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Laura White
The Esque Collection
8 January - 10th February 2019
'The Esque Collection' is based on Chinoiserie - a decorative style in Western arts and crafts, characterized by the use of Chinese motifs and used in pre-19th century ceramics, porcelain and furniture. Thinking about what Chinoiserie might mean today, Laura White explores the way manufactured objects are conceived and traded globally.
Historically defined as something that was made in the West and yet represented China, the field of Chinoiserie was always rife with cultural misunderstanding and misrepresentation. Today, a multitude of objects flood the global material world: replica plastic 'Chinese' tea sets are sold in Turkish shops in East London miniature replica Gucci handbags appear in Shenzen's traditional market...
Combining a riot of ready-made objects, from household ornaments to cheap plastic imports, Laura White's ornamental compositions are individually displayed on their own plinth, but form a coherent collection. Their identities are in crisis, but each is bound by a collective formal logic and configuration.
Displayed in the Dean's Chapel in Worcester Cathedral 'The Esque Collection' opens up new dialogues: the multi-coloured low-fi sculptures, offset against a background of sophisticated stained glass windows and ecclesiastical architecture, raise the issue of value. The work also questions the reliability of the culture and materials behind everyday objects.
An exhibition of contemporary art to complement THE PRECIOUS CLAY: PORCELAIN IN CONTEMPORARY ART, Museum of Royal Worcester 20September 2018 to 20 March 2019
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On the last Friday of each month the Edinburgh Bookshop in Bruntsfield holds a Speakeasy night, with an author talk but also serving up gin and tonics and letting readers and writers socialise.
The March event this evening saw Simon Beattie giving a talk about Friedo Lampe's At the Edge of Night, which he translated, then doing a reading from the book. Lampe was a writer, librarian and publisher in Germany, he was also disabled and gay. He survived the evils of the Nazi regime (although his home was bombed and his precious lifetime book collection destroyed), only to be shot in a tragic misunderstanding by Soviet soldiers as the war was ending.
We were also treated to music and poetry from the fabulous Macsonnetries, with flautist Graham Dickson and poet Petra Reid. Graham started by playing some beautiful pieces by Bach, which feature in Lampe's novel, then he and Petra performed music and poetry together.
At one point a woman walked past outside the window, and her wee girl, maybe about eight years old, just stopped, her face lit up, utterly entranced by stumbling across this music, it was gorgeous to see her experiencing a little moment of unexpected magic. Terrific evening.
Peverell reassures Pierre that Danielle was trying to confirm plans for the holiday and Lynda interpreted the actions wrongly.
"The Quiet and Ugly Artist (Hanoi, 1965-2015)", An art installation by Daniel Kerkhoff at Chaap Art, 82 Đê Quai Street, Tây Hồ District, Hanoi. October 3rd to October 11th,, 2015. Opening reception, October 3rd, 6-9pm.
An installation based on Daniel Kerkhoff's self-imposed artist-in-residency in Hanoi from February 6th to October 26th. It is part of a larger project which includes residencies in Ghana and Ecuador. Embedded in a community for just under nine months, the human gestation period, premature, a gradual, a creative process,
an exploration, noticing, weaving, sharing, and witnessing, connection, disconnection, a journal, found sculptures, painting, photographs, videos, documenting, collections, keepsakes, collages, receipts and brochures, maps, business cards and consumer packaging, consumed and consuming, souvenirs,
walking, discovering, travel, a paper trail, colonize, appropriate, trophies, convoluted, cover-ups, muddy, history, memory, remnants, experience, lost, absorbed, traces, vague, melding, a buried presence, fading, rotting, germinating, misunderstanding, forgotten, pollination, rejuvenation, impermanence, transformation.
Daniel Kerkhoff is a visual artist from Minneapolis, Minnesota, U.S.A. You can see photos of his projects in Vietnam, Ghana, Ecuador, and other places at www.danielkerkhoff.com.
Prints will be available for 500,000 VND or $25.00 with all proceeds going to future exhibition costs at Chaap Art for emerging women artists.
The exhibition will be open everyday from 10 am to 4 pm. Chaap Art is located at No. 82 Đê Quai, Lane 310, Nghi Tàm Street, Tây Hồ District, Hanoi. Directions: From Nghi Tàm Street, follow Lane 310 all the way to the end where it turns left onto Đê Quai Street. Go about 500 meters on Đê Quai Street and Chaap Art will be on your left.
Phone number: 0987757769 - 0985836023
Chaap Art is an art space founded by a group of artists in 2009 with the purpose of supporting contemporary art activities and exhibitions in Hanoi. Our slogan is: "Cứ tự nhiên".
