built by Mary Watts, the Chapel is a unique fusion of art nouveau, Celtic, Romanesque and Egyptian influence with Mary's own original style.
As followers of the Home Arts and Industries Association, set up by Earl Brownlow in 1885 to encourage handicrafts among the lower classes, the Chapel was the Watts's contribution to this characteristically Victorian preoccupation with social improvement through creative enlightenment. Mary passionately believed that anyone with a real interest and enthusiasm could be taught how to produce beautiful decoration, if in the process it kept them away from the 'gin palaces' of Guildford, this was surely a good thing. With this belief firmly in mind she encouraged all from the village, whatever their social status, up to their house Limnerslease for instruction in clay modelling.
The clay came from a seam that was discovered in the grounds of their house, apparently not unusual for this area. Taking this as a sign, Mary embarked upon the project with her usual determination, writing to the Parish Council in 1895 offering to build a new cemetery chapel, as the old graveyard in the village church of St Nicholas was full to capacity.
Her offer was accepted. As early as 1888 concerned parishioners had discussed the problem of space and plans were therefore already underway for land to be purchased from the Loseley Estate. Mary had produced her clay model of the new chapel by August 1895 and later that year the sale of land from William More-Molyneux was agreed.
The first clay modelling class took place at Limnerslease on Thursday 14 November 1895. All were welcome, from the local lady of the manor to her farm boys, as long as there was a genuine desire to learn, Mary was happy.
After a few weeks learning how to handle clay and modelling simple decorations, they would begin to make clay tiles from the plates Mrs Watts had prepared.
The design itself is an amalgamation of inspiration, every aspect having symbolic meaning. The Circle of Eternity with its intersecting Cross of Faith is from pre-historic times and symbolises the power of redeeming love stretching to the four quarters of the earth. The dome is traditionally seen as emblematic of heaven, the four panels on the exterior containing friezes symbolising the Spirit of Hope, the Spirit of Truth, the Spirit of Love and the Spirit of Light.
The exterior of the Chapel was finished in 1898, but the decoration of the interior took a while longer. Mary took the most talented of her craftsmen and women and together they created the stunning gesso interior, finally completing it in 1904.
The Chapel is Parish property and is open to the public daily.
George Frederic Watts, OM (23 February 1817 – 1 July 1904; sometimes spelt "George Frederick Watts") was a popular English Victorian painter and sculptor associated with the Symbolist movement.
Watts became famous in his lifetime for his allegorical works, such as Hope (see image) and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language.
Watts was born in Marylebone, London, the delicate son of a poor piano-maker. He showed promise very early, learning sculpture from the age of 10 with William Behnes and enroling as a student at the Royal Academy at the age of 18. He came to the public eye with a drawing entitled Caractacus, which was entered for a competition to design murals for the new Houses of Parliament at Westminster in 1843. Watts won a first prize in the competition, which was intended to promote narrative paintings on patriotic subjects, appropriate to the nation's legislature. In the end Watts made little contribution to the Westminster decorations, but from it he conceived his vision of a building covered with murals representing the spiritual and social evolution of humanity.
Visiting Italy in the mid-1840s, Watts was inspired by Michelangelo's Sistine Chapel and Giotto's Scrovegni Chapel, but back in Britain he was unable to obtain a building in which to carry out his plan. In consequence most of his major works are conventional oil paintings, some of which were intended as studies for the House of Life.
In the 1860s, Watts's work shows the influence of Rossetti, often emphasising sensuous pleasure and rich color. Among these paintings is a portrait of his young wife, the actress Ellen Terry, who was nearly 30 years his junior – just seven days short of her 17th birthday when they married on 20 February 1864. When she eloped with another man after less than a year of marriage, Watts was obliged to divorce her (though this process was not completed until 1877). In 1886 at the age of 69 he re-married, to Mary Fraser-Tytler, a Scottish designer and potter, then aged 36.
Watts's association with Rossetti and the Aesthetic movement altered during the 1870s, as his work increasingly combined Classical traditions with a deliberately agitated and troubled surface, in order to suggest the dynamic energies of life and evolution, as well as the tentative and transitory qualities of life. These works formed part of a revised version of the house of life, influenced by the ideas of Max Müller, the founder of comparative religion. Watts hoped to trace the evolving "mythologies of the races [of the world]" in a grand synthesis of spiritual ideas with modern science, especially Darwinian evolution.
In 1881, having moved to London, he set up a studio at his home at Little Holland House in Kensington, and his epic paintings were exhibited in Whitechapel by his friend and social reformer Canon Samuel Barnett. Refusing the baronetcy offered him by Queen Victoria, he later moved to a house, "Limnerslease", near Compton, south of Guildford, in Surrey.
After moving into "Limnerslease" in 1891, Watts and his wife Mary arranged the building of the Watts Gallery nearby, a museum dedicated to his work – the first (and now the only) purpose-built gallery in Britain devoted to a single artist – which opened in April 1904, shortly before his death. Watts's wife Mary designed the nearby Mortuary Chapel. Many of his paintings are also held at the Tate Gallery – he donated 18 of his symbolic paintings to the Tate in 1897, and three more in 1900. He was elected as an Academician to the Royal Academy in 1867 and accepted the Order of Merit in 1902.
In his late paintings, Watts's creative aspirations mutate into mystical images such as The Sower of the Systems, in which Watts seems to anticipate abstract art. This painting depicts God as a barely visible shape in an energised pattern of stars and nebulae. Some of Watts's other late works also seem to anticipate the paintings of Picasso's Blue Period.
Watts was also admired as a portrait painter. His portraits were of the most important men and women of the day, intended to form a "House of Fame". Many of these are now in the collection of the National Portrait Gallery – 17 were donated in 1895, with more than 30 more added subsequently. In his portraits Watts sought to create a tension between disciplined stability and the power of action. He was also notable for emphasising the signs of strain and wear on his sitter's faces. Sitters included Charles Dilke, Thomas Carlyle and William Morris.
During his last years Watts also turned to sculpture. His most famous work, the large bronze statue Physical Energy, depicts a naked man on horseback shielding his eyes from the sun as he looks ahead of him. It was originally intended to be dedicated to Muhammad, Attila, Tamerlane and Genghis Khan, thought by Watts to epitomise the raw energetic will to power. A cast was placed at Rhodes Memorial in Cape Town, South Africa honouring the grandiose imperial vision of Cecil Rhodes. Watts's essay "Our Race as Pioneers" indicates his support for imperialism, which he believed to be a progressive force. There is also a casting of this work in London's Kensington Gardens, overlooking the north-west side of the Serpentine.
sacpros.org is a leading mental health website for the Greater Sacramento region that publishes the Empowerment Magazine
Source: en.wikipedia.org/wiki/Grand_Canyon
The Grand Canyon is a steep-sided canyon carved by the Colorado River in Arizona, United States. The Grand Canyon is 277 miles (446 km) long, up to 18 miles (29 km) wide and attains a depth of over a mile (6,093 feet or 1,857 meters).
