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Männer GF NLB Auf-/Abstiegs-Playoffs 2022/23
19.03.2023, Buchholz Uster
Bild: André Düsel - www.fotografie-duesel.ch
Instagram: @ad_sportpictures Ι @fotografieduesel.ch
In a Manner of speaking
I just want to say
That I could never forget the way
You told me everything
By saying nothing
In a manner of speaking
I don't understand
How love in silence becomes reprimand
But the way that i feel about you
Is beyond words
Oh give me the words
Give me the words
That tell me nothing
Ohohohoh give me the words
Give me the words
That tell me everything
In a manner of speaking
Semantics won't do
In this life that we live we only make do
And the way that we feel
Might have to be sacrified
So in a manner of speaking
I just want to say
That just like you I should find a way
To tell you everything
By saying nothing
Schweizer Cup Männer Viertelfinal
Zug United - Basel Regio
Resultat 8 : 6 am 17. November 2019 in der Sporthalle Zug
Bild: Michael Peter
Männer NLA
Zug United - UHC Waldkirch-St. Gallen am 19. Dezember 2021 in der Stadthalle Zug
Bild: Michael Peter
Andri Bass (Nr. 11, Chur Unihockey) spielt den Ball, während dem Spiel GC Unihockey gegen Chur Unihockey, im Mobiliar Unihockey Cup Männer Viertelfinal 2021/22 , Mittwoch, 19. Januar 2022, Sporthalle Hardau, Zürich, Schweiz. (unihockey-fotos.ch/Claudio Schwarz)
Mawei Shipbuilding Co., Ltd's 145 Anniversary.
The new Tingjiang Plant Groundbreaking Ceremony, and I was one of the Miss Manners.
I always know that my FACE is big~!
Männer NLA Playoff Viertelfinal zweites Spiel. Wegen der Fernsehübertragung findet das Spiel im Floorball Production Center in Winterthur statt.
Zug United - SV Wiler-Ersigen am Samstag 13. März 2021 in der Axa-Arena Winterthur
Bild: Michael Peter
Männer NLA Playoff Halbfinal
Zug United - GC Unihockey am 16. April 2022 in der Stadthalle Zug
Bild: Michael Peter
Robert Hartmann vor dem Gerassimow-Institut für Kinematographie (Всероссийский государственный институт кинематографии имени С. А. Герасимова, ВГИК)) in Moskau.
Männer NLA Playoff Viertelfinal 7. Spiel
Zug United - UHC Alligator Malans am 26. März 2022 in der Sporthalle Zug
Bild: Michael Peter
Männer Playoff Viertelfinal sechstes Spiel
Zug United - SV Wiler-Ersigen am 27. März 2021 in der Sporthalle der Kantonsschule Zug
Bild: Michael Peter
Schweizer Cup Männer Viertelfinal
Zug United - Basel Regio
Resultat 8 : 6 am 17. November 2019 in der Sporthalle Zug
Bild: Michael Peter
Männer NLA Playoff Viertelfinal zweites Spiel. Wegen der Fernsehübertragung findet das Spiel im Floorball Production Center in Winterthur statt.
Zug United - SV Wiler-Ersigen am Samstag 13. März 2021 in der Axa-Arena Winterthur
Bild: Michael Peter
Männer Playoff Viertelfinals Runde 2 2020/21, Switzerland: 13.03.2021, Winterthur, AXA Arena, Remo Buchli (Nr. 92, Alligator Malans) am Ball
Credit: Claudio Schwarz, unihockey-fotos.ch
Instagram: @purzlbaum | @unihockeyfotos
Männer NLA Playoff Halbfinal
Zug United - GC Unihockey am 10. Aprial 2022 in der Sporthalle der Kantonsschule Zug
Bild: Michael Peter
Während Männer GF 1. Liga Playoff Viertelfinals 2023/24, Schweiz: 18.02.2024, Bülach, Sporthalle Hirslen,
Credit: (unihockey-fotos.ch/Claudio Schwarz)
Instagram: @purzlbaum
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Of Imperialism, Revisionism &the Culture war: ACritique of 'Laal' and the Olficial'lelt' .
Even after more than ten days after the May Day programme organised by JNUSU with Laal band from Pakistan, .
the debate centring it refuses to die down. DSU's critique of the manner in which the last May Day programmewas organised by the .
AISA-led JNUSU and our observations on the underlying politics of Laal has elicited many responses includiflg that from Taimur Rahman, .
the leading artist of Laal. AISA-led JNUSU-and also SFI. another promoter of Laal in JNU-however. have so far maintained a .
calculated silence on the entire debate, while their individual activists have been expressing their opinion on public forums. This indicates .
that AISA organisationally has nothing to say in defense of its own politically bankrupt acts of that night. Why did AISA-J"JU invite aself-.
proclaimed 'commun·~t' band ljke Laal which is furthering the ideological agenda of US War on Terror under patronage not only of .
corporations like 'Tim6s Music' but of the Pakistani and Indian comprador ruling classes? Why did it extend red carpet to the anti-worker .
JNU VC to address the May Day gathering while shouting 'VC Murdabad' just afew hours ago in the May Day Rally? And last but not the .
least, why did it allow the_singing of aSanskrit hymn praising Hindu god Ganapati by an artist who seems to have no idea of or concern .
for the historic legacy of May Day? AISA's silenceon these questions speaks volumes of their political bankruptcy. .
