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From the museum label: Saint Peter was fleeing the persecution of Christians in Rome when he encountered a vision of Christ. When he asked, 'Domine quo vadis? (Lord, where are you going?), Christ replied that he was going to Rome to be crucified for a second time. Peter then returned to Rome to face martyrdom.
Annabale Carracci. Museo Nazionale, Napels. Afb. 65 in: PANOFSKY, Erwin (1930). Hercules am Scheidewege und andere antike Bildstoffe in der neueren Kunst. B.G. Teubner, Leipzig/Berlin.
A print from the Bowyer Bible, a grangerised copy of Macklin's Bible in Bolton Museum and Archives, England.
Lodovico Carracci,
(b. 1555, Bologna, d. 1619, Bologna)
The Trinity with the Dead Christ
c. 1590
Oil on canvas, 173 x 127 cm
Pinacoteca, Vatican
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This wonderful museum is among the highest expressions of the fifteenth-century painting and shows the wonderful frescoes of the school of the Carracci brothers.
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THEATERS OF THE BODY AFTER CARRACCI, MICHAELANGELO AND SADE (1999)
Walter Goldfarb
(Brasil 1964)
In an artistic and religious environment as conducive to Passionist themes as was Seville in the 17th century, they are, however, an uncommon theme in Murillo's works. For his composition, he had Flemish painting as a reference, widely spread through engravings. This scene also recalls work of the Italian, Annibale Carracci, author of several well-known versions of the Piety around 1600. The presence of several friars from Granada in the community influenced this composition, which makes reference to their patron saint, the Virgin of Sorrows. At an unknown time, possibly in the 19th century, this painting was damaged, with the upper part being lost. Anunciación is shaped like this today, since the two works were companion pieces.
Santa Maria del Popolo.
Commissioned by Sixtus IV in 1472 and completed in 1477.
Cerasi Chapel - two Caravaggio paintings from 1601 -
Crucifixion of Saint Peter
Conversion of Saint Paul.
Centre is The Assumption of the Virgin, by Annibale Carracci.
From the museum label: Four women lament over the body of the dead Christ. The Virgin Mary swoons, her pose echoing that of her dead son. On the right, Mary Magdalene raises her hands in grief, while Mary, the elderly mother of James, her eyes red with sorrow, gestures in concern for Christ's mother.
The story of the Holy Family's flight was one of the most popular apocryphal legends which survived the prohibitive decrees of the Council of Trent and often appeared in painting from the end of the sixteenth century. Caravaggio's idyllic painting is an individualistic representation of this.
The artist ingeniously uses the figure of an angel playing the violin with his back to the viewer to divide the composition into two parts. On the right, before an autumnal river-front scene, we can see the sleeping Mary with a dozing infant in her left; on the left, a seated Joseph holding the musical score for the angel. The natural surroundings reminds the viewer of the Giorgionesque landscapes of the Cinquecento masters of Northern Italian painting, and it is fully imbued with a degree of nostalgia. Contrasting the unlikelihood of the event is the realistic effect of depiction, the accuracy of details, the trees, the leaves and stones, whereby the total impression becomes astonishingly authentic. The statue-like figure of the angel, with a white robe draped around him, is like a charmingly shaped musical motif, and it provides the basic tone for the composition. It is an interesting contradiction - and at the same time a good example for the adaptability of forms - that this figure of pure classical beauty is a direct descendant of Annibale Carracci's Luxuria from the painting "The Choice of Heracles"
The Angel is playing a motet in honour of the Madonna, Quam pulchra es..., composed by Noël Bauldeweyn to the words of the Song of Songs (7,7) with the dialogue between Groom and Bride.
Source: Web gallery of Art
www.wga.hu/html_m/c/caravagg/02/13fligh.html
en.wikipedia.org/wiki/Rest_on_the_Flight_into_Egypt_(Caravaggio)?fbclid=IwAR0NOhweddJZd6oy3c1151ujmszYXOysoJvZl808_uzoNvj4TWaCdOHY1nY
onepeterfive.com/caravaggio-flight/?fbclid=IwAR21lzERjYgj...