The canyon and adjacent rim are contained within Grand Canyon National Park, the Kaibab National Forest, Grand Canyon–Parashant National Monument, the Hualapai Indian Reservation, the Havasupai Indian Reservation and the Navajo Nation. The surrounding area is contained within the Baaj Nwaavjo I'tah Kukveni – Ancestral Footprints of the Grand Canyon National Monument. President Theodore Roosevelt was a major proponent of the preservation of the Grand Canyon area and visited it on numerous occasions to hunt and enjoy the scenery.
Nearly two billion years of Earth's geological history have been exposed as the Colorado River and its tributaries cut their channels through layer after layer of rock while the Colorado Plateau was uplifted. While some aspects about the history of incision of the canyon are debated by geologists, several recent studies support the hypothesis that the Colorado River established its course through the area about 5 to 6 million years ago. Since that time, the Colorado River has driven the down-cutting of the tributaries and retreat of the cliffs, simultaneously deepening and widening the canyon.
For thousands of years, the area has been continuously inhabited by Native Americans, who built settlements within the canyon and its many caves. The Pueblo people considered the Grand Canyon a holy site, and made pilgrimages to it. The first European known to have viewed the Grand Canyon was García López de Cárdenas from Spain, who arrived in 1540.
Source: en.wikipedia.org/wiki/Grand_Canyon_National_Park
Grand Canyon National Park is a national park of the United States located in northwestern Arizona, the 15th site to have been named as a national park. The park's central feature is the Grand Canyon, a gorge of the Colorado River, which is often considered one of the Wonders of the World. The park, which covers 1,217,262 acres (1,901.972 sq mi; 4,926.08 km2) of unincorporated area in Coconino and Mohave counties, received more than 4.7 million recreational visitors in 2023. The Grand Canyon was designated a World Heritage Site by UNESCO in 1979. The park celebrated its 100th anniversary on February 26, 2019.
Source: www.nps.gov/grca/index.htm
Entirely within the state of Arizona, the park encompasses 278 miles (447 km) of the Colorado River and adjacent uplands. Located on the ancestral homelands of 11 present day Tribal Communities, Grand Canyon is one of the most spectacular examples of erosion anywhere in the world—a mile deep canyon unmatched in the incomparable vistas it offers visitors from both north and south rims.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Grand Canyon) "جراند كانيون" "大峡谷" "גרנד קניון" "ग्रांड कैन्यन" "グランドキャニオン" "그랜드 캐니언" "Гранд-Каньон" "Gran Cañón"
en.wikipedia.org/wiki/Kohistan_District_(Pakistan)
Kohistan (کوہستان in Persian, meaning "Country of the Hills") has two distinct meanings in Pakistan. In Persian "istaan" means "land of". In its usual modern sense Kohistan District is an administrative district within Pakistan's North West Frontier Province covering an area of 7,492 sq.kilometres; it had a population of 472,570 at the 1998 Census. In a broader historic and geographic sense, Kohistan is used for a region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west.
Kohistan has a rich local history as a crossroads between Central, South and Southwestern Asia. Predominantly inhabited by Dardic and Pashtun tribes since ancient times, Kohistan has been invaded and contested by Persians, Greeks, Scythians, Kushans, Turks, Afghans, Mughals, and the British.
The Kohistan of the Indus Valley, which is also called Shinkari, "the country of the Shins "by the people themselves is inhabited by what are apparently the remains of a number of tribes of cognate race, whose progenitors once inhabited the valleys skirting the Punjab, and possibly extended to the north and north west have been hitherto confounded under the name of Dards - a name which practically, has no real signification.[1]
The District is represented in the provincial assembly by three elected MPAs who represent the following constituencies: [2]
•PF-61 (Kohistan-1)
•PF-62 (Kohistan-2)
•PF-63 (Kohistan-3)
Kohistan District is divided into 3 Tehsils (subdivisions):
•Palas
•Pattan
•Dassu
The capital of Kohistan is Dassu.
Kohistan is a sparsely populated district of the North-West Frontier Province of Pakistan. Located in an area where the Eurasian landplate and Indian subcontinent meet and collide, Kohistan is susceptible to earthquake activity such as the Kashmir earthquake of 2005.
Lush green forests, meadows and streams as well as massive mountains and hills literally make Kohistan resemble the Scottish Highlands of Britain. The Indus River divides Kohistan into two parts with the eastern portion referred to as the Indus Kohistan and the western portion referred to as Swat Kohistan. The Karakoram Highway passes through Kohistan on its way to Gilgit. Most of the cities on the Karakoram Highway in Kohistan are not more than 600m high from sea level.
Kohistan is one of the most isolated and the most deprived district not only in Hazara Division but in the entire North West Frontier Province (NWFP). Swat is situated to its west, Chilas, Darial and Tangir on the northern side and Naran, Kaghan and Alai valley surround Kohistan from the southern and eastern sides. It is located in the heart of the Himalayas from 34.40 to 30.35 degrees altitude and from 75.30 to 50.72 degrees longitude. It is connected with Dir via the Badawi Pass.
The River Indus flows through Kohistan and divides it socially and culturally. Kohistan is one of the least developed districts in the country and its national significance is the Karakurum Highway. This road is the main source of trade, transportation and link between Pakistan and China. The ancient Silk Road has long been a thoroughfare for tourists, traders and conquerors from Central Asia and in the past, business delegations would use this passage to travel up to Europe and Little Asia (Kochak).
Kohistan is where the Hindukush, Karakuram and Himalayan mountain systems meet and serve as a natural boundary for environmental regions in the chains of the Himalayas, Karakoram and Hindu Kush mountains. This uniqueness of the mountains system also results in rich flora and fauna and therefore gives home to unique species such as the Western Tragopan pheasant and the Snow Leopard.
The weather of the region tends to be relatively mild with rain, snow and cold temperatures in the winter and mildly hot summers. Kohistan comprises mountains and the hilly agricultural regions. The low altitude (below 900m) in Kohistan get very hot in summer and extremely cold in winter season. In the higher regions, weather remains pleasant in summer. Due to the intensive snowfall, travelling to and from the valleys can remain restricted in winter.
Most Kohistanis rely upon animal husbandry for sustenance and income and tend to use cows, sheep, goats for milk and meat. In addition, the timber industry is on the rise, while many local men travel to find work in Peshawar, Islamabad, Lahore, and Karachi.
The people in Kohistan largely depend on livestock for their livelihood and this is also the reason for their seasonal migration to sub-alpine and alpine pastures of Kohistan and neighbouring valleys and districts. Agriculture development is comparatively poor with only one crop growing in high altitudes and two in the lower areas. Cultivation of crops such as barley and rice has almost been given up.
People usually keep buffaloes, cows, sheep, goats and bullocks. Milk of these animals is not usually sold, but by-products of milk such as butter, are. Other by-products such as wool and skin are utilized for house-consumption and are also sold in the market.
