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‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
Character - Infinity Ultron
From - Marvel What If?
Cosplayer - @justphilbuilds
Event - MCM London October 2024
Photographer: Ibrahim D Photography (Facebook)
Back from my looong vacation!
Belated Happy New Year to all!
This was taken at the Infinity Pool at the KC hotel and resort during my week long stint at the island of Koh Samui, Thailand.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Infinity pool with the length of three times Olympic size, on 57th floor of Marina Sands Bay Hotel, Singapore
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
Infinity Bench by Carl Fredrik Svenstedt for lerival.
CNC millwork / assembly by Associated Fabrication.
FSC Certified A1 Maple Europly.
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
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Rapunzel Infinity Figure
The Rapunzel figure is simply wonderful! She is three inches tall and stands on a cobblestone base. Her hair is made up with flowers from the town "dancing" scene in the film Tangled and she quite literally seems to be dancing with her entire form caught mid-sway. Her face mold is adorable! Not too girly, not masculine, just sweet and carefree.
The plastic is sturdy and feels well built. Almost heavy for a figure this size. If she fell I think she'd be okay.
I don't own the game this toy goes with but I am most certainly collecting these figures!!
Perfect end to a perfect work holiday touring Northern India; Sunset reflected in an infinity pool at my 5-star hotel. (Saturation has been deliberately increased as my photos from trip are hosted here: martin_sylvester.500px.com
Elegant Infinity Tattoo On Ankle By www.tattoostime.com
Resolution: 240 x 200 · 8 kB · jpeg
Size: 240 x 200 · 8 kB · jpeg
The recently single Kristen Stewart went to Pride and Glory Tattoo Parlour in Nashville on June 21 with 5 friends. She walked out with not just her first tattoo, but her fi...
Finished the colour test model for my Infinity Haqqislam squad. She's a standard Ghulam Light Infantry trooper.
Typically, I got kinda carried away and spent longer than intended on her. I just can't help myself!
Quite pleased with the rusted green metal bits on the base, though the photo angle doesn't highlight them particularly.