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ASHBURN, Va. -- It would be wrong to blame Monday’s loss to the Dallas Cowboys on Washington Redskins quarterback Kirk Cousins. It would not be wrong to think he could have done more to help them win.
This wasn’t about stats: Cousins’ numbers were solid as he posted a 101.4 passer rating. But that also shows how unreliable that statistic can be, because it suggests a terrific game. That wasn’t the case as it does not factor in some missed chances.
But also keep in mind that Cousins led two scoring drives at the end of the half and the game for 10 of their 16 points. He completed nine-of-12 passes on third downs, converting five into firsts (they had five third downs where they needed at least 10 yards). Cousins didn't lift the play of others and played a rather pedestrian game, but the main issue offensively remains the running game.
Here’s a little look at his game overall:
Throw I liked: The completion to Pierre Garcon on third-and-14. For starters, the line gave him time to throw against a three-man rush. Cousins looked middle, right, middle, left and back to the middle where he saw Garcon break over the middle for a first-down catch. The throw was a little behind Garcon, but give Cousins credit for hanging in the pocket and finding him. Also liked the 23-yard gain to Garcon when Cousins hit him in stride; well-designed play cleared out the middle. There were a couple bad throws in the game, sometimes with poor footwork. But other times he kept plays alive, sliding outside or scrambling with his eyes still downfield.
Throw I almost liked: This one looked a little dangerous initially, but I credit Dallas cornerback Mo Claiborne for a good play. But Cousins nearly connected with Reed down the left seam. It was a very tight window and Reed got his hands on the ball. But Claiborne, aligned to the outside with Matt Jones in his area, cheated a little to the inside paying more attention to Reed. With Reed a favorite target, perhaps in that situation it might have been better to have a different receiving option alongside Reed, just to keep Claiborne from paying more attention to the tight end. He’s the one who knocked the ball loose.
Missed chance: This one had to bug Cousins and the coaches. On a third-and-7 in the fourth quarter, Jackson had a half-step on cornerback Brandon Carr with no safety over the top. Not sure why, but Cousins seemed to look there, but did not make the throw, instead dumping to the right for Chris Thompson and a two-yard gain, setting up a missed field goal. For those wanting more downfield throws, the Redskins did go deep on two other occasions, both incomplete, to Garcon and Jackson. Both were in one-on-one situations to the outside, and both were missed by less than a yard.
Second chance: Cousins, of course, did go back to Jackson with a perfect ball for the 28-yard touchdown. It wasn’t the same play; this time Jackson ran a go route from the No. 2 receiver position (the middle of three wideouts on the right side).Jackson released to the outside and, with the safety aligned on the left hash (where the ball had been placed), there was no help.
Missed chance, part 11: On a first-and-10 in the second quarter, Jamison Crowder was in the slot to the left. His man blitzed, leaving him solo with the safety. Crowder gains leverage and a shot was there, but Cousins threw to Jackson on that side for seven yards. They still got a field goal, but Crowder had a step.
Against tendencies: The Redskins gained 20 yards on a bootleg pass to Crowder, thanks in part to breaking tendency. They had Tom Compton at tight end and Ryan Grant at receiver. In the past two games, that has meant run on 12 of their 15 plays (and 18 out of 27 for the season), according to ESPN Stats & Information. That’s one reason both safeties were within eight yards before the snap (dropping to a single-high look afterward). Two linebackers ran with Reed as he crossed to his left, leaving a gap for Crowder, against man coverage, on the bootleg. Earlier in the half, the Redskins threw with both Grant and Compton in the game on a bootleg to the left, hitting Reed for 16 yards.
Not sure about: A third-and-17 in the first half on which Cousins looked at Reed the whole way and then threw incomplete on an out route. If Reed had caught the ball, he would have been tackled well short of a first down. On the other side, Garcon ran a deep-in and was open at the 32-yard line for a first down. Now, I don’t know if Garcon should have been part of the progression or not (not every receiver is on every play; there were three targets to the left). If not, against this coverage they might want to add him or at least peek his way.
Red Weasel Media RWM was there to capture the Monday Night Football MNF magic.
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Coverage in the northern Gulf of Mexico provided by the Landsat satellite images shown in this gallery. Backdrop is shaded relief.
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Theme: Clouds
Element of design: Color, it goes from very dark to bright as you go past the vase and up to the clouds.
Principle of design: Emphasis is on the clouds, despite having the flower vase in the middle of the image.
Camera setting: Everything was on auto.
Editing: I used lightroom to mess with the lighting, I really was able to adjust the contrast to help make the clouds pop out.
Why I like this picture: The center object is the flower vase. However, the thing that stands out are the clouds in the back.
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
British Columbia is improving the sustainability of its PharmaCare program by expanding the use of biosimilars, which will create opportunities for new drug listings and boost existing coverage for patients.