Cash income is rare and people resort to the sale of timber, such as Deodar, Pine, Spruce, Acacia and Oak. Sale of medicinal herbs is also common though there is no check, which impact the seasonal removal of these plants has on the overall population of the species or on the health of the ecosystem.
Besides this, people are also involved in the sale of fuel-wood, farm products such as walnuts and walnut bark (vernacular: dindasa). Honey is also sold in local and provincial markets. In winter season, the local men go to urban areas in search of work.
Kohistan's population is estimated to be over 500,000 and is spread across the various towns and villages. Kohistan is predominantly home to various Dardic peoples including the Shina, Kohistani, Torwalis, as well as minority Hindko-speaking Pashtuns in the central, northern, and eastern sections. Pashtun tribes like Swatis and Afghan refugees can be mainly found in the western part of the district. The people mainly speak Indo-Iranian languages and share various similar cultural traits including the religion of Islam with the majority adhering to the Sunni sect while large minorities of Shia and Ismaili Muslims are also to be found throughout the area.
According to the Census of 1981, the population of the district of Kohistan was 465,237; by 1998 this grew to 472,570. The average literacy rate is around two percent, but the actual literacy rate based on field data shows that this rate is three times more.
History provides evidence that civilization in Kohistan matured quite early as compared to adjacent areas were people were worshipping fire (i.e. Zorastrian), plants and other objects. Islam is the most recent religion dating back only 350 years.
The geographic location, lush green valleys adorned with rich flora and fauna were the biggest attractions for external invaders. It was also the only passage between China and South East Asia the area remained under constant attacks by Tibetans, Sikhs, Hindus. This constant invasion resulted in one of the most distinctive societies and cultures in the region. “The Rebellion Culture” is the main characteristic of Kohistan and the people of Kohistan are still following the same culture.
The literacy rate is amongst the lowest in Pakistan and hovers around 10%, but education is slowly expanding due to government efforts. After the arrival of Pakistan Army for relief operation for earthquake of October 2005, the education system of has got a sudden boost-up and most of the schools are working. The Army's commanding Officer of the area Lt Col Sibghat Ullah took responsibility of one school in Pattan ([Army Garrison School , Pattan]) which has become a role model for the complete district.
In total there are 4x Army supported schools established in District Kohistan which includes Army School for Girls, Shalkanabad (Palas), Army School for boys, Keyal and Community Model School for girls at Pattan.
After the departure of Pakistan Army from the area, the standard of the school could not be maintained by the local authorities and thus standards declined.
www.rspb.org.uk/reserves/guide/r/rainhammarshes/index.aspx
www.rspb.org.uk/reserves/guide/r/rainhammarshes/about.aspx
One of very few ancient landscapes remaining in London, these medieval marshes right next to the River Thames were closed to the public for over 100 years and used as a military firing range.
We managed to acquire the site in 2000 and set about transforming it into an important place for nature and a great place for people to visit. Now you can expect to see breeding wading birds in spring and summer, and large flocks of wild ducks in winter.
Birds of prey and rare birds are regularly seen too. There are also water voles in the ditches and rare dragonflies flit across the boardwalks.
There is an innovative visitor centre, with huge picture-windows that look out across the marshes. It is full of environmentally friendly features and already boasts a handful of prestigious architectural awards.
There is also a shop and café and a new wildlife garden and children's adventure play area too. A full events programme offers something for everyone, and while we still have several years to go to finish all the visitor features out on the reserve, it is already an incredible transformation. Boardwalks throughout the reserve give access for wheelchairs and pushchairs.
Opening times
From 1 November to 31 January, we're open from 9.30 am - 4.30 pm. From 1 February to 31 October, it's 9.30 am - 5 pm. We're closed on Christmas Day and Boxing Day.
Entrance charges
Car park: voluntary £1 donation. Reserve: Free to RSPB members and residents of Havering and Thurrock. Non-members: £3 adult, £1.50 child, £9 family (two adults and up to four children). There are extra costs for some events - please check when you book.
If you are new to birdwatching...
Birds are easy to see year round. The reserve runs a number of regular events for birdwatchers throughout the year, from novice to expert, including weekly Wednesday guided birding walk with Howard Vaughan, dawn chorus walks, winter spectacle birding event, a new birdwatching club for children, February's flock bird event and spring walks. There are also designated open days and weekends. Please see the events pages for further information.
Information for families
There is an evolving events and walks programme specially designed for families, with activities for all. All the reserve's paths and boardwalks are family and wheelchair friendly. There are also Adventure and Toddler's Playgrounds.
Information for dog owners
No dogs allowed, except registered assistance dogs. However, dogs are allowed on the Thames riverside path - a public footpath and cycleway running adjacent to the reserve.
Star species
Our star species are some of the most interesting birds you may see on your visit to the reserve.
Avocet
The delicate forms and and piping 'kluit' calls of avocets are becoming a more and more frequent site at Rainham throughout the year.
Lapwing
Lapwings from different places visit Rainham Marshes during the year. Wintering birds are replaced by breeding birds in spring and other birds that have bred further north pass through in summer and autumn.
Little egret
Little egrets can now be seen here in large numbers right throughout the year. Dispersing juvenile birds lead to a sudden rise in numbers in late summer and autumn.
Peregrine
The large concentrations of wildfowl and waders regularly attract hunting peregrines - especially in autumn and winter.
Ringed plover
These neatly banded waders can be seen performing their 'run and stop' feeding routine here.
Seasonal highlights
Each season brings a different experience at our nature reserves. In spring, the air is filled with birdsong as they compete to establish territories and attract a mate. In summer, look out for young birds making their first venture into the outside world. Autumn brings large movements of migrating birds - some heading south to a warmer climate, others seeking refuge in the UK from the cold Arctic winter. In winter, look out for large flocks of birds gathering to feed, or flying at dusk to form large roosts to keep warm.
Spring
Wheatears, stonechats, oystercatchers, hobbies, curlews, swifts, sand martins, house martins, warblers, marsh harriers, reed buntings, water and short-tailed voles, damselflies, marsh frogs, grass snakes, water shrews.
Summer
Black-tailed godwits, whimbrels, greenshanks, snipe, little egrets, dunlins, lapwings, teals, swifts, common sandpipers, ruffs, starlings, avocets, yellow wagtails, oystercatchers, yellow-legged gulls, bank and water voles, water shrews, marsh frogs, wasp spiders, red foxes.
Autumn
Marsh harriers, arctic terns, bearded tits, thrushes, finches, skylarks, meadow pipits, jackdaws, stonechats, hen harriers, goshawks, merlins, peregrines, short-eared owls, barn owls, avocets, black-tailed godwits, white fronted geese, pintails, wigeons, crickets, butterflies, dragonflies, damselflies, stoats, weasels, red foxes.
Winter
Bullfinches, ringed plovers, oystercatchers, golden plovers, water and rock pipits, little egrets, snipe, chiffchaffs, curlews, lapwings, dunlins, redshanks, shelducks, peregrines, kingfishers, short-eared owls, red foxes, stoats, weasels.