Translate in to Vietnamese:
"The Quiet and Ugly artist ( Hanoi,1965 - 2015 )" - " Nghệ sĩ Trầm lặng và Xấu xí (Hanoi, 1965 - 2015)
Từ ngày 3/10 đến 11/10
Mở cửa đón khách 3/10/2015 từ 18h đến 21h
Triển lãm sắp đặt dựa trên quá trình tự lưu trú của nghệ sĩ Daniel Kerkhoff's tại Hà Nội từ ngày 6/2 đến ngày 26/10. Đây là một phần của dự án lớn hơn bao gồm cả những chương trình lưu trú của nghệ sĩ tại Ghana và Ecuador. Hòa chung với cộng đồng chỉ chưa tới chín tháng , thời kì thai nghén của một con người, sinh non, một quá trình sáng tạo dần,
một sự khai phá, lưu tâm, đan kết, chia sẻ, chứng kiến, kết nối, tách biệt, viết nhật kí, tìm ra những tác phẩm điêu khắc, tranh vẽ, ảnh, video, tài liệu, thu thập, lưu giữ, cắt dán, hóa đơn, tờ rơi,bản đồ, danh thiếp, giấy đóng gói hàng, đã tiêu thụ và đang tiêu thụ, đồ lưu niệm,
đi bộ, khám phá, du lịch, những giấy tờ, dấu ấn, riêng biệt, danh hiệu, cuộn lại, che phủ, màu sắc mờ đục, lịch sử, kí ức, tàn tích, kinh nghiệm, thất lạc, cảm thụ, dấu vết, mơ hồ, tan chảy, chôn vùi hiện diện, phai màu, mục nát, nảy mầm, sự hiểu lầm, bị lãng quên, thụ phấn, trẻ hóa, vô thường, biến đổi.
Daniel Kerkhoff là một nghệ sĩ thị giác đến từ Minneapolis, Minnesota, Mỹ. Các bạn có thể xem những hinhg ảnh về dự án của ông ở Việt Nam, Ghana, Ecuador và một số nơi khác ở website: www.danielkerkhoff.com.
Những bản in có sẵn với giá 500.000 đồng hoặc $25,00. Tất cả tiền thu lại sẽ dành để làm chi phí cho triển lãm trong tương lai cho các nữ nghệ sĩ tại Chaap Art.
Triển lãm mở cửa trong 8 ngày từ 10h sáng đến 16h chiều tại Chaap Art - Số 82 Đê Quai - ngõ 310 - Đường Nghi Tàm - Quận Tây Hồ- HN
Điện thoại : 0987757769 - 0985836023
Chaap Art là một không gian nghệ thuật được sáng lập bởi một nhóm nghệ sĩ từ năm 2009 nhằm mục đích hỗ trợ các hoạt động và triển lãm sáng tạo nghệ thuật đương đại tại Hà Nội. Tiêu chí của chúng tôi trong sáng tác nghệ thuật là " Cứ tự nhiên"
Nakhon Pathom is a small province located just 56 Km's. from Bangkok. The province features an ancient religious structure called Phra Pathom Chedi, the first religious landmark that signified the influx of Buddhism into Thailand. Nakhon Pathom is also renowned for its abundant fruits varieties and famous dishes. Phra Pathommachedi or Phra Pathom Chedi is a Stupa in Nakhon Pathom, Thailand. At 120.5 metres ( 395 ft ) it is the second tallest stupa in the world after Jetavanaramaya in Sri Lanka. The Stupa is located in the Wat Phra Pathommachedi Ratcha Wora Maha Wihan a temple in the town centre of Nakhon Pathom, Thailand.
The name Phra Pathommachedi means the first holy stupa, given by king Mongkut. Originally the Stupa named Phra Thom Chedi means the big stupa in ancient Khmer language or the royal stupa in Northern Thai language. One of the common misunderstandings about this stupa is that Phra Pathommachedi is the oldest and the first stupa in Suvarnabhumi, an ancient name of Southeast Asia. Modern Historians believe that the stupa was one of the principal stupas of ancient Nakhon Pathom, the largest settlement of Dvaravati culture in Nakhon Pathom area together with the nearby Phra Prathon Chedi during the 6th to the 8th centuries.
Nakhon Pathom was situated by the sea, the city prospered during the Dvaravati civilisation. According to archaeological findings, Nakhon Pathom was the first city to possess influences of Buddhism and Indian civilisations. From the Phra Pathom Chedi and other remains discovered in the city area, it is believed that the city was a centre of civilisation in that era. People of different races settled in Nakhon Pathom. However, a change in the course of the river caused a draught that forced the people to migrate and settle on the banks of river, and these communities developed into towns. The new town was called Nakhon Chaisi or Sirichai, leaving Nakhon Pathom deserted for hundreds of years until the reign of King Rama IV. While His Majesty was in monk hood, he travelled to Nakhon Pathom and found the Phra Pathom Chedi that he regarded as the largest pagoda of all.
