View allAll Photos Tagged HEART_BLEED
My heart bleeds for this school. My school. I went back to Liverpool in 2005 and it was gone!! Demolished due to a fire which destroyed most of it. I had read that it was in dire need of repair. What a shame that another piece of Victorian architecture has been lost. I remember air raid shelters in the school yards and playing heading tennis in the bike sheds. Aaah! Memories
For the Music Match Group:
REM
It's The End Of The World As We Know It (and I Feel Fine...)
www.youtube.com/watch?v=_eyFiClAzq8
That's great, it starts with an earthquake, birds and snakes,
an aeroplane - Lenny Bruce is not afraid.
Eye of a hurricane, listen to yourself churn,
world serves its own needs, dummy serve your own needs.
Feed it off an aux speak,, grunt, no, strength,
The ladder starts to clatter with fear fight down height.
Wire in a fire, representing seven games, a government for hire and a combat site.
Left of west and coming in a hurry with the furies breathing down your neck.
Team by team reporters baffled, trumped, tethered cropped.
Look at that low playing!
Fine, then.
Uh oh, overflow, population, common food, but it'll do.
Save yourself, serve yourself. World serves its own needs, listen to your heart bleed dummy with the rapture and the revered and the right - right.
You vitriolic, patriotic, slam, fight, bright light, feeling pretty psyched.
It's the end of the world as we know it.
It's the end of the world as we know it.
It's the end of the world as we know it and I feel fine.
Six o'clock - TV hour. Don't get caught in foreign towers.
Slash and burn, return, listen to yourself churn.
Locking in, uniforming, book burning, blood letting.
Every motive escalate. Automotive incinerate.
Light a candle, light a votive. Step down, step down.
Watch your heel crush, crushed. Uh-oh, this means no fear cavalier.
Renegade steer clear! A tournament, a tournament, a tournament of lies.
Offer me solutions, offer me alternatives and I decline.
It's the end of the world as we know it.
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone) and I feel fine.
(I feel fine)
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone) and I feel fine.
The other night I dreamt of knives, continental drift divide. Mountains sit in a line
Leonard Bernstein. Leonid Brezhnev. Lenny Bruce and Lester Bangs.
Birthday party, cheesecake, jelly bean, boom!
You symbiotic, patriotic, slam book neck, right? Right.
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone) and I feel fine.
It's the end of the world as we know it.
It's the end of the world as we know it.
It's the end of the world as we know it (It's time I had some time alone) and I feel fine.
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone) and I feel fine.
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it. (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone) and I feel fine...
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Sometimes a wound may not hurt ur body as much as evil words can hurt ur heart...
A knife-wound heals, but a tongue wound festers!
Taken at "Repleys Believe it or not" Museum in LA
Pain over here pain over there
Pain in my heart pain in my soul
Pain in my mind
Pain in my skin pain in my bones
Pain being caused left and right
Pain being caused till the heart bleeds red
Pain being carsed till the skin and bones rip
Pain being caused till you break into tear
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
*******************************************************
REM - It's the end of the world as we know it.
*******************************************************
That's great, it starts with an earthquake, birds and snakes, an aeroplane -
Lenny Bruce is not afraid. Eye of a hurricane, listen to yourself churn -
world serves its own needs, regardless of your own needs. Feed it up a knock,
speed, grunt no, strength no. Ladder structure clatter with fear of height,
down height. Wire in a fire, represent the seven games in a government for
hire and a combat site. Left her, wasn't coming in a hurry with the furies
breathing down your neck. Team by team reporters baffled, trump, tethered
crop. Look at that low plane! Fine then. Uh oh, overflow, population,
common group, but it'll do. Save yourself, serve yourself. World serves its
own needs, listen to your heart bleed. Tell me with the rapture and the
reverent in the right - right. You vitriolic, patriotic, slam, fight, bright
light, feeling pretty psyched.
It's the end of the world as we know it.
It's the end of the world as we know it.