Facilities
Visitor centre
Car park
Toilets
Disabled toilets
Baby-changing facilities
Picnic area
Group bookings accepted
Guided walks available
Good for walking
Pushchair friendly
Viewing points
Currently two bird hides, family orientated Marshland Discovery Zone and several open viewing areas.
Nature trails
There are a network of nature trails currently in place, which are utilised for specific guided walks and events. There are approximately 2.5 miles plus of nature boardwalks, all designed for wheelchair and pushchair access.
Refreshments available
Hot drinks
Cold drinks
Sandwiches
Snacks
Shop
The shop stocks:
Binoculars and telescopes
Books
Bird food
Bird feeders
Nestboxes
Outdoor clothing
Educational facilities
The Education team offer a comprehensive and exciting array of curriculum linked field study visits for all school levels. We have Woodland, Reedbed and Marshland Discovery Zones, an Environment and Education centre, fully equipped classrooms, specific study areas, pond dipping areas and lots more. It's a safe and inspiring environment to get close to nature. A selection of lifelong learning courses on a variety of topics are run throughout the year, along with a range of children's activities, including holiday clubs. Please contact us for further details.
Cafe
Our cafe gives magnificent views not only over the ancient wildlife-filled grazing marsh, but also across Old Father Thames which flows majestically past the window. It is the perfect place to relax after exploring our nature trails or as a respite stop after the hustle and bustle of shopping nearby.
We serve our own exclusive coffee that is grown, imported and roasted by us. It's Fairtrade, organic and certified bird-friendly by the Smithsonian Institute, so now you can help save nature simply by enjoying a great cup of coffee!
Whether you are after a refreshing cuppa and a slice of our fabulous home-made cake, or a filling sandwich, panini or jacket potato, you will find something to tickle your taste buds. We look forward to seeing you soon!
Opening hours
From 1 November-31 March, we're open from 9.30 am to 4.30 pm. From 1 April-31 October it's 9.30 am to 5 pm. We're closed on Christmas Day and Boxing Day.
Highlights from our menu:-
Fabulous home-made cakes
Locally-made soup
Freshly-prepared jacket potatoes with a variety of fillings
Locally-baked pies and pasties
Made-to-order toasties, paninis and sandwiches
Lovely cafe with warming soup and fantastic cake. Yummy!
Access to the cafe
The cafe is fully wheelchair-friendly.
Children welcome
We're happy to serve smaller portions and we can also warm baby food in the microwave.
We use local ingredients
All produce is sourced locally where possible, including ham, bacon, sausages, soup and pies.
Dietary requirements
Jacket potatoes, sandwiches etc all have veggie options, as well as a veggie pastry. We have vegan meals. The soup and jacket potatoes are wheat-free; some gluten-free cakes are available.
Accessibility
8 August 2013
This is a Summary Access Statement. A full access statement is available to download from the webpage.
Before you visit
Clear print site leaflet available from our reserve reception
Free entry for RSPB members, residents of Havering and Thurrock. For other visitors admission charges apply. Carer or essential companion admitted free with disabled visitor
No dogs. Registered Assistance dogs only
Visitor Centre, car park and reserve trails are open 9.30 am to 4.30 pm from 1 November-31 March and 9.30 am to 5 pm from 1 April-31 October; closed on Christmas Day and Boxing Day
Check accessibility for events and activities.
How to get here
Purfleet Railway Station is a 15 minute walk to reserve
Bus stops near the reserve entrance.
Car parking
110 spaces and seven Blue Badge spaces
Gates locked at 5 pm
Surface is loose gravel
No formal drop-off point
No height restrictions.
Visitor centre and shop
Ground floor shop, slight slope to heavy door with 10 mm lip, normally open. Assistance bell. Non-slip tiles. Reasonable lighting. Some display units tall or deep. Pen and paper available. Bird seed bins are outside the shop.
The visitor centre and cafe are on first floor, accessed by a long ramp left of Blue Badge parking. Entry by two sets of double heavy doors opening outwards. No threshold. NOTE JUNE 2012, power assistance is out of order so an alternative bell is provided.
Step-free, level access throughout and non-slip tiles. Lowered counter section. Good lighting. Pen and paper available. Binocular hire. Staff available to assist.
Nature trails
Three signposted trails, a mix of flat gravel surface paths and boardwalks. Information boards in large print. Trails start at the visitor centre across a short section of non slip grill with a short steep section. You can leave the reserve part way round and along the River Thames. Use the one way turnstile or gate (Gate key code available from reception)
Viewing facilities
Four hides on the circular walk. None on the Woodland walk. All level entry either adapted for wheelchair spaces or designed for everyone to gain the same great views. Marshland Discovery Zone has touch interpretation. Shooting Butts Hide has 14 stairs and a lift.
Toilets and baby changing facilities
Accessible toilet on ground and first floors (Baby changing in first floor)
Catering
Café on first floor. Good lighting. Non slip tile flooring. Self-service. Menus are clear print. Staff available to assist.
Picnic area
Eleven tables with wheelchair spaces, on soft and hard surfaces, level ground behind visitor centre. Alternatively, a table in the adventure playground and toddler's play area. Visitors are welcome to consume their own food and drink here.
Education facilities
Education team offer a wide and exciting array of curriculum linked field study visits at our Environment and Education centre, fully equipped classrooms, specific study areas, pond dipping areas.
Help us improve accessibility by sending feedback to the Site Manager.
For more information
Rainham Marshes
E-mail: rainham.marshes@rspb.org.uk
Telephone:01708 899840
RM19 1SZ
How to get here
By train
The nearest railway station to this reserve is Purfleet. Purfleet train station is on the C2C line from Fenchurch Street. The reserve is a 15 minute walk from the station following the brown pedestrian signs along the riverside path. Turn right out of the station and then join the path at the Royal Pub. Follow the Riverside path and then cross the Mardyke Bridge to the Visitor Centre.
By bus
The ensignbus 44 bus route which runs between Lakeside and Orsett Hospital, Grays, stops near the reserve entrance on New Tank Hill Road. This bus runs every hour and up to 30 minutes during peak periods. The service is operated by Ensignbus (01708 865656).
By road
The reserve is located off New Tank Hill Road (A1090) in Purfleet which is just off the A1306 between Rainham and Lakeside. This is accessible from the Aveley, Wennington and Purfleet junction off the A13 and J30/31 of the M25.
Cycling at Rainham Marshes
RSPB Rainham Marshes is just a stone's throw from London, easily accessible by public transport, on foot and by bike. Located on ancient marshland nestled beside the river Thames, it really is a special place to enjoy the great outdoors.
The reserve itself offers a leisurely amble in a superb setting with fantastic facilities such as an award-winning, eco-friendly visitor centre with cafe and shop.