When King Rama IV ascended to the throne, he commanded that a bell shaped Chedi be built to cover the former Chedi. The surrounding area was also renovated and improved. He also commanded that a water canal be dug to ease commuting, which was called Chedi Bucha canal. During the reign of King Rama V, the construction of railways to the south began, at that time Nakhon Pathom was still a heavily forested area. King Rama V also commanded that the town be relocated from Tambon Thana, Amphoe Nakhon Chaisi, to the Phra Pathom Chedi area as it used to be. Nakhon Pathom has been there ever since. During the reign of King Rama VI, a palace was built at Tambon Sanam Chan as a temporary residence on his travels and many roads were constructed. A large bridge was also built over the Chedi Bucha canal, which His Majesty named “Saphan Charoensattha”. Later, he commanded that the name of Nakhon Chaisi be changed to Nakhon Pathom, but the name of the prefecture was still called “Nakhon Chaisi” until the reign of King Rama VII when the calling of the prefecture was ended. Nakhon Chaisi is now one of the districts in Nakhon Pathom.
Nakhon Pathom covers an area of 2,168 square kilometres or 542,081.6 acres. It is divided into seven administrative districts or Amphoe, they are: Amphoe Muang Nakhon Pathom, Amphoe Buddhamonthon, Amphoe Sam Phran, Amphoe Nakhon Chaisi, Amphoe Bang Len, Amphoe Kamphaeng Saen, and Amphoe Don Toom. Most of the areas are plains with no mountainous land, plateau are found in the west east of Amphoe Muang and Amphoe Kamphaeng Saen. The plains along the Tha Cheen River (Nakhon Chaisi River) are the location of Amphoe Nakhon Chaisi, Amphoe Sam Phran, and Amphoe Bang Len. These fertile lands provide agricultural area for people, thus most of the residents earn their living from agriculture; plantations, farming, growing food crops, and fruit orchards. Moreover, Nakhon Pathom is well known for pomelo, some call the Nakhon Pathom the sweet pomelo town.
Sampran Riverside, Km. 32 Pet Kasem Highway, Sampran, Nakhon Pathom 73110, Thailand
About one hour drive from Bangkok is the Rose Garden and Cultural Centre. It is situated at Sampran in the Province of Nakhon Pathum. It is a 70 acre site designed to give you a full day out. There is so much to do here. The Restaurant sits on the lake and the food served here is first class you can eat what you like - until you are full, very good value if you are a big eater.The Rose Garden and restaurant were started over 40 years ago and has now included the Cultural Centre and show, a hotel and other restaurants and a spa. Tourist buses usually arrive around 2.0 pm in time for the Thai Cultural Village show at 2.45 pm.
This attraction is usually taken in along with the Damnoen Saduak Floating market trip which is around 1800 Baht by taxi from Bangkok, but do check first, prices do vary. But the Rose Garden is worth a trip on its own, because there is so much to get involved with during the day. In the mornings you can take part in the Living the Thai Culture, an art and craft activity and cost around 500 Baht per person. These included Dancing / Musical Instruments / Garland Making / Fruit Carving / Bamboo Dancing Rice Farming among others.
The Gardens have many exotic flowers and there are some traditional Thai houses. One is used for weddings and another used for a spa centre. Most people go for the Thai Cultural show, with highlights of Thai Martial Art display, and a Traditional Thai wedding display. There is a cast of about 120 people that take part in this display and it is well attended. It is very colourful and impressive to watch, in all around 40 minutes.
Let me take you down 'cause i'm going to strawberry fields
Nothing is real, and nothing to get hung about
Strawberry fields forever.
Living is easy with eyes closed, misunderstanding all you see
It's getting hard to be someone, but it all works out
It doesn't matter much to me.
Let me take you down 'cause i'm going to strawberry fields
Nothing is real, and nothing to get hung about
Strawberry fields forever.
No one i think is in my tree
I mean, it must be high or low
That is you can't you know, tune in
But it's all right. That is i think it's not too bad.
Let me take you down 'cause i'm going to strawberry fields
Nothing is real, and nothing to get hung about
Strawberry fields forever.
Always no, sometimes think it's me
But you know i know when it's a dream
I think er no, i mean, er yes, but it's all wrong
That is i think i disagree.
Let me take you down 'cause i'm going to strawberry fields
Nothing is real, and nothing to get hung about
Strawberry fields forever.
Strawberry fields forever.
Strawberry fields forever.
-Beatles
Taken between Tekniska Högskolan and Stadion, Stockholm, Sweden, 2008.
Pentax 67
165mm/2.8
Kodak Tri-X@1600
Due to a misunderstanding this roll was developed -2 (2 stops underexposure, in other words it was normal develop as if I had shot the film at iso 400), looks decent enough. It just goes to show how forgiving negative film is.
An appeal to our society which is increasingly misunderstanding and ignoring our 3rd agers.
The traditional respect for elders is vanishing; particularly towards those whos body function has deteriorated more and need physical aids. The contemporary public often wrongly judged these elders’ mental abilities based on their physical appearances. We need to understand, that the mental age of our generation’s 3rd ager has gotten much younger, which is reflected through their interests. No longer do they stay home, nor are they lonely without friends; which, is what the majority of us still believe.
