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ANTICHRIST
(Greek Antichristos).
In composition anti has different meanings: antibasileus denotes a king who fills an interregnum; antistrategos, a propraetor; anthoupatos, a proconsul; in Homer antitheos denotes one resembling a god in power and beauty, while in other works it stands for a hostile god.
Following mere analogy one might interpret antichristos as denoting one resembling Christ in appearance and power; but it is safer to define the word according to its biblical and ecclesiastical usage.
Biblical meaning of the word
The word Antichrist occurs only in the Johannine Epistles; but there are so-called real parallelisms to these occurrences in the Apocalypse, in the Pauline Epistles, and less explicit ones in the Gospels and the Book of Daniel.
In the Johannine epistles
St. John supposes in his Epistles that the early Christians are acquainted with the teaching concerning the coming of Antichrist. "You have heard that Antichrist cometh" (1 John 2:18); "This is Antichrist, of whom you have heard that he cometh" (1 John 4:3). Though the Apostle speaks of several Antichrists, he distinguishes between the many and the one principal agent: "Antichrist cometh, even now there are become many Antichrists" (1 John 2:18).
Again, the writer outlines the character and work of Antichrist: "They went out from us, but they were not of us" (1 John 2:19); "Who is a liar, but he who denies that Jesus is the Christ? This is Antichrist, who denies the Father, and the Son" (1 John 2:22); "And every spirit that dissolveth Jesus, is not of God; and this is Antichrist" (1 John 4:3); "For many seducers are gone out into the world, who confess not that Jesus Christ is come in the flesh: this is a seducer and an Antichrist" (2 John 7).
Also the time, the Apostle places the coming of Antichrist at "the last hour" (1 John 2:18); again he maintains that "he is now already in the world" (1 John 4:3).
In the Apocalypse
Nearly all commentators find Antichrist mentioned in the Apocalypse, but they do not agree as to the particular chapter of the Book in which the mention occurs. Some point to the "beast" of 11:7, others to the "red dragon" of Chapter 12, others again to the beast "having seven heads and ten horns" of 13, sqq., while many scholars identify Antichrist with the beast which had "two horns, like a lamb" and spoke "as a dragon" (13:11, sqq.), or with the scarlet-coloured beast "having seven heads and ten horns" (17), or, finally, with Satan "loosed out of his prison," and seducing the nations (20:7, sqq.).
A detailed discussion of the reasons for and against each of these opinions would be out of place here.
In the Pauline epistles
St. John supposes that the doctrine concerning the coming of Antichrist is already known to his readers; many commentators believe that it had become known in the Church through the writings of St. Paul. St. John urged against the heretics of his time that those who denied the mystery of the Incarnation were faint images of the future great Antichrist.
The latter is described more fully in 2 Thessalonians 2:3, sqq., 7-10. In the Church of Thessalonica disturbances had occurred on account of the belief that the second coming of Jesus Christ was imminent. This impression was owing partly to a misunderstanding of 1 Thessalonians 4:15, sqq., partly to the machinations of deceivers. It was with a view of remedying these disorders that St. Paul wrote his Second Epistle to the Thessalonians, inserting especially 2:3-10.
The Pauline doctrine is this: "the day of the Lord" will be preceded by "a revolt", and the revelation of the "man of sin." The latter will sit in the temple of God, showing himself as if he were God; he will work signs and lying wonders by the power of Satan; he will seduce those who received not the love of the truth, that they might be saved; but the Lord Jesus shall kill him with the spirit of His mouth, and destroy him with the brightness of His coming.
As to the time, "the mystery of iniquity already worketh; only that he who now holdeth, do hold, until he be taken out of the way."
Briefly, the "day of the Lord" will be preceded by the "man of sin" known in the Johannine Epistles as Antichrist; the "man of sin" is preceded by "a revolt," or a great apostasy; this apostasy is the outcome of the "mystery of iniquity" which already "worketh", and which, according to St. John, shows itself here and there by faint types of Antichrist.
The Apostle gives three stages in the evolution of evil: the leaven of iniquity, the great apostasy, and the man of sin. But he adds a clause calculated to determine the time of the main event more accurately; he describes something first as a thing (to datechon), then as a person (ho katechon), preventing the occurrence of the main event: "Only he who now holdeth, do hold, until he be taken out of the way."
We can here only enumerate the principal opinions as to the meaning of this clause without discussing their value:
The impediment of the main event is "the man of sin"; the main event is the second coming of the Lord (Grimm, Simar).
The impediment is the Roman Empire; the main event impeded is the "man of sin" (most Latin Fathers and later interpreters)
The Apostle referred to persons and events of his own time; the katechon and the "man of sin" are variously identified with the Emperors Caligula, Titus, Nero, Claudius, etc. (Protestant theologians living after the seventeenth century).
The Apostle refers immediately to contemporary men and events, which are, however, types of the eschatological katechon, "man of sin", and day of the Lord; the destruction of Jerusalem, e.g., is the type of the Lord's second coming, etc. (Döllinger).
Before leaving the Pauline doctrine of Antichrist, we may ask ourselves, whence did the Apostle derive his teaching? Here again we meet with various answers.
St. Paul expresses merely his own view based on the Jewish tradition and the imagery of the Prophets Daniel and Ezekiel. This view has been advocated by several Protestant writers.
The Apostle expresses the impression produced on the early Church by the eschatological teaching of Jesus Christ. This opinion is expressed by Döllinger.
St. Paul derived his doctrine concerning Antichrist from the words of Christ, the prophecy of Daniel, and the contemporary events. This opinion, too, is expressed by Döllinger.
The Apostle uttered a prophecy received through the inspiration of the Holy Ghost. Catholic interpreters have generally adhered to this opinion.
In the evangelists and Daniel
After studying the picture of Antichrist in St. Paul's Epistle to the Thessalonians, one easily recognizes the "man of sin" in Daniel 7:8, 11, 20, 21, where the Prophet describes the "little horn." A type of Antichrist is found in Daniel 8:8 sqq., 23, sqq., 11:21-45, in the person of Antiochus Epiphanes.
Many commentators have found more or less clear allusions to Antichrist in the coming of false Christs and false prophets (Matthew 24:24; Mark 13:6, 22; Luke 21:8), in the "abomination of desolation", and in the one that "shall come in his own name" (John 5:43).
Antichrist in ecclesiastical language
Bousset believes that there was among the Jews a fully developed legend of Antichrist, which was accepted and amplified by Christians; and that this legend diverges from and contradicts in important points the conceptions found in the Apocalypse. We do not believe that Bousset has fully proved his opinion; his view as to the Christian development of the concept of Antichrist does not exceed the merits of an ingenious theory.
We need not here enter upon an investigation of Gunkel's work, in which he traces back the idea of Antichrist to the primeval dragon of Œthe deep; this view deserves no more attention than the rest of the author's mythological fancies.
What then is the true ecclesiastical concept of Antichrist? Francisco Suárez maintains that it is of faith that Antichrist is an individual person, a signal enemy of Christ.
This excludes the contention of those who explain Antichrist either as the whole collection of those who oppose Jesus Christ, or as the Papacy.
The Waldensian and Albigensian heretics, as well as Wyclif and Hus, called the Pope by the name of Antichrist; but the expression was only a metaphor in their case. It was only after the time of the Reformation that the name was applied to the Pope in its proper sense.
It then passed practically into the creed of the Lutherans, and has been seriously defended by them as late as 1861 in the "Zeitschrift für lutherische Theologie".
The change from the true Church into the reign of Antichrist is said to have taken place between 19 February and 10 November, A.D. 607, when Pope Boniface III obtained from the Greek emperor Newton, the title "Head of All the Churches" for the Roman Church.
An appeal was made to Apocalypse 13:8, in confirmation of this date, and it was calculated from Apocalypse 11:3, that the end of the world might be expected in A.D. 1866. Cardinal Bellarmine refuted this error both from an exegetical and historical point of view in "De Rom. Pont.", III.
The individual person of Antichrist will not be a demon, as some of the ancient writers believed; nor will he be the person of the devil incarnated in the human nature of Antichrist. He will he a human person, perhaps of Jewish extraction, if the explanation of Genesis 49:17, together with that of Dan's omission in the catalogue of the tribes, as found in the Apocalypse, be correct. It must be kept in mind that extra-Scriptural tradition furnishes us no revealed supplement to the Biblical data concerning Antichrist. While these latter are sufficient to make the believer recognize the "man of sin" at the time of his coming, the lack of any additional reliable revelation should put us on our guard against the daydreams of the Irvingites, the Mormons, and other recent proclaimers of new revelations.
It may not be out of place to draw the reader's attention to two dissertations by the late Cardinal Newman on the subject of Antichrist.
The one is entitled "The Patristic Idea of Antichrist"; it considers successively his time, religion, city, and persecution. It formed the eighty-third number of the "Tracts for the Times." The other dissertation bears the title "The Protestant Idea of Antichrist."
In order to understand the significance of the Cardinal's essays on the question of the Antichrist, it must be kept in mind that a variety of opinions sprang up in course of time concerning the nature of this opponent of Christianity.
Koppe, Nitzsch, Storr, and Pelt contended that the Antichrist is an evil principle, not embodied either in a person or a polity; this opinion is in opposition to both St. Paul and St. John. Both Apostles describe the adversary as being distinctly concrete in form.
A second view admits that the Antichrist is a person, but it maintains that he is a person of the past; Nero, Diocletian, Julian, Caligula, Titus, Simon Magus, Simon the son of Giora, the High Priest Ananias, Vitellius, the Jews, the Pharisees, and the Jewish zealots have been variously identified with the Antichrist.
But there is little traditional authority for this opinion; besides, it does not appear to satisfy fully the prophetic predictions, and, in the case of some of its adherents, it is based on the supposition that the inspired writers could not transcend the limits of their experiences.
A third opinion admitted that the Antichrist must indeed appear in a concrete form, but it identified this concrete form with the system of the Papacy. Luther, Calvin, Zwingli, Melanchthon, Bucer, Beza, Calixtus, Bengel, Michaelis, and almost all the Protestant writers of the Continent are cited as upholding this view; the same may be said of the English theologians Cranmer, Latimer, Ridley, Hooper, Hutchinson, Tyndale, Sandys, Philpot, Jewell, Rogers, Fulke, Bradford, King James, and Andrewes. Bramhall introduced qualifications into the theory, and after this its ascendancy began to wane among English writers.
Nor must it be supposed that the Papal-Antichrist theory was upheld by all Protestants in the same form; the False Prophet or second Apocalyptic Beast is identified with Antichrist and the Papacy by Aretius, Foxe, Napier Mede, Jurieu, Cunninghame, Faber, Woodhouse, and Habershon; the first Apocalyptic Beast holds this position in the opinion of Marlorat, King James, Daubuz, and Galloway; both Beasts are thus identified by Brightman, Pareus, Vitringa, Gill, Bachmair, Fraser, Croly, Fysh, and Elliott.
After this general survey of the Protestant views concerning the Antichrist, we shall be able to appreciate some of Cardinal Newman's critical remarks on the question.
If any part of the Church be proved to be antichristian, all of the Church is so, the Protestant branch inclusive.
The Papal-Antichrist theory was gradually developed by three historical bodies: the Albigenses, the Waldenses, and the Fraticelli, between the eleventh and the sixteenth centuries: are these the expositors from whom the Church of Christ is to receive the true interpretation of the prophecies?
The defenders of the Papal-Antichrist theory have made several signal blunders in their arguments; they cite St. Bernard as identifying the Beast of the Apocalypse with the Pope, though St. Bernard speaks in the passage of the Antipope; they appeal to the Abbot Joachim as believing that Antichrist will be elevated to the Apostolic See, while the Abbot really believes that Antichrist will overthrow the Pope and usurp his See; finally, they appeal to Pope Gregory the Great as asserting that whoever claims to be Universal Bishop is Antichrist, whereas the great Doctor really speaks of the Forerunner of Antichrist who was, in the language of his day, nothing but a token of an impending great evil.
Protestants were driven to the Papal-Antichrist theory by the necessity of opposing a popular answer to the popular and cogent arguments advanced by the Church of Rome for her Divine authority.
Warburton, Newton, and Hurd, the advocates of the Papal-Antichrist theory, cannot be matched against the saints of the Church of Rome.
If the Pope be Antichrist, those who receive and follow him cannot be men like St. Charles Borromeo, or Fénelon, or St. Bernard, or St. Francis de Sales.
If the Church must suffer like Christ, and if Christ was called Beelzebub, the true Church must expect a similar reproach; thus, the Papal-Antichrist theory becomes an argument in favor of the Roman Church.
The gibe, "If the Pope is not Antichrist, he has bad luck to be so like him", is really another argument in favour of the claims of the Pope; since Antichrist simulates Christ, and the Pope is an image of Christ, Antichrist must have some similarity to the Pope, if the latter be the true Vicar of Christ.
Sources
IRENAEUS, Adveresus Haer., IV, 26; ADSO (PSEUDO-RABANUS MAURUS), De ortu, vitâ et moribus Antichristi, P.L., CI, 1289-98); BELLARMINE, De Rom. Pont., III; NEWMAN, The Patristic Idea of Antichrist, No. 83 of Tracts for the Times, republished in Discussions and Arguments on Various Subjects (London, New York, and Bombay 1897).
About this page
APA citation. Maas, A. (1907). Antichrist. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved August 11, 2009 from New Advent: www.newadvent.org/cathen/01559a.htm
MLA citation. Maas, Anthony. "Antichrist." The Catholic Encyclopedia. Vol. 1. New York: Robert Appleton Company, 1907. 11 Aug. 2009 .
Ecclesiastical approbation. Nihil Obstat. March 1, 1907. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.
Contact information. The editor of New Advent is Kevin Knight. My email address is feedback732 at newadvent.org. (To help fight spam, this address might change occasionally.) Regrettably, I can't reply to every letter, but I greatly appreciate your feedback — especially notifications about typographical errors and inappropriate ads.
Shy emo boy and dorky knight hanging out together <3 While they have their share of misunderstandings at first, they slowly become closer and develop genuine feelings for each other. Though they're both too awkward and emotionally dense to realize it at first.
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Nakhon Pathom is a small province located just 56 Km's. from Bangkok. The province features an ancient religious structure called Phra Pathom Chedi, the first religious landmark that signified the influx of Buddhism into Thailand. Nakhon Pathom is also renowned for its abundant fruits varieties and famous dishes. Phra Pathommachedi or Phra Pathom Chedi is a Stupa in Nakhon Pathom, Thailand. At 120.5 metres ( 395 ft ) it is the second tallest stupa in the world after Jetavanaramaya in Sri Lanka. The Stupa is located in the Wat Phra Pathommachedi Ratcha Wora Maha Wihan a temple in the town centre of Nakhon Pathom, Thailand.
The name Phra Pathommachedi means the first holy stupa, given by king Mongkut. Originally the Stupa named Phra Thom Chedi means the big stupa in ancient Khmer language or the royal stupa in Northern Thai language. One of the common misunderstandings about this stupa is that Phra Pathommachedi is the oldest and the first stupa in Suvarnabhumi, an ancient name of Southeast Asia. Modern Historians believe that the stupa was one of the principal stupas of ancient Nakhon Pathom, the largest settlement of Dvaravati culture in Nakhon Pathom area together with the nearby Phra Prathon Chedi during the 6th to the 8th centuries.