If cycling is your thing, a brand new cycle route links the villages of Purfleet and Rainham. This runs beside the reserve, following the Thames, looping round and passing the stone barges.
Both on the reserve and along the riverside path, you will see a variety of interesting, sometimes rare, birds, mammals, reptiles and amphibians as well as bugs and beasties of all kinds. You will also be able to learn so much of the history and importance of this area.
Our work here
Rainham Marshes protects an ancient, low-lying grazing marsh in the Thames Estuary. Its complex of wet grassland and ditches, together with rank grassland and scrub, supports many breeding and wintering birds.
Wildlife also includes scarce wetland plants and insects, and a key population of the nationally declining water vole.
The site has a history of neglect, but the RSPB is working to restore important habitats and improve their biodiversity. This will transform a former wasteland into an important natural asset, and help raise public awareness of local conservation issues.
Managing the marsh
Birdlife on the marsh includes breeding waders, such as lapwing, redshank and snipe, as well as important numbers of wintering wildfowl, waders, finches and birds of prey.
We plan to enhance the habitat for these birds by creating a mosaic of unflooded tussocky grassland, flooded short grassland and semi-permanent pools. This will also benefit important plant species, such as golden dock.
Meanwhile we will improve the ditch system for the benefit of water voles, reptiles and amphibians, invertebrates and breeding birds.
Leaving well alone
We will leave the areas of tall rank grass and scattered scrub unmanaged in order to retain their existing conservation value. Wildlife in these habitats includes small mammals, reptiles and invertebrates, and birds such as wintering short-eared owls and breeding stonechats.
We will also look after sandy areas for their specialist insect life.
Silt lagoons
Lagoons on the reserves are currently used for commercial silt dredging. We will work around this in order re-create and maintain a complex of brackish lagoons and reed-swamp for important wildlife, including breeding, wintering and passage waterfowl.
While some lagoons will remain operational, we will manage others rotationally and keep the rest permanently open.
Access for all
We aim to make the site accessible to everyone, without impinging on the dredging operation or compromising our conservation priorities. We will develop and promote the reserve as a major visitor attraction and centre for environmental education. We aim to encourage interest in local and general conservation, and create a broader understanding of the work of the RSPB.
Funding
Current work is being funded by the EU’s Interreg IVA Two Seas Cross-border Cooperation Programme 2007-2013, Homes and Communities Agency’s Parklands Funding administered by Essex County Council, and Biffa Award and Veolia Cleanaway Havering Riverside Trust, both through the Landfill Communities Fund.
Thanks to help on the reserve from employees of Goldman Sachs, Royal Bank of Scotland, HSBC, Earthwatch, Barclays, Royal Mail, Family Mosaic, Ipsos Media we have been able to deliver more for wildlife and people at Rainham Marshes.
Annales de la Société royale d'agriculture et de botanique de Gand :.
Gand [etc.] :Société royale d'agriculture et de botanique,1845-1849..
www.rspb.org.uk/discoverandenjoynature/discoverandlearn/b...
A small, slim finch, widely distributed, and once very popular as a cage bird because of its melodious song. Males are attractively marked with crimson foreheads and breasts, females much browner. It has an undulating flight, usually twittering as it flies and may be seen in large flocks during the winter.
Linnet numbers have dropped substantially over the past few decades, with the UK population estimated to have declined by 57 per cent between 1970 and 2008. Recent Breeding Bird Survey results suggest that while populations in England and Wales continue to decline, those in Scotland and Northern Ireland are currently increasing.
Overview
Latin name
Carduelis cannabina
Family
Finches (Fringillidae)
Where to see them
While widespread across the UK, there are concentrations along the east coast from Kent to Aberdeenshire but they are scarce in upland regions and north west Scotland. Look for it on commons, heathland, rough ground, farmland hedges, saltmarshes and in parks and gardens.
When to see them
All year round.
What they eat
Seeds and insects.
Population
UK Breeding:-
430,000 territories
Amazing sunset golden hour.
Visit: en.wikipedia.org/wiki/Confederation_Bridge
The Confederation Bridge (French: Pont de la Confédération) spans the Abegweit Passage of Northumberland Strait. It links Prince Edward Island with mainland New Brunswick, Canada. Before its official naming, Prince Edward Islanders often referred to the bridge as the "Fixed Link". Construction took place from October 1993 to May 1997 ]and cost C$1.3 billion. The 12.9-kilometre (8 mi) bridge opened on 31 May 1997.
The bridge is a two-lane toll bridge that carries the Trans-Canada Highway between Borden-Carleton, Prince Edward Island (at Route 1) and Cape Jourimain, New Brunswick (at Route 16).
It is a multi-span beam bridge with a post-tensioned concrete box girder structure. Most of the curved bridge is 40 metres (131 ft) above water with a 60 m (197 ft) navigation span for ship traffic. The bridge rests on 62 piers, of which the 44 main piers are 250 m (820 ft) apart. The bridge is 11 m (36 ft) wide.
The speed limit on the bridge is 80 kilometres per hour (50 mph). It takes about 12 minutes to cross the bridge.
Tolls only apply when leaving Prince Edward Island. The toll rates as of January 2015 are C$45.50 for a two-axle automobile and C$7.50 for each additional axle. Motorcycles are charged C$18.25.
While pedestrians and cyclists are not permitted to cross the bridge, a shuttle service is available. Before 2006, the shuttle was free but since 1 January 2015, the service has charged C$4.25 per pedestrian or C$8.50 per cyclist when leaving Prince Edward Island (i.e., westbound).
The other major Northumberland Strait crossing, Wood Islands Ferry from Wood Islands, Prince Edward Island to Caribou, Nova Scotia, currently charges its C$69.00 per car fare only when leaving Prince Edward Island, with a charge of $17.00 per adult pedestrian, $40.00 per motorcycle, and $20.00 per bicycle. Travellers, whether entering the island by bridge and leaving by ferry or vice versa only pay for leaving the island. (wikipedia)
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Las leves curvas de Closterium pintan lunas en el agua dibujando al mismo tiempo muecas de sonrisa y hoy, desde una gota de agua se convirtieron en fresco beso de alegría, de corazón transparente, de verdades como tú, sol, alegría de cielo salpicado de luces de estrella. Saltos y carreras de manada y entre ellas palabras de luz, cálido sentirte, ilusión verdadera como la tierra que pisamos, palabras, belleza que poco a poco desde tu belleza se irá desgranando del agua, con tu mirada.
Igual que esta noche el cuarto creciente de la Luna se ha escondido entre refrescantes nubes de tormenta, Closterium lunula se ha girado, y al hacerlo ha ocultado su mueca de sonrisa, aunque todos sabemos, que Luna y risa están ahí, al alcance de la mano desde la vida con su guiño de beso, .
El alga Closterium lunula lleva a la Luna en su nombre y una sonrisa discreta en su alma fresca de alga, quizá agradecida a la vida. Por dentro es verde alegre y siempre se adorna con ribetes festoneados, como si estuviese de fiesta, mientras plácidamente reposa en su equilibrio de balancines bajo las frías aguas de la montaña tomando el Sol.