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Laal has been perceived as a progressive group of musicians who claim to adhere to Marxism I Communism. Their ideological commitment has been reflected in the songs they had composed in the past, most notably in their 2009 debut album Umeed-e-Sahar. It was therefore not unusual for the widespread enthusiasm and expectation among the students and teachers of JNU as well as other parts of Delhi in attending their concert organised in the campus, supposedly also to commemorate the International Workers' Day. Laal has rendered the International-the anthem of the communist mo· ament-and have adapted the poems of revoluUonary writers like Faiz Ahmed Faiz and Habib Jalil. Even though C!Jmmercially marketing their music (their first album was released by Geo TV group of .
. Pakistan}, Laal maintained aspirit of rebellion in the songs and performances, critiquing the comprador ruling classes of Pakista~"~ as well as their master -US imperialism. This expression of popular discontent -from workers, peasants and the youth -which has made the band a household name among the urban middles classes in not only Pakistan but also in India. .
By now, however, Laal has remained amere shadow of its past. The failure of Laal to grapple with the semi-feudal semi-.
colonial reality of asociety like Pakistan, where the people are facing relentless aggression from US imperialism in the garb of 'War .
against Terror', has brought to the fore the hitherto dormant but basic ideological disorientation afflicting the band from the beginning. This .
failure, which stems from an inability or unwillingness to correctly analyse the nature of the class struggle and the primary contradiction .
within the society, has led Laal and its party CMKP on the path of revisionism and opportunism. Their failure is all the more telling in the .
context of the ongoing imperialist war of aggression on the people of North West Frontier Province and Waziristan, and the US occupation .
of neighbouringAfghanistan. Laal's politics has resulted in its alienation from the fighting masses. their lived reality and their aspirations. .
Indeed, the band and its music seem to have increasingly turned against the oppressed and exploited majority of the people of Pakistan .
and Afghanistan. As a result of its ideological bankruptcy, we find the band now performing in up~market fashion shows and .
programmes/tours promoted by corporate houses. In its desperation to 'convey the message of the revolution' .in whatever way possible, .
Laal has even subordinated their art to commercial companies like Times Music, a rabidly reactionary Indian media conglomerate. With .
their new song titled 'Dehshatgardi murdabad', Laal's break from the labouring classes and its going over to the side of the opp~essors -the Pakistani. Indian and Afghan comprador ruling classes and US imperialism -seems to be complete. It is therefore natural that Laal .
collaborates with the Times Group, which never gets tired of branding the armed resis~nce movements in lndiaJAfghanistan, Iraq, .
Palestine or Kashmir as 'terrorism'. One must not forget that Times Group has been at the forefront in profiling the Muslims in India as .
'fundamentalists' or the Maoists as 'terrorists', thereby justifying their persecution by the Indian state .
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DSU has criticised Laal for promoting US sponsored propaganda of lslamophobia and 'War on Terror' with its song 'Dehshatgardi murdabad' (Death to Terrorism), which was performed in JNU as well. When the people of Iraq~ Afghanistan and even parts of Pakistan are being devastated by US attacks in the name of fighting 'Islamic terrorism' and ·religious extremism', to chorus against the same only goes to justify such wars of aggression and occupation. The song says: 118omb blasts at evel}' comer! The ignorant march to ,sacrifice' themselves/After having lashed women! They take the name of Islam! Then bomb market places/Burn down girl's schools/ .
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And reduce our dignfty to cUrt/ America's puppets, Since when did they become our friends?! All together now! Death to terrorism, Death to .
barbarism..." Who are these lfhet referred to here? Above all, 'they' signify organisatipns like Taliban and Mujahideen of Afghanistan as .
well as Tehreek-e-Taliban Pakistan (TIP). But 'they' could also mean the millions of people in Afghanistan and Pakistan whom these .
organisations are today leading in their anti-imperialist/national liberation struggles. By the same logic, 'they' could also mean Hizbollah, .
Hamas or the armed resistance in Iraq, who are leading the people of their respective countries against imperialist aggressors. It is true .
that these organisations uphold Islam as their political ideology and mobilise the people for defending their land, ta:th and society against .
foreign imperialist forces. It is true that many of them, like the Taliban, took support and aid from US imperialism to oust Soviet social-.
imperialism and its puppet communist' government in Afghanistan. But it is also an irrefutable truth that much like fighting the invasion of .
USSR and defeating it through an armed struggle. the people of Afghanistan and North-West Pakistan are today fighting US invasion .
under the leadership of this same Taliban. .
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In spite of their ideologicaUpoliticallimltations and feudal social outlook, it is a fact that Taliban is leading the anti· .
imperialist struggle from the front, and to crush it the US-led imperialists are spending billions of dollars and deploying lakhs of .
armed forces. No doubt the ideology and actions of Taliban cannot be supported or followed blindly by communists, whicn will amount to .
the grave error of surrendering the leadership of the labouring classes to feuctal forces or the bourgeoisie. However4 if we accept that in .
Afghanistan (and Waziristan) today the main contradiction is between foreign imperialist forces and the vast masses .of people, the task of .
every genuine revolutionary/ communist is to unite with the struggling masses and their organisations which are genuinely fighting their .
primary and immediate enemy-imperialism. Struggle against such organisations/forces is necessary. But in the context of an ongoing .
fight for national liberation against external enemies, unity with them becomes primary as opposed to struggle, wh1ch becomes secondary. .
History provides ample examples of such unity by communists, without the latter ever giving up or compromising their principles and .
politics. Communists of China under the leadership of Mao successfully built ajoint front with the reactionary Kuomintang of Chiang Kai .
Shek during the Anti-Japanese War. Buddhist religious organisations actively participated in Vietnam War under communist leadership. .
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Moreover, to win over the basic classes from the grip of afeudal and backward ideology or organisations representing .
such ideology, the communists must work among the people~ be a part of their struggles, win their trust and confidence by standing .
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