Nakhon Pathom was situated by the sea, the city prospered during the Dvaravati civilisation. According to archaeological findings, Nakhon Pathom was the first city to possess influences of Buddhism and Indian civilisations. From the Phra Pathom Chedi and other remains discovered in the city area, it is believed that the city was a centre of civilisation in that era. People of different races settled in Nakhon Pathom. However, a change in the course of the river caused a draught that forced the people to migrate and settle on the banks of river, and these communities developed into towns. The new town was called Nakhon Chaisi or Sirichai, leaving Nakhon Pathom deserted for hundreds of years until the reign of King Rama IV. While His Majesty was in monk hood, he travelled to Nakhon Pathom and found the Phra Pathom Chedi that he regarded as the largest pagoda of all.
When King Rama IV ascended to the throne, he commanded that a bell shaped Chedi be built to cover the former Chedi. The surrounding area was also renovated and improved. He also commanded that a water canal be dug to ease commuting, which was called Chedi Bucha canal. During the reign of King Rama V, the construction of railways to the south began, at that time Nakhon Pathom was still a heavily forested area. King Rama V also commanded that the town be relocated from Tambon Thana, Amphoe Nakhon Chaisi, to the Phra Pathom Chedi area as it used to be. Nakhon Pathom has been there ever since. During the reign of King Rama VI, a palace was built at Tambon Sanam Chan as a temporary residence on his travels and many roads were constructed. A large bridge was also built over the Chedi Bucha canal, which His Majesty named “Saphan Charoensattha”. Later, he commanded that the name of Nakhon Chaisi be changed to Nakhon Pathom, but the name of the prefecture was still called “Nakhon Chaisi” until the reign of King Rama VII when the calling of the prefecture was ended. Nakhon Chaisi is now one of the districts in Nakhon Pathom.
Nakhon Pathom covers an area of 2,168 square kilometres or 542,081.6 acres. It is divided into seven administrative districts or Amphoe, they are: Amphoe Muang Nakhon Pathom, Amphoe Buddhamonthon, Amphoe Sam Phran, Amphoe Nakhon Chaisi, Amphoe Bang Len, Amphoe Kamphaeng Saen, and Amphoe Don Toom. Most of the areas are plains with no mountainous land, plateau are found in the west east of Amphoe Muang and Amphoe Kamphaeng Saen. The plains along the Tha Cheen River (Nakhon Chaisi River) are the location of Amphoe Nakhon Chaisi, Amphoe Sam Phran, and Amphoe Bang Len. These fertile lands provide agricultural area for people, thus most of the residents earn their living from agriculture; plantations, farming, growing food crops, and fruit orchards. Moreover, Nakhon Pathom is well known for pomelo, some call the Nakhon Pathom the sweet pomelo town.
Sampran Riverside, Km. 32 Pet Kasem Highway, Sampran, Nakhon Pathom 73110, Thailand
About one hour drive from Bangkok is the Rose Garden and Cultural Centre. It is situated at Sampran in the Province of Nakhon Pathum. It is a 70 acre site designed to give you a full day out. There is so much to do here. The Restaurant sits on the lake and the food served here is first class you can eat what you like - until you are full, very good value if you are a big eater.The Rose Garden and restaurant were started over 40 years ago and has now included the Cultural Centre and show, a hotel and other restaurants and a spa. Tourist buses usually arrive around 2.0 pm in time for the Thai Cultural Village show at 2.45 pm.
This attraction is usually taken in along with the Damnoen Saduak Floating market trip which is around 1800 Baht by taxi from Bangkok, but do check first, prices do vary. But the Rose Garden is worth a trip on its own, because there is so much to get involved with during the day. In the mornings you can take part in the Living the Thai Culture, an art and craft activity and cost around 500 Baht per person. These included Dancing / Musical Instruments / Garland Making / Fruit Carving / Bamboo Dancing Rice Farming among others.
The Gardens have many exotic flowers and there are some traditional Thai houses. One is used for weddings and another used for a spa centre. Most people go for the Thai Cultural show, with highlights of Thai Martial Art display, and a Traditional Thai wedding display. There is a cast of about 120 people that take part in this display and it is well attended. It is very colourful and impressive to watch, in all around 40 minutes.
10 favorite song quotes. Check her out; www.flickr.com/photos/shutterbuggy_22/
1// Living is easy w/ eyes closed. Misunderstanding all you see. It's getting hard to be someone, but it all works out. It doesn't matter much to me. The Beatles-Strawberry fields
2// I told a fire breathing dragon he better not harm me or be sorry when he meets my one man army. & thou has come to rescue me. My knight in shining armor, yes you be. Lupe Fiasco-You My.
3// Give me that song again. Hold me closer than you ever did before. When I've given all I'll give you more. We'll keep on floating to the shore. Justin Nozuka-Oh Mama
4// If only you were mine, we'd have a mellow time. Picking the flowers & drinking wine. Rivers of love flowing through a valley of dew. No other love could ever compensate. A heart of stone. My everlasting fate. Tower of Power-Sparkling in the Sand
5// It took me a little while to discover wolves in sheep coats who pretend to be lovers.Men who lack conscience will even lie to themselves. A friend once said, and I found to be true that everyday people, they lie to God too. So what makes you think, that they won't lie to you? Lauryn Hill-Forgive Them Father
6// The telephone singing, ringing, it's too early don't pick it up. We don't need to. We got everything we need right here & everything we need is enough. It's just so easy when the whole world fits inside of your arms. Do we really need to pay attention to the alarm? Wake up slow, wake up slow. Jack Johnson-Banana Pancakes
7// All this blinging is like you forgot, use cheese as a bait then you recruit a rat. Damian Marley-Beautiful.
8// He's the kind that loves my mind and feeds my soul & I love it baby. His intellect and utter respect, makes me wanna grow & be my best. & I know he loves his baby. His sense of self & silliness makes the hardest things the simplest. & I look but don't touch never know baby. Jill Scott-Bedda @ Home
9// From the second she shimmied in
I was intrigued by her essence
And my first instincts to make sure that my presence was felt
Simple and plain
I’m probably jumping the train
But all I could see was my name engraved on her belt
Hit the pause button
Damn!
I don’t even know this girl
And I’m already practicing my sweet-nothins
But that’s a classic trait of a soft-spoken, heart-broken, fellow like my self best believe (pussy)
I tend to wear my heart on my sleeve
But that night the Jagermeister had my sleeves rolled up
Wait a minute, hold up
I think she caught me grillin’ now I’m spillin’ my drink (don’t look don’t look)
I knew our feelings were in sync so now she gave me the wink
The only problem is, I’m not your ordinary, average Romeo
A Cyrano de Bergerac (shut the fuck up)
In fact, I remember back in fifth grade
I tried to read the book of love, but sadly
The introduction didn’t grab me
So I left it on the shelf and kept moving
Assuming that this planet rotates
I’ll just procrastinate until the day I bump into my soulmate
Who would’ve thunk I would be pissy ass drunk when time came for collision
So I made the decision to just keep my composure (cool cool)
Until she started getting closer
And then I felt this weird feeling underneath my left shoulder, and then I
Slipped, tripped, busted my lip and fell in love
The minute that she stepped in the door
The type of girl I’d have to make a couple mix tapes for
To me she equaled MC squared and everything else was mathematics
I never took the time to practice Travis McCoy-Sloppy Love Jingle
10// Up above the clouds, no one pulling me down. Smokin, chillin, up at the top of the world. Up above the clouds, no one pulling me down. Rollin, I'm G'in feels like I'm dreamin but it's just living. Wiz Khalifa-Waken Baken.
During Friday afternoon's testing session, there has been a complete misunderstanding between Monoposto Racing Club competitors Chris Levy and Malcolm Scott on the approach to Brooklands. Chris was approaching the corner slowly in his Dallara F397 (#157) with Malcolm (Dallara F398 #68) coming up behind but faster. I turned my back to take a shot of another car, heard a loud bang and turned around to see the two cars entangled. Both drivers have emerged from their cars with Malcolm on the right gesticulating his innocence to some course workers. What went so wrong I cannot say but hopefully they sorted it all out later.
I seek refuge in Allah from Satan, the outcast.
In the name of Allah, the Beneficent, the Merciful.
Allah’s peace be upon Prophet Muhammad (S.A.W), the glorious Prophet of Islam, and on his Companions and his followers.
TASAWWUF
"There is no doubt that Tasawwuf is an important branch of Islam. The word itself may have been derived form the Arabic word "Soof" (Wool) or from "Safa" (cleanliness), but its foundation lies in one’s personal sincerity in seeking Allah’s nearness and trying to live a life pleasing to Him. Study of the Quran, the Hadith, and the practical life of the holy Prophet Muhammad (S.A.W) and his faithful Companions provide unmistakable support to this reality." (Hazrat Moulana Allah Yar Khan (R.A)
SUFISM, AN ESSENTIAL PART OF ISLAM
Doubts exist not only in the minds of the Muslim faithful but also among the Ulema, notably the exoteric about Tasawwuf and its votaries. Often they lead to misunderstanding, as if Shariah and Tariqah were two separate entries, or that Tasawwuf was some obscure discipline foreign to Islam, or that it was altogether above the established laws and injunctions of our Religion. To help remove these misgivings and to reassure seekers, as well as scholars, our Sheikh Hazrat Moulana Allah Yar Khan (R.A), Sheikh Silsila Naqshbandia Awaisia, wrote Al-Jamal Wal Kamal, Aqaid-O-Kamalaat Ulmai-e-Deoband, Binat-e-Rasool (S.A.W), Daamad-e-Ali (R.A), Dalael-us-Salook, Ejaad-e-Mazhab Shia, Hayat-un-Nabi (S.A.W), Hayat Barzakhia, Ilm-o-Irfan, Niffaz-e-Shariat Aur Fiqah-e-Jaferia, Saif-e-Owaisi, Shikast-e-Ahdai Hussain and Tahkeek Halal Haram books.
BIOGRAPHY
Sheikh Allah Yar Khan was born in Chakrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The very year, he met Shaykh Abdul Rahim, who took him to the shrine of Shaykh Allah Deen Madni. By Divine Will his spiritual connection was right away established with the saint of the 10th century Hijra (sixteenth century) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years. In 1962 he was directed to carry out the propagation of Prophetic blessings - a noble mission that he accomplished with singular enthusiasm and devotion for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss as per his/her sincerity and capacity. Shaykh Allah Yar Khan's mission produced men and women of deep spiritual vision and distinction.
Although Hazrat Moulana Allah Yar Khan (R.A) have lived a major portion of his life as a scholar, with the avowed mission of illuminating the truth of Islam and the negation of fallacious sects, and this would appear quite removed from Tasawwuf, yet the only practical difference between the two, namely the use of the former as a media to expound the truth, and the latter to imbue people with positive faith. Nevertheless, people are amazed that a man, who until the other day, was known as a dialectician and a preacher of Islam, is not only talking of Mystic Path, but is also claiming spiritual bonds with the veteran Sufi Masters of the Past. This amazement is obviously out of place in the view of Quranic injunction: This is the bounty of Allah which He gives to whom He wills. (62:4)
THE PURIFICATION OF THE SOUL
The purification of the soul always formed part of the main mission of the Prophets; that is, the dissemination and propagation of the Devine Message. This responsibility later fell directly on the shoulders of the true Ulema in the Ummah of the last Prophet Muhammad (S.A.W), who, as his genuine successors, have continued to shed brave light in every Dark Age of materialism and sacrilege. In the present age of ruinous confusion, the importance of this responsibility has increased manifold; of the utter neglect of Islam by Muslims has not only driven them to misery, but also grievously weakened their bonds of faith in Allah and His Prophet Muhammad (S.A.W). The decay in their belief and consequent perversion in their conduct has reached a stage that any attempt to pull them out of the depth of ignominy and the heedless chaos of faithlessness, attracts grave uncertainties and apprehensions rather than a encouraging will to follow the Shariah, to purify the soul and to reform within. The Quranic Verse: Layers upon layers of darkness… (24:40) provides the nearest expression of their present state.
SHARIAH & SUFISM
Any action against the Sunnah (Prophet’s way of life) cannot be called Sufism. Singing and dancing, and the prostration on tombs are not part of Sufism. Nor is predicting the future and predicting the outcome of cases in the courts of law, a part of Sufism. Sufis are not required to abandon their worldly possessions or live in the wilderness far from the practical world. In fact these absurdities are just its opposites. It is an established fact that Tazkiyah (soul purification) stands for that inner purity which inspires a person’s spirit to obey the holy Prophet Muhammad (S.A.W). If a false claimant of Sufism teaches tricks and jugglery, ignoring religious obligations, he is an impostor. A true Sheikh will lead a believer to the august spiritual audience of the holy Prophet Muhammad (S.A.W). If you are fortunate enough to be blessed with the company of an accomplished spiritual guide and Sheikh of Sufism, and if you follow his instructions, you will observe a positive change in yourself, transferring you from vice to virtue.
ISLAM, AS A COMPLETE CODE OF LIFE
Islam, as a complete code of life or Deen, was perfected during the life of the Holy Prophet Muhammad (S.A.W). He was the sole teacher and his mosque was the core institution for the community. Although Islam in its entirety was practiced during that blessed era, the classification and compilation of its knowledge into distinct branches like ‘Tafsir’ (interpretation of the Quran), Hadith (traditions or sayings of the holy Prophet- SAWS), Fiqh (Islamic law), and Sufism (the soul purification) were undertaken subsequently. This Deen of Allah passed from the holy Prophet Muhammad (S.A.W) to his illustrious Companions in two ways: the outward and the inward. The former comprised the knowledge defined by speech and conduct, i.e., the Quran and Sunnah. The latter comprised the invisible blessings or the Prophetic lights transmitted by his blessed self. These blessings purified the hearts and instilled in them a passionate desire to follow Islam with utmost love, honesty and loyalty.
WHAT’S SUFISM
Sufism is the attempt to attain these Barakah (Blessings). The Companions handed down Prophet Muhammad (S.A.W) teachings as well as blessings to the Taba’een. Their strong hearts were capable of infusing these blessings into the hearts of their followers. Both aspects of Islam were similarly passed on by the Taba’een to the Taba Taba’een. The compilation of knowledge and its interpretation led to the establishment of many schools of religious thought; famous four being the Hanafi, the Hanbali, the Maliki, and the Shafa'i, all named after their founders. Similarly, in order to acquire, safeguard and distribute his blessings, an organized effort was initiated by four schools of Sufism: The Naqshbandia, the Qadria, the Chishtia, and the Suharwardia. These schools were also named after their organizers and came to be known as Sufi Orders. All these Orders intend to purify the hearts of sincere Muslims with Prophetic lights. These Sufi Orders also grew into many branches with the passage of time and are known by other names as well. The holy Quran has linked success in this life and the Hereafter with Tazkiyah (soul purification). He, who purified, is successful. (87: 14) Sufi Orders of Islam are the institutions where the basics of Tazkiyah (soul purification) and its practical application are taught. They have graded programs in which every new seeker is instructed in Zikr-e Lisani (oral Zikr) and is finally taught the Zikr-e Qalbi (Remembrance in heart).
