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Site-specific installation by Gerri Sayler

University of Wyoming Art Museum

June — Dec 2012

www.gerrisayler.com

Halfmachine @ Roskilde Festival 2008 with Explosion Village

A section from a hanging installation at Sea-Tac.

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Children's Memorial Institute, Johannesburg, South Africa. During a performance of the sound art work, "Slaap My Kindjie, Slaap Sag", by Pauline Theart. 20 November, 2012.

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Brick Bay Sculpture Trail

Studio visit with Oakland artist, Tracey Snelling

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

A collage of photos showing the inspiration for Backyard Birds Installation Artwork

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

Site-specific installation by Gerri Sayler

University of Wyoming Art Museum

June — Dec 2012

www.gerrisayler.com

Studio visit with Oakland artist, Tracey Snelling

Marty Weishaar, From the Black Road Series, 2011, cardboard, hot glue, colored tape, spray foam and zip ties,

February 03 - March 30, 2012

 

Photo by Jerry Mann/SPACES

Cleveland, OH

Studio visit with Oakland artist, Tracey Snelling

Though the piece may not reflect it in its style, motifs, or content, per se, from the bio we can see that the artist, Kaili Chun, is deeply engaged in Native Hawaiian arts and identity. Really great to see an "Asian-American and Pacific Islander" museum actually live up to the second half of that, since in many other contexts, Islanders sort of get the short shaft being lumped in with a larger group that has very different needs and concerns.

Xue Faith & Trill Zapatero present Net/Work by Betty Tureaud & Vaneeesa Blaylock

Photo by Lindsay Obermeyer

 

Installation of the hats at St. Louis Artists Guild

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Balloon installation by Charles Pétillon. Covent Garden, London. Lights among the balloons pulsate on and off. In this view, most of the lights are low; in the following view (#3b), the lights are "on."

 

Photo by Lindsay Obermeyer.

 

Preparing the ceiling for the installation.

long exposure.

documentation of a multi-sited installation project.

 

i am really interested in how context alters a piece of art and vice versa. i use the same group of objects within my installations, bringing in others found on site. the expectations and connotations brought to the piece are very different depending on the situation eg: a gallery, shop or outdoors. with this ongoing set of work i am interested in how this affects the reading of the piece.

 

* this installation was designed to be experienced at night outside. to be a kind of ellusive happening or mirage. however, after developing the photographs, i felt that the piece worked better in this second format.

what do people think about this, and the documentation becoming art thing?

 

Halfmachine @ Roskilde Festival 2008 with Explosion Village

Loving these swap boxes!

Cellscape Installation at COMA Artspace .

Photo by CVH Photography

"waterrise" is a live, real-time water and light projector. A small waterfall is projected in light to appear as though the water is falling upward.

Site-specific installation by Gerri Sayler

University of Wyoming Art Museum

June — Dec 2012

www.gerrisayler.com

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