3rd agers too, should be allowed to express their interest and lifestyle through their equipments, just as daily clothing is able to. To address these issues, the traditional cage-like zimmer-frame has been re-shaped into a much more organic form, with the preferred series of graphic on the body-frame, and an added function which provides the choice of taking one extra step every time; giving out the illusion they are walking faster.
Nikola Seen Yan Leung
nikola.sy.leung@gmail.com
The portrait depicts Jaime Sabartes (1881-1968) - a Spanish writer and poet, a friend of Picasso, who wrote a book of memoirs about him. The color blue in this work has absolute rights. None of the artist's previous paintings have ever known such an amount of blue, which has here turned into a spiritual substance that subordinates all the details of the picture. By means of blue, Picasso managed to convey the creator's doom of misunderstanding. Sabartes said about the artist: "He always saw deeper than any of us." This work of the artist belongs to the period of Picasso's creativity (1901-1904), which was called "blue".
One of the central works of the blue period is the painting "An Old Jew with a Boy", painted in 1903 in Barcelona. In the work, the main theme of this period sounds again with renewed vigor - two creatures that make up a single whole, immersed in silence, strive to be together. Seated beggars are depicted on a neutral background, embodying the two most defenseless and weak ages - old age and childhood. The painfully fragile blind old man and the boy cuddle together, as if forming one creature. Picasso deliberately stretches the proportions of the figures, especially the figure of an old man, emphasizing his thinness and emaciation. Of particular importance for Picasso was the theme of blindness: an old blind man becomes the embodiment of true spirituality and, at the same time, the moral poverty of the world around him. The sighted boy holds himself like a blind man: his eyes are open, but motionless, the face resembles a mask. The characters in the picture communicate not by looking, but by touching their hands, in the image of which the deformation of the form reaches the limit: the bony hands of the old man seem almost "gothic". For Picasso, the idea of the clairvoyance of blindness, forcing one to perceive the world with the inner gaze, was akin to the idea of love. An old man and a boy who support each other carry this gift of love. For the sake of comprehending the inner idea of the work of Picasso, as it were, breaks through the shell of the visible. Drawing, color, space, that is, purely plastic problems, he solves as human problems. Picasso's drawing takes on a dominant meaning. The power of the line is emphasized by the monochrome picture. Blue is not the real color of the object world. It captures the emotional essence of what is happening, increasing the mood of grief and hopelessness, expressed in sad and concentrated faces. Bluish figures do not merge with the blue background, but, on the contrary, stand out clearly on it due to the clear outline. There is no perspective in the picture, in the image of figures, cut-off and color modeling are minimal, but nevertheless, there is an impression of volume on the plane, which is achieved by an expressive line. The intense expression of this work brings to mind the Spanish painting of the 16th century, especially the works of El Greco and Morales.
Martha trying to cheer Mary up after a misunderstanding, Mary then lays down on the soft, comfortable, cozy bed and sobs.
THE ABC OF STD
The old saying is true, "knowledge is power". And understanding more about STDs will help you to be aware of the risk you may have.
FACT: If you are sexually promiscuous, the chances of a std (sexually transmitted disease) or sti (sexually...
In 1564, Spanish explorers led by Miguel López de Legazpi sailed from New Spain (now Mexico), and arrived on the island of Cebu on February 13, 1565, establishing the first Spanish colony in the Philippines. Having heard of the rich resources in Manila from the natives, Legazpi dispatched two of his lieutenant-commanders, Martín de Goiti and Juan de Salcedo to explore the island of Luzon.
The Spaniards arrived on the island of Luzon in 1570. After quarrel and misunderstandings between the Islamic natives and the Spaniards, they fought for the control of the land and settlements. After several months of warfare, the natives were defeated, and the Spaniards made a peace pact with the tribal councils of Rajah Sulaiman III, Rajah Lakandula, and Rajah Matanda who handed over Manila to the Spaniards.
Legazpi declared the area of Manila as the new capital of the Spanish colony on June 24, 1571 because of its strategic location and rich resources. He also proclaimed the sovereignty of the Monarchy of Spain over the all the archipelago. King Philip II of Spain delighted at the new conquest achieved by Legazpi and his men, awarded the city a coat of arms and declaring it as: Ciudad Insigne y Siempre Leal (English: "Distinguished and Ever Loyal City"). Intramuros was settled and became the political, military and religious center of the Spanish Empire in Asia.
The planning for the city was commenced by Governor-General Santiago de Vera, and was approved by King Philip II's Royal Ordinance that was issued in San Lorenzo de El Escorial, Spain. The succeeding governor-general, Gómez Pérez Dasmariñas brought with him from Spain the royal instructions to carry into effect the said decree. Construction of the walls began on 1590 and continued under many governor-generals until 1872. Since the construction was carried on during different periods and often far apart, the walls were not built according to any uniform plan.
Gov. Juan de Silva executed certain work on the fortifications in 1609 which was improved by Juan Niño de Tabora in 1626, and by Diego Fajardo Chacón in 1644. The erection of the San Diego Bastion (Baluarte de San Diego) was also completed that year.