ZIKR-E QALBI
However, in the Naqshbandia Order, Zikr-e Qalbi is practiced from the very beginning. Adherence to the Sunnah (Prophet’s way of life) is greatly emphasized in this Order, because the seeker achieves greater and quicker progress through its blessings. The essence of Zikr is that the Qalb should sincerely accept Islamic beliefs and gain the strength to follow the Sunnah with even greater devotion. ‘If the heart is acquainted with Allah and is engaged in His Zikr; then it is filled with Barakaat-e Nabuwwat (Prophetic blessings) which infuse their purity in the mind and body. This not only helps in controlling sensual drives but also removes traces of abhorrence, voracity, envy and insecurity from human soul. The person therefore becomes an embodiment of love, both for the Divine and the corporeal. This is the meaning of a Hadith, “There is a lump of flesh in the human body; if it goes astray the entire body is misguided, and if it is reformed the entire body is reformed. Know that this lump is the Qalb”.’
PAS ANFAS
Recent History Khawajah Naqshband (d. 1389 CE) organized the Naqshbandia Order at Bukhara (Central Asia). This Order has two main branches – the Mujaddidia and the Owaisiah. The former is identified with Sheikh Ahmed Sirhindi, known as Mujaddid Alif Sani (literally: reviver of the second Muslim millennium), a successor to Khawajah Baqi Billah, who introduced the Order to the Indo- Pakistan sub-continent. The Owaisiah Order employs a similar method of Zikr but acquires the Prophetic blessings in the manner of Khawajah Owais Qarni, who received this beneficence from the Holy Prophet Muhammad (S.A.W) without a formal physical meeting. The Zikr employed by the Naqshbandia is ‘Zikr-e Khafi Qalbi’ (remembrance of Allah’s Name within the heart) and the method is termed ‘Pas Anfas’, which (in Persian) means guarding every breath. The Chain of Transmission of these Barakah, of course, emanates from the holy Prophet- SAWS.
SPIRITUAL BAI’AT (OATH OF ALLEGIANCE
It is necessary in all Sufi Orders that the Sheikh and the seekers must be contemporaries and must physically meet each other for the transfer of these blessings. However, the Naqshbandia Owaisiah Order goes beyond this requirement and Sufis of this Order receive these Barakah regardless of physical meeting with their Sheikh or even when the Sheikh is not their contemporary. Yet, it must be underscored that physical meeting with the Sheikh of this Order still holds great importance in dissemination of these Barakah. Sheikh Sirhindi writes about the Owaisiah Order in his book ‘Tazkirah’: ‘It is the most sublime, the most exalted, and the most effective…and the highest station of all others is only its stepping stone.’ By far the greatest singular distinction of the Naqshbandia Owaisiah Order is the honor of Spiritual Bai’at (Oath of Allegiance) directly at the blessed hands of the holy Prophet Muhammad (S.A.W).
SHEIKH HAZRAT MOULANA ALLAH YAR KHAN (R.A)
The Reviver Sheikh Allah Yar Khan was born in Chikrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The same year, he met Sheikh ‘Abdul Rahim, who took him to the shrine of Sheikh Allah Deen Madni. By Divine Will his spiritual connection was immediately established with the saint of the 10th century Hijra (sixteenth century CE) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years, after which he was directed to undertake the propagation of Prophetic blessings - a noble mission that he accomplished with singular zeal and dedication for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss commensurate with his/her sincerity and capacity. Sheikh Allah Yar Khan’s mission produced men and women of deep spiritual vision and eminence. He authored eighteen books, the most distinguished being Dalael us-Sulook (Sufism - An Objective Appraisal), Hayat-e Barzakhiah (Life Beyond Life) and Israr ul- Haramain (Secrets of the two holy Mosques). He was undoubtedly one of the most distinguished Sufi saints of the Muslim Ummah and a reviver of the Naqshbandia Owaisiah Order. He passed away on 18 February 1984 in Islamabad at the age of eighty.
THE CHAIN OF TRANSMISSION OF NAQSHBANDIA OWAISIAH
1. Hazrat Muhammad ur-Rasool Allah (Sall Allah-o Alaihi wa Sallam), 2. Hazrat Abu Bakr Siddiq (Radhi Allah-o Unho), 3. Hazrat Imam Hassan Basri (Rahmat Ullah Alaihi), 4. Hazrat Daud Tai (Rahmat Ullah Alaihi), 5. Hazrat Junaid Baghdadi (Rahmat Ullah Alaihi), 6. Hazrat Ubaid Ullah Ahrar (Rahmat Ullah Alaihi), 7. Hazrat Abdur Rahman Jami (Rahmat Ullah Alaihi), 8. Hazrat Abu Ayub Muhammad Salih (Rahmat Ullah Alaihi), 9. Hazrat Allah Deen Madni (Rahmat Ullah Alaihi), 10. Hazrat Moulana Allah Yar Khan (Rahmat Ullah Alaihi).
THE SPIRIT OR RUH
The spirit or Ruh of every person is a created reflection of the Divine Attributes and it originates in Alam-e Amar (Realm of Command). Its food is the Light of Allah or the Divine Refulgence, which it acquires from the Realm of Command through the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him), whose status in the spiritual world is like that of the sun in the solar system. The Quran refers to him as the ‘bright lamp’. Indeed, he is the divinely selected channel of all Barakah. All Exalted Messengers themselves receive these Barakah from him.
LATAIF
The human Ruh also possesses vital organs like the physical body; through which it acquires its knowledge, food and energy. These are called Lataif (singular Latifah: subtlety). Scholars of various Sufi Orders have associated them with specific areas of the human body. The Naqshbandia Owaisiah Order identifies these Lataif as follows. First - Qalb: This spiritual faculty is located within the physical heart. Its function is Zikr. Its strength increases one’s capacity for Allah’s Zikr. Second – Ruh: The site of this Latifah, which is a distinct faculty of the human Ruh, is on the right side of the chest at the level of Qalb. Its primary function is concentration towards Allah. Third – Sirri: This is located above the Qalb and functions to make possible Kashf. Forth – Khaffi: This is located above the Ruh and functions to perceive the omnipresence of Allah. Fifth – Akhfa: This is located in the middle of chest, at the centre of the first four Lataif and makes it possible for the Ruh to perceive the closeness of Allah, Who is closer to us than our own selves. Sixth – Nafs: This Latifah is located at the forehead and functions to purify the human soul. Seventh – Sultan al-Azkar: This Latifah is located at the top centre of the head and serves to absorb the Barakah of Allah into the entire body, so that every cell resonates with Zikr.
FIVE EXALTED MESSENGERS OF GOD
There are Five Exalted Messengers among the many known and unknown Messengers of Allah. They are Hazrat Muhammad, Hazrat Nuh (Noah), Hazrat Ibrahim (Abraham), Hazrat Musa (Moses), and Hazrat Esa (Jesus), peace be upon them all. Hazrat Adam is the first Prophet of Allah and the father of mankind. Each Latifah is associated with a particular Prophet. The Barakah and lights from Hazrat Adam (peace be upon him), descend on the first Latifah Qalb; its lights are reflected from the first heaven and are yellowish. The second Latifah is associated with Hazrat Nuh and Hazrat Ibrahim (peace be upon them). Its lights descend from the second heaven and appear as golden red. The lights descending upon the third Latifah are from Hazrat Musa (peace be upon him) and are white. One the fourth Latifah, the lights of Hazrat Esa (peace be upon him) descend from the fourth heaven and are deep blue. The fifth Latifah receives its Barakah directly from the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him). The lights associated with this Latifah are green, descend from the fifth heaven, and overwhelm all the first four Lataif. The Lights descending upon the sixth and seventh Lataif are the Divine Lights, whose color and condition cannot be determined. These are like flashes of lightening that defy comprehension. If Allah blesses a seeker with Kashf, he can observe all of this. The vision is slightly diffused in the beginning, but gradually the clarity improves.
SULOOK
Stages of the Path After all seven Lataif of a seeker have been illuminated with Divine Lights through Tawajjuh of the Sheikh and his Ruh has acquired the ability to fly, the Sheikh initiates its journey on the sublime Path of Divine nearness. The Path is known as Sulook, and its stages are not hypothetical imaginations but real and actually existing stations on the spiritual Path. These are also referred to as Meditations, because a seeker mentally meditates about a station while his/her Ruh actually ascends towards it. The first three stations that form the base of whole Sulook are described as; Ahadiyyat, a station of Absolute Unity of Divinity. It is above and beyond the seven heavens. It is so vast a station that the seven heavens and all that they encompass are lost within Ahadiyyat as a ring is lost in a vast desert. Its lights are white in color. Maiyyat station denotes Divine Company, ‘He is with you, wherever you might be.’ This station is so vast that Ahadiyyat along with the seven heavens beneath are lost within it as a ring is lost in a desert. Its lights are green in color. Aqrabiyyat station denotes Divine Nearness, ‘He is nearer to you than your life- vein.’ Again, Aqrabiyyat is vast as compared to Maiyyat in the same proportion. Its lights are golden red and are reflected from the Divine Throne. It is indeed the greatest favor of Almighty Allah that He blesses a seeker with an accomplished Sheikh, who takes him to these sublime stations. The final station that a seeker attains to during his/her lifetime becomes his/her Iliyyeen (blessed abode) in Barzakh and his/her Ruh stays at this station after death.
ZIKR
Why is Zikr Necessary for Everyone? Allah ordains every soul in the Quran to Perform Zikr. This not only means reciting the Quran and Tasbeeh but also Zikr-e Qalb. It is only through Zikr-e Qalbi that Prophetic Lights reach the depths of human soul and purify it from all vice and evil. Zikr infuses a realization of constant Divine Presence and a seeker feels great improvement in the level of sincerity and love towards Allah and the holy Prophet- SAWS. Such levels of sincerity, love and feelings of Divine Presence can never be obtained without Zikr. It would be a mistake to believe that Zikr may be a requirement only for the very pious and virtuous people. Zikr provides the Prophetic blessings which are in effect the life line of every human soul. It transforms even the most corrupted humans into virtuous souls by bringing out the best in them. The fact is that Zikr is the only way to achieve true contentment and satisfaction in life. The holy Quran has pointed to this eternal fact that it is only through Zikr Allah that hearts can find satisfaction. Such satisfaction and peace are the ultimate requirements of every person, regardless of religion, race and ethnicity. Practicing Zikr regularly removes all traces of anxiety and restlessness, and guides the human soul to eternal bliss and peace.
KHALIFA MAJAZEEN
Hazrat Moulana Allah Yar Khan (R.A), during his life time in 1974, presented a nomination list to Prophet Muhammad (S.A.W), during Maraqba, of expected Khalifa Majazeen for Silsila Naqshbandia Awaisia. Prophet Muhammad (S.A.W) approved some names, deleted some of the names, and added down the name of Major Ghulam Muhammad as also Khalifa Majaaz of Silsila Naqshbandia Awaisia (which was not previously included in the list)
The approved names at that time included:
1. Mr. Muhammad Akram Awan Sahib,
2. Mr. Sayed Bunyad Hussain Shah Sahib,
3. Mr. Major Ahsan Baig Sahib,
4. Mr. Col. Matloob Hussain Sahib,
5. Mr. Major Ghulam Muhammad Sahib of Wan Bhachran Mianwali,
6. Mr. Molvi Abdul Haq Sahib,
7. Mr. Hafiz Abdul Razzaq Sahib,
8. Mr. Hafiz Ghulam Qadri Sahib,
9. Mr. Khan Muhammad Irani Sahib,
10. Mr. Maolana Abdul Ghafoor Sahib,
11. Mr. Syed Muhammad Hassan Sahib of Zohb.
These Majazeen were authorized to; held Majalis of Zikar (Pas Anfas) in their respective areas, arrange Majalis of Zikar in neighboring areas, train them on the way of Sulook, prepare them for Spiritual Bai’at (Oath of Allegiance), and present them to Sheikh Hazrat Moulana Allah Yar Khan for Spiritual Bai’at at the Hand of Prophet Muhammad (S.A.W), in the life of Hazrat Moulana Allah Yar Khan (R.A), and were all equal in status as Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
Presently we are following Hazrat Major ® Ghulam Muhammad Sahib, Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
1964 No. 4079 "Pendennis Castle", the victor of the locomotive exchange of 1925. (Photo Above Right)
in 1964, due to a misunderstanding, two B. R. Standard Class 4 4-6-0's were provided. (They redeemed their somewhat unkempt appearance by a satisfactory performance!).
This year, the locomotive selected for the first section is No. 7029 "Clun Castle", one of the last four survivors of that illustrious class still in service. 7029 was the engine selected for the Plymouth -Bristol section of the Ian Allan High Speed Special "The Great Western" on 9th May 1964, on which she performed with such distinction, achieving what is believed to be the fastest time ever recorded between Exeter and Bristol. 90 m.p.h, was exceeded on three separate occasions during the run, including one stretch of over 10 miles, on dead level road. (Photo Below)
From Shrewsbury, it is expected that nos. 7802 and 7812 will be in charge.
The train office, to which all queries and enquiries should be referred, is in Coach A.
A wide variety of items of interest are on sale on the train. Bookstalls are operated by the London Area Group of the Festiniog Railway Society at which both books and sundry Festiniog items can be purchased, and by Ian Allan Ltd, for the sale of Ian Allan publications.
These are located as follows:-
Festiniog Railway Society bookstall Coach C and Coach G.
Ian Allan bookstall Coach F.
Little group of space treasure hunters called "Red Oblivion" simply couldn't find out a way to work this problem out in more assertive way..
"It's only a minor misunderstanding associated with the distribution of goods.." - that was his last words before his upper part of robotic body jumped into the air avoiding the blast..
The Great Western and Great Central Railways Joint Committee obviously wanted no misunderstanding about the status of this path at Princes Risborough. The photo was taken in 1967.
from Hymn to Life, by James Schuyler
The sun
Drips, coats and smears, all that spring yellow under unending
Blue. Only the oaks hold back their leaf buds, reticent.
Reticence is not a bad quality, though it may lead to misunderstandings.
I misunderstood silence for disapproval, see now it was
Sympathy. Thank you, May, for these warm stirrings.
Susan Gault '99 and Steve Bell ‘99
OUR STORY: "You wanted a Mountaineer love story?
Steven and I met in summer school at Appalachian in 1998. We dated for a few months and broke up over a silly misunderstanding. Both of us were too proud to call the other, and we both graduated in 1999 without a last word. I kept thinking we would be in touch sooner or later and get back together. No such luck. Eight years passed, and every effort I made to find him came to a dead end. He was simply the one that got away.
In 2004, I was diagnosed with cancer and started an online journal about my illness and recovery. They were funny stories about a very ugly subject, but I had a knack for turning a horrible situation into something to laugh about. In 2006 I moved into a retirement home (mainly to help take care of residents for a break on the rent) and didn't have as much time to write the journal, so my entries were fewer and farther between.