It's the end of the world as we know it and I feel fine.
Six o'clock - TV hour. Don't get caught in foreign tower. Slash and burn,
return, listen to yourself churn. Lock him in uniform and book burning,
blood letting. Every motive escalate. Automotive incinerate. Light a candle,
light a motive. Step down, step down. Watch a heel crush, crush. Uh oh,
this means no fear - cavalier. Renegade and steer clear! A tournament,
a tournament, a tournament of lies. Offer me solutions, offer me alternatives
and I decline.
It's the end of the world as we know it.
It's the end of the world as we know it.
It's the end of the world as we know it and I feel fine.
The other night I tripped a nice continental drift divide. Mount St. Edelite.
Leonard Bernstein. Leonid Breshnev, Lenny Bruce and Lester Bangs.
Birthday party, cheesecake, jelly bean, boom! You symbiotic, patriotic,
slam, but neck, right? Right.
It's the end of the world as we know it.
It's the end of the world as we know it.
It's the end of the world as we know it and I feel fine...fine...
(It's time I had some time alone)
*******************************************************
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Part of my Mother Goose series. I researched histories of these nursery rhymes and photographed my interpretation.
Little Bo-Peep has lost her sheep,
And can’t tell where to find them;
Leave them alone, and they’ll come home,
And bring their tails behind them.
Little Bo-Peep fell fast asleep,
And dreamt she heard them bleating;
But when she awoke, she found it a joke,
For still they all were fleeting.
Then up she took her little crook,
Determined for to find them;
She, found them indeed, but it made her heart bleed,
For they’d left all their tails behind ‘em!
It happened one day, as Bo-peep did stray
Unto a meadow hard by.
There she espied their tails, side by side,
All hung on a tree to dry.
She heaved a sigh and wiped her eye,
And over the hillocks she raced;
And tried what she could, as a shepherdess should,
That each tail should be properly placed.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Rose was 7 years old when Jesus taught her the following special prayer that she would say faithfully til the day she died:
"SUPPLICATION FOR SINNERS
"O Lord Jesus, when I reflect upon the words which Thou hast uttered: 'Many are called, but few are chosen,' I fear and tremble for those I love, and I beg Thee to look upon them with mercy; and behold, with an infinite tenderness, Thou dost place their salvation in my hands, for everything is assured to him who knows how to suffer with Thee and for Thee.
My heart bleeds under the weight of affliction, but my will remains united to Thine, and I cry out to Thee: Lord it is for them that I want to suffer . . . I wish to mingle my tears with Thy Precious Blood for the salvation of those I love! Thou wilt not turn a deaf ear to my sorrowful cry . . . and Thou wilt save them."
(ref: pg. 49/50 A Stigmatist, Marie Rose Ferron, by Jeanne Savard Bonin)
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Lyrics
That's great, it starts with an earthquake
Birds and snakes, and aeroplanes
And Lenny Bruce is not afraid
Eye of a hurricane, listen to yourself churn
World serves its own needs
Don't mis-serve your own needs
Speed it up a notch, speed, grunt, no, strength
The ladder starts to clatter
With a fear of height, down, height
Wire in a fire, represent the seven games
And a government for hire and a combat site
Left her, wasn't coming in a hurry
With the Furies breathing down your neck
Team by team, reporters baffled, trumped, tethered, cropped
Look at that low plane, fine, then
Uh oh, overflow, population, common group
But it'll do, save yourself, serve yourself
World serves its own needs, listen to your heart bleed
Tell me with the Rapture and the reverent in the right, right
You vitriolic, patriotic, slam fight, bright light
Feeling pretty psyched
It's the end of the world as we know it
It's the end of the world as we know it
It's the end of the world as we know it and I feel fine
Six o'clock, T.V. hour, don't get caught in foreign tower
Slash and burn, return, listen to yourself churn
Lock him in uniform, book burning, bloodletting
Every motive escalate, automotive incinerate
Light a candle, light a motive, step down, step down
Watch your heel crush, crush, uh oh
This means no fear, cavalier, renegade and steering clear
A tournament, a tournament, a tournament of lies
Offer me solutions, offer me alternatives and I decline
It's the end of the world as we know it (I had some time alone)
