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Fly made a piece for the cover of the Maybe Logic Quarterly online magazine.
I helped with it too, doing him a little canvas
some discarded explorations for what eventually became the cover of this book. garethwrice.com/DUST-LOGIC
I set up a particle system with the contours of the letters as attractors and then played with transparency, accumulation, blending modes and other parameters.
Logic on the "Bobby Tarantino vs Everybody" Tour.
Photo by Anton Mak (@iAmAntonMak).
Taken on July 5, 2018 at Budweiser Stage.
Sunset Music Festival 2013 city of west hollywood. Linkin Park, motorcycle club, logic, wale, sunset blvd. los angeles, Joshua Barash, Josh Barash
From the Tate Website:
"For Carsten Höller, the experience of sliding is best summed up in a phrase by the French writer Roger Caillois as a ‘voluptuous panic upon an otherwise lucid mind’. The slides are impressive sculptures in their own right, and you don’t have to hurtle down them to appreciate this artwork. What interests Höller, however, is both the visual spectacle of watching people sliding and the ‘inner spectacle’ experienced by the sliders themselves, the state of simultaneous delight and anxiety that you enter as you descend.
To date Höller has installed six smaller slides in other galleries and museums, but the cavernous space of the Turbine Hall offers a unique setting in which to extend his vision. Yet, as the title implies, he sees it as a prototype for an even larger enterprise, in which slides could be introduced across London, or indeed, in any city. How might a daily dose of sliding affect the way we perceive the world? Can slides become part of our experiential and architectural life?
Höller has undertaken many projects that invite visitor interaction, such as Flying Machine (1996) that hoists the user through the air, Upside-Down Goggles (1994/2001) that modify vision, and Frisbee House (2000) - a room full of Frisbees. The slides, like these earlier works, question human behaviour, perception and logic, offering the possibility for self-exploration in the process."
Dominik Uhlig, Monaco di Baviera, "Blue Logic", 2014, 80 x 100cm, mixed media: resina sintetica, acrylic, olio su tela. Collezione Nikola G. Varazdin, Croazia