One day that summer, the retirement home secretary told me I had a message at the front desk. Imagine my surprise to read a phone number belonging to Steven Bell, with the attached message, "Are you okay?" on the little pink note!
To make a long story short, he had been following my website since I'd started it, and now, after an eight year hiatus, we have been together two years. He is the most wonderful man I have ever met."
Susan Gault
class of 1999
Nakhon Pathom is a small province located just 56 Km's. from Bangkok. The province features an ancient religious structure called Phra Pathom Chedi, the first religious landmark that signified the influx of Buddhism into Thailand. Nakhon Pathom is also renowned for its abundant fruits varieties and famous dishes. Phra Pathommachedi or Phra Pathom Chedi is a Stupa in Nakhon Pathom, Thailand. At 120.5 metres ( 395 ft ) it is the second tallest stupa in the world after Jetavanaramaya in Sri Lanka. The Stupa is located in the Wat Phra Pathommachedi Ratcha Wora Maha Wihan a temple in the town centre of Nakhon Pathom, Thailand.
The name Phra Pathommachedi means the first holy stupa, given by king Mongkut. Originally the Stupa named Phra Thom Chedi means the big stupa in ancient Khmer language or the royal stupa in Northern Thai language. One of the common misunderstandings about this stupa is that Phra Pathommachedi is the oldest and the first stupa in Suvarnabhumi, an ancient name of Southeast Asia. Modern Historians believe that the stupa was one of the principal stupas of ancient Nakhon Pathom, the largest settlement of Dvaravati culture in Nakhon Pathom area together with the nearby Phra Prathon Chedi during the 6th to the 8th centuries.
Nakhon Pathom was situated by the sea, the city prospered during the Dvaravati civilisation. According to archaeological findings, Nakhon Pathom was the first city to possess influences of Buddhism and Indian civilisations. From the Phra Pathom Chedi and other remains discovered in the city area, it is believed that the city was a centre of civilisation in that era. People of different races settled in Nakhon Pathom. However, a change in the course of the river caused a draught that forced the people to migrate and settle on the banks of river, and these communities developed into towns. The new town was called Nakhon Chaisi or Sirichai, leaving Nakhon Pathom deserted for hundreds of years until the reign of King Rama IV. While His Majesty was in monk hood, he travelled to Nakhon Pathom and found the Phra Pathom Chedi that he regarded as the largest pagoda of all.
When King Rama IV ascended to the throne, he commanded that a bell shaped Chedi be built to cover the former Chedi. The surrounding area was also renovated and improved. He also commanded that a water canal be dug to ease commuting, which was called Chedi Bucha canal. During the reign of King Rama V, the construction of railways to the south began, at that time Nakhon Pathom was still a heavily forested area. King Rama V also commanded that the town be relocated from Tambon Thana, Amphoe Nakhon Chaisi, to the Phra Pathom Chedi area as it used to be. Nakhon Pathom has been there ever since. During the reign of King Rama VI, a palace was built at Tambon Sanam Chan as a temporary residence on his travels and many roads were constructed. A large bridge was also built over the Chedi Bucha canal, which His Majesty named “Saphan Charoensattha”. Later, he commanded that the name of Nakhon Chaisi be changed to Nakhon Pathom, but the name of the prefecture was still called “Nakhon Chaisi” until the reign of King Rama VII when the calling of the prefecture was ended. Nakhon Chaisi is now one of the districts in Nakhon Pathom.
Nakhon Pathom covers an area of 2,168 square kilometres or 542,081.6 acres. It is divided into seven administrative districts or Amphoe, they are: Amphoe Muang Nakhon Pathom, Amphoe Buddhamonthon, Amphoe Sam Phran, Amphoe Nakhon Chaisi, Amphoe Bang Len, Amphoe Kamphaeng Saen, and Amphoe Don Toom. Most of the areas are plains with no mountainous land, plateau are found in the west east of Amphoe Muang and Amphoe Kamphaeng Saen. The plains along the Tha Cheen River (Nakhon Chaisi River) are the location of Amphoe Nakhon Chaisi, Amphoe Sam Phran, and Amphoe Bang Len. These fertile lands provide agricultural area for people, thus most of the residents earn their living from agriculture; plantations, farming, growing food crops, and fruit orchards. Moreover, Nakhon Pathom is well known for pomelo, some call the Nakhon Pathom the sweet pomelo town.
Sampran Riverside, Km. 32 Pet Kasem Highway, Sampran, Nakhon Pathom 73110, Thailand
About one hour drive from Bangkok is the Rose Garden and Cultural Centre. It is situated at Sampran in the Province of Nakhon Pathum. It is a 70 acre site designed to give you a full day out. There is so much to do here. The Restaurant sits on the lake and the food served here is first class you can eat what you like - until you are full, very good value if you are a big eater.The Rose Garden and restaurant were started over 40 years ago and has now included the Cultural Centre and show, a hotel and other restaurants and a spa. Tourist buses usually arrive around 2.0 pm in time for the Thai Cultural Village show at 2.45 pm.
This attraction is usually taken in along with the Damnoen Saduak Floating market trip which is around 1800 Baht by taxi from Bangkok, but do check first, prices do vary. But the Rose Garden is worth a trip on its own, because there is so much to get involved with during the day. In the mornings you can take part in the Living the Thai Culture, an art and craft activity and cost around 500 Baht per person. These included Dancing / Musical Instruments / Garland Making / Fruit Carving / Bamboo Dancing Rice Farming among others.
The Gardens have many exotic flowers and there are some traditional Thai houses. One is used for weddings and another used for a spa centre. Most people go for the Thai Cultural show, with highlights of Thai Martial Art display, and a Traditional Thai wedding display. There is a cast of about 120 people that take part in this display and it is well attended. It is very colourful and impressive to watch, in all around 40 minutes.
The best thing about the Blues is its uncompromising attitude about love and sex, especially with respect to intra-Afro gay/lesbian affections. Remember, the people who gave birth to the Blues were Afro American folk in largely poor rural areas, most notably in the Southern United States.
Among these poor Afro American folk, there was acceptance of same-sex affection even if such affection wasn't always understood. More, these same-sex loving individuals were not given sympathy as being a "victim" within an unjust world. An individual simply existed within his family and within a larger community, the latter being sort of an "open secret" among certain folk. Any misunderstanding to be had typically occurred in the assigning of names to describe those who happened to be gay: freak, a mellow, a sissy or a drag.
Taken for Alternativ News , live at La Cigale (Paris), November 1st 2010. Copyright Apolline Mariotti 2010, all rights reserved.
Due to recent misunderstanding of the mention "Do not use without permission" I've decided to tag my pictures. I'm not happy about it, but when I see my pictures all over the internet with the credit cut off, I sometimes believe it's the only solution...
This is a novelized account of how the misunderstanding and misuse of human sexuality stemming from male dominance and inhuman religious teachings results in commercial sex becoming the biggest industry in the U.S. and changing the politics of the country.. Many of the projections in the book have come true...and others are on the verge. The god of sex is definitely getting his or her revenge! The book is available in digital and printed formats from Amazon.com.
I removed the description to avoid Flickr from misunderstanding it for an alleged commercial activity.
Ahh ... best friends are forever, not to be lost over some misunderstanding, and fight between others.
Court, sorry sorry sorry ...
bestest lovers for life still :D
Love you Cocoo ...
♥
From immigration and murder rates to how fat we are, people nearly always get the numbers wrong.
But what does this mean for modern government? How does government work for people who have a shaky grasp of reality? And what can we do about it?
Panel:
Bobby Duffy, author of The Perils of Perception and Professor of Public Policy and Director of the Policy Institute at King's College London
Will Moy, Director of Full Fact
Nancy Kelley, Deputy Chief Executive at The National Centre for Social Research
Chaired by Gavin Freeguard, Programme Director and Head of Data and Transparency at the Institute for Government.
#IfGmoderngov
Photos by Candice McKenzie
I seek refuge in Allah from Satan, the outcast.
In the name of Allah, the Beneficent, the Merciful.
Allah’s peace be upon Prophet Muhammad (S.A.W), the glorious Prophet of Islam, and on his Companions and his followers.
TASAWWUF
"There is no doubt that Tasawwuf is an important branch of Islam. The word itself may have been derived form the Arabic word "Soof" (Wool) or from "Safa" (cleanliness), but its foundation lies in one’s personal sincerity in seeking Allah’s nearness and trying to live a life pleasing to Him. Study of the Quran, the Hadith, and the practical life of the holy Prophet Muhammad (S.A.W) and his faithful Companions provide unmistakable support to this reality." (Hazrat Moulana Allah Yar Khan (R.A)
SUFISM, AN ESSENTIAL PART OF ISLAM
Doubts exist not only in the minds of the Muslim faithful but also among the Ulema, notably the exoteric about Tasawwuf and its votaries. Often they lead to misunderstanding, as if Shariah and Tariqah were two separate entries, or that Tasawwuf was some obscure discipline foreign to Islam, or that it was altogether above the established laws and injunctions of our Religion. To help remove these misgivings and to reassure seekers, as well as scholars, our Sheikh Hazrat Moulana Allah Yar Khan (R.A), Sheikh Silsila Naqshbandia Awaisia, wrote Al-Jamal Wal Kamal, Aqaid-O-Kamalaat Ulmai-e-Deoband, Binat-e-Rasool (S.A.W), Daamad-e-Ali (R.A), Dalael-us-Salook, Ejaad-e-Mazhab Shia, Hayat-un-Nabi (S.A.W), Hayat Barzakhia, Ilm-o-Irfan, Niffaz-e-Shariat Aur Fiqah-e-Jaferia, Saif-e-Owaisi, Shikast-e-Ahdai Hussain and Tahkeek Halal Haram books.
BIOGRAPHY
Sheikh Allah Yar Khan was born in Chakrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The very year, he met Shaykh Abdul Rahim, who took him to the shrine of Shaykh Allah Deen Madni. By Divine Will his spiritual connection was right away established with the saint of the 10th century Hijra (sixteenth century) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years. In 1962 he was directed to carry out the propagation of Prophetic blessings - a noble mission that he accomplished with singular enthusiasm and devotion for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss as per his/her sincerity and capacity. Shaykh Allah Yar Khan's mission produced men and women of deep spiritual vision and distinction.
Although Hazrat Moulana Allah Yar Khan (R.A) have lived a major portion of his life as a scholar, with the avowed mission of illuminating the truth of Islam and the negation of fallacious sects, and this would appear quite removed from Tasawwuf, yet the only practical difference between the two, namely the use of the former as a media to expound the truth, and the latter to imbue people with positive faith. Nevertheless, people are amazed that a man, who until the other day, was known as a dialectician and a preacher of Islam, is not only talking of Mystic Path, but is also claiming spiritual bonds with the veteran Sufi Masters of the Past. This amazement is obviously out of place in the view of Quranic injunction: This is the bounty of Allah which He gives to whom He wills. (62:4)
THE PURIFICATION OF THE SOUL
The purification of the soul always formed part of the main mission of the Prophets; that is, the dissemination and propagation of the Devine Message. This responsibility later fell directly on the shoulders of the true Ulema in the Ummah of the last Prophet Muhammad (S.A.W), who, as his genuine successors, have continued to shed brave light in every Dark Age of materialism and sacrilege. In the present age of ruinous confusion, the importance of this responsibility has increased manifold; of the utter neglect of Islam by Muslims has not only driven them to misery, but also grievously weakened their bonds of faith in Allah and His Prophet Muhammad (S.A.W). The decay in their belief and consequent perversion in their conduct has reached a stage that any attempt to pull them out of the depth of ignominy and the heedless chaos of faithlessness, attracts grave uncertainties and apprehensions rather than a encouraging will to follow the Shariah, to purify the soul and to reform within. The Quranic Verse: Layers upon layers of darkness… (24:40) provides the nearest expression of their present state.
SHARIAH & SUFISM
Any action against the Sunnah (Prophet’s way of life) cannot be called Sufism. Singing and dancing, and the prostration on tombs are not part of Sufism. Nor is predicting the future and predicting the outcome of cases in the courts of law, a part of Sufism. Sufis are not required to abandon their worldly possessions or live in the wilderness far from the practical world. In fact these absurdities are just its opposites. It is an established fact that Tazkiyah (soul purification) stands for that inner purity which inspires a person’s spirit to obey the holy Prophet Muhammad (S.A.W). If a false claimant of Sufism teaches tricks and jugglery, ignoring religious obligations, he is an impostor. A true Sheikh will lead a believer to the august spiritual audience of the holy Prophet Muhammad (S.A.W). If you are fortunate enough to be blessed with the company of an accomplished spiritual guide and Sheikh of Sufism, and if you follow his instructions, you will observe a positive change in yourself, transferring you from vice to virtue.
ISLAM, AS A COMPLETE CODE OF LIFE
Islam, as a complete code of life or Deen, was perfected during the life of the Holy Prophet Muhammad (S.A.W). He was the sole teacher and his mosque was the core institution for the community. Although Islam in its entirety was practiced during that blessed era, the classification and compilation of its knowledge into distinct branches like ‘Tafsir’ (interpretation of the Quran), Hadith (traditions or sayings of the holy Prophet- SAWS), Fiqh (Islamic law), and Sufism (the soul purification) were undertaken subsequently. This Deen of Allah passed from the holy Prophet Muhammad (S.A.W) to his illustrious Companions in two ways: the outward and the inward. The former comprised the knowledge defined by speech and conduct, i.e., the Quran and Sunnah. The latter comprised the invisible blessings or the Prophetic lights transmitted by his blessed self. These blessings purified the hearts and instilled in them a passionate desire to follow Islam with utmost love, honesty and loyalty.
WHAT’S SUFISM
Sufism is the attempt to attain these Barakah (Blessings). The Companions handed down Prophet Muhammad (S.A.W) teachings as well as blessings to the Taba’een. Their strong hearts were capable of infusing these blessings into the hearts of their followers. Both aspects of Islam were similarly passed on by the Taba’een to the Taba Taba’een. The compilation of knowledge and its interpretation led to the establishment of many schools of religious thought; famous four being the Hanafi, the Hanbali, the Maliki, and the Shafa'i, all named after their founders. Similarly, in order to acquire, safeguard and distribute his blessings, an organized effort was initiated by four schools of Sufism: The Naqshbandia, the Qadria, the Chishtia, and the Suharwardia. These schools were also named after their organizers and came to be known as Sufi Orders. All these Orders intend to purify the hearts of sincere Muslims with Prophetic lights. These Sufi Orders also grew into many branches with the passage of time and are known by other names as well. The holy Quran has linked success in this life and the Hereafter with Tazkiyah (soul purification). He, who purified, is successful. (87: 14) Sufi Orders of Islam are the institutions where the basics of Tazkiyah (soul purification) and its practical application are taught. They have graded programs in which every new seeker is instructed in Zikr-e Lisani (oral Zikr) and is finally taught the Zikr-e Qalbi (Remembrance in heart).