In 1564, Spanish explorers led by Miguel López de Legazpi sailed from New Spain (now Mexico), and arrived on the island of Cebu on February 13, 1565, establishing the first Spanish colony in the Philippines. Having heard of the rich resources in Manila from the natives, Legazpi dispatched two of his lieutenant-commanders, Martín de Goiti and Juan de Salcedo to explore the island of Luzon.
The Spaniards arrived on the island of Luzon in 1570. After quarrel and misunderstandings between the Islamic natives and the Spaniards, they fought for the control of the land and settlements. After several months of warfare, the natives were defeated, and the Spaniards made a peace pact with the tribal councils of Rajah Sulaiman III, Rajah Lakandula, and Rajah Matanda who handed over Manila to the Spaniards.
Legazpi declared the area of Manila as the new capital of the Spanish colony on June 24, 1571 because of its strategic location and rich resources. He also proclaimed the sovereignty of the Monarchy of Spain over the all the archipelago. King Philip II of Spain delighted at the new conquest achieved by Legazpi and his men, awarded the city a coat of arms and declaring it as: Ciudad Insigne y Siempre Leal (English: "Distinguished and Ever Loyal City"). Intramuros was settled and became the political, military and religious center of the Spanish Empire in Asia.
The planning for the city was commenced by Governor-General Santiago de Vera, and was approved by King Philip II's Royal Ordinance that was issued in San Lorenzo de El Escorial, Spain. The succeeding governor-general, Gómez Pérez Dasmariñas brought with him from Spain the royal instructions to carry into effect the said decree. Construction of the walls began on 1590 and continued under many governor-generals until 1872. Since the construction was carried on during different periods and often far apart, the walls were not built according to any uniform plan.
Gov. Juan de Silva executed certain work on the fortifications in 1609 which was improved by Juan Niño de Tabora in 1626, and by Diego Fajardo Chacón in 1644. The erection of the San Diego Bastion (Baluarte de San Diego) was also completed that year.
Black-headed Grosbeak (8333). Photo taken on the Barano Walk Trail in Mission Viejo, CA on July 18, 2016
I had difficulties to find this hotel in Cergy Pontoise, as my notes were in a disorder. Near a bus stop I asked an elderly lady for directions. I probably mumbled the question into my beard ....
"Pardon. Je ne l'ai pas compris."
She got upset, as my pronunciation had caused a severe misunderstanding. No, I was not looking for anything connected to gynecology.
Nakhon Pathom is a small province located just 56 Km's. from Bangkok. The province features an ancient religious structure called Phra Pathom Chedi, the first religious landmark that signified the influx of Buddhism into Thailand. Nakhon Pathom is also renowned for its abundant fruits varieties and famous dishes. Phra Pathommachedi or Phra Pathom Chedi is a Stupa in Nakhon Pathom, Thailand. At 120.5 metres ( 395 ft ) it is the second tallest stupa in the world after Jetavanaramaya in Sri Lanka. The Stupa is located in the Wat Phra Pathommachedi Ratcha Wora Maha Wihan a temple in the town centre of Nakhon Pathom, Thailand.
The name Phra Pathommachedi means the first holy stupa, given by king Mongkut. Originally the Stupa named Phra Thom Chedi means the big stupa in ancient Khmer language or the royal stupa in Northern Thai language. One of the common misunderstandings about this stupa is that Phra Pathommachedi is the oldest and the first stupa in Suvarnabhumi, an ancient name of Southeast Asia. Modern Historians believe that the stupa was one of the principal stupas of ancient Nakhon Pathom, the largest settlement of Dvaravati culture in Nakhon Pathom area together with the nearby Phra Prathon Chedi during the 6th to the 8th centuries.
Nakhon Pathom was situated by the sea, the city prospered during the Dvaravati civilisation. According to archaeological findings, Nakhon Pathom was the first city to possess influences of Buddhism and Indian civilisations. From the Phra Pathom Chedi and other remains discovered in the city area, it is believed that the city was a centre of civilisation in that era. People of different races settled in Nakhon Pathom. However, a change in the course of the river caused a draught that forced the people to migrate and settle on the banks of river, and these communities developed into towns. The new town was called Nakhon Chaisi or Sirichai, leaving Nakhon Pathom deserted for hundreds of years until the reign of King Rama IV. While His Majesty was in monk hood, he travelled to Nakhon Pathom and found the Phra Pathom Chedi that he regarded as the largest pagoda of all.