Allí junto a ella, llegan a los fondos del universo acuático estrellas fugaces caídas desde lo alto de la montaña, traídas por torrenteras que se despeñan con prisa entre las espumas del agua limpia. Euastrum, o Micrasterias, y planetas de Cosmarium, forman las constelaciones que construyen su universo de compañía.
Closterium lunula es una mueca de sonrisa en el mundo de los désmidos. De entre todas sus especies hermanas es una de las de mayor tamaño, quizá por la confianza que da su sonrisa relajada y una de las de curvatura más ancha y suave. Casi puede alcanzar el milímetro de longitud y como todos los Closterium permanece reposando sobre las superficies del fondo o flota equilibradamente en el agua, ayudada por los balancines de cristales que centellean como faros en las dos burbujas de sus extremos.
El interior de Closterium lunula es intensamente verde por el cloroplasto que guarda en su interior de extremo a extremo. Un cloroplasto de cuerpo central grueso, con muchas vacuolas y adornado con quince placas onduladas que parten de su eje central para terminar abriéndose en el borde exterior de la célula. A diferencia de lo que ocurre en otros Closterium los pirenoides, como diminutos lunares redondos, salpican su interior sin orden aparente, pero sin alterar su forma serena ni su equilibrio perfecto.
Closterium lunula es una especie muy común en charcas y turberas con esfagnos y suele hacer compañía a las pequeñas estrellas que allí viven. En tan buena compañía no es extraño que a Closterium se le dibuje esa sonrisa leve y enigmática que abraza todo su cuerpo.
Aunque ha sido citada en algunas lagunas de la Alta Sanabria, desde esta galería se señaló por vez primera para el Lago tan solo hace unos meses.
Aquí es escasa y vive sobre los fondos poco profundos entre sedimentos cargados de materia orgánica a los que llega la luz. Es muy probable que esta alga compañera de Micrasterias nos contagie su sonrisa cuando las aguas del Lago recuperen la transparencia y limpieza que tanto necesitan y que todos deseamos.
La fotografía que mostramos, realizada a 200 aumentos empleando la técnica de contraste de fase, se ha tomado en una muestra recogida a 5 metros de profundidad junto a la Isla de Moras, el día 12 de diciembre de 2015, por Laura, Mª José y Tomás en el Lago de Sanabria (Zamora), desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
The natural history of Carolina, Florida, and the Bahama Islands:.
London :printed for C. Marsh [etc.]1754..
www.holyspiritspeaks.org/videos/god-word-creator-authority
Introduction
Almighty God says, "Satan has been corrupting mankind for thousands of years. It has wrought untold amounts of evil, has deceived generation after generation, and has committed heinous crimes in the world. It has abused man, deceived man, seduced man to oppose God, and has committed evil acts that have confounded and impaired God’s plan of management time and time again. Yet, under the authority of God, all things and living creatures continue to abide by the rules and laws set down by God. Compared to the authority of God, Satan’s evil nature and rampancy are so ugly, so disgusting and despicable, and so small and vulnerable. Even though Satan walks among all things created by God, it is not able to enact the slightest change in the people, things, and objects commanded by God. Several thousand years have passed, and mankind still enjoys the light and air bestowed by God, still breathes the breath exhaled by God Himself, still enjoys the flowers, birds, fish and insects created by God, and enjoys all the things provided by God; day and night still continually replace each other; the four seasons alternate as usual; the geese flying in the sky depart in this winter, and still return in the next spring; the fish in the water never leave the rivers and lakes—their home; the cicadas on the ground sing their hearts out during the summer days; the crickets in the grass gently hum in time to the wind during autumn; the geese gather into flocks, while the eagles remain solitary; the prides of lions sustain themselves by hunting; the elk don’t stray from the grass and flowers….
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en.wikipedia.org/wiki/Kaghan_Valley
The Kaghan Valley (Urdu: وادی کاغان) is a valley in the north-east of Mansehra District of the North-West Frontier Province of Pakistan. It attracts many tourists from around the country. The inhabitants were affected by the earthquake disaster on 8 October 2005.
The Kaghan valley is named after the town of Kaghan rather than for the Kunhar River which flows through the length of the valley. The valley extends 155 km, rising from an elevation of 2,134 feet (650 m) to its highest point, the Babusar Pass, at 13,690 feet (4,170 m). Popular languages are Hindko and Gojri, while Urdu, Pakistan's national language is also familiar among the locals. The region is Alpine in geography and climate, with forests and meadows dominating the landscape below peaks that reach over 17,000 feet.
Its mountains, dales, lakes, water-falls, streams and glaciers are still in a pristine state. Kaghan is at its best during summer (from May to September). In May the temperature ranges between a maximum of 11 °C (52 °F) and a minimum of 3 °C (37 °F). From the middle of July up to the end of September the road beyond Naran is open right up to Babusar Pass. Movement is restricted during the monsoon and winter seasons. The Kaghan area can reached by road via the towns of Balakot, Abbottabad and Mansehra. In Balakot, one may find buses and other transports to reach Kaghan or Naran.
The road from Balakot ascends along the Kunhar River through lovely forests and the villages of Paras, Shinu, Jared and Mahandri. The valley is somewhat narrow along this stretch and the views are limited but as you ascend, the surrounding peaks come into view. One spot that is quite famous for its spectacular view and scenery is 'Shogran'. This village, surrounded by peaks and forests, is east of the main Kunhar River. It hosts the famous Siri Payee Lake mountain with breathtaking views at its top.
Kaghan Valley is home to many a tourist attractions, especially its lakes. There are more than a dozen big and small lakes in the valley, but three are more popular among the tourists: Saiful Muluk Lake, Dudipatsar Lake and Lulusar Lake.
Saiful Muluk, named in a folktale—the Qissa Saiful Muluk—about a romance between a Persia prince and a fairy princess. In the folktale. The lake is mentioned as the meeting site of the lovers in the folktale. lake Saiful Muluk is 10,578 feet (3,224 m) above the sea level, it is one of the highest and most beautiful lakes in Pakistan. The water of this over a mile in diameter oval shaped lake is spectacularly clear with a slight green tone..
It is accessible by a motor-able road during the summer months or can be reached by tracking from the nearest village Naran, some 10 kilometers away in four to five hours. The clarity of the water comes from the multiple glaciers all around the high basin feeding the lake.
Dudipat Lake is enclosed with high peaks. It is one of the hardest places to reach in the valley, requiring a tough hike lasting four to seven hours. The hike is rewarding, as tourists are greeted with green pastures and the lake's blue-green waters.