ZIKR-E QALBI
However, in the Naqshbandia Order, Zikr-e Qalbi is practiced from the very beginning. Adherence to the Sunnah (Prophet’s way of life) is greatly emphasized in this Order, because the seeker achieves greater and quicker progress through its blessings. The essence of Zikr is that the Qalb should sincerely accept Islamic beliefs and gain the strength to follow the Sunnah with even greater devotion. ‘If the heart is acquainted with Allah and is engaged in His Zikr; then it is filled with Barakaat-e Nabuwwat (Prophetic blessings) which infuse their purity in the mind and body. This not only helps in controlling sensual drives but also removes traces of abhorrence, voracity, envy and insecurity from human soul. The person therefore becomes an embodiment of love, both for the Divine and the corporeal. This is the meaning of a Hadith, “There is a lump of flesh in the human body; if it goes astray the entire body is misguided, and if it is reformed the entire body is reformed. Know that this lump is the Qalb”.’
PAS ANFAS
Recent History Khawajah Naqshband (d. 1389 CE) organized the Naqshbandia Order at Bukhara (Central Asia). This Order has two main branches – the Mujaddidia and the Owaisiah. The former is identified with Sheikh Ahmed Sirhindi, known as Mujaddid Alif Sani (literally: reviver of the second Muslim millennium), a successor to Khawajah Baqi Billah, who introduced the Order to the Indo- Pakistan sub-continent. The Owaisiah Order employs a similar method of Zikr but acquires the Prophetic blessings in the manner of Khawajah Owais Qarni, who received this beneficence from the Holy Prophet Muhammad (S.A.W) without a formal physical meeting. The Zikr employed by the Naqshbandia is ‘Zikr-e Khafi Qalbi’ (remembrance of Allah’s Name within the heart) and the method is termed ‘Pas Anfas’, which (in Persian) means guarding every breath. The Chain of Transmission of these Barakah, of course, emanates from the holy Prophet- SAWS.
SPIRITUAL BAI’AT (OATH OF ALLEGIANCE
It is necessary in all Sufi Orders that the Sheikh and the seekers must be contemporaries and must physically meet each other for the transfer of these blessings. However, the Naqshbandia Owaisiah Order goes beyond this requirement and Sufis of this Order receive these Barakah regardless of physical meeting with their Sheikh or even when the Sheikh is not their contemporary. Yet, it must be underscored that physical meeting with the Sheikh of this Order still holds great importance in dissemination of these Barakah. Sheikh Sirhindi writes about the Owaisiah Order in his book ‘Tazkirah’: ‘It is the most sublime, the most exalted, and the most effective…and the highest station of all others is only its stepping stone.’ By far the greatest singular distinction of the Naqshbandia Owaisiah Order is the honor of Spiritual Bai’at (Oath of Allegiance) directly at the blessed hands of the holy Prophet Muhammad (S.A.W).
SHEIKH HAZRAT MOULANA ALLAH YAR KHAN (R.A)
The Reviver Sheikh Allah Yar Khan was born in Chikrala, a remote village of Mianwali District of Pakistan, in 1904. He completed his religious education in 1934. The same year, he met Sheikh ‘Abdul Rahim, who took him to the shrine of Sheikh Allah Deen Madni. By Divine Will his spiritual connection was immediately established with the saint of the 10th century Hijra (sixteenth century CE) and he started receiving spiritual beneficence. His sublime education in Sufism, signifying progressive spiritual growth and advancement, continued for about twenty-five years, after which he was directed to undertake the propagation of Prophetic blessings - a noble mission that he accomplished with singular zeal and dedication for a period spanning half a century. Anybody who visited him was duly rewarded with a share of spiritual bliss commensurate with his/her sincerity and capacity. Sheikh Allah Yar Khan’s mission produced men and women of deep spiritual vision and eminence. He authored eighteen books, the most distinguished being Dalael us-Sulook (Sufism - An Objective Appraisal), Hayat-e Barzakhiah (Life Beyond Life) and Israr ul- Haramain (Secrets of the two holy Mosques). He was undoubtedly one of the most distinguished Sufi saints of the Muslim Ummah and a reviver of the Naqshbandia Owaisiah Order. He passed away on 18 February 1984 in Islamabad at the age of eighty.
THE CHAIN OF TRANSMISSION OF NAQSHBANDIA OWAISIAH
1. Hazrat Muhammad ur-Rasool Allah (Sall Allah-o Alaihi wa Sallam), 2. Hazrat Abu Bakr Siddiq (Radhi Allah-o Unho), 3. Hazrat Imam Hassan Basri (Rahmat Ullah Alaihi), 4. Hazrat Daud Tai (Rahmat Ullah Alaihi), 5. Hazrat Junaid Baghdadi (Rahmat Ullah Alaihi), 6. Hazrat Ubaid Ullah Ahrar (Rahmat Ullah Alaihi), 7. Hazrat Abdur Rahman Jami (Rahmat Ullah Alaihi), 8. Hazrat Abu Ayub Muhammad Salih (Rahmat Ullah Alaihi), 9. Hazrat Allah Deen Madni (Rahmat Ullah Alaihi), 10. Hazrat Moulana Allah Yar Khan (Rahmat Ullah Alaihi).
THE SPIRIT OR RUH
The spirit or Ruh of every person is a created reflection of the Divine Attributes and it originates in Alam-e Amar (Realm of Command). Its food is the Light of Allah or the Divine Refulgence, which it acquires from the Realm of Command through the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him), whose status in the spiritual world is like that of the sun in the solar system. The Quran refers to him as the ‘bright lamp’. Indeed, he is the divinely selected channel of all Barakah. All Exalted Messengers themselves receive these Barakah from him.
LATAIF
The human Ruh also possesses vital organs like the physical body; through which it acquires its knowledge, food and energy. These are called Lataif (singular Latifah: subtlety). Scholars of various Sufi Orders have associated them with specific areas of the human body. The Naqshbandia Owaisiah Order identifies these Lataif as follows. First - Qalb: This spiritual faculty is located within the physical heart. Its function is Zikr. Its strength increases one’s capacity for Allah’s Zikr. Second – Ruh: The site of this Latifah, which is a distinct faculty of the human Ruh, is on the right side of the chest at the level of Qalb. Its primary function is concentration towards Allah. Third – Sirri: This is located above the Qalb and functions to make possible Kashf. Forth – Khaffi: This is located above the Ruh and functions to perceive the omnipresence of Allah. Fifth – Akhfa: This is located in the middle of chest, at the centre of the first four Lataif and makes it possible for the Ruh to perceive the closeness of Allah, Who is closer to us than our own selves. Sixth – Nafs: This Latifah is located at the forehead and functions to purify the human soul. Seventh – Sultan al-Azkar: This Latifah is located at the top centre of the head and serves to absorb the Barakah of Allah into the entire body, so that every cell resonates with Zikr.
FIVE EXALTED MESSENGERS OF GOD
There are Five Exalted Messengers among the many known and unknown Messengers of Allah. They are Hazrat Muhammad, Hazrat Nuh (Noah), Hazrat Ibrahim (Abraham), Hazrat Musa (Moses), and Hazrat Esa (Jesus), peace be upon them all. Hazrat Adam is the first Prophet of Allah and the father of mankind. Each Latifah is associated with a particular Prophet. The Barakah and lights from Hazrat Adam (peace be upon him), descend on the first Latifah Qalb; its lights are reflected from the first heaven and are yellowish. The second Latifah is associated with Hazrat Nuh and Hazrat Ibrahim (peace be upon them). Its lights descend from the second heaven and appear as golden red. The lights descending upon the third Latifah are from Hazrat Musa (peace be upon him) and are white. One the fourth Latifah, the lights of Hazrat Esa (peace be upon him) descend from the fourth heaven and are deep blue. The fifth Latifah receives its Barakah directly from the holy Prophet Muhammad (may Allah’s choicest favors and peace be upon him). The lights associated with this Latifah are green, descend from the fifth heaven, and overwhelm all the first four Lataif. The Lights descending upon the sixth and seventh Lataif are the Divine Lights, whose color and condition cannot be determined. These are like flashes of lightening that defy comprehension. If Allah blesses a seeker with Kashf, he can observe all of this. The vision is slightly diffused in the beginning, but gradually the clarity improves.
SULOOK
Stages of the Path After all seven Lataif of a seeker have been illuminated with Divine Lights through Tawajjuh of the Sheikh and his Ruh has acquired the ability to fly, the Sheikh initiates its journey on the sublime Path of Divine nearness. The Path is known as Sulook, and its stages are not hypothetical imaginations but real and actually existing stations on the spiritual Path. These are also referred to as Meditations, because a seeker mentally meditates about a station while his/her Ruh actually ascends towards it. The first three stations that form the base of whole Sulook are described as; Ahadiyyat, a station of Absolute Unity of Divinity. It is above and beyond the seven heavens. It is so vast a station that the seven heavens and all that they encompass are lost within Ahadiyyat as a ring is lost in a vast desert. Its lights are white in color. Maiyyat station denotes Divine Company, ‘He is with you, wherever you might be.’ This station is so vast that Ahadiyyat along with the seven heavens beneath are lost within it as a ring is lost in a desert. Its lights are green in color. Aqrabiyyat station denotes Divine Nearness, ‘He is nearer to you than your life- vein.’ Again, Aqrabiyyat is vast as compared to Maiyyat in the same proportion. Its lights are golden red and are reflected from the Divine Throne. It is indeed the greatest favor of Almighty Allah that He blesses a seeker with an accomplished Sheikh, who takes him to these sublime stations. The final station that a seeker attains to during his/her lifetime becomes his/her Iliyyeen (blessed abode) in Barzakh and his/her Ruh stays at this station after death.
ZIKR
Why is Zikr Necessary for Everyone? Allah ordains every soul in the Quran to Perform Zikr. This not only means reciting the Quran and Tasbeeh but also Zikr-e Qalb. It is only through Zikr-e Qalbi that Prophetic Lights reach the depths of human soul and purify it from all vice and evil. Zikr infuses a realization of constant Divine Presence and a seeker feels great improvement in the level of sincerity and love towards Allah and the holy Prophet- SAWS. Such levels of sincerity, love and feelings of Divine Presence can never be obtained without Zikr. It would be a mistake to believe that Zikr may be a requirement only for the very pious and virtuous people. Zikr provides the Prophetic blessings which are in effect the life line of every human soul. It transforms even the most corrupted humans into virtuous souls by bringing out the best in them. The fact is that Zikr is the only way to achieve true contentment and satisfaction in life. The holy Quran has pointed to this eternal fact that it is only through Zikr Allah that hearts can find satisfaction. Such satisfaction and peace are the ultimate requirements of every person, regardless of religion, race and ethnicity. Practicing Zikr regularly removes all traces of anxiety and restlessness, and guides the human soul to eternal bliss and peace.
KHALIFA MAJAZEEN
Hazrat Moulana Allah Yar Khan (R.A), during his life time in 1974, presented a nomination list to Prophet Muhammad (S.A.W), during Maraqba, of expected Khalifa Majazeen for Silsila Naqshbandia Awaisia. Prophet Muhammad (S.A.W) approved some names, deleted some of the names, and added down the name of Major Ghulam Muhammad as also Khalifa Majaaz of Silsila Naqshbandia Awaisia (which was not previously included in the list)
The approved names at that time included:
1. Mr. Muhammad Akram Awan Sahib,
2. Mr. Sayed Bunyad Hussain Shah Sahib,
3. Mr. Major Ahsan Baig Sahib,
4. Mr. Col. Matloob Hussain Sahib,
5. Mr. Major Ghulam Muhammad Sahib of Wan Bhachran Mianwali,
6. Mr. Molvi Abdul Haq Sahib,
7. Mr. Hafiz Abdul Razzaq Sahib,
8. Mr. Hafiz Ghulam Qadri Sahib,
9. Mr. Khan Muhammad Irani Sahib,
10. Mr. Maolana Abdul Ghafoor Sahib,
11. Mr. Syed Muhammad Hassan Sahib of Zohb.
These Majazeen were authorized to; held Majalis of Zikar (Pas Anfas) in their respective areas, arrange Majalis of Zikar in neighboring areas, train them on the way of Sulook, prepare them for Spiritual Bai’at (Oath of Allegiance), and present them to Sheikh Hazrat Moulana Allah Yar Khan for Spiritual Bai’at at the Hand of Prophet Muhammad (S.A.W), in the life of Hazrat Moulana Allah Yar Khan (R.A), and were all equal in status as Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
Presently we are following Hazrat Major ® Ghulam Muhammad Sahib, Khalifa Majaaz of Hazrat Moulana Allah Yar Khan (R.A).
Rådmansgatan (I believe it is), Stockholm, Sweden, 2008.
Pentax 67
165mm/2.8 (or 105mm/2.4, not sure)
Kodak Tri-X@1600
Due to a misunderstanding this roll was developed -2 (2 stops underexposure, in other words it was normal develop as if I had shot the film at iso 400), looks decent enough. It just goes to show how forgiving negative film is.
Mighty Joe Young (1949)
youtu.be/ysKRS4aVY-8?t=4s Trailer
It could be said that this film represents a changing of the guard. For most of the first half of the 20th century, if you talked about stop-motion animation, you were basically talking about Willis O’Brien. O’Brien wasn’t the only one using the technique, of course, but the most famous of the old movies employing it were his work. O’Brien was the man behind King Kong, The Son of Kong, and the 1925 version of The Lost World (and for that matter, he also worked on the latter film’s 1960 remake), along with several other mostly forgotten movies going all the way back to 1915. But while O’Brien would continue to work in the special effects field throughout the 1950’s, he had by that time been eclipsed by a new alpha-male in the stop-motion pack-- the legendary Ray Harryhausen. What gives Mighty Joe Young significance all out of proportion to its overall merits is the fact that it is the only movie on which both O’Brien and Harryhausen collaborated on the effects work. Mighty Joe Young is also the final installment in what might loosely be called the RKO Monkey Trilogy, the three films about oversized gorillas directed by Ernest B. Schoedsack and produced by Merian C. Cooper. (The previous two films were, of course, King Kong and The Son of Kong.) And while it is by no means up to the standard set by the original Kong, it is at least vastly superior to that movie’s embarrassing cheap-jack sequel.
In the simplest terms, this is a fable about a girl and her pet gorilla, and as with all fables, you
can rest assured that there will be a moral involved at some point. Our story begins in Africa, where six- or seven-year-old Jill Young (Lora Lee Michel for the moment, but for most of the movie, she’ll be played by Terry Moore, who came from Son of Lassie and who, after some 20 years of respectability, would be reduced to Black Eliminator and Hellhole) gets it into her head one day to trade a few of her toys and her father’s heavy-duty flashlight (the kind cops use to beat you up with) for a baby gorilla that a pair of local hunters have captured. Her plantation-owner father (Regis Toomey, from One Frightened Night and Voyage to the Bottom of the Sea), I hasten to add, knows nothing of this transaction until he arrives home from wherever it is that white plantation owners in sub-Saharan Africa go during the day, and finds said gorilla in Jill’s bed. As he says to Jill when she asks if he’s mad at her, he takes the situation rather well for a man who has learned that his daughter has just acquired a pet ape. But that does not mean Jill is allowed to keep the beast-- a father has to draw the line somewhere, right?
