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Mit einigen Studenten meines Typografie-Seminars im 2. Semester der Kunstschule Wandsbek besuchte ich am 12. August 2013 den Spiegel-Verlag.
Foto: Michael Wassenberg, Typografie-Dozent
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Iris Krüger, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Verena Laumer, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
A fine catalogue showing a wide range of a printer's standard range of vignettes and ornaments and issued by the Leipzig based typefoundry of J.G. Schelter & Giesecke. Undated it includes specimen adverts dated to 1898 and it is mentioned in various German printing periodicals as being available in the latter half of 1899.
Many of the items are wonderfully 'arts and crafts' in style, along with examples of late Nineteeth-Century German romanticism that have a strong feel of what was to become known as Jugendstil. The company were both a typefoundry and a manufacture of printng presses that dated back to 1819. Based in the important printing city of Leipzig the company was nationalised by the new East German state in 1946.
I have scanned a selection of pages from this lovely catalogue; two pages are missing but, given its age and its use, that is neither unusual nor unexpected. The plates usually show a selection of the vignettes and ornaments along with their catalogue number and set in fictitious 'adverts' and settings simply to show how they may be used. As noted above they are so much of their time; strongly romantic in style and often displaying Jugendstil motifs that in a few years would be considered alongside the Arts & Crafts and Art Nouveau movements. They are also likely set in various of the company's typefaces.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
A fine catalogue showing a wide range of a printer's standard range of vignettes and ornaments and issued by the Leipzig based typefoundry of J.G. Schelter & Giesecke. Undated it includes specimen adverts dated to 1898 and it is mentioned in various German printing periodicals as being available in the latter half of 1899.
Many of the items are wonderfully 'arts and crafts' in style, along with examples of late Nineteeth-Century German romanticism that have a strong feel of what was to become known as Jugendstil. The company were both a typefoundry and a manufacture of printng presses that dated back to 1819. Based in the important printing city of Leipzig the company was nationalised by the new East German state in 1946.
I have scanned a selection of pages from this lovely catalogue; two pages are missing but, given its age and its use, that is neither unusual nor unexpected. The plates usually show a selection of the vignettes and ornaments along with their catalogue number and set in fictitious 'adverts' and settings simply to show how they may be used. As noted above they are so much of their time; strongly romantic in style and often displaying Jugendstil motifs that in a few years would be considered alongside the Arts & Crafts and Art Nouveau movements. They are also likely set in various of the company's typefaces.
A fine catalogue showing a wide range of a printer's standard range of vignettes and ornaments and issued by the Leipzig based typefoundry of J.G. Schelter & Giesecke. Undated it includes specimen adverts dated to 1898 and it is mentioned in various German printing periodicals as being available in the latter half of 1899.
Many of the items are wonderfully 'arts and crafts' in style, along with examples of late Nineteeth-Century German romanticism that have a strong feel of what was to become known as Jugendstil. The company were both a typefoundry and a manufacture of printng presses that dated back to 1819. Based in the important printing city of Leipzig the company was nationalised by the new East German state in 1946.
I have scanned a selection of pages from this lovely catalogue; two pages are missing but, given its age and its use, that is neither unusual nor unexpected. The plates usually show a selection of the vignettes and ornaments along with their catalogue number and set in fictitious 'adverts' and settings simply to show how they may be used. As noted above they are so much of their time; strongly romantic in style and often displaying Jugendstil motifs that in a few years would be considered alongside the Arts & Crafts and Art Nouveau movements. They are also likely set in various of the company's typefaces.
The title page notes that the company are "Kunstanstalt für druck ausstattung " - roughly translated as a 'concern for printers equipment'.
Konzeption und Gestaltung
eines Veranstaltungsplakates
im DIN-A-1-Hochformat.
