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Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Photo by LIndsay Obermeyer.

 

Hats sewn onto the thread.

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

The backdrop was designed by Sarah L. Hunt and the portraits of Annie and Woody were done by Box Brown (www.boxbrown.com).

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

"TOP 16"

Solo exhibition by Janet Lilo

22 March - 12 April 2008

Fresh Gallery Otara, Manukau City, Aotearoa New Zealand

(Photo by Ema Tavola)

"TOP 16"

Solo exhibition by Janet Lilo

22 March - 12 April 2008

Fresh Gallery Otara, Manukau City, Aotearoa New Zealand

(Photo by Leilani Kake)

by Rainbow Lightning

 

Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

Experimental Flower Show, at Mobius, 3/27/10. Group show, installations and performances, organized by Cathy Nolan Vincevic. Photo: ©Bob Raymond

photograph by Kelly Morrison

Chelsea Coon - Parallel Universes

an installation constructed out of paper on a large scale.

www.chelseacoonart.com

 

The Prostitution of Art and Signs of Our Times. Exhibition and performances. Co-curated by Jane Wang and James Ellis Coleman. 9/23/10

 

Photo: ©Bob Raymond

In this project I chose to play with the phrase “see through things”, because I feel that I lot of things in our life can have different meaning and different impact and effect, as, for instance, genetic engineering was perceived as an absolute good at first, but then people started to think of different effects it might have on our life and realized it can cause a lot of damage. So, to illustrate my idea I chose transparent material of different colors in which I cut out the actual words of the phrase. I placed them in layers one after another on the eye level, so that the viewer would stop for a while and really “see through things.”

2008

Stand-in (foreground) & Cascade (background)

Studio visit with Oakland artist, Tracey Snelling

Studio visit with Oakland artist, Tracey Snelling

part of the exhibition Konstruktion der Welt .Kunst und Ökonomie

 

see more : www.emergencyrooms.org/documenta_kassel.html

 

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www.emergencyrooms.org/biennalist.html

www.colonel.dk

www.emergencyrooms.org

www.emergencyrooms.org/formats.html about other art format

 

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A 6-inch square dishcloth to be used in an installation art piece.

Site-specific installation by Gerri Sayler

University of Wyoming Art Museum

June — Dec 2012

www.gerrisayler.com

"TOP 16"

Solo exhibition by Janet Lilo

22 March - 12 April 2008

Fresh Gallery Otara, Manukau City, Aotearoa New Zealand

(Photo by Leilani Kake)

Halfmachine @ Roskilde Festival 2008 with Explosion Village

In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.

Marty Weishaar, Speculative Models, 2011, cardboard, hot glue, colored tape, spray foam and zip ties,

February 03 - March 30, 2012

 

Photo by Jerry Mann/SPACES

Cleveland, OH

Candy Depew

Putting Out

installation in progress

at Leonard Pearlstein Gallery, Drexel University

July 30, 2010

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