View allAll Photos Tagged Installationart
by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.
Marty Weishaar, Speculative Models, detail, 2011, cardboard, hot glue, colored tape, spray foam and zip ties,
February 03 - March 30, 2012
Photo by Jerry Mann/SPACES
Cleveland, OH
"I Wasn't Everything" - a MA Fine Arts graduation show at LASALLE College of the Arts, class of 2015.
by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.
Iris and Mattias, setting up for their 'Global Player's' photo shoot in the Cloud Field. Iris-a-Maz are a creative duo from Germany who worked in Australia during 2006-2007 on their 'Paradise is over the Ocean' project. Researching the collonisation of urban Australia by European weeds Iris-a-Maz brought some of their specimines into the fog.
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.
by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.
part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
see more : www.emergencyrooms.org/documenta_kassel.html
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www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html about other art format
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by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.
Site-specific collaboration/installation with Katrine Hildebrandt for Twelve Chairs Shop|Studio in Boston, MA. Photo by Katrine Hildebrandt.
evaporation
2012
42" x 24" x 16"
water, glass, electronics
The glass flask is filling with water from the Coosa River (collected from the bank of the River under the Broad St. Bridge in Gadsden, Alabama). This flask of water sits upon a video screen playing close-up footage of areas of the Coosa River near the bridge. The movement of the water reflects light through the flask. Throughout the exhibition, the water will evaporate from inside the flask.
by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.
These were the most "inaccurate" part of the installation. These signs would normally be facing out when the door is closed, not facing in (like here). This was obviously done because the door had to be propped open during the fair.
This is inside an installation called 'Dreamscape' that spent some tim of the South Bank of the Thames.
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.
by Rainbow Lightning
Rainbow Lightning's cavescape inside SPACES recycles objects, clothing, and fabrics to resemble a natural subterranean environment. Personal stories collected over the past year are embroidered on the walls of the cave, like graffiti in a teenager's hideout. The childlike wonder of a plush cave evokes the past that is reflected in the memories delicately sewn to the walls.