It's the end of the world as we know it (I had some time alone)
It's the end of the world as we know it and I feel fine (time I had some time alone)
I feel fine (I feel fine)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it and I feel fine (time I had some time alone)
The other night I drifted nice continental drift divide
Mountains sit in a line, Leonard Bernstein
Leonid Brezhnev, Lenny Bruce and Lester Bangs
Birthday party, cheesecake, jellybean, boom
You symbiotic, patriotic, slam but neck, right, right
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it and I feel fine (time I had some time alone)
It's the end of the world as we know it
It's the end of the world as we know it
It's the end of the world as we know it and I feel fine (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it and I feel fine (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it (time I had some time alone)
It's the end of the world as we know it and I feel fine (time I had some time alone)
Songwriters: J. Michael Stipe / Michael Mills / Peter Buck / William Thomas Berry
One of five images that is a pictorial of the plight of just one among thousands of innocent Filipino victims caught in the middle of the fighting between the Japanese and Americans. The lady has severe life threaten injuries especially to one of her legs. The European man seen in some of the pictures is her husband. This lady was very fortunate to be carried behind the lines where the American’s are helping her. There were thousands that were not so fortunate and died outright or they died from severe injuries that could not be treated during the fighting. I hope this lady lived, recuperated and went on to a happy life. My heart bleeds for the innocent men, women, and children that suffered through being caught in the vicious fighting of February 1945.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Pain over here pain over there
Pain in my heart pain in my soul
Pain in my mind
Pain in my skin pain in my bones
Pain being caused left and right
Pain being caused till the heart bleeds red
Pain being carsed till the skin and bones rip
Pain being caused till you break into tear
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
Ancient Sardinian Cultural Tradition: Mamuthones, Where Monsters Roam The Streets (Festively!)
A lot of our cultures are built off of ancient pagan rituals presented in different religions dating back to more than 2,000 years old; the monsters of Italy being among the topics to discuss. Sardinia’s ancient Mamuthones are a traditional mask worn for Sardinia’s eye-catching carnival. Though these customs are much more than getting dressed, it is a very personal metamorphosis for every participant.
These characters dress in different colored thick sheep hair, black masks, and will gladly carry the weight of 60 pounds of cattle bells on their body (to scare away evil spirits) despite the lack of oxygen while on their journey of honor. Many people are not allowed to witness the dressing, but when they do, they will see men circling a bonfire while strapping bells on their back. After the chimes of the bells sound how they wish, the mask is finally put on. There is a big difference for these unique European individuals when it comes to simply being Mamuthones and actually becoming one.
These peculiar creatures are not the only character in this festival, there is another known as “Issohadore,” who are in charge of the rituals and the Mamuthones in it. The Issohadores wears a bright red waistcoat, a colorful headdress, white mask, white shirt/trousers, gold buttons, shawl, leather boots, and a belt of bronze bells. They are to protect their beasts from all harm or evil, carrying rope lassos known as sohas, to also wrangle a pretty women’s interest. These characters complement each other, as the Mamuthones do not interact with the crowd with slow, heavy steps and the Issohadores skips across the road vivaciously.
The “nightmares” will begin their showings in a town known as Mamoiada or Ottana, Italy on every seventeenth of January, which is the saint day of Sant’Antonio Abate, while dozens of bonfires blaze as the spiritual individuals dance all night long. The saint is meant to be the protector of animals and fire, meaning the bonfires that are lit each year is meant to resemble purification and renewal for the upcoming seasons. At the end of the parade, everyone returns to undress and become men again. At this time, anyone is welcomed to join, and the wine begins to flow.