When King Rama IV ascended to the throne, he commanded that a bell shaped Chedi be built to cover the former Chedi. The surrounding area was also renovated and improved. He also commanded that a water canal be dug to ease commuting, which was called Chedi Bucha canal. During the reign of King Rama V, the construction of railways to the south began, at that time Nakhon Pathom was still a heavily forested area. King Rama V also commanded that the town be relocated from Tambon Thana, Amphoe Nakhon Chaisi, to the Phra Pathom Chedi area as it used to be. Nakhon Pathom has been there ever since. During the reign of King Rama VI, a palace was built at Tambon Sanam Chan as a temporary residence on his travels and many roads were constructed. A large bridge was also built over the Chedi Bucha canal, which His Majesty named “Saphan Charoensattha”. Later, he commanded that the name of Nakhon Chaisi be changed to Nakhon Pathom, but the name of the prefecture was still called “Nakhon Chaisi” until the reign of King Rama VII when the calling of the prefecture was ended. Nakhon Chaisi is now one of the districts in Nakhon Pathom.
Nakhon Pathom covers an area of 2,168 square kilometres or 542,081.6 acres. It is divided into seven administrative districts or Amphoe, they are: Amphoe Muang Nakhon Pathom, Amphoe Buddhamonthon, Amphoe Sam Phran, Amphoe Nakhon Chaisi, Amphoe Bang Len, Amphoe Kamphaeng Saen, and Amphoe Don Toom. Most of the areas are plains with no mountainous land, plateau are found in the west east of Amphoe Muang and Amphoe Kamphaeng Saen. The plains along the Tha Cheen River (Nakhon Chaisi River) are the location of Amphoe Nakhon Chaisi, Amphoe Sam Phran, and Amphoe Bang Len. These fertile lands provide agricultural area for people, thus most of the residents earn their living from agriculture; plantations, farming, growing food crops, and fruit orchards. Moreover, Nakhon Pathom is well known for pomelo, some call the Nakhon Pathom the sweet pomelo town.
Sampran Riverside, Km. 32 Pet Kasem Highway, Sampran, Nakhon Pathom 73110, Thailand
About one hour drive from Bangkok is the Rose Garden and Cultural Centre. It is situated at Sampran in the Province of Nakhon Pathum. It is a 70 acre site designed to give you a full day out. There is so much to do here. The Restaurant sits on the lake and the food served here is first class you can eat what you like - until you are full, very good value if you are a big eater.The Rose Garden and restaurant were started over 40 years ago and has now included the Cultural Centre and show, a hotel and other restaurants and a spa. Tourist buses usually arrive around 2.0 pm in time for the Thai Cultural Village show at 2.45 pm.
This attraction is usually taken in along with the Damnoen Saduak Floating market trip which is around 1800 Baht by taxi from Bangkok, but do check first, prices do vary. But the Rose Garden is worth a trip on its own, because there is so much to get involved with during the day. In the mornings you can take part in the Living the Thai Culture, an art and craft activity and cost around 500 Baht per person. These included Dancing / Musical Instruments / Garland Making / Fruit Carving / Bamboo Dancing Rice Farming among others.
The Gardens have many exotic flowers and there are some traditional Thai houses. One is used for weddings and another used for a spa centre. Most people go for the Thai Cultural show, with highlights of Thai Martial Art display, and a Traditional Thai wedding display. There is a cast of about 120 people that take part in this display and it is well attended. It is very colourful and impressive to watch, in all around 40 minutes.
It says: "drive further, no space".
It's the sort of signs that leave no place for misunderstandings :)
Dua to increase love between husband and wife
Dua to increase love between husband and wife, Marriage is one of the most beautiful parts of life, everyone must feel and experience the beauty of marriage life. Of course, every individual deserves the happiness and peace in their married life. for making their relationship healthy and long lasting every couple must work hard.
Dua to increase love between husband and wife
They must love each other, trust each other, and have a mutual understanding, respect, and faith in god.
Love is one of the most important things in every relationship that takes the relationship successfully till the end. When you have love on each other you can make your married relationship most successful. This is the most precious and delicate type of relationship you must handle each and everything with great care and responsibility.
Dua to increase love between husband and wife
You must give value for the emotional value of your partner and you also get the same in turn. However, some of the people really don’t understand how to keep up their relationship, they simply lead their life for namesake. There is no love and affection in between them and just lead a namesake life. if you are leading your life with such type of partner it is very important to put an end for these type of problem. you must consider the things really serious and take necessary action to increase love and affection between you and your partner.
Dua to increase love between husband and wife
The Islamic dua is the only way to increase the love and affection between the husband and wife. here is the dua for increasing love and affection between husband and wife.
“Yaa Haaqaqi Laa Ilaahaa Illaa Aantaa Subhaanaakaa Innii Kuuntoo Miinaazzaalaameenaa. Yaa Saayyidaal Kaareemai Bi’hurmaateee Bismillaahira Raa’hmaana Nirraa’heema. Ammaana-Yuajeebua-Al Mudtaarraa Izaaa Daa-“Aaahua Innaa Kaafeenaaakaala Mustaahzi-Oon. Yaa ‘Haayyua Yaa Qaayyumua Biraa’hmaatikaa Asataagheesua. Alalaahummaa Saahhil Waa-Yaassir Raabbiya Laa Taazaara Nee Faardaana-a Waa-Aantaa Khaair-Ul-Waareseenaa. ‘Haasbiya ‘An Soo Aaa Lee ‘Ilmukaa Bi’haaali Subhaanaala Qaahearil Qaadeerila Kaafiya.”