Learn more: news.gov.bc.ca/releases/2019HLTH0080-001072
Mingle Media TV's Red Carpet Report host Laura Sirikul were invited to come out to cover at the 33rd Annual PaleyFest event "An Evening with Dick Wolf with stars from Law & Order: SVU, Chicago Fire, Chicago P.D., & Chicago Med on NBC.
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About Dick Wolf and his NBC shows
NBC’s Law & Order SVU follows the life and crimes of the Special Victims Unit of the New York City Police Department, an elite squad of detectives who investigate sexually based crimes.
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NBC'S Chicago PD follows Det. Sgt. Hank Voight, who is at ground zero against the war on crime in Chicago.
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NBC’s Chicago Fire follows Lt. Matthew Casey and brash Lt. Kelly Severide as the pressure to perform on such a high level takes it's toll, sometimes putting team members from the Truck and the specially trained Rescue Squad at odds with each other.
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NBC's Chicago Med follows a courageous team of doctors through the day-to-day chaos of unique cases and fiery relationships.
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About The Paley Center for Media
The Paley Center for Media seeks to preserve the past, illuminate the present, and envision the future through the lens of media. With the nation’s foremost public archive of television, radio, and Internet programming, the Paley Center produces programs and forums for the public, industry professionals, thought leaders, and the creative community to explore the evolving ways in which we create, consume, and share news and entertainment. The Paley Center for Media was founded in 1975 by William S. Paley, a pioneering innovator in the industry. For more information, please visit www.paleycenter.org.
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Follow our host, Laura on Twitter at twitter.com/lsirikul
The arena had a number of booths for media, because of the intense interest in Phelps' possible eighth gold medal. Here, Bob Costas of NBC Sports reads from the teleprompter. On the larger version of the photo, you can actually read the text.
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
UTadeo Coverage ©
Universidad Jorge Tadeo Lozano
Foto: JuliánDBernal © 2010
Todos los derechos reservados.
Follow me on twitter:
©
More Photos UTadeo: www.flickr.com/photos/boletin_ujtl/sets/
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
We continue our exciting coverage of Fate figma I stumbled upon for kind of cheap by looking at Mordred the Saber of Red.
It's always exciting to look at Fate stuff because I really don't find much of it in my price range, but COVID madness has loosened the purse strings a bit I suppose.
Known as the "Knight of Treachery", Mordred is taken from Arthurian legend and is given what I would term a very Jerry Springer anime twist. Introduced to the Fate universe in the Fate/Apocrypha light novel series, with a more recent anime and Fate/Grand Order appearance. Mordred has some severe Daddy issues that in themselves could fill a research paper, so to say she is a complex character is putting things lightly.
On to the figure!
In the box you get the figure, three total face plates (neutral, grinning, laughing), parts to convert her to helmeted form (which apparently is the norm for her), her signature weapon Clarent in both normal and Blood Arthur forms, posing/gripping hands, and the Figma stand.
Much like the vast majority of Fate figures, Mordred has been captured in her battle gear, which consists of armour not unlike what Arturia wears, albeit with more actual armour plating. The actual armour around her lower abdomen is able to freely spin, which helps create more natural looking posing.
Also unlike Arturia, Mordred has quite a few finicky pieces that like to fall off, which is a joy for a guy like me who loses pieces on a shockingly regular basis.
Unsurprisingly, the overall aesthetic of the figure follows the official art work I've seen of Mordred well, with the added bonus of not being overly scrawny due to the presence of bulky clothing and armour, kind of like with the recently examined Pharah.
From an articulation perspective, this figure features the usual hits - ankles, single jointed knees, hips, with thigh twist, waist, mid torso, shoulders with pull out capabilities for improved range of motion, elbow with forearm rotating capabilities, wrists, and head. Her two skirt halves are also provided with a Figma joint a piece to allow for posing options, as well as her pony tail.
Range of motion on the upper body is quite good, and thanks to the pull out shoulders, effectively isn't encumbered by the presence of the armoured shoulder. Unfortunately, the waist and hip area isn't as clean as on Arturia or Pharah, with those two pieces of hip armour on the front and the skirt at the back limiting how far you can rotate the legs up. The short version of what you can do can be summarized as side kicks good, front/back kicks bad.
Due to the design of the hip joints (can't be dislocated) you're also not going to be able to get into a deep lunge like with a Figuarts, but this is not news to any Figma collectors.
Paint is traditionally a very strong point on Figma, and Mordred generally follows suit. The silver that makes up most of her body is smooth, but I do notice some texture difference between the finish on the various parts - whether this is due to material difference or caffeine levels of the workers, I don't know. some ofthe roughest finishes are hidden behind the chestplate, so I'll give them a pass for that.