It appears, however, that Mr. Young ought to have used something more along the lines of those huge, smelly markers the kids use to tag the stalls of public toilets to accomplish his line-drawing, because the very next shot has Jill feeding her gorilla (whom she has named Joe) from a baby bottle, while her father looks on bemusedly, feebly trying to reassert his authority to keep his home free from 800-pound apes. But it does no good, of course, and when the screen fills with the image of the Brooklyn Bridge and the legend: “New York, 12 years later,” we know without having to be told that Jill still has her unorthodox pet. So what are we doing on the opposite side of the Atlantic from Jill, her father, and Joe? Why, we’re looking in on the activities of a certain nightclub proprietor by the name of Max O’Hara (Robert Armstrong, from King Kong and its sequel). O’Hara has just decided to spread his wings a bit, and open a new club on the West Coast-- in Hollywood, to be exact. Because of the inherently risky nature of this venture, he wants to make sure that he makes a strong initial showing, and he has come up with what he regards as a fool-proof angle for the new night spot. Riding the wave of public fascination with exotic locales that was then giving rise to the tiki bar, O’Hara plans to give his L.A. club an African theme, and to that end, he has arranged to go on a safari for the purposes of capturing live African animals to give the whole affair the strongest possible air of authenticity. Obviously, one does not attempt to do such a thing alone, and O’Hara hires an Oklahoma cowboy named Gregg (Ben Johnson, who after a long and presumably rewarding career making westerns ended up providing low-cost name recognition to such films as The Deadly Bees, The Town that Dreaded Sundown, and Cherry 2000), along with all of his Oklahoma cowboy buddies, to conduct the actual capture of the necessary beasts. Who would ever have thought that you could rope a lion the way you do a steer?
But that’s just what Gregg and his men do, until they find themselves fact to face with an altogether more challenging quarry, a huge, stop-motion gorilla. The fact that this is a stop-motion gorilla should tell you a thing or two, as should the exclamation on the part of O’Hara’s safari guide that gorilla territory is hundreds of miles away. Our expectations are confirmed a few minutes later, when a young woman appears and orders the gorilla (who had been winning the struggle against the cowboys, hands down) to cease and desist. The woman-- the now-grown-up Jill Young-- then launches into Gregg, O’Hara, and the cowboys, demanding to know what in the hell they think they’re doing trespassing on her land and attacking her pet ape. O’Hara and his associates, understandably flummoxed, have no answer capable of satisfying Jill, and they are left standing around looking like fools when the girl storms off into the bush with her gorilla. But O’Hara is not a man to remain stymied for long, and it soon crosses his mind that Jill and Joe are exactly what his L.A. nightclub needs to make the sort of splash O’Hara seeks. He sends Gregg to the Young family plantation (which Jill has been running by herself since the death of her father some six months before) to apologize for the misunderstanding and to try to get her interested in listening to O’Hara’s pitch.
Gregg succeeds, and O’Hara springs into action. He promises her fame, fortune, excitement, a swank new wardrobe-- pretty much everything that a certain other Robert Armstrong character once promised a similar naïve young woman, in fact. And like that other woman, Jill falls for it, hook, line, and sinker. Within days, she, Joe, and Gregg are in L.A., working for O’Hara. The new club is just as garish and tacky and hideous as you might imagine, all caged lions, bamboo walls, and African masks. And then there’s the floor show, which features black dancers dressed as African tribal warriors and musicians playing traditional African rhythm instruments. But the main attraction, of course, is “Mr. Joseph Young, of Africa.” The gorilla makes his big entrance after an introductory speech from O’Hara, rising from a pit in the center of the stage to hold aloft a grand piano on which Jill plays “Beautiful Dreamer,” the song to which she used to put him to sleep as an infant. O’Hara’s crowd is duly impressed, and the promoter assures Jill that her contract will be good for a long, long time.
Of course, that’s pretty much the exact opposite of what Jill wanted to hear. It doesn’t take long before the novelty of being a novelty act wears thin for her, and it wears thin for Joe even faster. The fact that O’Hara has Jill and her gorilla perform ever more exploitative and demeaning acts as the weeks wear on (“Tenth Mammoth Week!” the sign on the front of the club trumpets) doesn’t exactly help the situation, either, and it is during the Tenth Mammoth Week that Jill goes to her employer (with Gregg along for moral support) to announce that she and Joe are going back to Africa. O’Hara is predictably dismayed, but he acquiesces, on the condition that Jill allow him some time to find a replacement act. That seems fair enough to Jill.
But seven weeks later (“17th Colossal Week!”), there’s no sign of any replacement, and Jill is fed up. The show that night is particularly unsavory, involving the audience getting to throw enormous coins at the stage for Joe to try to catch in a commensurately enormous cup, and it gets out of hand when one drunk patron decides it would be funny to throw a bottle at the ape instead. Jill immediately stops the show, returns Joe to his cage in the basement, and goes to talk to O’Hara again. Meanwhile, the offending drunk and his friends sneak downstairs to ply Joe with wine. I guess it seemed funny at the time, but the three men stop laughing when the inebriated Joe smashes out of his cage and destroys the club, relenting only when Jill, O’Hara, and Gregg arrive to bring him under control. Of course, the police arrive too, and they take a rather dim view of rampaging apes.
So, for that matter, does the city of Los Angeles, which secures a court order for Joe’s destruction. Faced with such an incredibly ugly situation, and with the certain knowledge that it’s all his fault, O’Hara goes to Jill with a plan to sneak her and Joe back home to Africa. The rest of the film sees this plan put into action, with an array of blunders and strokes of bad luck to add some suspense, and concludes by giving Joe an unexpected opportunity to redeem himself in the eyes of the law.
Basically, what we’ve got here is an old-fashioned family movie. It’s fundamentally escapist and unthreatening, but it’s not so cloyingly juvenile as to be unendurable for an adult audience. And because it was made in the late 1940’s-- a time when adults were still willing to credit children with a certain amount of resilience in the face of tragedy, before “suitable for children” was taken to mean “unrelentingly, mindlessly upbeat”-- there is up until the very end a legitimate question regarding how it will all turn out. When movies like this are made today, a happy ending is a foregone conclusion. Here, though, there is no such easy assurance, even if everything working out in the end seems to be the likeliest outcome. This genuine uncertainty is Mighty Joe Young’s greatest strength, and makes it easier to look beyond its essential silliness and sappiness to find a surprisingly good-- if childish-- film.
Little group of space treasure hunters called "Red Oblivion" simply couldn't find out a way to work this problem out in more assertive way..
"It's only a minor misunderstanding associated with the distribution of goods.." - that was his last words before his upper part of robotic body jumped into the air avoiding the blast..
Our reaction to have armed police response to J-con in the news papers on the day! all a misunderstanding by a bystander!
Cadishead and Irlam Guardian 1926
FEEDING THE CHILDREN
SUCCESSFUL FLAG DAY
UNEXPECTED DEVELOPMENTS
WORKERS' DOLE STOPPED
The work of feeding the children in the district proceeds daily at the two centres with the regularity of clockwork, and the number of young recipients of the nourishing meals that are provided is being almost daily increased, thus proving that local distress is growing rather than diminishing, and the calls upon the local fund get more pressing as the days go by.
Fortunately there is no lack of enthusiasm in the work, which the feeding of between 400 and 500 children daily entails upon the large number of voluntary willing helpers, both men and women.
The flag day organised by the Local Branch of the British Legion on Saturday was quite a success and the result has considerably heartened the committee and workers in their self-imposed duties, the proceeds amounting to nearly £20.
SENSATIONAL DEVELOPMENT.
The stopping of the dole to some 16 or 17 unemployed men, who have thrown themselves heartily into the work of feeding the children came as a shock to the men on presenting themselves at the Labour Exchange yesterday for their weekly allowance.
They are mostly married men who are idle through curtailment of work at the Partington Steel and Iron Co.'s Works, and in three of four instances the men are coal trimmers employed by the Ship Canal Company.
The men are ready at a moments notice to go to work. The "dole" would appear to have been stopped on the ground that the men being occupied the greater part of the day are not able to "look for" employment. There can be no other ground as the duties they were engaged in at the feeding centres is entirely voluntary.
The matter however, is being taken up with headquarters with a view to redress as it is obvious that some misunderstanding exists. Meanwhile much inconvenience is bound to be occasioned in the households affected.
PROBABLE RE-INSTATEMENT NEXT WEEK.
A representative of the "Guardian" had an interview with one of the chief officials at Warrington yesterday with regard to the matter. The reason for the withholding of the dole this week is as stated. The whole facts have been placed before the authorities in London, and there is a likelihood of the allowance being re-instated next week.
To the Editor of the Guardian
FEEDING OF SCHOOL CHILDREN IN IRLAM AND CADISHEAD
Sir - In order to allay some misapprehensions which seem to exist in Irlam and Cadishead with regard to the feeding of necessitous school children in those districts I have been requested by the Irlam District Education Committee to ask for space in your columns to relate the steps taken by the committee in this matter.
Perhaps it will be of interest to state that it is local Education Committees, and not the District Councils, that have power to spend public funds for the feeding of school children. Moreover, Education Committees cannot so employ public funds as long as there are local funds being used for the purpose.
As early as May 12th last. a special meeting of the District Education Committee was held and measures approved for feeding necessitous school children in Irlam and Cadishead.
Complete plans were made and investigations were pursued for many weeks: but no evidence of neccessitous cases was received from teachers, school attendance officer, doctor or nurses. About the time of the school holidays, however, a local fund for feeding school children was raised and has been admirably administered by a local body.
The Education Committee have always intimated that as soon as such funds failed, or were used for other purposes, they would make arrangements to carry on the work at once - Yours
R. WHITTAKER
District Clerk.
Council Offices, Urmston, September 22nd 1926.
November 1926.
FEEDING THE CHILDREN
CRITICAL POSITION OF THE FUNDS
"SHALL WE CARRY ON ?"
THE PUBLIC TO DECIDE.
After 22 weeks excellent work in providing daily meals for more than 400 children, the Local Relief Committee of the British Legion of ex-Service men are faced with a critical financial situation, and feel in duty bound to put the question to the public, "Shall we continue to carry on?" This is virtually the decision which was reached at a special meeting of the Relief Committee held in the club-room, Liverppol Road, Cadishead, on Monday evening, with Mr. Haydn Ellwood (chairman) presiding.
Mr. Arthur Ferguson, the indefatigable hon. secretary, reported that the funds were practically exhausted, and they would be unable to carry on without continued public support. The cost of the two centres was approximately £10 per week, the expenses having been cut down to the lowest possible minimum, without interfering with the extent of the meals supplied.
Many of the traders had worthily supported the fund in gifts of money and in kind, but little support had been recieved from the various religious, social and political organisations. It was only fair to say that they had not been directly appealed to for help and probably when it was known that the funds were low - insufficient at present, as a matter of fact, to enable them to pay their way - they might offer much needed support.
The Chairman thought an appeal might be made with advantage. They had carried on up to the present with efforts of one kind or another, and some donations, but no appeal of a general character had yet been issued, and the time had come when that should be done.
It was entirely in the hands of the public to say whether they were to continue or not. He could personally promise another concert at the "Globe," and doubtless other efforts could be arranged. It would be a pity to give up now that the horizon was getting clearer and the need would not last very much longer.
THE NEED GREATER THAN EVER.
Several of the workers expressed the opinion that the need had reached its most acute stage, and it would be a thousand pities if the work should have to close down for lack of funds. It would be a revelation to many people if they would only take the trouble to visit one of the centres when the mid-day meal was being served to hungry children.
The meal was very greatly relished daily by the children, many of whom ate with a relish which seemed to indicate that they had not had much breakfast at home. It would be a great disappointment to many parents, as well as children, if the feeding centres were closed.
The workers were quite willing and anxious to carry on, and surely the public of Irlam and Cadishead would not see a charitable work of this kind languish and die for lack of financial support.
The meeting discussed the desirability or otherwise of curtailing the meals and thereby reducing the cost, but the committee were of the opinion that the children ought to be well fed. Happily, the health of the young folk did not appear to have suffered up to the present, and it would seem cruel, and almost inhuman to close the kitchens or curtail to any great extent their work.
It was decided to issue an appeal to the churches and the various social and political organisations for support, and to at once organise one or two more efforts for the funds. The relief fund for the feeding of children, as was explained by the chairman, is now virtually put on its trial and it is up to the public, by the response that is made, to say whether the work shall be continued or not.
A further meeting to report progress will be held early next week, the good work being continued meanwhile.
“THE REALITY OF TODAY IS NOT THE SAME THAN THE ONE FROM YESTERDAY ” tent art work by Thierry Geoffroy / Colonel / temporary dialogue installation at the Neue Sachlichkeit section ( New Objectivity ) at the Kuma Museum / Kunsthalle Mannheim Germany
spray paint on Tent, 205 × 140 × 100 cm . 2018
During the exhibition “Konstruktion der Welt: Kunst und Ökonomie” curated by Sebastian Baden, “I installed several tents around the museum as part of a dialogue with the museum’s collections”.
Sebastian Baden contributed a text to the retrospective book Thierry Geoffroy | Colonel: A PROPULSIVE RETROSPECTIVE
published by Museum Villa Stuck:
www.snoeck.de/book/670/Thierry-Geoffroy--%7C-Colonel%3A-A...
en.wikipedia.org/wiki/Thierry_Geoffroy
www.emergencyrooms.org/formats.html
—------------------------------
Installation part of Konstruktion der Welt: Kunst und Ökonomie - Teilnehmende Künstler*innen 2008-2018
:Maja Bajevic - BBM (Beobachter der Bediener von Maschinen) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
—------about The New Objectivity (in German: Neue Sachlichkeit) from wikipedia —-
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit.[1] As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism.
Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectivity, it was meant to imply a turn towards practical engagement with the world—an all-business attitude, understood by Germans as intrinsically American.[1]
The movement essentially ended in 1933 with the end of the Weimar Republic and the beginning of the Nazi dictatorship.
Meaning
Although "New Objectivity" has been the most common translation of "Neue Sachlichkeit", other translations have included "New Matter-of-factness", "New Resignation", "New Sobriety", and "New Dispassion". The art historian Dennis Crockett says there is no direct English translation, and breaks down the meaning in the original German:
Sachlichkeit should be understood by its root, Sache, meaning "thing", "fact", "subject", or "object." Sachlich could be best understood as "factual", "matter-of-fact", "impartial", "practical", or "precise"; Sachlichkeit is the noun form of the adjective/adverb and usually implies "matter-of-factness".[2]
In particular, Crockett argues against the view implied by the translation of "New Resignation", which he says is a popular misunderstanding of the attitude it describes. The idea that it conveys resignation comes from the notion that the age of great socialist revolutions was over and that the left-leaning intellectuals who were living in Germany at the time wanted to adapt themselves to the social order represented in the Weimar Republic. Crockett says the art of the Neue Sachlichkeit was meant to be more forward in political action than the modes of Expressionism it was turning against: "The Neue Sachlichkeit is Americanism, cult of the objective, the hard fact, the predilection for functional work, professional conscientiousness, and usefulness."[1]
Background
Main article: Post-expressionism
Leading up to World War I, much of the art world was under the influence of Futurism and Expressionism, both of which abandoned any sense of order or commitment to objectivity or tradition. Expressionism was in particular the dominant form of art in Germany, and it was represented in many different facets of public life—in dance, in theater, in painting, in architecture, in poetry, and in literature.