No one really knows of a Mamuthones origin. They have existed in Mamoiada for so long that people believe the town took the name itself. These individuals full-hearted bleed “born to be Mamuthones.” It is considered a collective soul for Sardinia, especially since this festival occurs more than once throughout the year. One of the many interpretations of this carnival is the pace of the Mamuthones being seen as a pre-christian dance in sport of the vegetation God, Dionysus, who dies in winter and is reborn in spring to bring rain and fertility. Another belief is that the Mamuthones are an animal metaphor with bells showing a bond between the shepherd and animal, their shared destiny of field working, and mountain roaming. Another example that is among the popular is that the parade exemplifies what came of Sardinia’s history, with the bells being the domination of land, the Issohadores being the exotic invaders, while the Mamuthones are the Sardinian prisoners shaking their bells of pain and suffering.
The locals are content with their Mamuthones continuing on their tradition. Every ancient parade still lives on in many museums which hold Sardinia’s best costumes or masks, statues, and even frescoes on walls. Though, it can be a little terrifying to see these costumes while exploring the monolithic stones of the Sardinian people on the holiday’s off season, but it is otherworldly when you see the event in person.
You can obtain this information by clicking on the right product at the store;)
Anybody out there thought of seeing the date of upload before attacking me this way?!
30 days ago Difference !!!
Base my skin: my outhers 20 skins, Polly also my first doll collection dated May 2010, and has even exposure of teeth. my experience designer faces, sugar face of the singer Cassie, and outhers sugar faces, draw, my hands, my good eyes and very much patient ;)
ATENÇÃO: Acusar alguém sem provas é crime sob pena da Lei de calúnia e difamação!
ATTENTION: To accuse someone without evidence is a crime under penalty of the law of libel and defamation.
________________________________________________________________
RESPONSE MOCHI MILENA FOR IT:
Hi everyone.
First of all. I really appreciate Verinne for being aware and cautious.Store owners really owe it to our customers for alerting us when they think they see something copy botted or stolen so the rightful owner can take action.
Regarding the similarities between Jolie and Elly. Nany and I talked and I'm going to post what said on plurk in more detail.
I myself have stated several times to people who have questioned me on plurk that I do not think Nany copybotted my skins at all. I honestly think we probably drew from similar inspirations of the dolly cute look which often is characterized with a cupid-bow like mouth that extends at the sides and a full lower lip (an effect created by emphasizing the lower lips with a dark shadow at the bottom). Nany said that she drew inspiration from the singer Cassie, I drew inspiration from ball joint dolls as well as Final Fantasy characters.
I have been working on Elly since May, posting work-in-progress pictures on flickr since June (Nany did favorite some but the skin itself was not available to the public in-world yet) . Elly was still in BETA status for those months since May, and still is unreleased. It would be outright impossible for anyone to copybot this skin because only myself and a few friends I trust actually had a copy of it in-world before the preview release. Unfortunately, after I released my "Broken Hearts Bleed" skin as a preview to the public in July, it was already ripped and distributed on a forum for others to download. But this happened after Nany released Hannah and Jolie.
I myself have looked at the Jolie and Hannah skins and I do not think they are identical in pixels. Similar yes but probably due to sources of inspiration as stated above and wrestling with the SL mesh. Identical and copybotted? No. Regarding teeth placement and outer lip corner and size. Unfortunately due do the limitations of the SL avatar mesh, there is a limited area and space where you can draw teeth without it stretching, blurring or looking too beaver-like. Same goes for eyebrow placement. I received criticism for Ember's eyebrow placement because it caused difficulty in adjustment for those that wanted more of a higher arched eyebrow without getting that thickness effect that is caused when you raise the eyebrows under Appearance Mode. I changed the eyebrow placement for Elly to a spot that I felt worked better with the SL mesh. Of course, more advanced skin makers have probably found this area as well.
So lastly. Elly was not ripped to make the Jolie/Hannah skins. Nany and I had similar ideas and inspiration. But we executed them differently in our own styles when you look at the specific details of each skin.
You can IM me in-world if you want speak more to me about it.