Karolin Berndt, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
A fine catalogue showing a wide range of a printer's standard range of vignettes and ornaments and issued by the Leipzig based typefoundry of J.G. Schelter & Giesecke. Undated it includes specimen adverts dated to 1898 and it is mentioned in various German printing periodicals as being available in the latter half of 1899.
Many of the items are wonderfully 'arts and crafts' in style, along with examples of late Nineteeth-Century German romanticism that have a strong feel of what was to become known as Jugendstil. The company were both a typefoundry and a manufacture of printng presses that dated back to 1819. Based in the important printing city of Leipzig the company was nationalised by the new East German state in 1946.
I have scanned a selection of pages from this lovely catalogue; two pages are missing but, given its age and its use, that is neither unusual nor unexpected. The plates usually show a selection of the vignettes and ornaments along with their catalogue number and set in fictitious 'adverts' and settings simply to show how they may be used. As noted above they are so much of their time; strongly romantic in style and often displaying Jugendstil motifs that in a few years would be considered alongside the Arts & Crafts and Art Nouveau movements. They are also likely set in various of the company's typefaces.
Konzeption und Gestaltung
eines Veranstaltungsplakates
im DIN-A-1-Hochformat.
Ronja Jensen, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Konzeption und Gestaltung eines Veranstaltungsplakates
im DIN A-1-Hochformat mit – möglichst ausschließlich –
typografischen Mitteln.
Christiane Hagge, 3. Semester
Sommersemester 2013
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Nina Hamel, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Konzeption und Gestaltung eines Veranstaltungsplakates
im DIN A-1-Hochformat mit – möglichst ausschließlich –
typografischen Mitteln.
Lisa Sellenthin, 3. Semester
Sommersemester 2013
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Karolin Berndt, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Jan Bach, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Bennit Geertz, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Veranstaltungsplakates im DIN-A-1-Format.
Nadja Scheffler, 3. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Veranstaltungsplakates im DIN-A-1-Format.
Isabella Fischer, 3. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Poster der Kampagne für Menschenrechte in Äthiopien (1978-79)
Für die Kampagne zur Menschenrechslage in Äthiopien (November 1978 - Januar 1979) hat Amnesty International USA dieses Poster produziert.
Das Poster zeigt eines von tausenden Opfern, das in der Hauptstadt Addis Abeba während der "Roten Terror"-Kampagne getötet worden war.
Text des Posters: "Red Terror; November 1977 - June 1978. Addis Ababa"
Der "Rote Terror" in Äthiopien war eine gewaltsame politische Kampagne, die vor allem sichtbar wurde nachdem der Kommunist Mengistu Haile Mariam die Macht von der Derg (der Militärjunta) übernommen hatte (3. Februar 1977)
© Amnesty International
Grafikdesign: Claire Francis
Ein Inserat und Tausend Registrierte auf der Website. Das ist gutes Design:
Grafik Hotline Bern: +41 (0)31 508 04 05 oder info@aloco.ch
A fine catalogue showing a wide range of a printer's standard range of vignettes and ornaments and issued by the Leipzig based typefoundry of J.G. Schelter & Giesecke. Undated it includes specimen adverts dated to 1898 and it is mentioned in various German printing periodicals as being available in the latter half of 1899.
Many of the items are wonderfully 'arts and crafts' in style, along with examples of late Nineteeth-Century German romanticism that have a strong feel of what was to become known as Jugendstil. The company were both a typefoundry and a manufacture of printng presses that dated back to 1819. Based in the important printing city of Leipzig the company was nationalised by the new East German state in 1946.
I have scanned a selection of pages from this lovely catalogue; two pages are missing but, given its age and its use, that is neither unusual nor unexpected. The plates usually show a selection of the vignettes and ornaments along with their catalogue number and set in fictitious 'adverts' and settings simply to show how they may be used. As noted above they are so much of their time; strongly romantic in style and often displaying Jugendstil motifs that in a few years would be considered alongside the Arts & Crafts and Art Nouveau movements. They are also likely set in various of the company's typefaces.