Lulusar Lake is approximately 48 kilometers away from Naran and has an altitude of 10,910 feet (3,330 m). Surrounded by wildflowers in almost all colors imaginable, this lake is the main source for the Kunhar River. Lake Lulusar is said to be one of the most tranquil spots on the Kaghan Valley, the lake is fenced by snow capped mountains whose image is reflected on the standstill blue-green waters of this approximately three kilometers long "L" shaped lake. Jared is a very beautiful village with having special attraction for tourists,In this village there is one small industry of wood working which is point of attention for visitors.The peoples of this village are mostly Hindko speakers and mostly belonged to Swati caste.This village is about 80 km from Mansehra city and almost 40 km from Naran.
There are many hotels in the Naran valley. One of the most popular is the New Cecil Hotel. Among other Fairy land Hotel is also situated in midway of kaghan valley near Malakandi with exciting natural scenaries,
Fishing is the chief sport in Kaghan. Brown Trout and Mahasher are stocked in pure silvery waters in the upper parts of the valley. The Kunhar river trout is considered to be the best throughout the sub-continent. Fishing licenses are issued by the 'Fisheries Department at Naran' or by the 'Trout Hatchery' at Shinu. Apart from this there are some other private trout fish farms at Kawai (also spelled as Kiwai) and Kahania, these are owned by pine park hotels, a well known hotel chain in Kaghan valley.
Onwards a 3 hour drive away from Shogran is Naran. It is a small tourist village open only during the tourist season of May to September. The rest of the time it is covered with snow. All visitors come to Naran to pay a visit to the Saiful Muluk Lake (10,500 feet) 6 miles east of town. If the road is open transportation by jeep can be arranged. If the road is closed, it is an easy, gradual three-hour walk, and the lake is a lovely spot for a picnic.
If you are walking directly up-valley from Naran to Babusar "Top" the loveliest spots to camp on this trail is at "Lulusar Lake". Located just before the final grade to Babusar Top and surrounded by tall peaks, Lulusar is just one many high elevation lakes that sit along the crest of the ridge.
One of the most interesting features of the Kaghan area is the Gujar (herder) families you'll see along the way bringing their animals up to the summer pastures. The Kaghan valley is one of their most popular destinations in Pakistan. You will find them camped along the road in their tents or moving up the valley with their goats, sheep and pack animals around the start of summer and on their way back to lower altitudes around the beginning of winter.
Madid, Spain
Please, do not use this photo without permission
Por Favor no usar esta fotografía sin permiso
en.wikipedia.org/wiki/Indian_Pond_Heron
The Indian Pond Heron (Ardeola grayii) is a small heron. It is of Old World origins, breeding in southern Iran and east to India, Myanmar and Sri Lanka.
This is a stocky species with a short neck, short thick bill and buff-brown back. In summer, adults have long neck feathers. Its appearance is transformed in flight, when it looks very white due to the colour of the wings. It is very similar to the Squacco Heron, Ardeola ralloides, but is darker-backed. To the east of its range, it is replaced by the Chinese Pond Heron, Ardeola bacchus.The Indian Pond Heron's breeding habitat is marshy wetlands in warm countries. They nest in small colonies, often with other wading birds, usually on platforms of sticks in trees or shrubs. 3-5 eggs are laid. These herons feed on insects, fish and amphibians. During the breeding season, there are records of individuals with red legs. The numbers do not suggest that this is the normal change during the breeding season and some have suggested the possibility of it being genetic variants. This is a very common species in India, where it is often quite tame and easily approachable. It can often be seen foraging around rubbish heaps on the outskirts of villages, as well as in more natural habitats.This bird was first described by Colonel W. H. Sykes in 1832 and given its scientific name in honour of John Edward Gray.
Near Nag river, Punjabrao krishi vidyapeeth, maharajbagh, nagpur.
photo: SANJIB GANGULY
This is my "Door Knob" entry to the 2009 Photo Challenge hosted by photochallenge.org.
Y también en Twiter
Nadie sabe si Cosmarium moniliforme llegó a las aguas del Lago de Sanabria, acostumbrado ya a vivir en cuentas de collares desguazados, desguazada ya la vida aquí por esas espumas de veneno tan puntuales y "oportunas" siempre, y que siempre aparecen cuando la vida se recupera en el agua y muestra en ella su tinte verde.
Ahora tras muchos años de servirse de un Lago de Sanabria convertido en depuradora, a golpe de veneno quieren hacer de él también la más transparente piscina, mientras las aguas sucias de las que se hicieron de juguete pagadas con el dinero de todos, eso sí, después de haber llenado manos y bolsillos de unos pocos, siguen llegando a él.
No es historia extraña en estos tiempos en los que se adorna y se paga la mentira, queriendo en misión imposible convertirla en verdad. Aquí, en el Lago, por tan solo 1,8 millones de euros se hace responsable al cambio climático del deterioro provocado por la contaminación y a las espumas de veneno, que incendian las algas delatoras, se llama "espumas naturales de origen endógeno", aunque antes fueran "polen". Es igual, qué más da,...que para eso se paga.
Pero de vuelta ya al prodigio y al milagro de Naturaleza en la que Cosmarium moniliforme se ha convertido en héroe aquí en el Lago, donde resurge con su vida en las aguas arrasadas por lo que se convirtieron en espumas de veneno hace apenas dos semanas. Su cuerpo flota y vive aún en dos esferas, que levitando en globo sobre las aguas del Lago como si fueran aire, contemplan el espectáculo de un resurgir de las cenizas en un inmenso campo de desolación acuática.
Cosmarium moniliforme aparece por primera vez en las aguas del Lago de Sanabria, desde donde se cita por vez primera para todo el territorio de Castilla y León. Lo hizo hace unas semanas, se asomó a ellas tímidamente, antes del último incendio de espumas. Quizá escapó a su fuego de destrucción subiendo al cielo y hoy desde él narra su crónica de esperanza. Ni el dinero podrá con la verdad, ni los venenos con la vida.
Cuentas que salpican el agua y que enhebradas por el hilo de su vida forman un collarcito tan diminuto como hermoso.
Dentro del amplio grupo de especies, representadas en el género Cosmarium, Cosmarium moniliforme es inconfundible por el cuerpo esférico y aparentemente liso de cada una de las dos mitades que lo forman. Cuentas dobles que pueden llegar a alcanzar hasta las 30 micras de diámetro.
La pared celular de Cosmarium moniliforme, es fina y está recubierta de unas finísimas punteaduras prácticamente invisibles bajo el microscopio óptico. Con frecuencia, sus células están protegidas por una gruesa capa mucilaginosa que favorece su flotación y que las rodea como un halo hoy semidestruido por las espumas.
Cosmarium moniliforme es un désmido de distribución cosmopolita, puede aparecer tanto en turberas como charcas de aguas ácidas, pobres o moderadamente ricas en nutrientes y hoy, en el Lago de Sanabria un pequeño héroe, minúsculo y apenas visible, pero con toda la fuerza para contemplar y vivir desde su cuerpo de esferas la hermosura de un paisaje inmenso, montañas vestidas de rebollos y castaños sobre la roca lamida por el hielo y unas aguas que esperan pacientemente, que la codicia de unos pocos y la mentira, se diluyan como la niebla para volver a tener el alma transparente y de cristal.