Expressionists abandoned nature and sought to express emotional experience, often centering their art around inner turmoil (angst), whether in reaction to the modern world, to alienation from society, or in the creation of personal identity. In concert with this evocation of angst and unease with bourgeois life, expressionists also echoed some of the same feelings of revolution as did Futurists. This is evidenced by a 1919 anthology of expressionist poetry titled Menschheitsdämmerung, which translates to “Twilight of Humanity”—meant to suggest that humanity was in a twilight; that there was an imminent demise of some old way of being and beneath it the urgings of a new dawning.[3]
Critics of expressionism came from many circles. From the left, a strong critique began with Dadaism. The early exponents of Dada had been drawn together in Switzerland, a neutral country in the war, and seeing their common cause, wanted to use their art as a form of moral and cultural protest—they saw shaking off the constraints of artistic language in the same way they saw their refusal of national boundaries. They wanted to use their art in order to express political outrage and encourage political action.[3] Expressionism, to Dadaists, expressed all of the angst and anxieties of society, but was helpless to do anything about it.
Bertolt Brecht, a German dramatist, launched another early critique of expressionism, referring to it as constrained and superficial. Just as in politics Germany had a new parliament but lacked parliamentarians, he argued, in literature there was an expression of delight in ideas, but no new ideas, and in theater a "will to drama", but no real drama. His early plays, Baal and Trommeln in der Nacht (Drums in the Night) express repudiations of fashionable interest in Expressionism.
After the destruction of the war, more conservative critics gained force particularly in their critique of the style of expressionism. Throughout Europe a return to order in the arts resulted in neoclassical works by modernists such as Picasso and Stravinsky, and a turn away from abstraction by many artists, for example Matisse and Metzinger. The return to order was especially pervasive in Italy.
Because of travel restrictions, German artists in 1919–1922 had little knowledge of contemporary trends in French art; Henri Rousseau, who died in 1910, was the French painter whose influence was most apparent in the works of the New Objectivity.[4] However, some of the Germans found important inspiration in the pages of the Italian magazine Valori plastici, which featured photographs of recent paintings by Italian classical realists.[4]
Painting[edit]
Hartlaub first used the term in 1923 in a letter he sent to colleagues describing an exhibition he was planning.[5] In his subsequent article, "Introduction to 'New Objectivity': German Painting since Expressionism", Hartlaub explained,
what we are displaying here is distinguished by the—in itself purely external—characteristics of the objectivity with which the artists express themselves.[6]
The New Objectivity was composed of two tendencies which Hartlaub characterized in terms of a left and right wing: on the left were the verists, who "tear the objective form of the world of contemporary facts and represent current experience in its tempo and fevered temperature"; and on the right the classicists, who "search more for the object of timeless ability to embody the external laws of existence in the artistic sphere".[6]
The verists' vehement form of realism emphasized the ugly and sordid.[7] Their art was raw, provocative, and harshly satirical. George Grosz and Otto Dix are considered the most important of the verists.[8] The verists developed Dada's abandonment of any pictorial rules or artistic language into a “satirical hyperrealism”, as termed by Raoul Hausmann, and of which the best known examples are the graphical works and photo-montages of John Heartfield. Use of collage in these works became a compositional principle to blend reality and art, as if to suggest that to record the facts of reality was to go beyond the most simple appearances of things.[3] Artists such as Grosz, Dix, Georg Scholz, and Rudolf Schlichter painted satirical scenes that often depicted a madness behind what was happening, depicting the participants as cartoon-like. When painting portraits, they gave emphasis to particular features or objects that were seen as distinctive aspects of the person depicted.
Other verists, like Christian Schad, depicted reality with a clinical precision, which suggested both an empirical detachment and intimate knowledge of the subject. Schad's paintings are characterized by "an artistic perception so sharp that it seems to cut beneath the skin", according to the art critic Wieland Schmied.[9] Often, psychological elements were introduced in his work, which suggested an underlying unconscious reality.
Max Beckmann, who is sometimes called an expressionist although he never considered himself part of any movement,[10] was considered by Hartlaub to be a verist[11] and the most important artist of Neue Sachlichkeit.[12]
Compared to the verists, the classicists more clearly exemplify the "return to order" that arose in the arts throughout Europe. The classicists included Georg Schrimpf, Alexander Kanoldt, Carlo Mense, Heinrich Maria Davringhausen, and Wilhelm Heise.[11] The sources of their inspiration included 19th-century art, the Italian metaphysical painters, the artists of Novecento Italiano, and Henri Rousseau.[13]
The classicists are best understood by Franz Roh's term Magic Realism, though Roh originally intended "magical realism" to be synonymous with the Neue Sachlichkeit as a whole.[14] For Roh, as a reaction to expressionism, the idea was to declare "[that] the autonomy of the objective world around us was once more to be enjoyed; the wonder of matter that could crystallize into objects was to be seen anew."[15] With the term, he was emphasizing the "magic" of the normal world as it presents itself to us—how, when we really look at everyday objects, they can appear strange and fantastic.
Regional groups
Most of the artists of the New Objectivity did not travel widely, and stylistic tendencies were related to geography. While the classicists were based mostly in Munich, the verists worked mainly in Berlin (Grosz, Dix, Schlichter, and Schad); Dresden (Dix, Hans Grundig, Wilhelm Lachnit and others); and Karlsruhe (Karl Hubbuch, Georg Scholz, and Wilhelm Schnarrenberger).[11] The works of the Karlsruhe artists emphasize a hard, precise style of drawing, as in Hubbuch's watercolor The Cologne Swimmer (1923).[16]
In Cologne, a constructivist group led by Franz Wilhelm Seiwert and Heinrich Hoerle also included Gerd Arntz. Also from Cologne was Anton Räderscheidt, who after a brief constructivist phase became influenced by Antonio Donghi and the metaphysical artists.
Artists active in Hanover, such as Grethe Jürgens, Hans Mertens, Ernst Thoms, and Erich Wegner, depicted provincial subject matter with an often lyrical style.[17]
Franz Radziwill, who painted ominous landscapes, lived in relative isolation in Dangast, a small coastal town.[18] Carl Grossberg became a painter after studying architecture in Aachen and Darmstadt and is noted for his clinical rendering of industrial technology.[19]
Photography
Albert Renger-Patzsch and August Sander are leading representatives of the "New Photography" movement, which brought a sharply focused, documentary quality to the photographic art where previously the self-consciously poetic had held sway.[20] Some other related projects as Neues Sehen, coexisted at the same moment. Karl Blossfeldt's botanical photography is also often described as being a variation on New Objectivity.[21]
Architecture
New Objectivity in architecture, as in painting and literature, describes German work of the transitional years of the early 1920s in the Weimar culture, as a direct reaction to the stylistic excesses of Expressionist architecture and the change in the national mood. Architects such as Bruno Taut, Erich Mendelsohn and Hans Poelzig turned to New Objectivity's straightforward, functionally minded, matter-of-fact approach to construction, which became known in Germany as Neues Bauen ("New Building"). The Neues Bauen movement, flourishing in the brief period between the adoption of the Dawes plan and the rise of the Nazis, encompassed public exhibitions like the Weissenhof Estate, the massive urban planning and public housing projects of Taut and Ernst May, and the influential experiments at the Bauhaus.
Film
Main article: New Objectivity (film)
In film, New Objectivity reached its high point around 1929. As a cinematic style, it translated into realistic settings, straightforward camerawork and editing, a tendency to examine inanimate objects as a way to interpret characters and events, a lack of overt emotionalism, and social themes.
The director most associated with the movement is Georg Wilhelm Pabst. Pabst's films of the 1920s concentrate on social issues such as abortion, prostitution, labor disputes, homosexuality, and addiction. His cool and critical 1925 Joyless Street is a landmark of the objective style. Other directors included Ernő Metzner, Berthold Viertel, and Gerhard Lamprecht.
Literature
The primary characteristic of New Objective literature was its political perspective on reality.[22] It renders dystopias, in a non-sentimental, emotionless reporting style, with precision of detail and veneration for "the fact". The works were seen to provide a rejection to humanism, a refusal to play the game of art as utopia, a negation of art as escapism, and a palpable cynicism about humanity.[23] Authors associated with New Objectivity literature included Alfred Döblin, Hans Fallada, Irmgard Keun, Erich Kästner, and, in Afrikaans literature, Abraham Jonker, the father of poet Ingrid Jonker.
Theater
Bertolt Brecht, from his opposition to the focus on the individual in expressionist art, began a collaborative method to play production, starting with his Man Equals Man project.[24] This approach to theater-craft began to be known as "Brechtian" and the collective of writers and actors who he worked with are known as the "Brechtian collective".
Music
New Objectivity in music, as in the visual arts, rejected the sentimentality of late Romanticism and the emotional agitation of expressionism. Composer Paul Hindemith may be considered both a New Objectivist and an expressionist, depending on the composition, throughout the 1920s; for example, his wind quintet Kleine Kammermusik Op. 24 No. 2 (1922) was designed as Gebrauchsmusik; one may compare his operas Sancta Susanna (part of an expressionist trilogy) and Neues vom Tage (a parody of modern life).[25] His music typically harkens back to baroque models and makes use of traditional forms and stable polyphonic structures, together with modern dissonance and jazz-inflected rhythms. Ernst Toch and Kurt Weill also composed New Objectivist music during the 1920s. Though known late in life for his austere interpretations of the classics, in earlier years, conductor Otto Klemperer was the most prominent to ally himself with this movement.
Legacy
The New Objectivity movement is usually considered to have ended with the Weimar Republic when the National Socialists under Adolf Hitler seized power in January 1933.[26] The Nazi authorities condemned much of the work of the New Objectivity as "degenerate art", so that works were seized and destroyed and many artists were forbidden to exhibit. A few, including Karl Hubbuch, Adolf Uzarski, and Otto Nagel, were among the artists entirely forbidden to paint. While some of the major figures of the movement went into exile, they did not carry on painting in the same manner. George Grosz emigrated to America and adopted a romantic style, and Max Beckmann's work by the time he left Germany in 1937 was, by Franz Roh's definitions, expressionism.
The influence of New Objectivity outside of Germany can be seen in the work of artists like Balthus, Salvador Dalí (in such early works as his Portrait of Luis Buñuel of 1924),[27] Auguste Herbin, Maruja Mallo, Cagnaccio di San Pietro, Grant Wood, Adamson-Eric, and Juhan Muks.
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About the Collection of Kunsthalle Mannheim
After its foundation in 1909, Kunsthalle Mannheim took on a pioneering role on the German museum scene with its modern collection concepts. As early as 1910, Fritz Wichert (1909-1923) acquired its most famous painting: Édouard Manet's "The Execution of Emperor Maximilian of Mexico". Gustav Friedrich Hartlaub (1923-1933) coined the term "New Objectivity" in 1925 and brought the realistic painting of the late 1920s to Mannheim. After the Second World War, the Kunsthalle became one of the leading museums with a focus on sculpture. It developed into a key museum of classical modern and contemporary art. The collection currently comprises around 2,300 paintings, 860 sculptures and installations, 34,000 graphic artworks, and 800 objects of applied art. In addition to masterpieces of painting and graphic art from Max Beckmann to Francis Bacon, the collection highlights include a range of sculptures from Auguste Rodin to Thomas Hirschhorn. It also features installations by Alicja Kwade, Rebecca Horn, William Kentridge, Joseph Kosuth and James Turrell.