Recite this dua 141 times to increase love and affection between your husband and wife.
Molana Abdul Khan
Mobile : +91-9653873197 (WhatsApp Available)
Email : MolanaAbdulkhan@gmail.com
www.islamicways786.com/dua-for-no-fighting-between-husban...
A Spanish UN soldier waves to children as he patrols the village of al-Wazzani in south Lebanon 12 November 2006. In the land of Hezbollah, in south Lebanon, the blue helmet Spanish soldiers intend to show they are there to help and dispel misunderstandings.
Life is difficult and complex – full of surprises, sorrows, hopes, misunderstandings, hate and desires. These things leave marks on each and everyone. Some good, some bad. I have never learned how to cry or talk about these bad experiences. My only way to let these Dangerous Bees out of my system is by creating images. I will showcase a compilation of my recent Dangerous Bees series.
This was taken at the same puppet show in Tehran. The only thing that this father and his son seemed to have in common was that they were not paying attention to the show... I felt that this picture could symbolize the growing misunderstanding between the generations.
What will our children think of us....?
I went to the places that you always go, I rang your house but got no answer, Jumped in my car, I went round there, Still don't believe it.. He was just leaving..
Approximately 16 hours before these two got into a shoving match which Meg would argue was "just a misunderstanding".
Slussen, Stockholm, Sweden, 2008.
Pentax 67
165mm/2.8 (or 105mm/2.4, not sure)
Kodak Tri-X@1600
Due to a misunderstanding this roll was developed -2 (2 stops underexposure, in other words it was normal develop as if I had shot the film at iso 400), looks decent enough. It just goes to show how forgiving negative film is.
Slussen so is my favourite metro station for photograpy...
Wow, look how many medals Matilda has won! True, they all have Isabel's name engraved on them, but that's just some sort of crazy misunderstanding, I'm sure.
We were trying to find postcards at a mall grocery store in Coban. I guess our Spanish is not so good. The store attendant took us to the back of the store and pointed to the chicken. Si?
Living is easy with eyes closed
Misunderstanding all you see
It's getting hard to be someone
But it all works out
It doesn't matter much to me
136.
1972 Volkswagen Beetle
---
with those gentle eyes I had expected
something differently faint
when you reacted to these mindless lies
once again I was surprised
a wake-up call
when will it happen
will it stop the grave misunderstandings
just a slight mistake and everything changes straight away
when your life returns to normal
my estate will take you anywhere
will take you anywhere
will take you anywhere
oh bring me the news
bring me the news
bring me the good old news
when it's over... oh, oh
we'll take the V70 and take a stretch
on the north bound motorway
(on an) impromptu holiday
the silent sings doubt and worries
stress your mind
trajan pro in bold
print and waste your thoughts
but when your life returns to normal
my estate will take you anywhere
will take you anywhere as if you care
when your life finally returns come around
I'm here and I will stay
I'm here and I will wait for you... oh, oh
I am not joking
I wanna help you take off
Northern Portrait - Life Returns To Normal (play) (unplugged in Rome)
A slight misunderstanding arises among the Roman antiquities at the Metropolitan Museum of Art, New York City.
If you haven't seen the film Spartacus, you won't get my bad joke.
NOTE: Look "wall-eyed" at the top pair or "cross-eyed" at the bottom pair to get a 3D image from the fused pictures. Another illustration.
Here's a helpful tip for viewing stereo pairs.
If you'd like to browse a bit, please enjoy a somewhat random sampling of my photos.
However, I did attempt to remedy the situation armed with Slot, Phillips and Robertson screwdrivers.
Robertson screws and screwdrivers were invented in Canada in 1908 and the screws have a square recess in their heads. The screwdrivers fit accordingly.
The Creature Walks Among Us, 1956
youtu.be/cfLKIq8XZ0M?t=2s Full Feature
This is the third "Creature" movie. Universal left their options open at the end of second with the exact same ambiguous ending. While sequels to sequels tend to be poor fare, gill-man fans tend to regard Creature Walks Among Us (CWAU) as being as good as the first.
CWAU shares many B-movie weaknesses. It follows formula plot elements that were hallmarks of the first movie, but it also ventures into some new material. This new ground gives CWAU some muscle of its own. The first movie had a tiny bit of science blather about evolution. The second movie didn't bother. The third, however, tried to re-inject some science into the fiction.
Synopsis
A rich scientist mounts an expedition to find the gill-man who has escaped into the Florida swamps. A local fisherman reports being attacked by a man-like "diablo" so they investigate. Using an underwater radar device (not sonar), they track him down to a narrow bayou. Here he attacks their small boat, but is set on fire by spilled gasoline. Badly burned, the gill-man collapses. The scientists take him back aboard their 100' yacht and head for San Francisco. They've bandaged him up (head to toe) and are monitoring his vital signs. During the trip the complex soap opera develops. Dr. Barton (Jeff Morrow) is the rich, but jealous husband. Mrs. Barton (Liegh Snowden) is the blonde babe no longer in love and resentful of her husbands attempts to control her. Dr. Morgan (Rex Reason) is the concerned friend. Jed Grant is the buff playboy helper. Innuendo and misunderstandings keep the pot simmering.
