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My diffuser. Still a work in progress.
I've seen the styrofoam bowl diffusers and I think they are too big and bulky. I wanted a slimmed down version so I adapted that. I took a piece of styrofaom used to package meat (not chicken) in the super-markets. I cut a piece 4" x 6" and cut a hole the size of my Canon S5 lens adapter tube and slipped it over in front of the flash. This worked pretty good until I changed to macro. Then I needed to cut a new piece with a different size hole to fit over that lens..oh boy.
So, I then took an old inkjet refil bottle (flexible plastic) and cut a slot to fit over the flash. Viola` .. I could use this flash in any mode, with any lens..
Then I started experimenting (look out) and put a piece of kitchen paper towel over the end secured with a rubber band. I called it the Twice Diffused diffuser. I used that since late winter.
I recently cut the bottom of the bottle off, covered the end with a paper towel, and lined the inside with aluminum tape (found at hardware stores)
Recent pics are with this diffuser or adaptations and I may go back to the Twice Diffused diffuser.
Back Light A Bit Too Much For The BB.
Thorndon North, Brentwood, Essex.
June 26th 2010.
BlackBeryy Bold 9700.
Edited to mono and border added in Photoshop.
[decluttr black] [decluttr white]
IMG00346-20100626-1156_edit_web
Tried to accentuate the haze here. At the northern tip of Leelanau Peninsula, looking WNW out into Lake Michigan.
I wanted a diffuser for my flash, and I was feeling crafty. So, I built one. It's made of cardboard, nice white paper, gaffers tape, duct tape and glue, and it took me about 3 hours to design and build.
For the back, I used the good stuff: gaffer's tape. This is what duck tape looks upon with envy. It's got real fabric, and the glue doesn't dry out like on the crappy sliver stuff. I folded the bouncer into position when I put this tape on, then used my fingernail to press the tape into the seams when it was flat. I then covered the entire back in gaffers tape. After I taped it, I went around the outside with a black sharpie, `cause I'm a wanker.
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This photo accompanies Figure 47.—Iron concentration with a diffuse boundary. [Field Indicators of Hydric Soils in the United States].
Inset: An iron concentration with a diffuse boundary exhibited by bright colors in the center of the concentration and a lighter color away from the center. The descriptive term "diffuse" is used to describe redoximorphic features that grade gradually from one color to another. The color grade is commonly 2 mm or more wide.
Soil Profile: This soil qualifies for indicator A11.—Depleted Below Dark Surface and S5.—Sandy Redox.
Note: The term "dark surface" is used with many indicators. Each indicator should be reviewed for a specific definition. Color requirements for a mollic or umbric epipedon most often does not meet the specific requirements of a "dark surface" indicator. These diagnostic surface layers used with Soil Taxonomy require a moist color with value or 3 or less and chroma of 3 or less.
"Dark surface" as used with the field indicators commonly requires a value of 3 or less and a chroma of 1 or less (or in some indicators 2 or less with increasing redox features).
This soil is in the Osier soil series (Typic Psammaquents). The Osier series consists of very deep, poorly drained, rapidly permeable soils formed in sandy alluvium.
Landscape: Osier soils are on flood plains (wooded area in photo background) or low stream terraces (photo foreground) of coastal plain river valley systems. They formed in recent sandy alluvium. They are subject to frequent or occasional flooding for brief to very long periods. They are classified as Typic Psammaquents. Most areas of Osier soil are in forest. The vegetation consists primarily of sweetgum, blackgum, water oak, red maple, swamp holly, bay, slash pine, and longleaf pine. The understory vegetation is mostly briars, vine, canes, myrtle, and gallberry.
k-x + smc PENTAX M 1:2.8 100mm f/11.0 1/640sec. ISO 1600
逆光で水面の乱反射に挑戦。smcも二代目のMレンズになるともう逆光なんかものともしないのね。多分初代の135mm f3.5
だともっとコントラスト落ちるかも。
Dramatic effect if you take off the diffusors from the flashes at the same distance as the previous image.
Using Fstoppers diffuser on the key light. The reason for the need for the massive minus correction is of course the dark background, that will confuse the TTL matrix metering. Even the Fill Flash will contribute to lowering the output from the key light flash, provided that also this flash delivers a preflash for measuring - which I believe it does.
NiTEC’s diffused nickel plating process is the highest standard for corrosion resistance via the plating process.This method of nickel plating is so resistant to corrosion that it is suitable for marine environments. Mild steel plated using the diffused nickel plating process can be given a 30 year sub-sea guarantee.
An amazing and weird foggy morning on my way to work the other day. I could've spent hours shooting the sun this way, but I could only afford to spend just a few minutes......definitely worth being late to work!
Canon EOS 50D [modified IR response in Hα range], hooded Sigma EF-S 30mm ƒ/1.4 EX DC HSM prime [ø62mm] @ ƒ/1.4, 3.2 sec. exposure, ISO 3200, tripod, 2 sec. delay.
RAW to JPEG conversion in Aperture 3
Trying to learn lighting basics but shooting anything that is transparent or clear glass is, the, most challenging. You need to get right background, highlights, edges of glass etc. Trying to learn from Strobist blog and plenty of other videos from Youtube.
For above shoot, used white paper behind & at base plus on camera right and left as well for reflections. Used Stofen Omni bounce diffuser on SB-600. Flash is held above bottle just outside frame and beam targeted behind on white paper. Although used custom (preset) whitebalance on D80, somehow image came out with bluish tint so need to find something else which is more pure white. I am definitely looking for acrylic sheet now....
An Epic ride on the back side of the San Gabriels two Hilsens and lots of water and into the great beyond.
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