Abraham Bloemaert, Abraham Hulk, Abraham Storck, Achille Funi, Adolf Abel, Adolf Dietrich, Adolf Erbslöh, Adolf Hildenbrand, Adolf Hölzel, Adolf Jutz, Adolf Luther, Adolph von Menzel, Adriaen Collaert, Adriaen van der Werff, Aegidius Sadeler II, Agostino Carracci, Aimé Barraud, Alan Baxter, Alan Beeton, Albert Aereboe, Albert Birkle, Albert Glockendon, Albert Haueisen, Albert Ihrig, Albert Lang, Alberto Giacometti, Albrecht Dürer, Albrecht Hohlt, Alessandro Casolani, Alexander Archipenko, Alexander Kanoldt, Alexej von Jawlensky, Alf Lechner, Alfonso Parigi, Alfred Hrdlicka, Alfred Kubin, Alfred Sisley, Alfred Ungewiß, Algernon Newton, Alicja Kwade, Alison Britton, Aloisi-Galanini Baldassare, Ambera Wellmann, André Derain, André Gill, André Masson, André Volten, Andrea Zaumseil, Andreas G. Hofer, Andreas Paul Weber, Andreas Werner, Andrew Walford, Ann Reder, Anna Mahler, Annette Kelm, Anselm Feuerbach, Anselm Kiefer, Antje Brüggemann-Breckwoldt, Antoine Pevsner, Anton Eberwein, Anton Henning, Anton Hiller, Antonio Amoroso, Antonio Baratti, Antonio Capellan, Antonio Corpora, Anys Reimann, Aristide Maillol, Arno Henschel, Arnold Böcklin, Arnold Zahner, Arthur Kaufmann, Arturo Bonfanti, August Gaul, August Macke, August Wilhelm Dressler, Auguste Gaspard Louis Desnoyers, Auguste Herbin, Auguste Johanne Papendieck, Auguste Rodin, Barbara Hepworth, Barthel Gilles, Bartholomäus Spranger, Beate Kuhn, Ben Vautier, Ben Willikens, Benjamin Godron, Bernard Buffet, Bernard Meadows, Bernard Schultze, Bernardino Capitelli, Bernhard Bleeker, Bernhard Heiliger, Bernhard Kretzschmar, Bernhard Sandfort, Betty Blandino, Bo Kristiansen, Bogomir Ecker, Bonaventura Genelli, Brigitte Meier-Denninghoff, Brigitte Schuller, Bruno Asshoff, Bruno Diemer, C. David, Cagnaccio di San Pietro, Camille Pissarro, Carel van Falens, Carel Willink, Carl Blechen, Carl Ernst Christoph Hess, Carl Friedrich Lessing, Carl Kuntz, Carl Rottmann, Carl Schuch, Carl Spitzweg, Carlo Mense, Carlos Cruz-Diez, Carry Hauser, Caspar David Friedrich, Charles André van Loo, Charles Crodel, Charles David, Charles Despiau, Charles H. Hodges, Charles Meryon, Charley Toorop, Cherubino Alberti, Christa von Schnitzler, Christian Friedrich Gille, Christian Rohlfs, Christiane Baetcke, Christiane Maether, Christine Atmer de Reig, Claude Mellan, Claude Monet, Clive Barker, Colin Pearson, Constantin Brâncuşi, Constantin Guys, Cornelis Poelenburgh, Curt Stenvert, D. Maiotto, Daher Zidany, Dan Graham, Daniel Spoerri, David Leach, Dawid Dawidowitsch Burljuk, Diamond Stingily, Dick Ket, Dieter Crumbiegel, Diethelm Koch, Domenico Maria Bonavera, Dominique-Vivant Baron Denon, Eberhard Doser, Eberhard Eckerle, Edgar Degas, Edgar Ende, Edgar Gutbub, Edgar John, Edgar Schmandt, Edmund Kanoldt, Edouard Chapallaz, Édouard Manet, Edouard Vuillard, Eduard Bick, Eduard Gubler, Edvard Munch, Edward von Steinle, Edwin Scharff, El (Eliezer) Lissitzky, Elfriede Balzar-Kopp, Elfriede Lohse-Wächtler, Élisabeth Joulia, Elisabeth Schaffer, Elisabeth Tutti Veith, Emil Bizer, Emil Lugo, Emil Nolde, Emil Schumacher, Emile Bernard, Emma Talbot, Enrico Castellani, Enrique Marty, Eric Astoul, Erich Drechsler, Erich Hauser, Erich Heckel, Erich Ockert, Erich Schilling, Erich Wegner, Erika Streit, Erna Dinklage, Ernest Neuschul, Ernesto De Fiori, Ernst August von Mandelsloh, Ernst Barlach, Ernst Czerper, Ernst Fries, Ernst Fritsch, Ernst Haider, Ernst Hermanns, Ernst Ludwig Kirchner, Ernst Pleuger, Ernst Reinold, Ernst Wilhelm Nay, Erwin Bechtold, Erwin Heerich, Erwin Pfefferle, Etienne Jehandier Desrochers, Eugen Bracht, Eugen Knaus, Eugène Delacroix, Ewald Mataré, Fabio Berardi, Felice Casorati, Felix Nussbaum, Félix Vallotton, Ferdinand Bol, Ferdinand Georg Waldmüller, Ferdinand Hodler, Fernand Léger, Florian Slotawa, Fra Bartolommeo, Francesco Messina, Francis Bacon, Francisco José de Goya y Lucientes, François Barraud, François Lafranca, Frans Masereel, Franz Erhard Walther, Franz (Frantisek) Kupka, Franz Gelb, Franz Gutmann, Franz Horny, Franz Lenk, Franz Marc, Franz Nölken, Franz Radziwill, Franz Sedlacek, Franz von Stuck, Fred Goldberg, Fred Stauffer, Fred Thieler, Fridel Dethleffs-Edelmann, Friedensreich Hundertwasser, Friedrich Kallmorgen, Friedrich Klementz, Fritz Burmann, Fritz Cremer, Fritz Gniesmer, Fritz Klemm, Fritz Koenig, Fritz Paravicini, Fritz Schaefler, Fritz Skade, Fritz Tröger, Fritz Vehring, Fritz von Uhde, Fritz Winter, G. Mellan, Gabriele Dahms, Georg Friedrich Kersting, Georg Kolbe, Georg Scholz, Georg Schrimpf, George Grosz, George Minne, George Rickey, George Segal, Georges Kars, Georges Lallemand, Georges Mathieu, Georges Noël, Georges Rouault, Gerald Weigel, Gérard Deschamps, Gerd Knäpper, Gerd Lind, Gerda Bier-Buck, Gerhard Hoehme, Gerhard Marcks, Germaine Richier, Gerolamo Cairati, Gerold Miller, Gert H. Wollheim, Gertrud Beinling, Giacomo Manzù, Gilles Demarteau, Giorgio de Chirico, Giovanni Battista Piranesi, Giovanni Battista Pittoni, Giovanni Domenico Tiepolo, Giovanni Jacopo Caraglio, Gisela Schliessler, Giulio Antonio Bonasone, Giulio Carpioni, Giulio Romano, Giuseppe Canale, Giuseppe Varotti, Gordon Baldwin, Görge Hohlt, Gotlind Weigel, Gottfried Brockmann, Gottfried Honegger, Guido Joseph Kern, Guido Sengle, Günter Ferdinand Ris, Gunter Frentzel, Günter Oehlbach, Günther Förg, Günther Uecker, Gusso Reuss, Gussy Hippold-Ahnert, Gustav Klimt, Gustav Kraitz, Gustav Schönleber, Gustav Seitz, Gustave Courbet, H. David, Hanna Nagel, Hanns Maria Barchfeld, Hans Adolf Bühler, Hans Arp, Hans Baldung Grien, Hans Cassar, Hans Christiansen, Hans Dochow, Hans Gsell, Hans Heckmann, Hans Lifka, Hans Mertens, Hans Meyboden, Hans Nagel, Hans Otto Schönleber, Hans Scheib, Hans Thoma, Hans Uhlmann, Hans von Marées, Hans Wimmer, Hans-Theo Richter, Harmen Jansz. Muller, Harmensz van Rijn Rembrandt, Harry Kramer, Hedwig Bollhagen, Heidi Kippenberg, Heiner Balzar, Heinrich Aldegrever, Heinrich Bürkel, Heinrich Maria Davringhausen, Heinrich Nauen, Heinrich Zernack, Heinz Mack, Heinz R. Fuchs, Heinz Schifferdecker, Heinz Sommer, Helene von der Leyen, Helga Föhl, Hendrick Goltzius, Henri de Toulouse-Lautrec, Henri Laurens, Henri Matisse, Henry Luyten, Henry Moore, Herbert Garbe, Herbert Hamak, Herbert Tannenbaum, Herbert Volwahsen, Hermann Blumenthal, Hermann Geibel, Hermann Kupferschmid, Hermann Scherer, Hermann Sprauer, Hermann Tiebert, Hieronymus Cock, Hildegund Schlichenmaier, Honoré Daumier, Horst Kerstan, Hubert Griemert, Hugo von Habermann, I. L. Deliguon, I. Stella, Ian Tyson, Ilona Singer, Inga Dorner, Ingeborg Asshoff, Isa Genzken, Israhel van Meckenem, Iwan Babij, Jacob Isaackszoon van Ruisdael, Jacob Sarazin, Jacoba van Heemskerck, Jacopo de Barbari, Jacques Callot, Jacques Claude Danzel, Jacques Dassonville, Jacques Lipchitz, Jacques Mahé de La Villeglé, Jakob Philipp Hackert, James Ensor, James Lloyd, James Turrell, Jan Bontjes van Beek, Jan Brueghel d. J., Jan Harmensz. Muller, Jan J. Schoonhoven, Jan Tschichold, Jannis Kounellis, Jean - Baptiste Oudry, Jean Baron, Jean Daullé, Jean Fautrier, Jean Tinguely, Jean-Baptiste Greuze (zugeschrieben), Jean-Baptiste-Camille Corot, Jean-Francoise de Troy, Jean-Michel Moreau le jeune, Jesse Darling, Jesús Rafael Soto, Joachim Bandau, Joachim Kuhlmann, Joachim Lutz, Joachim Schmettau, Joan Miró, Johan Christian Clausen Dahl, Johan Grimonprez, Johann Christian Reinhart, Johann Elias Haid, Johann Georg Dillis, Johann Wilhelm Schirmer, Johanna Jacoba (Johnny) Rolf, Johannes Gebhardt, John Bock, Jon Kessler, Joseph Anton Nikolaus Settegast, Joseph Beuys, Joseph Kosuth, Joseph Parrocel, Joseph von Führich, Josh Kline, Joshua Reynolds, Juan Gris, Julio González, Julius Bissier, Julius Schnorr von Carolsfeld, Jürgen Brodwolf, Jürgen Goertz, Jürgen Riecke, Juscha Schneider-Döring, Kaari Upson, Karl Adlmannseder, Karl Albiker, Karl Bertsch, Karl Bobek, Karl Dillinger, Karl Fred Dahmen, Karl Friedrich Korden, Karl H. 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Misunderstandings and arguments happen in every relationship. Never let misunderstandings and arguments cause you to become distant from your loved one. Use these messages for your apology.
sendwishonline.com/en/blog/sincere-sorry-messages-for-wif...
Let me take you down
'cos I'm going to Strawberry Fields
Nothing is real
And nothing to get hungabout
Strawberry Fields forever
Living is easy with eyes closed
Misunderstanding all you see
It's getting hard to be someone
But it all works out
It doesn't matter much to me
Let me take you down
'cos I'm going to Strawberry Fields
Nothing is real
And nothing to get hungabout
Strawberry Fields forever
No one I think is in my tree
I mean it must be high or low
That is you can't you know tune in
But it's all right
That is I think it's not too bad
Let me take you down
'cos I'm going to Strawberry Fields
Nothing is real
And nothing to get hungabout
Strawberry Fields forever
Always, no sometimes, I think it's me
But you know I know when it's a dream
I think I know I mean a "Yes"
But it's all wrong
That is I think I disagree
Let me take you down
'cos I'm going to Strawberry Fields
Nothing is real
And nothing to get hungabout
Strawberry Fields forever.
Nakhon Pathom is a small province located just 56 Km's. from Bangkok. The province features an ancient religious structure called Phra Pathom Chedi, the first religious landmark that signified the influx of Buddhism into Thailand. Nakhon Pathom is also renowned for its abundant fruits varieties and famous dishes. Phra Pathommachedi or Phra Pathom Chedi is a Stupa in Nakhon Pathom, Thailand. At 120.5 metres ( 395 ft ) it is the second tallest stupa in the world after Jetavanaramaya in Sri Lanka. The Stupa is located in the Wat Phra Pathommachedi Ratcha Wora Maha Wihan a temple in the town centre of Nakhon Pathom, Thailand.
The name Phra Pathommachedi means the first holy stupa, given by king Mongkut. Originally the Stupa named Phra Thom Chedi means the big stupa in ancient Khmer language or the royal stupa in Northern Thai language. One of the common misunderstandings about this stupa is that Phra Pathommachedi is the oldest and the first stupa in Suvarnabhumi, an ancient name of Southeast Asia. Modern Historians believe that the stupa was one of the principal stupas of ancient Nakhon Pathom, the largest settlement of Dvaravati culture in Nakhon Pathom area together with the nearby Phra Prathon Chedi during the 6th to the 8th centuries.
Nakhon Pathom was situated by the sea, the city prospered during the Dvaravati civilisation. According to archaeological findings, Nakhon Pathom was the first city to possess influences of Buddhism and Indian civilisations. From the Phra Pathom Chedi and other remains discovered in the city area, it is believed that the city was a centre of civilisation in that era. People of different races settled in Nakhon Pathom. However, a change in the course of the river caused a draught that forced the people to migrate and settle on the banks of river, and these communities developed into towns. The new town was called Nakhon Chaisi or Sirichai, leaving Nakhon Pathom deserted for hundreds of years until the reign of King Rama IV. While His Majesty was in monk hood, he travelled to Nakhon Pathom and found the Phra Pathom Chedi that he regarded as the largest pagoda of all.
When King Rama IV ascended to the throne, he commanded that a bell shaped Chedi be built to cover the former Chedi. The surrounding area was also renovated and improved. He also commanded that a water canal be dug to ease commuting, which was called Chedi Bucha canal. During the reign of King Rama V, the construction of railways to the south began, at that time Nakhon Pathom was still a heavily forested area. King Rama V also commanded that the town be relocated from Tambon Thana, Amphoe Nakhon Chaisi, to the Phra Pathom Chedi area as it used to be. Nakhon Pathom has been there ever since. During the reign of King Rama VI, a palace was built at Tambon Sanam Chan as a temporary residence on his travels and many roads were constructed. A large bridge was also built over the Chedi Bucha canal, which His Majesty named “Saphan Charoensattha”. Later, he commanded that the name of Nakhon Chaisi be changed to Nakhon Pathom, but the name of the prefecture was still called “Nakhon Chaisi” until the reign of King Rama VII when the calling of the prefecture was ended. Nakhon Chaisi is now one of the districts in Nakhon Pathom.
Nakhon Pathom covers an area of 2,168 square kilometres or 542,081.6 acres. It is divided into seven administrative districts or Amphoe, they are: Amphoe Muang Nakhon Pathom, Amphoe Buddhamonthon, Amphoe Sam Phran, Amphoe Nakhon Chaisi, Amphoe Bang Len, Amphoe Kamphaeng Saen, and Amphoe Don Toom. Most of the areas are plains with no mountainous land, plateau are found in the west east of Amphoe Muang and Amphoe Kamphaeng Saen. The plains along the Tha Cheen River (Nakhon Chaisi River) are the location of Amphoe Nakhon Chaisi, Amphoe Sam Phran, and Amphoe Bang Len. These fertile lands provide agricultural area for people, thus most of the residents earn their living from agriculture; plantations, farming, growing food crops, and fruit orchards. Moreover, Nakhon Pathom is well known for pomelo, some call the Nakhon Pathom the sweet pomelo town.
Sampran Riverside, Km. 32 Pet Kasem Highway, Sampran, Nakhon Pathom 73110, Thailand
About one hour drive from Bangkok is the Rose Garden and Cultural Centre. It is situated at Sampran in the Province of Nakhon Pathum. It is a 70 acre site designed to give you a full day out. There is so much to do here. The Restaurant sits on the lake and the food served here is first class you can eat what you like - until you are full, very good value if you are a big eater.The Rose Garden and restaurant were started over 40 years ago and has now included the Cultural Centre and show, a hotel and other restaurants and a spa. Tourist buses usually arrive around 2.0 pm in time for the Thai Cultural Village show at 2.45 pm.
This attraction is usually taken in along with the Damnoen Saduak Floating market trip which is around 1800 Baht by taxi from Bangkok, but do check first, prices do vary. But the Rose Garden is worth a trip on its own, because there is so much to get involved with during the day. In the mornings you can take part in the Living the Thai Culture, an art and craft activity and cost around 500 Baht per person. These included Dancing / Musical Instruments / Garland Making / Fruit Carving / Bamboo Dancing Rice Farming among others.
The Gardens have many exotic flowers and there are some traditional Thai houses. One is used for weddings and another used for a spa centre. Most people go for the Thai Cultural show, with highlights of Thai Martial Art display, and a Traditional Thai wedding display. There is a cast of about 120 people that take part in this display and it is well attended. It is very colourful and impressive to watch, in all around 40 minutes.
"Eulogy controversy
On 11 April 2007, Oettinger held a controversial eulogy on one of his predecessors as Minister President of Baden-Württemberg, Hans Filbinger, who was forced to resign in 1978 after allegations surfaced about his role as a navy lawyer and judge in the Second World War, and who died on April 1 at the age of 93.
In his speech at the memorial service in Freiburg, Oettinger described Filbinger as "not a National-Socialist" but an "an opponent of the Nazi regime", who "could flee the constraints of the regime as little as million others". Referring to Filbinger's role as a navy judge, Oettinger pointed out that no-one lost his life because of a verdict by Filbinger and that he did not wield the power and freedom suggested by his critics. Oettinger was subsequently accused by politicians and the media of playing down the significance of the Nazi dictatorship. German Chancellor Angela Merkel reacted with public admonishment, stating that she would have preferred it for "the critical questions" to be raised. Oettinger was also criticized by opposition politicians and the Jewish Council; some of his critics even called for his dismissal.
Oettinger at first defended his speech, adding that he regretted any "misunderstanding" about his eulogy although he did not withdraw his comments on Filbinger's past. However, on 16 April he distanced himself from his comments." (Wikipedia)