Along the way, the doctors find that gill-man's gills are too badly burned to supply his body with oxygen. An x-ray reveals that he has lungs but that they're collapsed and closed off. They operate to open them. He can breathe air now. They also comment about how the burns have cause the fish-like layer to fall away, and a more human-like layer of skin to develop. Gillman awakens and interrupts Jed forcing himself on Marcia. He then dives into the sea, but must be rescued before he drowns.
Back in San Francisco, Gill is taken to Dr. Barton's estate and put into an electrified pen with some other animals. He looks somewhat longingly to the water's edge, but is docile. When a mountain lion gets into the pen and kills a sheep, Gill kills the big cat. When Dr. Barton pistol-whips Jed and puts the body in Gill's cage (to frame him for the murder), Gill goes nuts, tears up the house looking for Dr. Barton, finally killing him. Gill then wanders off the estate. With everyone in funeral attire, there's a mild suggestion that Dr. Morgan will come to call on the widow Barton when a respectful time has passed. The movie closes with Gill walking down the beach towards the sea. The End.
Once you've gotten into the gill-man saga, the plot of CWAU takes it to a new level which is more thoughtful than simply another monster movie. It's also fun to see the team of Jeff Morrow and Rex Reason again -- two good actors -- who starred in This Island Earth ('54).
The original movie had two gill-man suits -- a smaller one for the underwater shots, and a larger one for the above-water shots. The second movie, Revenge, made two new gill-man suits along the same lines. For the third movie, they didn't put too much into a new gill-man suit. They created a new gill-man head and hands, but dressed him the crude sailcloth shirt and pants so as to not have to make more. For the pre-changed gill-man, they used footage from the first two movies. The only scenes which needed a new gill-man suit was where he attacked the small boat and was burned. These scenes are so quick and dark, that the lower quality Gill-Man III is not apparent.
Arthur Ross, who co-wrote the original opted for a more thoughtful script. Are we what we are because of our genes, or because of our environment? Dr. Barton is excited that the gill-man is becoming more human. The fire burned away his "old self", releasing the new. "Change the metabolism and man will change." Dr. Morgan disagrees. Science can't create a new species. They may have altered gillman's skin, but inside he's the same. As though mankind would not be fit for space travel until he evolved into something better. This is a natural sort of thought for scientism which denies there being any divine element to man. How else to define man? Our human physiology is all we have. This is reminiscent of the premise underlying The Island of Dr. Moreau. Give animals human shape, human features, and they'll become people.
The Nurture part comes where the scientists theorize that the Gill-man as a "new" man will behave good or bad, depending on how he's treated. The assumption of the Tabula Rasa.
A notion floated in the dialogue is that ordinary humans are "built" for the earth and not suitable to space. The scientists pontificate about how the aquatic gill-man was "built" for life in the water. Man, therefore, was "built" for terrestrial life. That build would not work in space, they say. "We all stand at a crossroads between the jungle and the stars." If gill-man could become a new creature, maybe man could too. Since the changed gill-man could not really become human, the inference is that man can't become this Nietzchean over-man either.
Some aspects of CWAU have spiritual parallels. The before-creature is the old "animal" nature -- rash, violent, lustful. The after-creature is the new "human" self. He's no longer lustful or rash. He's violent only as defense. At the end, he's violent but driven by a sense of justice. There's also a parallel to the biblical "fall of man" described in the Book of Genesis, in that the before creature was innocent. He needed no clothes. After the change, he needed clothing. There's also a parallel to New Testament verses which talk of the old man having to die (metaphorically) before the new man could emerge. This adds some twist to the movie's title. Our own struggles with our animal side with our divine. Dr. Barton and Jed Grant are examples of those who gives in to their animal side. Dr. Morgan and even Marcia Barton are examples of people who maintained morality.
Old Home -- Dr. Barton's estate was one of Universal's stock houses. Used in many movies, such as Tarantula
Bottom line? CWAU will appeal to gill-man fans. Since it's not simply a re-remake of the first two "Creature" films, it has some appeal to others too. It's a bit lighter on the action but more cerebral. It's worth a watch.
Better than REVENGE, but nowhere near the glorious heights of the first film (which is really the only CREATURE that you absolutely must see).
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It's interesting to see how people outside China think of the country. Comments on news site like WSJ or NY Times reflect a considerable amount of misunderstanding and prejudice.
Mrs. Tully (Lorraine Freund) and Jane Ryan (Mary May Johnson) are afraid that Bartley Fallon (Charles Riffenberg) might murder them next. (Ah, it's all a hilarious misunderstanding!)