Masking has areas of uncharacteristic weakness for GSC, with the worst examples being the red stripes on her pauldrons, and oddly enough, the red band in her hair. All other areas were found to be acceptably crisp, of particular importance when you're looking at her Blood Arthur blade.
Finally, in the matter of build quality, the only modern Figma that has pissed me off is that Megumin with it's crap design and ill fitting parts, so it's no surprise that Mordred was of an acceptable quality. Joints, materials, limb length - all good. Seam lines and rougher edges seemed to be easier to spot, though that could be due to the light silver paint - they're Figuarts levels or better, so it's not like they're terrible.
In conclusion, this is another example of the consistency in product collectors have come to expect in a Figma release. Whether you like the property or not, you can count on the figure itself to generally not suck.
Till next time!
Join ITS Tactical for our Live Coverage of the 2012 SHOT Show. Get our live daily updates right from our Website each day of the show. itstac.tc/l9UerY
Join ITS Tactical for our Live Coverage of the 2012 SHOT Show. Get our live daily updates right from our Website each day of the show. itstac.tc/l9UerY
Taken during Champlain College Family Weekend’s event coverage photos at Champlain College in Burlington on Saturday October 22 2022. (Logan Hall-Potvin / Vermont Special Events Photographer)
We continue our exciting coverage of Fate figma I stumbled upon for kind of cheap by looking at Mordred the Saber of Red.
It's always exciting to look at Fate stuff because I really don't find much of it in my price range, but COVID madness has loosened the purse strings a bit I suppose.
Known as the "Knight of Treachery", Mordred is taken from Arthurian legend and is given what I would term a very Jerry Springer anime twist. Introduced to the Fate universe in the Fate/Apocrypha light novel series, with a more recent anime and Fate/Grand Order appearance. Mordred has some severe Daddy issues that in themselves could fill a research paper, so to say she is a complex character is putting things lightly.
On to the figure!
In the box you get the figure, three total face plates (neutral, grinning, laughing), parts to convert her to helmeted form (which apparently is the norm for her), her signature weapon Clarent in both normal and Blood Arthur forms, posing/gripping hands, and the Figma stand.
Much like the vast majority of Fate figures, Mordred has been captured in her battle gear, which consists of armour not unlike what Arturia wears, albeit with more actual armour plating. The actual armour around her lower abdomen is able to freely spin, which helps create more natural looking posing.
Also unlike Arturia, Mordred has quite a few finicky pieces that like to fall off, which is a joy for a guy like me who loses pieces on a shockingly regular basis.
Unsurprisingly, the overall aesthetic of the figure follows the official art work I've seen of Mordred well, with the added bonus of not being overly scrawny due to the presence of bulky clothing and armour, kind of like with the recently examined Pharah.
From an articulation perspective, this figure features the usual hits - ankles, single jointed knees, hips, with thigh twist, waist, mid torso, shoulders with pull out capabilities for improved range of motion, elbow with forearm rotating capabilities, wrists, and head. Her two skirt halves are also provided with a Figma joint a piece to allow for posing options, as well as her pony tail.
Range of motion on the upper body is quite good, and thanks to the pull out shoulders, effectively isn't encumbered by the presence of the armoured shoulder. Unfortunately, the waist and hip area isn't as clean as on Arturia or Pharah, with those two pieces of hip armour on the front and the skirt at the back limiting how far you can rotate the legs up. The short version of what you can do can be summarized as side kicks good, front/back kicks bad.
Due to the design of the hip joints (can't be dislocated) you're also not going to be able to get into a deep lunge like with a Figuarts, but this is not news to any Figma collectors.
Paint is traditionally a very strong point on Figma, and Mordred generally follows suit. The silver that makes up most of her body is smooth, but I do notice some texture difference between the finish on the various parts - whether this is due to material difference or caffeine levels of the workers, I don't know. some ofthe roughest finishes are hidden behind the chestplate, so I'll give them a pass for that.
Masking has areas of uncharacteristic weakness for GSC, with the worst examples being the red stripes on her pauldrons, and oddly enough, the red band in her hair. All other areas were found to be acceptably crisp, of particular importance when you're looking at her Blood Arthur blade.
Finally, in the matter of build quality, the only modern Figma that has pissed me off is that Megumin with it's crap design and ill fitting parts, so it's no surprise that Mordred was of an acceptable quality. Joints, materials, limb length - all good. Seam lines and rougher edges seemed to be easier to spot, though that could be due to the light silver paint - they're Figuarts levels or better, so it's not like they're terrible.
In conclusion, this is another example of the consistency in product collectors have come to expect in a Figma release. Whether you like the property or not, you can count on the figure itself to generally not suck.
Till next time!
UTadeo Coverage ©
Universidad Jorge Tadeo Lozano
Foto: JuliánDBernal © 2010
Todos los derechos reservados.
Follow me on twitter:
©
More Photos UTadeo: www.flickr.com/photos/boletin_ujtl/sets/