La fotografía que mostramos, realizada a 1000 aumentos empleando la técnica de contraste de interferencia se ha tomado sobre una muestra de superficie, a tres metros de profundidad, junto a la boya de Bouzas por Lucas Patrick y Pablo el jueves 10 de agosto de 2017 en el Lago de Sanabria (Zamora), desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
Source: en.wikipedia.org/wiki/Madrid
Madrid is the capital of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has almost 3.3 million inhabitants and a metropolitan area population of approximately 6.5 million. It is the third-largest city in the European Union (EU), smaller than only London and Berlin, and its monocentric metropolitan area is the third-largest in the EU, smaller only than those of London and Paris. The municipality covers 604.3 km2 (233.3 sq mi).
Madrid lies on the River Manzanares in the centre of both the country and the Community of Madrid (which comprises the city of Madrid, its conurbation and extended suburbs and villages); this community is bordered by the autonomous communities of Castile and León and Castile-La Mancha. As the capital city of Spain, seat of government, and residence of the Spanish monarch, Madrid is also the political, economic and cultural centre of the country. The current mayor is Manuela Carmena from the party Ahora Madrid.
The Madrid urban agglomeration has the third-largest GDP in the European Union and its influence in politics, education, entertainment, environment, media, fashion, science, culture, and the arts all contribute to its status as one of the world's major global cities. Madrid is home to two world-famous football clubs, Real Madrid and Atlético Madrid. Due to its economic output, high standard of living, and market size, Madrid is considered the leading economic hub of the Iberian Peninsula and of Southern Europe. It hosts the head offices of the vast majority of major Spanish companies, such as Telefónica, IAG or Repsol. Madrid is also the 10th most liveable city in the world according to Monocle magazine, in its 2017 index.
Madrid houses the headquarters of the World Tourism Organization (UNWTO), belonging to the United Nations Organization (UN), the Ibero-American General Secretariat (SEGIB), the Organization of Ibero-American States (OEI), and the Public Interest Oversight Board (PIOB). It also hosts major international regulators and promoters of the Spanish language: the Standing Committee of the Association of Spanish Language Academies, headquarters of the Royal Spanish Academy (RAE), the Cervantes Institute and the Foundation of Urgent Spanish (Fundéu BBVA). Madrid organises fairs such as FITUR, ARCO, SIMO TCI and the Madrid Fashion Week.
While Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Its landmarks include the Royal Palace of Madrid; the Royal Theatre with its restored 1850 Opera House; the Buen Retiro Park, founded in 1631; the 19th-century National Library building (founded in 1712) containing some of Spain's historical archives; a large number of national museums, and the Golden Triangle of Art, located along the Paseo del Prado and comprising three art museums: Prado Museum, the Reina Sofía Museum, a museum of modern art, and the Thyssen-Bornemisza Museum, which complements the holdings of the other two museums. Cibeles Palace and Fountain have become one of the monument symbols of the city.
Source: en.wikipedia.org/wiki/Puerta_del_Sol
The Puerta del Sol (Spanish for "Gate of the Sun") is a public square in Madrid, one of the best known and busiest places in the city. This is the centre (Km 0) of the radial network of Spanish roads. The square also contains the famous clock whose bells mark the traditional eating of the Twelve Grapes and the beginning of a new year. The New Year's celebration has been broadcast live on national television since 31 December 1962.
Source: en.wikipedia.org/wiki/Nuremberg
Nuremberg (German: Nürnberg) is the second-largest city of the German federal state of Bavaria after its capital of Munich, and its 511,628 (2016) inhabitants make it the 14th largest city of Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms a continuous conurbation with the neighbouring cities of Fürth, Erlangen and Schwabach with a total population of 787,976 (2016), while the larger Nuremberg Metropolitan Region has approximately 3.5 million inhabitants. The city lies about 170 kilometres (110 mi) north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "Franconian"; German: Fränkisch).
There are many institutions of higher education in the city, most notably the University of Erlangen-Nuremberg (Friedrich-Alexander-Universität Erlangen-Nürnberg), with 39,780 students (2017) Bavaria's third and Germany's 11th largest university with campuses in Erlangen and Nuremberg and a university hospital in Erlangen (Universitätsklinikum Erlangen); Technische Hochschule Nürnberg Georg Simon Ohm; and Hochschule für Musik Nürnberg. Nuremberg Airport (Flughafen Nürnberg „Albrecht Dürer“) is the second-busiest airport of Bavaria after Munich Airport, and the tenth-busiest airport of Germany.
Staatstheater Nürnberg is one of the five Bavarian state theatres, showing operas, operettas, musicals, and ballets (main venue: Nuremberg Opera House), plays (main venue: Schauspielhaus Nürnberg), as well as concerts (main venue: Meistersingerhalle). Its orchestra, Staatsphilharmonie Nürnberg, is Bavaria's second-largest opera orchestra after the Bavarian State Opera's Bavarian State Orchestra in Munich. Nuremberg is the birthplace of Albrecht Dürer and Johann Pachelbel.
Nuremberg was the site of major Nazi rallies, and it provided the site for the Nuremberg trials, which held to account many major Nazi officials.
Source: en.wikipedia.org/wiki/Documentation_Center_Nazi_Party_Ral...
The Documentation Center Nazi Party Rallying Grounds (German: Dokumentationszentrum Reichsparteitagsgelände) is a museum in Nuremberg. It is in the north wing of the unfinished remains of the Congress Hall of the former Nazi party rallies. Its permanent exhibition "Fascination and Terror" is concerned with the causes, connections, and consequences of Nazi Germany. Topics that have a direct reference to Nuremberg are especially taken into account. Attached to the museum is an education forum.
Source: en.wikipedia.org/wiki/Nuremberg_Rally
The Nuremberg Rally, meaning Realm Party Convention, was the annual rally of the Nazi Party in Germany, held from 1923 to 1938. They were large Nazi propaganda events, especially after Adolf Hitler's rise to power in 1933. These events were held at the Nazi party rally grounds in Nuremberg from 1933 to 1938 and are usually referred to in English as the "Nuremberg Rallies". Many films were made to commemorate them, including Leni Riefenstahl's Triumph of the Will and The Victory of Faith.
Source: en.wikipedia.org/wiki/Nazi_party_rally_grounds
The Nazi party rally grounds (German: Reichsparteitagsgelände, Literally: Reich Party Congress Grounds) covered about 11 square kilometres in the southeast of Nuremberg, Germany. Six Nazi party rallies were held there between 1933 and 1938.
Telephoto shot of the kitchen sink
2016 PHOTOCHALLENGE WEEK 4: FREEZE MOTION
#photochallenge.org #photochallenge2016
WARM UP for COPENHAGEN ULTRACONTEMPORARY BIENNALE
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The COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done in 3 platforms
the parliament is platform 2
Artist have to express closer to decision makers . in time , in the NOW
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a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art